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Mateuš Conrad Sep 2016
one - i don't understand why saying "it's the 21st century" is somehow seen as a compensation for 20 centuries of our inhumanity, or a case of: only improvements reside in us - seems just as false to say - men can overcome angels, as stated by the first Christians... yeah, we can do miracles with technology and ultra-secular communication dynamics - discarding the existence of such beings resulted in hen parties with plastic wings and halos... what a great method to discard such being, and subsequently appropriate their features, if ever needed, but altogether unnecessary... two - that disrespecting heterosexuality aligned with the power of science has made it altogether a pointless endeavour in re-enacting the monogamous nature of swans: if we can breed the many perversions, ahem, deviations, we surely require en equal share of respect, before science undermines any deviations into an economic format of breeding pure heterosexual contingencies... three: who the hell said i was throwing anyone off a roof? i was just curious about the slack pressurising the alias big brother / grey matter dictator into teaching us language, then to later make us into a Koranic cyclops or having to sway one side, but not the other, teaching us vocabulary in school, but robbing us of a fluidity of language beyond school, in society... any rational man would say: just teach me the knuckle, the stone and the stick to express my manners... because, to be frank, i'm not into faking being civilised, just teach me to be a barbarian from the start, don't dangle the magic carrot in front of my eyes when it's a fake... teach me the barbarism you want to suppress later on in life: i'm not into being Dolly 2.3419, and an attache to a sheepdog for herding purposes to take it up the **** and shut up: because a member of Parliament did it to me aged 14; for example.

subjectivity is doubled attacked, it's not the merely rationalist
approach of an objective side of things,
i could understand tiresome efforts
Chinese politics while walking
the tourist plot on the great wall -
in a society that's seismically acknowledging
social or whatever coherence,
i find it a bit of limbo of paraphrasing
trans - or trans-physics, or the active
way to usurp metaphysics, by deviating
from thought as an activity, and more
how words are sense datum co-ordinates
that are like dictators: because it just, feels,
funny, and, offensive. ***** vocabulary,
that's what i call it... after a while you concentrate
on what ****** you off, first the educational
autocracy teaches you a vocabulary,
then come the St. Thomas' terrorists with:
you need to revise your vocabulary...
like **** that'll happen, you don't own
language, i don't own language, you're
little fascist agenda to censor such awoke
the boy that was supposed to wake Barbarossa
from his slumber with the cry: crows! crows!
a cloud of crows! funny how the eagle is a
failed emblem for empires, and the crow isn't...
mind you, the English succeeded with
an empire half-and-half: a lion and a unicorn...
i'd guess as much with a monkey and
a centaur, or at least a Cerberus - something
mythical - well, sure, the Poles are attacked
in Britain... but ever hear about the Scot
being attacked in an English village?
a Scot was attacked just the other day,
because kilts were deemed offensive...
so trans-gender is good, meta-gender is:
had a wee t'ink 'bout it...
   robots start with the pronoun use: one...
royalty start with the pronoun use: we...
                 and in between we have paranoid
they and we... and insecure you and i -
or as e. e. cummings would have it:
    *i say no world
                 can hold a you
   shall see the not
             because
  and why but
                          (who
        -
true, but as much of not is entanglement
              with knots - or ought to tries -
  to not or to knot and be -
                              Shakespeare also said:
  funny how i was born neo-liberal,
millennial tattooed - and fake-left...
   i hear the right is a tsunami of focus these days,
all the generation Z are buying into
obstructing gay-marriage, and are adamant
   on not abusing pronouns - hence the current
revival in grammar school education in England -
they don't drink, i.e.: taking psychopathic gambles,
they're prone to social-media overdoses
rather than succumbing to excess ecstasy and palpitation:
i had 190 "friends"... let's just call them vantage points...
   sheered that social media sheep: only 13 left...
but at least objectivity outright says:
       subjectivity is subhuman, science taught us
that subjectivity is the fire between two flint stones,
all in all necessary - but objectivity said:
             two flints! two flints! no fire!
what attacks subjectivity is not objectivity,
it's satire... to humanise everything: good or bad,
with a standard of humour... well... telling a sad
joke to later tell the same sad joke by satirising it...
punch in a face; because there are only so number of
things that are funny in life... the English language
doesn't seem to understand that even the odd chance
of black humour, will not lift the spirits of those,
who, quiet frankly, don't want to be humoured...
the only humour left is not to provision the public
with barbaric satire, sometimes empathy will do,
because it's emphatic humour,
   it's Godot's roundabout humour: the shared experience.
laughing for the sake of laughing is
             a cry from apathy's lost interest in
being pardonably dasein - laughing at all the truthful
autobiographic desecrate is apathy's last
chance to impress: but how foul it all sounds by then...
   the western version of buddhism suddenly feels like
  a taste of pears in november: not sour, not bitter...
just maggoty foul - yucky goo
                  of a plum-shaded rouse of the skin
tinged hue after contact with knuckle and knee.
  but they attacked a ******* Scot in an English village,
because of a kilt...
                                   he knows the strand of ganging up
in hyena numbers and then the celebratory drink
of compensating conscience - they'll sooner accept
     a trans-gender dunno'h than a hot-blooded
heap of tartan - ever ask the homosexuals what
they think of St. Thomas' gospel?
              i think: too much, too early, too innocently.
and if they tell you: speak differently!
they will, i'm ****** sure they will want to
control your grammar without any specialisation -
you'll wonder: summer in Syria?
                     because as racism goes,
they attack the difference, and the difference is only
skin deep, like they did with the Afros of Kentucky,
the Kentucky Afros will spring right back,
    because the abuse was only skin deep,
therefore their soul was enlarged, and they'll
play the blues, and the jazz, and rap, and break-dance...
but if the abuse goes to the depth of soul...
in that it's soul-deep...
                                and because it's white v. white...
it will ferment, and nothing positive will come from it...
no jazz, no blues... nothing of cultural importance...
   it will be haggled in the political market
to the point where both sides will find it utterly
unbearable: and then start to sheer their skins...
        you won't get anything from this soul-deep
attack... if the holocaust is what it felt like,
            then this is a minor post-holocaust episode,
a reminder...
                          and by god, i thank god
for the fact that the Picts are involved -
                                                            whe­re to now?
O Imperium Gladstone paraphrase?
                            it will be hard to beat the unicorn -
all empires donning the eagle duly fail -
centaur and a frog? maybe next time.
Mateuš Conrad Dec 2016
you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay

is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.
René Mutumé Jan 2014
(and I don’t know why we are mongrels in our heart,
but hell… Lets ask em-

Roman nose.
Broken.
pug shaped unheard of thought ******* away cos
its been awoken by high rising spirit,
but call it anything, call it the breaking of your phone
that’s replaced by another when you feel a chorus stretching
into your ***** gut when they speak, just calling…

blown away from thalidomide arms of private growths
death from long ago neither feminine nor masculine
posture of slumped morning brighter than split stare
of obliterated ***** hit gently hard and lit
my heart knows: my sheets are a poor excuse
for where the room suffers our corporeal rage
in our calming conversation

within country stare of effortless green, some:
knowingness, perceives madness from outside
its woven hands so accepted in the city as it cries,
and walks together; shed upon from all parts of its locking voice
a union within the falling parts, of islandeque love
when rising to hard abyss pardoned when nurtured,
fate, a toothless, small, finishing chew

smothered out from car fume; Buddha can’t speak anymore
birds can’t speak anymore, even the locksmiths have words
without need; i stop in a graffieted place, my veins happy
to just sense: home: proto – home, before…

with whom there is a consensus in the lewdness, rabid as 6pm
is; opened by wild cooked silk until it is made, and
ready, I’m shattered, my bloodiness has no body, none,
worth me jacking it all in, or talking, about new governments,
ours-

explosives walking through arcs of dimmed light
intoxicants highlighted in fading windows, brimming and walled open
beneath my feet, i would run, i would strip
open, the exhausted car parts
yelling, but the impermanence, of us, is the grey ebb
and flow, of engines colouring, this city, impassable
by our actions- full of Bachiacic choice, stopped at the
gate dead, when anything wants to speak inside our home,
apart from your voice, and mine

and i did not know, that cities were so moveable and
pleasurable, and that madness is always correct when animals cling
in agreement; Karma of infinite silence between them when needed-
rebearing low glance into imploding music
down past eye, oesophagus, stomach gently reseeding
hands of movement, dust spokes of haphazard drivers
like the proof in the wetness of the most lifelike dreams that
humanise the raven infancy of the winters blood

insight baked by the sun’s finally accepted sea
in clay, where we must adore what we create from our hands,
and adore the cinders of its coldness as things that can
be anything with any touch; the holograms choice in emotion
the: ‘I’:

only a background chorus
of floating crickets when we whisper, torture moons losing there grip amongst
the unsolid shapes, passing, us, as we walk through,
universal… ‘axioms’, summiting, to a peak, near the soul, when raw, but never there;
we must speak about ‘all or nothing’, in a different way, instead
as the pattern is completed by: ‘immersion’, two servants of the
womb, a judge, and a convict, and the jury broke and sprinkled
across the horizon where we walked like my grandfathers ashes

we don’t gibe, the rest, if we get there
we won’t look across the heard and pick out the
leprositic ways that are outside of our own, there is no
pride, there is no ‘knowledge’ of pride, there’s only
a proto-home, there’s unsaid gasp of what we shall eat
from the flawless flow of the weeks hard work, where we asked for no
prairie, hell, we didn’t even ask for a ticket flattened into a card
that’ll pay for it all
but hell, that’s ok

it’s a while till pay day,
but hey, i’m happier than a slave being paid in the rip-tide of several
monks and maidens authoring where i’m sold
in awesome gloom- one finds themselves a violin
even if they can’t play, even if, they have no limbs
most times, those too
go, or jitter when you don’t want them too in the middle
of the gala
i have already trusted them to you, however;
so, i’m sold, and happy.

As our grave has no flowers yet.

And we are the flowers upon that grave.

And we are the owl howling.

At that grave.

And we are the grave eaters.

And the only.

Animals.

Who can stop them.
Life's a Beach Sep 2013
I miss you.
The words cut thin, into
what is merely
the tip of this iceberg of hurt.

I stare blankly at the message box,
agonising over the three words...
untyped,
and as yet,
unsaid.
They are so much truer than the ones
already handing there, on the internets
metaphorical hook:
clique,
calculated,
unneeded and without emotional depth.

"Hey, how are you?"

The words are practically part of the set
of desperate messages I have
wanted to send you,
which would surely have rendered me
wholly unattractive to you.

You make me feel as desirable as poo.

No replies, mixed with affectionate goodbyes,
the sighs you make are surely lies,
when you say that you want to see me.

I'm feeling used, my good nature abused
of it's inability to feel suspicion
over your rendition of first loves
broad script.
Yet I leave my sense behind your
lips
which are locked with the key of
my obligingness.
My wish to try to humanise your
cockiness.

I sometimes wish you'd pay more attention
to the descent of me into madness.

This bewitching and beguiling madness,
so unlike the alternative.

The madness in the way you bridge the
gap between us,
an enthusiastic run of fun, and longing
for me.

The madness in the way you seem to
see me.
A sensual creature of beauty, perhaps
my blindness was from the serenity I
seemed grasp from your gaze.
You don't see me, but I'd be lying if
I didn't wish for that to be what I
am to thee.  

You leave me walking around in a daze.

I don't know whether that's a good or a bad thing,
but I know that all you have to do is ring
and I'm there,
I swear I am despicable as I seem.
Because, honestly, I still don't dare dream
that you may wish for this,
something other than my
'heatmaking' kiss.

I hope I can be brave enough to miss you.

But I don't think I can be just yet,
I'm not exactly playing hard to get.  

*enter
Beginnning was written a couple of months ago, the rest is written now. The change of perspective is much more cynical and clear, it's definitely written from a reminiscing me.
Mateuš Conrad Apr 2016
the empathy test

or as they say in psychiatry the cul de sac of theories -
someone selfless, comes in and doesn't speak
about himself, says he went back to his
country of birth and cared for
his grandmother for a month,
immediate discharge, immediate discharge,
hey who's the kid looking the part
of *hey presto
, hmm?
me... the empathy shoreline,
no psychiatrist is trained in spotting it,
the narcissism of closed door
psychoanalysis fears empathy more
than the standard Oedipus,
never mind the deity of solipsism,
psychiatry isn't as revolutionary as
you might think...
i gave psychoanalysis a joke, me,
i wanted a game...
i liked backgammon more than chess,
no crown too dear for a loss of,
so i played about five psychiatrists,
none of them got the game,
they even invited students
to inspect me - that didn't help either,
well-read as i was i ended
treatment with the word façade -
i had read Kierkegaard, she asked me
where i drank, in a pub she asked?
oh no, no no, in Bower wood,
at night, i drank with ninja tactic of not
being spotted - i drank in the woods
half naked...
immediate discharge - ha ha ha aha ha!
i liked playing games with psychologists
and psychiatrists, they're fun buddies
of maturing children...
but they're hardly intelligent enough to
compromise on facts, they're like
soldiers in the first world war
trapped in the trenches of Belgium,
i'd pity them had they
not the respectable income
to see opera or go to a theatre...
but i can't, in all honesty pity them, i think they
have a limited telescope of literacy,
they simply can't see past Mars to see Jupiter...
exact what i testify, five to my count fooled,
one in a foreign tongue and in a different
profession distressed with words: 'how did he?!'
i don't need psychoanalysis
or the study of what's oxygen with
carbon as the former (asthma) and the latter
dyslexia - for whatever part enters me
i release a part of me - gaseous vowels and
solid consonants - indeed should you try to humanise
a science you will dehumanise elsewhere,
no pardon of the existential novel with
the practice of "existentialism" in english known
as psychiatry - with no pills will the words resound
approvingly - but indeed, why the sudden
discharge with diagnostics pivoting on psychosis?
a non-violent psychopath - the psychopathy nurtured
as a negation of the existence of soul, himself a god,
dully the expression of will...
                 i was hardly the inheritor of a post-colonial
ethnicity and yet they subjected me to "cures"
as if i was a post-colonial subject a zombie to nod
to multicultural values experimented with...
i was multicultural from the start...
i'm not ethnic english...
you want to turn me into a neurotic anglomann
not accepting the social experiment?!
you irish or something?
FALL!
eden halo Feb 2014
our suffering was human long before you
tried to “humanise” it,
give us the kiss of life,
i am not your wife, i am not your sister
i am not your ******* daughter, sorry to break
all this water
on the embers of you
deigning, for once, to give a ****
what your friends do to us
by imagining we belong
to you — i will demonstrate
how little you know of possession
as i run
my keys along your car
til your mouth unlocks, drops open
and i dive down your throat, walk around
in you, the cage
of your ribs more spacious than
my own, two sizes too small,
zero, counting down to take-off, space
for my heart all taken
with the frenzied tango
of me watching you watching me, behind
my eyes, all winged
and no less trapped for it
vandalism is not violence
i would have snapped
your wrist when you tried to kiss me
just to see if you’d curse quietly
about your shattered iPhone bones
pick up, dust off, shrug shoulders
cold and solar
your belongings increasingly disposable
so when you love me because i could be yours
don’t flinch when i spit
in your eye, scream, cry, take
your name in vain
to leech from myself the pain of your basilisk glance
turning me into rubble, eroding all
the toil and trouble or whatever it is
you fear in me, petrified
perfect specimen, cut and dried
venus de milo on a pedestal
armless, harmless
all legs and bust
soft hewn and lunar, gathering dust
i am not your medusa
victim, your rock, your ***** girl
grain of sand to make a pearl
i am fire, water, air
you cannot hold me
don’t stroke my hair, don’t ******* touch
me, yeah, my fingertips
may turn you to gold
but i’m not here to spin your straw
neither am i some unrefined ore
for you to forge into a wedding ring
stone is bitter cold as metal
though it makes a rougher crown
don’t worry, though, my darling,
the chill will hiss and dissipate
when i come to melt
you down
**** everyone who doesnt care about womens rights
Poetemkin Sep 2019
I.

Tнʏ functions are etherial,
As if within thee dwelt a glancing Mind,
***** of Vision! And a Spirit aerial
Informs the cell of hearing, dark and blind;
Intricate labyrinth, more dread for thought
To enter than oracular cave;
Strict passage, through which sighs are brought,
And whispers for the heart, their slave;
And shrieks, that revel in abuse
Of shivering flesh; and warbled air,
Whose piercing sweetness can unloose
The chains of frenzy, or entice a smile
Into the ambush of despair;
Hosannas pealing down the long-drawn aisle,
And requiems answered by the pulse that beats
Devoutly, in life's last retreats!

II.

The headlong Streams and Fountains
Serve Thee, Invisible Spirit, with untired powers;
Cheering the wakeful Tent on Syrian mountains,
They lull perchance ten thousand thousand Flowers.
That roar, the prowling Lion's Here I am,
How fearful to the desert wide!
That bleat, how tender! of the Dam
Calling a straggler to her side.
Shout, Cuckoo! let the vernal soul
Go with thee to the frozen zone;
Toll from thy loftiest perch, lone Bell-bird, toll!
At the still hour to Mercy dear,
Mercy from her twilight throne
Listening to Nun's faint sob of holy fear,
To Sailor's prayer breathed from a darkening sea,
Or Widow's cottage lullaby.

III.

Ye Voices, and ye Shadows
And Images of voice—to hound and horn
From rocky steep and rock-bestudded meadows
Flung back, and, in the sky's blue caves, reborn
On with your pastime! till the church-tower bells
A greeting give of measured glee;
And milder echoes from their cells
Repeat the bridal symphony.
Then, or far earlier, let us rove
Where mists are breaking up or gone,
And from aloft look down into a cove
Besprinkled with a careless quire,
Happy Milk-maids, one by one
Scattering a ditty each to her desire,
A liquid concert matchless by nice Art,
A stream as if from one full heart.

IV.

Blest be the song that brightens
The blind Man's gloom, exalts the Veteran's mirth.
Unscorned the Peasant's whistling breath, that lightens
His duteous toil of furrowing the green earth.
For the tired Slave, Song lifts the languid oar,
And bids it aptly fall, with chime
That beautifies the fairest shore,
And mitigates the harshest clime.
Yon Pilgrims see—in lagging file
They move; but soon the appointed way
A choral Ave Marie shall beguile,
And to their hope the distant shrine
Glisten with a livelier ray:
Nor friendless He, the Prisoner of the Mine,
Who from the well-spring of his own clear breast
Can draw, and sing his griefs to rest.

V.

When civic renovation
Dawns on a kingdom, and for needful haste
Best eloquence avails not, Inspiration
Mounts with a tune, that travels like a blast
Piping through cave and battlemented tower;
Then starts the Sluggard, pleased to meet
That voice of Freedom, in its power
Of promises, shrill, wild, and sweet!
Who, from a martial pageant, spreads
Incitements of a battle-day,
Thrilling the unweaponed crowd with plumeless heads,
Even She whose Lydian airs inspire
Peaceful striving, gentle play
Of timid hope and innocent desire
Shot from the dancing Graces, as they move
Fanned by the plausive wings of Love.

VI.

How oft along thy mazes,
Regent of Sound, have dangerous Passions trod!
O Thou, through whom the Temple rings with praises,
And blackening clouds in thunder speak of God,
Betray not by the cozenage of sense
Thy Votaries, wooingly resigned
To a voluptuous influence
That taints the purer, better mind;
But lead sick Fancy to a harp
That hath in noble tasks been tried;
And, if the virtuous feel a pang too sharp,
Soothe it into patience,—stay
The uplifted arm of Suicide;
And let some mood of thine in firm array
Knit every thought the impending issue needs,
Ere Martyr burns, or Patriot bleeds!

VII.

As Conscience, to the centre
Of Being, smites with irresistible pain,
So shall a solemn cadence, if it enter
The mouldy vaults of the dull Idiot's brain,
Transmute him to a wretch from quiet hurled—
Convulsed as by a jarring din;
And then aghast, as at the world
Of reason partially let in
By concords winding with a sway
Terrible for sense and soul!
Or, awed he weeps, struggling to quell dismay.
Point not these mysteries to an Art
Lodged above the starry pole;
Pure modulations flowing from the heart
Of divine Love, where Wisdom, Beauty, Truth
With Order dwell, in endless youth?

VIII.

Oblivion may not cover
All treasures hoarded by the miser, Time.
Orphean Insight! truth's undaunted Lover,
To the first leagues of tutored passion climb,
When Music deigned within this grosser sphere
Her subtle essence to enfold,
And Voice and Shell drew forth a tear
Softer than Nature's self could mould.
Yet strenuous was the infant Age:
Art, daring because souls could feel,
Stirred nowhere but an urgent equipage
Of rapt imagination sped her march
Through the realms of woe and weal:
Hell to the lyre bowed low; the upper arch
Rejoiced that clamorous spell and magic verse
Her wan disasters could disperse.

IX.

The Gɪꜰт to king Amphion
That walled a city with its melody
Was for belief no dream; thy skill, Arion!
Could humanise the creatures of the sea,
Where men were monsters. A last grace he craves,
Leave for one chant;—the dulcet sound
Steals from the deck o'er willing waves,
And listening Dolphins gather round.
Self-cast, as with a desperate course,
'Mid that strange audience, he bestrides
A proud One docile as a managed horse;
And singing, while the accordant hand
Sweeps his harp, the Master rides;
So shall he touch at length a friendly strand,
And he, with his Preserver, shine star-bright
In memory, through silent night.

X.

The pipe of Pan, to Shepherds
Couched in the shadow of Maenalian Pines,
Was passing sweet; the eyeballs of the leopards,
That in high triumph drew the Lord of vines,
How did they sparkle to the cymbal's clang!
While Fauns and Satyrs beat the ground
In cadence,—and Silenus swang
This way and that, with wild-flowers crowned.
To life, to life give back thine ear:
Ye who are longing to be rid
Of Fable, though to truth subservient, hear
The little sprinkling of cold earth that fell
Echoed from the coffin-lid;
The Convict's summons in the steeple's knell;
"The vain distress-gun," from a leeward shore,
Repeated—heard, and heard no more!

XI.

For terror, joy, or pity,
Vast is the compass and the swell of notes:
From the Babe's first cry to voice of regal City,
Rolling a solemn sea-like bass, that floats
Far as the woodlands—with the trill to blend
Of that shy Songstress, whose love-tale
Might tempt an Angel to descend,
While hovering o'er the moonlight vale.
O for some soul-affecting scheme
Of moral music, to unite
Wanderers whose portion is the faintest dream
Of memory!—O that they might stoop to bear
Chains, such precious chains of sight
As laboured minstrelsies through ages wear!
O for a balance fit the truth to tell
Of the Unsubstantial, pondered well!

XII.

By one pervading Spirit
Of tones and numbers all things are controlled,
As Sages taught, where faith was found to merit
Initiation in that mystery old
The Heavens, whose aspect makes our minds as still
As they themselves appear to be,
Innumerable voices fill
With everlasting harmony;
The towering Headlands, crowned with mist,
Their feet among the billows, know
That Ocean is a mighty harmonist;
Thy pinions, universal Air,
Ever waving to and fro,
Are delegates of harmony, and bear
Strains that support the Seasons in their round;
Stern Winter loves a dirge-like sound.

XIII.

Break forth into thanksgiving,
Ye banded Instruments of wind and chords
Unite, to magnify the Ever-living,
Your inarticulate notes with the voice of words!
Nor hushed be service from the lowing mead,
Nor mute the forest hum of noon;
Thou too be heard, lone Eagle! freed
From snowy peak and cloud, attune
Thy hungry barkings to the hymn
Of joy, that from her utmost walls
The six-days' Work, by flaming Seraphim,
Transmits to Heaven! As Deep to Deep
Shouting through one valley calls,
All worlds, all natures, mood and measure keep
For praise and ceaseless gratulation, poured
Into the ear of God, their Lord!

XIV.

A Voice to Light gave Being;
To Time, and Man, his earth-born Chronicler;
A Voice shall finish doubt and dim foreseeing,
And sweep away life's visionary stir;
The Trumpet (we, intoxicate with pride,
Arm at its blast for deadly wars)
To archangelic lips applied,
The grave shall open, quench the stars.
O Silence! are Man's noisy years
No more than moments of thy life?
Is Harmony, blest Queen of smiles and tears,
With her smooth tones and discords just,
Tempered into rapturous strife,
Thy destined Bond-slave? No! though Earth be dust
And vanish, though the Heavens dissolve, her stay
Is in the Wоʀᴅ, that shall not pass away.
Transcription presented without claim to accuracy. Original text, page 213: https://books.google.com/books?id=lpncWYjJneYC
Mateuš Conrad Mar 2018
-
hmm... premature depression, when nothing has been accomplished? premature dementia, when nothing is degenerating? but i'm pretty sure you like the siamese circus... resurrect Elijah for me! resurrect Elijah for me! to compete with me as his did with the reason for the ridicule of Bael! able men that could have been... and what of these children? with premature depression?! these children with premature demantia?! another one of those little science experiments you're staggering with?!

so why would i her 110,
and pay an extra 10
for me performing oral on her?

to be honest
  i'll spend as much as 20 in a day
as she'll earn 120 in an hour...

i can't moralise her or
capitalistic economic dynamic,
a woman will spend more on
frivolous items than a man will...

i'm still curious as to why all
actors are midgets...
          you see the editors and they're
these technical brides of height,
and then some cocky
                   spaceman
                          from planet of
lilliputiens comes along...
             and i'm wondering:
  you want to borrow an inch from
my shadow?

     how would i ever spend
what she earns in an hour with what
i spend per day?!

                   so who washed
that guy's feet with her hair?
              borrow me a line i'm trying
to infiltrate the evangelical credo...
or as they say with regards to
golgotha showbiz. ltd.:
             just look pretty,
or as fake as it might be worth: pretty...

        any epitome of an actor:
hugh jackman in the prestige,
or what's, an actor
    suddenly dispensing himself
like a shaolin monk in a kitchen,
albeit no stage...
       i still can't find an appeal
for a stage presence...
               if money was
my primary concerned,
   i wouldn't have a fancy for
jumping...
          
   but there is no moral question:
either ******,
         or bankruptcy...
and that or has nothing to do with
a coin-flip;
      chastity of women doesn't
sell... it depraves...
                    (semi-colon in terms
of poetry is a sense of paragraph):
              because what cult
inherent intra-christianity
wasn't focused upon
a chastity of women?
                  
                    kept them as daughters
that later became the mothers
of his offspring...

                         might as well have
these offspring thrown into Moloch...
just as the modern man thought
Aztec pyramids were ritual sites
aking to the sarcophaga englared
into pyramids,
              and it was said:
a burial ground of the pyramid "mountains",
while beneath them:
yet more graves...
               who never managed to
equate the Aztec pyramids as sites
of capital punishment akin to
guillotine spectacles...
          or how Moloch is to be seen:
now? now?! now?!!
    now there's a darwinistic humanism?!
now?!
       what sort of children
do you think were sacrificed unto
Moloch?!
                    RETARDS!
                      ­    
hey... now you modern people regurgitated
needing to sacrifice able men
to ensure
                 these abominations exist...
   but, but, but that's no problem...
as long as we can humanise the reality
of darwin...
                         WHAT THE ****
ARE YOU TALKING ABOUT
MAKING THE ANCIENTS IRRATIONAL
AND SUPPOSING YOURSELF
TO BE THE ZENITH OF HUMAN
EXPRESSION?!
         the only children sacrificed
unto Moloch were the ones that
were known to become disadvantaged
in the continuum of society...

now craft me a papal saturn deity
for those unnaturally premature
depressed... for i can understand
melancholia in old age, of all things
complete,
as i can understand old age dementia...
give unto me the deity of fire!
  science...
                   science...
                       shame that science
only stuck to experimenting with
rats to explain...
   and never bothered explaining
the effects their experiments
had with monkeys,
which they also must have
experimented on.

   big monkeys though:
  at least harambe was shot...
                       RAT FOOD, this modern man.

hard to find a man with both
the heart of a darwinistic argument,
and a mind for it...
      mind you... the **** came close...
but as ever, you know the english
are two-faced degenerates...
                and i will flip!
because there was no copernicus
or a galileo among them
to allow them bypassing the monkey...
now they're stuck with the monkey...

      they simply can't explain nature
without having to implement
a "mental" and "physical"  
               dualism,
they just have this flimsy monkey
brained dichotomy...
                  NO,
JEWISH, PROPHET, WILL,
             MARK ME, AS HIS OWN;
EVEN, WITH HIS ****
TORTURE, INSTRUMENT!
FDTA Dec 2020
****** bricks leave a stain that
A name does not face.

At the ledge
Standing on the edge
To where he will slip.
A sand stone iceberg, admittedly superb, leans, gawks and disturbs.

It is absurd,
To preserve,
----------------
Imperial fever.

It only leaves us weaker
In a time growing bleaker
We are our own Grim Reaper;

Oil black cloak woven in smoke, tokes on poison and the fickle scythe sharpened with spite and the alt right. Choking out the light.

With each stroke.
But shoulder to shoulder, folk to folk, we are also our chance
at defiance.

A wedge of skin and paper prys open the street.

Drips have become puddles, puddles streams, all feeding the glacier of bodies, humble in size but not in spirit, tight ****** at the pulpit, of such an obnoxious ***.

It is Czar, Tsar, Sir, Emperor

It is them, in the stony carcass, concrete bones.
The attitude, the glare. Somehow warmer in rock than in person.

To humanise beasts is to victimise.
To sympathise with monsters is to despise their targets.
He, it, that, is enemy.
But it is not seen. Though day by day and night by night, it was my plight to stroll on by, not keeping an eye on that man half in the sky, not spitting at his step or flicking a cigarette, at where his legacy does rest.

All Rhodes lead to Rome.
All roads fall when the empire is lost, for they go nowhere.  

What is beneath will be aloft
And what is on top, will be brought down to sleep, for no we are not sheep.

Our pack is strong now and angry.

Though cardboard toothed and picket armed we wolves will shout and tear your name down.
If only you could jump, if only you slip now.

You could have made a very happy crowd.
Inspired by my time at a BLM protest in Oxford, 'Rhodes must fall'.

— The End —