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Chris Reed Aug 2018
Everybody knows today's figures.
Lincoln Park. Kanye West. Beyonce.
Musicians. Artists. They are all praised in today’s society.
But nobody knows the names of people who actually matter.

Willis Carrier. Invented the air conditioner.
Nobody knows his name.

Robert E. Kahn. Made the internet.
Nobody knows his name.

The problem with today’s society
Is that the minds of young people are being poisoned.
By the schools who leave things out of textbooks.
By the people on the street, screaming their views.
The riots, the protests, the hell of today.
Poisoning the minds of young people.

Reed Hastings. Marc Randolph. Nobody knows them
Yet millions of people use Netflix.

SalvinoD'Armate. Nobody knows his name.
Yet over 4 BILLION people wear eyeglasses.

Young people today hate history.
They think, “Why do we need to learn about dead people?”
George Santayana once said:
“Those who cannot remember the past, are condemned to repeat it.”
We learn these things, not to be bored in history class.
Not to just **** time in the day.
But to inspire. To help young people to become creative, more innovative.

Imagine a world, where Alexander Bell never made the telephone.
Imagine a world, where the internet, just wasn’t a thing.
Imagine a world, where nobody invented new things.

William Higginbotham. I Guarantee that nobody in this room knows his name.
He created the very first video game, Tennis for Two, in 1958.
Without him, we would not have the games we have today.
Assassin’s Creed. Grand Theft Auto. Call of Duty.
People play these games, and use the other things I’ve listed every single day,
And they use them without any thought, or appreciation for where they came from.
Or how far we have progressed as humans.

So I ask you this. Who invented the desk you are sitting on?
Who invented the jacket you’re wearing?
Who invented that pen in your pocket?
You don’t know, do you?
anthony Brady Mar 2018
I entered school at Blaisdon Hall,
when everybody seemed so tall:
but when I finished being taught,
all my chums in height were short.

The invention of a former cook,
fed the progress of my build and look,
along with spuds - best of Stud Farm crop,
and regular pudding known as "FLOP"

Wilfred Higginbotham was his name:
t'was from Manchester that he came.
Before him the chef was Mr. Higgins:
toupee-topped, nicknamed “Wiggins.”

Very wobbly on a pushbike:
Wilfred was (as they say today) "like"
sort of fat.  Yet, tha' knows
very light upon his toes.

If in the mood and no kerfuffle,
he'd do a lively soft shoe shuffle.
Opera trained - Wilfred was a singer:
for a famous Welsh tenor a dead ringer...

By the serving hatch, his apron gravy stained,
melodious, cheerful, unrestrained
he'd make the pots and kettles ring
as from the repertoire he'd gaily sing..

....selections de La Traviatta, La Boheme,
in his opinion "la crème de la crème"
and other classic arias with aplomb
in the style of Harry Secombe.

Now Wilfred’s "FLOP" a sort of madeira cake:
from the kitchen hatch the server would take
a warmish, deep presenting tray,
where puffed up inviting, there it lay.

Father "Bulldog" Wilson then would cut a slice,
take a bite - declare it “Nice!”
Alas! his knife released the air,
that wily Wilf had mixed in there.

Like a balloon pricked by a pin,
silently within the cooling tin
the cake collapsed. What a ****!
Wilf (t'was said) had used a stirrup pump.

Wilfred - as a baker- didn't cut the mustard,
but he was a dab hand when it came to custard!
A portion of his added magic yellow liquor
made the deflated "Flop!" taste thicker.

What was served up, had a fleeting taste
and was scoffed down in a fitful haste,
thus pleased I am to here relate,
not a trace of "FLOP!" was left upon the plate.

Whatever came of Wilf, I'll never know:
back up North, to ailing mum he had to go.
But still his pudding can invoke
such sensual sentiments all beyond a joke.

Early on in life Marcel Proust's nibbled madelaine,
a lifetime later, when dipped in tea,
and tasted once again, had power to regain
lost time and illuminate his memory.

So it is with me and as I thought
of cher Marcel, an evocative poem was wrought:
"FLOP"!" inspires the 1950s when I recall,
those schoolboy meals in Blaisdon Hall.

TOBIAS

— The End —