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judy smith Mar 2016
It was hardly a JFK moment but if, like me, you remember what you were doing when you first heard a Spice Girls track, it may be hard to believe two decades have elapsed since the girl group released their debut single, Wannabe, in the dying days of John Major’spremiership. Together with Oasis, Blur and Blair they heralded a new dawn for Britain - selling millions of records while they were at it - before embarking on what turned out to be a lengthy hiatus just four years later. There was a brief reunion in 2007-8 but the question now is: how, if at all, will they mark their 20th anniversary this summer?

Sitting opposite me in a London hotel bar in Leicester Square, just across from where she co-hosts the Breakfast show on Heart FM withJamie Theakston, Emma Bunton - the one formerly known as “Baby Spice” - makes no secret of her hope that the “girls” (now all in their forties) will get their act together.

“We adore each other. There’s so much we’ve been through. I would love to do something,” she says. “I think we’d all quite like to do something, but it really is figuring it out. We all have such different lives. Mel B [Melanie Brown, formerly Scary Spice] lives in America. We’ve all got different managers.” Not to mention the fact they are all mothers now and their busy schedules include commitments such as school plays, which makes finding time for a reunion even harder.

It’s natural to wonder, too, if any jealousy simmers beneath the surface. Victoria Beckham’s star has risen exponentially since the group broke up, with her marriage to former footballer David, their children and her fashion line keeping the profile of the erstwhile Posh Spice higher than those of any of her former bandmates. Bunton insists she’s delighted for her though.

“When a friend does that well it’s incredible. She’s just hilarious and I know exactly what she’s thinking just by looking at her,” she says. “I see pictures and I go, ‘I know what she’s thinking about!’ I’m very lucky because I know the fun, sarcastic, brilliant other side to her as well.” The fact that Beckham invited Bunton to choose a dress for her 40th birthday in January would appear to support the picture she paints of their friendship.

When “Baby” joined the band in 1994 she was almost young enough to be in a school play herself. Now she has two babies of her own - Beau, aged eight, and four-year-old Tate - with her fiance, the singer Jade Jones, to whom she has been engaged since 2011. Although she could pass for 30, her woollen shawl, floral Kooples shirt and the glasses that frame her face give her the look of an elder stateswoman of pop.

“Wouldn’t that be amazing?” she agrees when I suggest a one-off gig at Wembley Stadium. “Fingers crossed. That’s something we’d really love to do.” While we talk, a phone rings in her bag. It’s Geri Halliwell, formerly known as Ginger Spice. Bunton ignores it. “I’ll speak to her after and tell her you suggested it,” she says of the concert idea.

Meanwhile there is her new early evening live TV show to focus on. In BBC Two’s Too Much TV, she pairs up with Rufus Hound, Sara *** or Aled Jones, reviewing and previewing what’s on the box. Her years of experience as a radio host have come in handy here, but the programme itself has reportedly suffered some disappointing audience figures.

Still, Bunton is pleased to be forming a female double act with ***. The phrase “Girl Power” - which she defines as “supporting one another in everything you do” - was famously central to the Spice Girls’ brand and is something she continues to draw on. “For me, it started with seeing my mum going back to college at 40, starting karate at 40. She just kept growing and I’ve really fed off that,” she says. “I want to grow as much as she did and still is. She was my first role model. Jade is brilliant, it’s just we [girls] have had to push a bit harder. As girls we’ve pushed things forward.”

Bunton was born and raised as a Catholic with her younger brother in Finchley, north London. Her parents worked hard to provide for their children but separated when she was about 11, which she struggled with. (“I don’t like change too much,” she says.) Until her father, a former milkman, recently moved to Ireland, she would visit him every Sunday. Privately educated at the Sylvia Young Theatre School in London, she was granted a scholarship when her parents could no longer afford the fees.

Though not one to dwell on failure, even she began to question herself when the rejections kept coming. “You’d think, ‘I’m just not good enough,” she says. It wasn’t until she auditioned to become the fifth member of the Spice Girls that her big break arrived. She was asked there and then to move in with the others in Maidenhead - and the rest is nineties pop history.

Part of the Spice Girls’ selling point was their girl-next-door image. While it could not be said that *** was removed from the equation - theUnion Flag dress Halliwell performed in at the 1997 Brit Awards left little to the imagination and many of Brown’s leopard print outfits were an exercise in cleavage-display - *** appeal was not the main draw. Yet even if looks weren’t the focus (wasn’t it all supposed to be about fun, girl power and attitude?) Bunton hasn’t always felt secure about her body image.

“Obviously [body shape] is such a big thing in this industry,” she says. “I’m 5ft 1in so I feel that sometimes being curvaceous is harder to carry off because I’m so short. But I’m comfortable. I’ve always been that kind of way. In the industry it is becoming a bit more difficult because everybody is so slight, it’s quite unbelievable. I don’t know how they do it.”

When she first joined the group she felt relaxed enough about her appearance, but went through “probably a very short stage when everything hit and there were pictures everywhere and you think, ‘Do I look OK?’” This faded, and having children has helped stop her worrying about this. “It’s something I just don’t take on board as much because I can’t,” she says. “But you’re being pictured every day or papped, so obviously there’s that pressure of hoping to look half decent in pics.”

Reflecting on how motherhood has transformed her, she goes on: “I used to be very self-absorbed, I’m sure, worrying about what I was going to wear to the next event or whether my roots were done,” she says. “I’ve changed as a person.”

So what about that long engagement? Will she ever get round to tying the knot? She and Jade will need their heads knocking together before they do, she says. “If we do, we’ll definitely elope,” she adds.

Career-wise, she remains ambitious. She has a small part in the forthcoming Absolutely Fabulous movie and would like to sing and act more, as well as branching out into comedy (she’s already been involved in Comedy Central’s Drunk History).

Pop culture doesn’t cast out the over-40s these days, so there’s no reason to think she won’t stick around. Nobody, after all, puts Baby in a corner.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-2015
Panama Rose Apr 2013
My heart feels like an uncut diamond
Though it is still the same, it is not the same
Someone speaks of a bridge to be built from Tangier
to Algeciras or is it Gibraltar?
"Yes & then a highway to the stars or more likely
an elevator to the Underworld," says Yellow Turban
To White Jellaba as the exhaust fumes from the bus
engulf them, leaving behind not even a single
shadow.
Is that Mel Clay in a white jacket turning the corner?
No, it is a figment of my imagination escaped from the
asylum.
Is that Ian Sommerville walking backwards up the street
as if pulled by a giant magnet?
No, that is Wm. Burroughs making electricity
from dead cats.
Is that Tatiana glistening on Maxiton?
No, that is the sun dancing in the sugar bowl.
Is that Marc Schelfer wavering on the cliffedge?
No, it is a promontory in the wind of time
about to fall in the sea.
Is that Beethoven's 9th Symphony being played
up the street?
No, it is the sound of the breadwagons
rumbling over cobblestones
Is that George Andrews with two girls in hand
looking for bread?
No, it is an unidentified flying object about to land.
Is that One-eyed Mose hanging by his heels?
No, that is the hanged man inventing the Taro.
Are the dead really so fascinated by *******?
Yes, that is how they travel.
Is that Irving in short pants looking for trouble?
No, that's me unable to stop thinking.
Is that Kenneth Halliwell looking for Joe Orton?
Is that Jane Bowles looking for Sherifa, Rosalind looking
for her baby, Alfred searching for his lost hair?
Is that the wig of it all, the patched robe of my brain,
the wind talking to itself?
Brion is dead and Yacoubi is dead, and I am a not unhappy
ghost remembering everything, the warp & woof of memories,
her yellow slip, her shaved ****, her idiot child.
Dream shuttle makes me exist everywhere at once.
The blind beggars led by children keep coming.
"They all have many houses in the Casbah,"
chant the unbelievers ******* on sugar.
Words keep coming back like Bezezel for ****, Lictcheen
for oranges, like Mina, like Fatima, like Driss Berrada
dropping his trousers for an injection in the middle
of his shop.
The trunk is full of old sepia postcards,
barebreasted girls smoking hookahs etcetera.
We speak of the cataplana, the mist which obscures
even the cielo you cannot even see the hand in front
of your face.
We embrace, he says he thought of me only yesterday,
he says there are always nine such men who look like us
in the world and that we are the tenth.
We speak of the gold filets in the sky over Moulay Absalom.
The garbage men in rubber boots go thru the Socco pushing
wheeled drums of collected garbage.
An unveiled woman wobbles out of a taxi and heads home
before sunrise.
Paul couldn’t believe that was a Karma Street,
but I will never forget it.
And Billy Batman, who made the best hash in the world,
he dropped a loaded pistol in Kabul, shot himself in the *****,
took some ****** and lay down to die.
Now I must get up from my table in the allnight Café Central.
No more Dr. Nadal, no more window with red crosses & red
crescents.
The water thrown from buckets runs across the café floors
& over the sidewalks & I drop a dirham into the hand
of a blind beggar singing in the dark on the American stairs


From Anais Nin’s A Spy in the House of Love—"The women wear fireflies in their hair, but the fireflies stop shining when they go to sleep so now and then the women had to rub the fire- flies to keep them awake."
anastasiad Jun 2016
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