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IV. TO HERMES (582 lines)

(ll. 1-29) Muse, sing of Hermes, the son of Zeus and Maia, lord
of Cyllene and Arcadia rich in flocks, the luck-bringing
messenger of the immortals whom Maia bare, the rich-tressed
nymph, when she was joined in love with Zeus, -- a shy goddess,
for she avoided the company of the blessed gods, and lived within
a deep, shady cave.  There the son of Cronos used to lie with the
rich-tressed nymph, unseen by deathless gods and mortal men, at
dead of night while sweet sleep should hold white-armed Hera
fast.  And when the purpose of great Zeus was fixed in heaven,
she was delivered and a notable thing was come to pass.  For then
she bare a son, of many shifts, blandly cunning, a robber, a
cattle driver, a bringer of dreams, a watcher by night, a thief
at the gates, one who was soon to show forth wonderful deeds
among the deathless gods.  Born with the dawning, at mid-day he
played on the lyre, and in the evening he stole the cattle of
far-shooting Apollo on the fourth day of the month; for on that
day queenly Maia bare him.  So soon as he had leaped from his
mother's heavenly womb, he lay not long waiting in his holy
cradle, but he sprang up and sought the oxen of Apollo.  But as
he stepped over the threshold of the high-roofed cave, he found a
tortoise there and gained endless delight.  For it was Hermes who
first made the tortoise a singer.  The creature fell in his way
at the courtyard gate, where it was feeding on the rich grass
before the dwelling, waddling along.  When be saw it, the luck-
bringing son of Zeus laughed and said:

(ll. 30-38) 'An omen of great luck for me so soon!  I do not
slight it.  Hail, comrade of the feast, lovely in shape, sounding
at the dance!  With joy I meet you!  Where got you that rich gaud
for covering, that spangled shell -- a tortoise living in the
mountains?  But I will take and carry you within: you shall help
me and I will do you no disgrace, though first of all you must
profit me.  It is better to be at home: harm may come out of
doors.  Living, you shall be a spell against mischievous
witchcraft (13); but if you die, then you shall make sweetest
song.

(ll. 39-61) Thus speaking, he took up the tortoise in both hands
and went back into the house carrying his charming toy.  Then he
cut off its limbs and scooped out the marrow of the mountain-
tortoise with a scoop of grey iron.  As a swift thought darts
through the heart of a man when thronging cares haunt him, or as
bright glances flash from the eye, so glorious Hermes planned
both thought and deed at once.  He cut stalks of reed to measure
and fixed them, fastening their ends across the back and through
the shell of the tortoise, and then stretched ox hide all over it
by his skill.  Also he put in the horns and fitted a cross-piece
upon the two of them, and stretched seven strings of sheep-gut.
But when he had made it he proved each string in turn with the
key, as he held the lovely thing.  At the touch of his hand it
sounded marvellously; and, as he tried it, the god sang sweet
random snatches, even as youths bandy taunts at festivals.  He
sang of Zeus the son of Cronos and neat-shod Maia, the converse
which they had before in the comradeship of love, telling all the
glorious tale of his own begetting.  He celebrated, too, the
handmaids of the nymph, and her bright home, and the tripods all
about the house, and the abundant cauldrons.

(ll. 62-67) But while he was singing of all these, his heart was
bent on other matters.  And he took the hollow lyre and laid it
in his sacred cradle, and sprang from the sweet-smelling hall to
a watch-place, pondering sheet trickery in his heart -- deeds
such as knavish folk pursue in the dark night-time; for he longed
to taste flesh.

(ll. 68-86) The Sun was going down beneath the earth towards
Ocean with his horses and chariot when Hermes came hurrying to
the shadowy mountains of Pieria, where the divine cattle of the
blessed gods had their steads and grazed the pleasant, unmown
meadows.  Of these the Son of Maia, the sharp-eyed slayer of
Argus then cut off from the herd fifty loud-lowing kine, and
drove them straggling-wise across a sandy place, turning their
hoof-prints aside.  Also, he bethought him of a crafty ruse and
reversed the marks of their hoofs, making the front behind and
the hind before, while he himself walked the other way (14).
Then he wove sandals with wicker-work by the sand of the sea,
wonderful things, unthought of, unimagined; for he mixed together
tamarisk and myrtle-twigs, fastening together an armful of their
fresh, young wood, and tied them, leaves and all securely under
his feet as light sandals.  The brushwood the glorious Slayer of
Argus plucked in Pieria as he was preparing for his journey,
making shift (15) as one making haste for a long journey.

(ll. 87-89) But an old man tilling his flowering vineyard saw him
as he was hurrying down the plain through grassy Onchestus.  So
the Son of Maia began and said to him:

(ll. 90-93) 'Old man, digging about your vines with bowed
shoulders, surely you shall have much wine when all these bear
fruit, if you obey me and strictly remember not to have seen what
you have seen, and not to have heard what you have heard, and to
keep silent when nothing of your own is harmed.'

(ll. 94-114) When he had said this much, he hurried the strong
cattle on together: through many shadowy mountains and echoing
gorges and flowery plains glorious Hermes drove them.  And now
the divine night, his dark ally, was mostly passed, and dawn that
sets folk to work was quickly coming on, while bright Selene,
daughter of the lord Pallas, Megamedes' son, had just climbed her
watch-post, when the strong Son of Zeus drove the wide-browed
cattle of Phoebus Apollo to the river Alpheus.  And they came
unwearied to the high-roofed byres and the drinking-troughs that
were before the noble meadow.  Then, after he had well-fed the
loud-bellowing cattle with fodder and driven them into the byre,
close-packed and chewing lotus and began to seek the art of fire.

He chose a stout laurel branch and trimmed it with the knife....
((LACUNA)) (16)
....held firmly in his hand: and the hot smoke rose up.  For it
was Hermes who first invented fire-sticks and fire.  Next he took
many dried sticks and piled them thick and plenty in a sunken
trench: and flame began to glow, spreading afar the blast of
fierce-burning fire.

(ll. 115-137) And while the strength of glorious Hephaestus was
beginning to kindle the fire, he dragged out two lowing, horned
cows close to the fire; for great strength was with him.  He
threw them both panting upon their backs on the ground, and
rolled them on their sides, bending their necks over (17), and
pierced their vital chord.  Then he went on from task to task:
first he cut up the rich, fatted meat, and pierced it with wooden
spits, and roasted flesh and the honourable chine and the paunch
full of dark blood all together.  He laid them there upon the
ground, and spread out the hides on a rugged rock: and so they
are still there many ages afterwards, a long, long time after all
this, and are continually (18).  Next glad-hearted Hermes dragged
the rich meats he had prepared and put them on a smooth, flat
stone, and divided them into twelve portions distributed by lot,
making each portion wholly honourable.  Then glorious Hermes
longed for the sacrificial meat, for the sweet savour wearied
him, god though he was; nevertheless his proud heart was not
prevailed upon to devour the flesh, although he greatly desired
(19).  But he put away the fat and all the flesh in the high-
roofed byre, placing them high up to be a token of his youthful
theft.  And after that he gathered dry sticks and utterly
destroyed with fire all the hoofs and all the heads.

(ll. 138-154) And when the god had duly finished all, he threw
his sandals into deep-eddying Alpheus, and quenched the embers,
covering the black ashes with sand, and so spent the night while
Selene's soft light shone down.  Then the god went straight back
again at dawn to the bright crests of Cyllene, and no one met him
on the long journey either of the blessed gods or mortal men, nor
did any dog bark.  And luck-bringing Hermes, the son of Zeus,
passed edgeways through the key-hole of the hall like the autumn
breeze, even as mist: straight through the cave he went and came
to the rich inner chamber, walking softly, and making no noise as
one might upon the floor.  Then glorious Hermes went hurriedly to
his cradle, wrapping his swaddling clothes about his shoulders as
though he were a feeble babe, and lay playing with the covering
about his knees; but at his left hand he kept close his sweet
lyre.

(ll. 155-161) But the god did not pass unseen by the goddess his
mother; but she said to him: 'How now, you rogue!  Whence come
you back so at night-time, you that wear shamelessness as a
garment?  And now I surely believe the son of Leto will soon have
you forth out of doors with unbreakable cords about your ribs, or
you will live a rogue's life in the glens robbing by whiles.  Go
to, then; your father got you to be a great worry to mortal men
and deathless gods.'

(ll. 162-181) Then Hermes answered her with crafty words:
'Mother, why do you seek to frighten me like a feeble child whose
heart knows few words of blame, a fearful babe that fears its
mother's scolding?  Nay, but I will try whatever plan is best,
and so feed myself and you continually.  We will not be content
to remain here, as you bid, alone of all the gods unfee'd with
offerings and prayers.  Better to live in fellowship with the
deathless gods continually, rich, wealthy, and enjoying stories
of grain, than to sit always in a gloomy cave: and, as regards
honour, I too will enter upon the rite that Apollo has.  If my
father will not give it to me, I will seek -- and I am able -- to
be a prince of robbers.  And if Leto's most glorious son shall
seek me out, I think another and a greater loss will befall him.
For I will go to Pytho to break into his great house, and will
plunder therefrom splendid tripods, and cauldrons, and gold, and
plenty of bright iron, and much apparel; and you shall see it if
you will.'

(ll. 182-189) With such words they spoke together, the son of
Zeus who holds the aegis, and the lady Maia.  Now Eros the early
born was rising from deep-flowing Ocean, bringing light to men,
when Apollo, as he went, came to Onchestus, the lovely grove and
sacred place of the loud-roaring Holder of the Earth.  There he
found an old man grazing his beast along the pathway from his
court-yard fence, and the all-glorious Son of Leto began and said
to him.

(ll. 190-200) 'Old man, weeder (20) of grassy Onchestus, I am
come here from Pieria seeking cattle, cows all of them, all with
curving horns, from my herd.  The black bull was grazing alone
away from the rest, but fierce-eyed hounds followed the cows,
four of them, all of one mind, like men.  These were left behind,
the dogs and the bull -- which is great marvel; but the cows
strayed out of the soft meadow, away from the pasture when the
sun was just going down.  Now tell me this, old man born long
ago: have you seen one passing along behind those cows?'

(ll. 201-211) Then the old man answered him and said: 'My son, it
is hard to tell all that one's eyes see; for many wayfarers pass
to and fro this way, some bent on much evil, and some on good: it
is difficult to know each one.  However, I was digging about my
plot of vineyard all day long until the sun went down, and I
thought, good sir, but I do not know for certain, that I marked a
child, whoever the child was, that followed long-horned cattle --
an infant who had a staff and kept walking from side to side: he
was driving them backwards way, with their heads toward him.'

(ll. 212-218) So said the old man.  And when Apollo heard this
report, he went yet more quickly on his way, and presently,
seeing a long-winged bird, he knew at once by that omen that
thief was the child of Zeus the son of Cronos.  So the lord
Apollo, son of Zeus, hurried on to goodly Pylos seeking his
shambling oxen, and he had his broad shoulders covered with a
dark cloud.  But when the Far-Shooter perceived the tracks, he
cried:

(ll. 219-226) 'Oh, oh!  Truly this is a great marvel that my eyes
behold!  These are indeed the tracks of straight-horned oxen, but
they are turned backwards towards the flowery meadow.  But these
others are not the footprints of man or woman or grey wolves or
bears or lions, nor do I think they are the tracks of a rough-
maned Centaur -- whoever it be that with swift feet makes such
monstrous footprints; wonderful are the tracks on this side of
the way, but yet more wonderfully are those on that.'

(ll. 227-234) When he had so said, the lord Apollo, the Son of
Zeus hastened on and came to the forest-clad mountain of Cyllene
and the deep-shadowed cave in the rock where the divine nymph
brought forth the child of Zeus who is the son of Cronos.  A
sweet odour spread over the lovely hill, and many thin-shanked
sheep were grazing on the grass.  Then far-shooting Apollo
himself stepped down in haste over the stone threshold into the
dusky cave.

(ll. 235-253) Now when the Son of Zeus and Maia saw Apollo in a
rage about his cattle, he snuggled down in his fragrant
swaddling-clothes; and as wood-ash covers over the deep embers of
tree-stumps, so Hermes cuddled himself up when he saw the Far-
Shooter.  He squeezed head and hands and feet together in a small
space, like a new born child seeking sweet sleep, though in truth
he was wide awake, and he kept his lyre under his armpit.  But
the Son of Leto was aware and failed not to perceive the
beautiful mountain-nymph and her dear son, albeit a little child
and swathed so craftily.  He peered in ever corner of the great
dwelling and, taking a bright key, he opened three closets full
of nectar and lovely ambrosia.  And much gold and silver was
stored in them, and many garments of the nymph, some purple and
some silvery white, such as are kept in the sacred houses of the
blessed gods.  Then, after the Son of Leto had searched out the
recesses of the great house, he spake to glorious Hermes:

(ll. 254-259) 'Child, lying in the cradle, make haste and tell me
of my cattle, or we two will soon fall out angrily.  For I will
take and cast you into dusty Tartarus and awful hopeless
darkness, and neither your mother nor your father shall free you
or bring you up again to the light, but you will wander under the
earth and be the leader amongst little folk.' (21)

(ll. 260-277) Then Hermes answered him with crafty words: 'Son of
Leto, what harsh words are these you have spoken?  And is it
cattle of the field you are come here to seek?  I have not seen
them: I have not heard of them: no one has told me of them.  I
cannot give news of them, nor win the reward for news.  Am I like
a cattle-liter, a stalwart person?  This is no task for me:
rather I care for other things: I care for sleep, and milk of my
mother's breast, and wrappings round my shoulders, and warm
baths.  Let no one hear the cause of this dispute; for this would
be a great marvel indeed among the deathless gods, that a child
newly born should pass in through the forepart of the house with
cattle of the field: herein you speak extravagantly.  I was born
yesterday, and my feet are soft and the ground beneath is rough;
nevertheless, if you will have it so, I will swear a great oath
by my father's head and vow that neither am I guilty myself,
neither have I seen any other who stole your cows -- whatever
cows may be; for I
st64 Dec 2013
such a cool dude



1. on believing
There are those who scoff at the schoolboy, calling him frivolous and shallow. Yet it was the schoolboy who said "Faith is believing what you know ain't so."



2. on genius
Thousands of geniuses live and die undiscovered-- either by themselves or by others.



3. on bereavement
A man's house burns down. The smoking wreckage represents only a ruined home that was dear through years of use and pleasant associations. By and by, as the days and weeks go on, first he misses this, then that, then the other thing. And when he casts about for it he finds that it was in that house. Always it is an essential-- there was but one of its kind. It cannot be replaced. It was in that house. It is irrevocably lost.... It will be years before the tale of lost essentials is complete, and not till then can he truly know the magnitude of his disaster.



4. on mischief
I see that every man that went in had his pockets bulging, or something muffled up under his coat--and I see it warn't no perfumery either, not by a long sight.
I smelt sickly eggs by the barrel, and rotten cabbages, and such things; and if I know the signs of a dead cat being around, and I bet I do, there was sixty-four of them went in. I shoved in there for a minute, but it was too various for me, I couldn't stand it.



4. on conscience
I thought a minute, and says to myself, hold on -- s'pose you'd a done right and give Jim up; would you felt better than what you do now? No, says I, I'd feel bad-- I'd feel just the same way I do now.
Well, then, says I, what's the use you learning to do right, when it's troublesome to do right and ain't no trouble to do wrong, and the wages is just the same?



5. on superstition
I've always reckoned that looking at the new moon over your left shoulder is one of the carelessest and foolishest things a body can do. Old Hank Bunker done it once, and bragged about it; and in less than two years he got drunk and fell off of the shot tower and spread himself out so that he was just a kind of layer, as you may say; and they slid him edgeways between two barn doors for a coffin, and buried him so, so they say, but I didn't see it. Pap told me. But anyway, it all come of looking at the moon that way, like a fool.



6. on escape
I reckon I got to light out for the Territory ahead of the rest, because Aunt Sally she's going to adopt me and sivilize me and I can't stand it. I been there before.



7. on hypocrisy and religion
We all went to church, about three mile, everybody a-horseback. The men took their guns along, so did Buck, and kept them between their knees or stood them handy against the wall.
The Shepherdson's done the same. It was pretty ornery preaching -- all about brotherly love, and such-like tiresomeness; but everybody said it was a good sermon, and they all talked it over going home, and had such a powerful lot to say about faith, and good works, and free grace, and preforeordestination, and I don't know what all, that it did seem to me to be one of the roughest Sundays I had run across yet.



8. on simplicity
Jim said bees wouldn't sting idiots; but I didn't believe that, because I had tried them lots of times myself, and they wouldn't sting me.



9. on humanity
Let us consider that we are all partially insane. It will explain us to each other; it will unriddle many riddles; it will make clear and simple many things which are involved in haunting and harassing difficulties and obscurities now.



10. on army
That's what an army is -- a mob; they don't fight with courage that's born in them, but with courage that's borrowed from their mass, and from their officers.




                                                            ­                                       *by Mark Twain








S T - 16 dec 13
love the boldness of Twain.

not everybody's cuppa.. but hey, see me crying? nah :)






sub-entry: unicorn

a knock at the door
grey figure opens.. very, very tall

1.
slits of tall-eyes concierge perusing hooded-newcomer bearing gift
furtive-eyes in a head over-drilled with equations
the visitor waits and watches
intently catching the distant-tinkling of a child's laughter
peeps round the bend..
twinkling-eyed gramps giving gifts to grand-kids round the tall-tree

2.
silver-hair leads the way slowly up plush carpet-steps, all deep-red
not aware how regal-opulence glares at the hungry-livraison
of ornate wood-patterns etched into the sides of the box
a single hair-strand is the currency to secret-entry
the most unlikely-key stands in the doorway
upon the head of the child, it needs but one length
with tweezers, silver-head places in painstaking-tremors
there's a light-whirring deep inside and click, click, click..
the sides flay open like tiny-wings
and then, it's right there.. it's opening up its secrets
the old man, who waited all his life to see this.. almost has a glimpse
when something happens..

oh my, what is it ? ? ?     (gaping in disbelief)
it's........ the unicorn
oh! you may leave now, thank you
but a swift-stab leaves silver-head spluttering
holding onto his neck as his life-force spurts away, uncontrollable
                                        in violent-spasms
tall-eyes quick-senses an iota amiss within its radar-view
from the running-steps down the muted red-stairs, cy-dog barks
out the front-door, in pursuit of dodger-stealer who drops the flick-knife
into wide road, sudden-bus whacks him down
tall-eyes look down into the eyes of a dying man
(what have I done?  I needed only two minutes more to.....)
now, quick....get away, get away... !


3.
mythical twist as plot thickens
the box lies there, distant-sirens wail
eyes slit, instantly calculating
hot on heels of this reliable lean-machine
cops push the limit and close the corners
a volley of shots and he.. falls
box tumbling to the ground, rolling a bit.. then stops
red-lights flash remotely, like a dream caught in cold-syrup

with one shoulder now missing and half his head on the sidewalk
he hobbles with the gift to the bridge, his sensors pick up the bleat of the ferry
and he manages to...
...........................and throw it in the frozen-lake
its weight breaks the cracked-surface
                and sinks.. slowly.. down
                                  down
                     down
          down
down
                                               d o w n..

there, it rests in peace
till..


one year later, a young boy tests the safety of that frozen-water
stomping feet to keep warm and face clad in half-balaclava
a sight unlike any other meets his eyes.. and..
(when) he stoops to reach for it..
My heart's ablaze
I'm so amazed
cluttered in clichés
in a daze
I'm dismayed
too many long driveways
Life's fortes
as we graze
upon the gaze
in a haze of haze
trapped inside this maze
our voices phase
into the next of days
Oh did we raise
with utter rephrase
glancing sideways
into stairways
how I hate your ways
as much as I hate causeways
too much decay
along the edgeways
inside the hallways
roadways
screenplays
my heart strays
on into Sundays
and Tuesdays
I hate the weekdays
they're gateways
into other days.
© 2012 Christina Jackson
Pardon this poem for not making much sense, practicing wordplay. I chose a particular word, such as the one used here, "days", and use any word that rhymes hereafter. You can choose to continue until you can rhyme no more, or add in another word and keep it rolling. Like I said, it's only for practice. I highly recommend using this website http://www.rhymer.com/index.html when you do these exercises.
Terry Collett Mar 2015
Do you like
my new shoes?
Helen says
Dad got them

for me
I look
at the new shoes
brown like new

polished conkers
yes they look good
Mum says I can
wear them to church

today and I've put on
my Sunday dress
as it is Sunday
and what do you think

of the white socks
and the little pink
ribbons at the top?
and you'll never guess  

I've got new handkerchiefs
and I've got one
with me now
and she gets it out

of her dress pocket
and shows me
and I gaze at it
waiting to get

a word in edgeways
but she says
and after that
Saturday morning

matinee yesterday
and that boy
attacking you
with that knife

Mum says she's
not sure I should go
any more
you know what

Mum's like
but maybe you
could talk her around
because I like

being there
with you
and o by the way
my doll Battered

Betty's other eye
is stuck now
and she can only
see through half

an open eye
it's my little
brother's fault
he banged her

with his toy hammer
o poor Betty
and to think
she could see

out of both eyes
when Mum bought
her for me
from that jumble sale

a few years ago
I nod having given up
trying to get  
a word in

and see how neat
her hair is plaited
into two neat plaits
with pink ribbons

and her think lens glasses
clean so that I can
see her eyes
large as oysters

and guess what?
she says
I have two
shiny pennies

for the collection
at church
Dad gave them to me
and said new pennies

for new prayers
have you got
pennies too?
yes I've got 3d

my Mum gave me
I say feeling it good
to get my words
out there on the stage

of the day
and she smiles
and that smile
blows me

a seven
year old kid
in my best suit
far away.
A BOY AND GIRL IN LONDON IN 1955.
Terry Collett Mar 2013
Putting the world
to rights,
I expect.

She, Mrs Clark,
and Old Ma Collins
are like an outpost

of the United Nations.
They’d put
the world to rights

all right. No one else
would get a word in
edgeways. Had a bloke

like that in the army.
He could talk the hind leg
off a donkey. Bit simple

he was, but he did half talk.
Perkins he was called.
Ronald Perkins.

Lost a leg he did,
but didn’t stop him talking.
Reckon if he lost his head

he’d still manage
to chat away
to himself somehow.
Andrew Drummond Sep 2015
Commandos of respect holed up in the lights
of the medical machine
you are the only thing going on in my head
when I am not trying to think

found leaden footage of stock still bunting
from out the abattoir's grand  open day
on the HB pencil museum's HD security cam

voice can't open wide enough
to say your dead summer name aloud
since evil pixie told me to preserve it in its own silence

saw dead things twine in with tweetie pie's twirling bow tie
polo neck wool brings sling blades to a stop
pull throttle into tug of war  till I blacks out again

fourteen lunar wards later
still can't untangle the sad laughter
of  the neat tarantula  that came out in sympathy
shed her wee skin twice so she did
to make me a nice pair of fingerless gloves

two cold green sparks stood and stared  
at the throw away keep sakes
not dying just going under to cool off for a bit

third hinge blew off  and the song circle bled
and I placed its wound in totemic jello till it went the way of all flesh feathers

my share of the pain didn't give yours a moan in edgeways, it clum back down the thorns of  white gore rose
it was near to the end bit of life
where the gentle killers hung around

Uh-Oh my rhyming machine's got stuck again
see you in a moe toe flow blow sow foe bow crow snow low grow doe .............
.................there's no
such thing as zero
said bronzed gecko with crab arms for munch lips
like his song said
-never let now and then get too close together
-never put rainbow colours near any metal when in in a liquid form
-never hug when giving the kiss of life
-never put infrared furniture in dark living room
-never preserve a sadness in an artificial laughter
then when the music was over itself again
my foetus shaped ears clung to my head
like phantom limb headphones
we turned ourselves  back on
and up
and out
of the natural low
till we were beside our old selves again
Standing in the clear piedmont blood ,
with understanding , with unchecked curiosity
along the jagged edgeways
Ardent Yellow Perch skipping her countercurrents ,
painted turtles at liberty atop driftwood memorials
Hardwoods sash -shay the moss painted root bound  
architecture , sunbeams expose the river bottoms ,
Blue Herons and Redtailed Hawks stand on silent
watch , birds of every color and unique song pass ,
command these silver blue corridors
Copyright May 3 , 2016 by Randolph L Wilson * All Rights Reserved
LUCILLE DASS May 2016
You’re as good as your word, you know?

Let me put in a word here …
If my word-of-mouth
Be not the right word
Don’t dare breathe a word.
Not a word, I say.
Do I have your word?
No, don’t say a word.
But if word has it …
In other words
If word is out
That you did not keep your word,
I’ll take their word for it.
Without a word,
You’ll pay for breaking your word.
Yes, I mean every word of it.
I trust you understand this –
Our brief exchange of words?
Good now repeat after me word for word…

Please … can I get a word in edgeways?
Upon my word
You have my word
I’ll not let out a word,
My solemn word
That a worse wordsmith than you
Can ever be found.
My word! Such frippery wordplay
I have not heard till this day!

I see … spitting words at me!
Crossing swords with words with me?
No mince of words too, I see.
You think you’d have the last word? … Nah!
You’ve just put more words into this mouth of mine.
A word of advice, if I may…
Your word weighs not against my word
My word counts.
So watch it, watch it, watch it,
Better mind my words!
Ryan O'Leary Nov 2020
An omnivore a herbivore
and a carnivore went for
a walk in the desert but
only one of them returned.

At the oasis they stopped
for a drink but there was
no food only vegetation
which the herbivore had.

Hmmm said the carnivore
(to himself) while he and
the omnivore tossed a coin
to decide who'd eat what.

The carnivore won the toss
so it was his choice to eat
either of the other two, but
the herbivore intervened.

He said, I was excluded
while I was having my
fill, so to be fair I should
toss the coin and I choose.

Choose what, the carnivore
said, you wont eat any of
us that is why we left you
out, you are not included.

Ok then, the herbivore said,
I'm not partial to either of
you, yet both of you would
eat me given the opportunity.

In that case, I toss and I will
call heads or tails and I will
decide which one of you gets
to eat me, that seems only fair.

The carnivore and omnivore
agreed to this and with that
the herbivore tossed the coin
up up and it landed in the tree.

He set off up the trunk while
the other two looked on in a
slight state of confusion and
by then they were both hungry.

The herbivore arrived at the
summit and said that he had
found the coin but he couldn't
recall which side he selected.

Tell you what I'll do he said,
I will toss it from here and
as I in the tree, I will decide
who eats who of you two.

Down the coin came flipping
summersaulting and turning
edgeways landing in the sand
in an indecisive position.

Ah well the herbivore said it
means it was a draw so you
will have to come to your own
conclusion I’ve got plenty up here.

A vicious fight ensued at the base
of the tree, they were both wounded
seriously, but the carnivore overcame
the omnivore and began to cannibalise.

Ps

I am stuck for an ending, I need more
time to think about it as I am a vegan
and I want to live to tell the tale.
Mick Devine Apr 2020
This morning in the park
The toes of baby giants have sprouted through the grass.  
They’re mushrooms, of course,
But it’s a cheery thought.
I’ll pass it on.

Not to Gwendolyn:
She waves a hand, then, head down, hurries past
In pursuit of late husband Edwin, always the quicker walker.
Edwin whose mind turned to sand and trickled, egg-timer-wise,
To his boots.
He left behind the trail she follows every day.
Edwin, who, towards the end, asked Gwendolyn  to hold his ankles
While he stood on his head.
A lovely bloke,
He liked a joke and would have laughed at my mushroom thing.

No point in telling Percy Pointer,
Ordering his mobile phone about again.
I’m sure there’s no-one on the other end.
Perhaps he thinks the same of me.
He might be right.

Too early for John and his dog
He’ll still be at church talking to God.
John that is, the dog’s agnostic.

Ah, this little schoolgirl I’ve seen before.
No mum today, just her dolly and a packed lunch,
Mother’s Pride no doubt,
Beautifully turned out,
A brand new shadow every day.
This morning she’s trying to stamp on its head.
‘Ha! Only hurting yourself!’ I would have suggested,
If I’d wanted to get arrested.

This jogger has wires trailing from his ears
He sings “Doo-be-doo”,
I wonder if  the one wire goes straight through
But he is past before I can ask
And I’m beginning to lose heart.

Then suddenly, out of thin air, she’s there,
My ex... Invisible Jennifer.
(I don’t see her anymore).
What brings her here?
“Why,” she says, “this gorgeous morning!
The greenery,
The scenery
And have you seen the toes of the baby giants?
They’re mushrooms of course but I thought...”

I think you’ll find that that was me, I try to say
But can’t get a word in edgeways.

Oh well, it wasn’t all that funny after all.
Let’s ****** off before she drives us up the wall
Jenny
One imaginary friend too many.

“And who are you my dear?” I hear her shout.
“Are you with misery guts?”

I think she’s talking to you.
Ryan O'Leary Apr 2020
Conversing with her is like
living in an echo chamber.

Those two way conversations
ask and answer never getting
a word in edgeways.

If she was alone, I'd be sure
she was a schizophrenic.

At least on the phone one can
disregard her, get on with
something else, add a grunt
occasionally just to abbreviate
her monotonous monologue.

— The End —