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Desperado Dan
Is a man with a plan
To cash in a bit of Kensington
On some high grade *****
Cos right now he's got a couple of scores
But not a great deal more to loose

You see, our Dan is a master of the modern day quill
He works an open office, clocking in and out at will
But after reading all the greats from his and every bygone age
He lives in a time where the mp3 subverts the written page

So night and day he hums away
Searching for that hit chorus
And he knows you can't cut corners
When it comes to tanking up on creative juices

A Desperado is larger beer spiked with tequila
Some say it's for scoundrels to make charming girls easier
But our Dan's quest is noble.
He has a dream we'd all like to believe in
He simply wants to do his whole life’s work in just one evening
And a Desperado seems to conjure all six hats within one head
So if two minds are better than one...well, nuff said

He dilutes them at first, pulling the wool over his own eyes
Until, catching reflections on the glass, he sees through the disguise.
And before long you'll find him chugging straight from the bottle
Then, in a blur of paper and pen, Dan writes like there's no tomorrow.

He writes and writes and writes some more
a couplet, a bridge, an underscore
Ploughing verses like trenches through the ****** white paper
Dropping napalms just to see what pops it's head above the wreckage.

Then, surveying the new landscape, he quarries in every direction…

Linearly; because it's most straightforward like that
Circularly; because they used to think the world was flat

Logically; because... Well duh!
Laterally; which gives the brain a stir

Diagonally; some kinda a + b = c rap from back in the day
In reverse; because sometimes we unknowingly face the wrong way

Unapologetically
Down dead ends
Just to see the view

He picks up clichés and looks under them for clues

Desperado Dan
Calls for desperate measures
As the evening wears on
He indulges all his earthly pleasures

And down they go with a Yo ** **
What a ***** desperado!
***** I say! Now he's mixing with ***
Still his pencil flies with a blistered thumb

'E starts to drop 'is H's
And forgets to cross his l's...sorry t's
He paces back and forwards
An he talks like mushy peas

Rummaging frantically through chaotic pockets
Conjunctives falling to the floor
He can't find the word he's after, but who cares? There’s plenty more!
He begins to vengefully split infinitives in two
And hurl metaphors across the kitchen
Sending mountains of ******* up ***** of paper flying
Like snowballs after the thaw
Which slowly melt into puddles of lonely vowels and consonants.
Long after he has gone.

----------------------------------------------------------­---------------------------------

But all that was before the "Doodley Dee"
And his dream came true with a change of key
The song which people can't help to hum
From OAPs to the I-generation
And people hummed it all over
And in all sorts of weather
Until someone decided we should hum it forever.
And they paid Desperado Dan for every hum
Not bad work for a blistered thumb

So now our Dan seems a lot less desperate.
From time to time he evens finds an hour or two to rest a bit
Sitting on the veranda of his studio in the south of France.
Applying the finishing touches to another comedy romance.
Sipping a very fine Sauvignon, no Desperado in sight.

They're all safely packed away in the cellar

Just in case he gets the urge

Late at night.
Bardo Mar 2020
Roddy's Rooster, man! you couldn't
  oust her
Standing up there on his dunghill fair
Announcing to the whole world, to All
  everywhere
My ****! He's the greatest doodle doer
O! that Roddy's Rooster.

He don't need no booster, does
  Roddy's Rooster
He'd even go after the goose sir
Don't you fouster with this Rooster
You'd only lose sir
Now vamoose sir.

Very dapper and quite the scrapper
Patrolling his perimeter
Strutting around the farmyard pound
Invariably, henhouse bound
If you were to meet him
It'd be "Put up your dukes sir
Me! I'm Roddy's Rooster".

With his tail feathers all fluffed up
Like a feather duster
And his chest all puffed out
Quite the Dandy and always randy
What a Suitor that Roddy's Rooster
And O! what a Wooer, that wooey
  doodler.

                         I I

He came a cropper though one day
When he fell in the Hopper
Now he's a good deal shorter
And not half as cocky as before,
Now he sits on his wall lamenting his
  fall
Thinking of the days when he used to
  have a ball
Has Lady Luck that Grand Old Duck
  deserted him I wonder.

Sad to see, now he's a bit gammy
More Bandy than Dandy
He still South's in the Summer
But has doubts in the Winter,
Now he likes to crow his woes and
  lows away
Climbing up onto his dunghill, he
   greets the day
But now in a high shrill falsetto
  voice
He sings  in a whole different way
" I've been round the Ringer but I'm
  still quite a Dinger
**** a Doodley Doo"
Now... now he's a ****** Blues singer!

O! that Roddy's Rooster.
Roddy's Rooster Yeeaahh!
A bit of fun. An inspirational tale during these dark uncertain days. And a Very Happy St Paddy's day to All.
Mateuš Conrad Jun 2016
symbols, some just say zodiac, with Gemini at my lowest ebb - ebb, funny word, unravelling nouns from the cauldron of onomatopoeias, say knock on wood precipitated into a privacy of owning a door - whereas the Irish and the Poles encoded dialogue (like in Ulysses) with hyphen for snappy convo; in a pub, Charlie and Harry spoke:
- pint's on me.
- aye, on you the one and no more.
- why not more on me?
- i won the lottery, i'm goonah buy half of Cork.
- so who's this Yorrick fella'h?
- apparently a resurrected maxim.
- travesty...
- indee- doodley oh.
which beckons the question why the un-imaginative encoding of sounds gave English narrators too much power... the supposed ditto / invert comma wasn't expression of approx., nuanced, why wasn't the interpretation that of nuance? we can all use the unit Sartre chose to nuance, instead of "ego" the ref. point of conduct ~ego, i.e. approximately me, living with my mother but nonetheless womanising... unimaginative narrator, speeding, never gave his characters a chance, "i went to the market today", he said; that's the narrator masquerading - call this a dubbing mechanism? i would... like i'd hope for the centimetres and miles and nanometres of pause differentiating a comma from a hyphen, a hyphen from a colon, a colon from a semi-colon... and a semi-colon from a fullstop (exampled a germanic word with missing hyphen not authorised by the Oxbridge dictionary of couture, disassembling a navy sweater and toad-green jeans)... i mean, **** me, give me the precision tactics to read without invoking an αsθmαtιc imitation of a sailor's last breath; are those dots above i and j really necessary? it just rained down y y y y y y y y y y on top of them, enzyme activity? yep, ιoτα; otherwise just inert *******; and no, it's not a language these days, English has been reduced to pixel graffiti.

well... mandrakes and sparrows
aren't exactly androgynous...
maybe a mascara advert went missing
along the way... maybe.
here the piano... here the broken
fingers of Liszt... you poker me,
it's worth the gamble...
well ontologically *sprechen
what
the hell is a natural appropriation
of waiting for water to boil,
or an egg to be poached in shell
for a runny yoke? me neither,
i'm as dumb as a doughnut concerning
such affairs... i said there's no androgynous
behavioural patterns in sparrow and mandrakes,
you choose you adaptability whenever you
choose to stress a chequered flag...
parasitically i'll march with telescope
ants and flies of what alienation did
to the food-chain - yeah, aliens with an
enlargement syndrome -
bathtub of hydrochloric acid -
i just imagine the newly beloved painting
unseen, a squid cleaving fat and muscles
off a skeleton in the same light
as seeing a ******* - artist or pervert?
i guess both go hand-in-hand;
the hyphen, equal parallel usage with the inverted
coma / well... it used to be known as a ditto
                                                           ­            "
                                                               ­        "
                                                               ­        "
but mind you, before Oxford accepts a german
sounding word compound it requires a hyphen
in english - pistachio shells and shrapnel -
yep, as the above - unravelling of fictive tactics
of the bothersome nature for the narrator not only
loßing the plot but also the characters;
hey, english is perfect, i can apply whatever stresses
of φoνo i want... it's stark naked Adam & Eve...
i can put a ballerina's leotard on this encoding,
and no one will truly mind.
Elizabeth Ann Nov 2013
I wanted to write a poem for you
But all that I made was a doodley-doo
I wanted to make it so perfect for two
I suppose this rhyme will have to do

— The End —