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CH Gorrie Jul 2012
Countless strangers sit or stand in wonder
at tall statues and head-height tombs
of solid, austere men who cannot utter
a word to explain the cathedral’s gloom.
The ostentatious architecture’s croon
from a tattered breeze
dithers through deathless abbeys
where memorialized men lay strewn.

The vacillation of their hearts
remains hidden like it did in life,
their public presence disallowed it then
as carved marble and stone now imparts.
That common unresting inner strife;
what was and what could have been.

I know it well (as well as I can),
that unfinished man Frederic Leighton’s tomb,
his beautifully ebullient Flaming June
brought to mind as I gaze on the grave
breathlessly overwhelmed, trying to understand
how anyone can frown on how artists behave.

That thought-drowned sculptor Henry S. Moore
is situated among the others, beguiled
without grave, a resting statue, “Mother & Child”:
in the smoothed out bends of arching stone,
from troughs between figures down to the floor
I read his face, all it held and could hold alone.

Down the crypt on straight-cut-steps I descend,
pressing on further through candle-lit corridors,
commemorations surround in half-light that offends
receding memories on sandless shores.
Horatio Nelson, John Donne, Sir Flemming, Chris Wren,
each pass till I find a man I’d adore:
Philip Sidney, that grounded man, that defender of art,
consumed in the ensuing century’s heart.

Consumed likewise I stand
gasping, beached upon a strand
of a non-physical contagion;
we’ll suffer it all again.


Three minutes more or less I gaped
until my feet forced my face away
and weaved my soul among the wooden pews.
This hallowed place where the past is draped
is an icicle looped through the fray
of my ambition’s thinning view.

Another adoration there!
That visionary mythology sewer
William Blake, whose piteous glower
for mankind begot his lasting dream.
On his placard chiseled rhyming pairs
beg: take things, not as they seem.

My fingers run the lines of text
slowly, strongly, as if forced by the air.
I fall down a thousand winding stairs
taller than St. Paul’s in my heart.
I compose all my strength to regain context
of cathedral, pull away from Blake, part.

Up the stairs I climb
back to the street.
The rustling, busy fleet
of tourists entwines
about me in my haste
to get outside the tomb,
that time-reversed womb,
of men who didn’t waste
time, place, talent, skill,
but impressed their lives on eternity.
The clock is still,
I’m out in the street –
cathedral shadows
twirling high, then low,
over my body and feet.

What is there, inside that place, is intangible and petrified by reality;
it is trailing smoke from the pipes of sages who spoke,
in broken thoughts, sworn things that cannot be repealed.
It is time unwoven and crocheted again into patchworks of undefinable color.
I must have died a hundred times unaware of it all – out of nothing it called.
It was felt and known, ended and rebuilt accidentally out of the contagion of guilt.
It was a small drag off of nothing.
Valsa George May 2016
Though the sun had begun bleeding in the West
With an explorer’s gait, I walked jumping over gutters
My track, flanked with knee high grass and nettles
Also wild bushes of all kinds that grew in clusters

I saw dragon flies whirring around in circles
Their wings catching glints of the evening light
As they buzzed from one blade of grass to the other
Giving a solitary soul benign company and sure delight

Strange enough, my track ended in an open space
Enclosed by cracked walls, now a forlorn territory
There are raised mounds, overgrown with weeds
I can easily make out, it is an ancient cemetery

Hush… hush is the place, here no bird sings
There is a mournful silence that deepens
Through the **** grown path, no traveler walks
The place, some morbid warning portends

Vacancy alone greets my pensive eyes
Here the wind sighs in silent pain
There is a muffled horror all around the place
Even the leaves chant a sad refrain

In these ancient graves sleep the silent dead
Their toil and trouble ended with life
They must have been perhaps heroes of the land
No more are they part of world’s victory or strife

Nor its sad commemorations or triumphant jubilees
Though released from the shackles of oppression
Each dear presence has now become an absence
Here they lie anonymous, without a single possession

Some graves are marked by crosses and head stones
But most of them are nameless, worn out by time
We do not know how or when came their end
Did they die in old age or die in their prime

Or perish in a battle or struck by some pestilence
However their names are blotted out from life’s tome
They have become inseparably one with the elements
And they lie here motionless exuding a strange calm

Generations pass and their progeny comes
Unmindful of who lived before them
Neither thankful of the legacy left behind
Nor thinking, all the comforts, from their toil stem

I stand with a heavy heart by these moss grown wrecks
Thinking I too shall lie here once, devoid of all opulence
Leaving all my hard earned possessions behind
Without a name, thoroughly forgotten by the populace

Oh Death! You are the mighty leveler of lives
With your indiscriminate hands when you strike
All differences are ironed out, all distinctions erased
Devoid of any rank, here sleep the king and the slave alike
Taylor B May 2013
I'm not sure who I am anymore
I have changed so much and so fast
You keep holding on to me
The old me, the person who I used to be
And the old memories we made together
I will admit that those recollections are unforgettable
They may be the reminiscences of the old me
But why should that stop us from making new memories?
New commemorations with the new me
I'm not the same kid from you memories
But I will always be who that little girl was
I may be older and wiser
But I still need  you
And I still love you
So please don’t leave me
Now is the time that I need you immensely
I’m just not the same person I used to be
And I lost and have fallen between the cracks
I’m still here I’m just trying to discover who I am
The Apokálypsis is triggered and in a fraction of seconds, all appear in the premature appearance of Vernarth when all were waiting for him. Saint John the Apostle came from the iridescent nimbus escorting the curtain of othónes that filtered the Didaché that Saint John the Apostle brought in his patronage to make him a fellow disciple of primitive Christianity, and of the subtraction of the Twelve Apostles in congruence with the Twelve Islands of the Dodecanese to carry him apart from controversies. His purgation would vanish and a certain dating would begin that would merge with the thunderous projectile that would trigger from the Horcondising, then to Piacenza and would end up on Patmos tri locusing ..., it was a parapsychological projectile or mass of light in the score of the Didache's prayer or Propedeutics , which would date the demarcation of his chest when he was cracked by this pellet with a mass of light that pierced his fearlessness, and then would make him wake up from his parapsychology witnessing the Judeo-Hebraic catharsis at the beginning of the premiere of his religious ordinance in the Didache , providing the Judeo-Christian transition that would displace him through the centuries in the hecatomb of his Auric parapsychological mass, which would particularly make the fundamentalist predilection to inhale his intuition letting him know how to sustain himself more active than anything, but next to ascend to the Iridescent Nimbus where awaited him the radicality of the Mashiach, reviving in his primary ego baptism and Eucharist as or fragmentary of the biblical Canon making him the son of the apostolic patriarchs. Vernarth felt yielded but at the same time encouraged to know that the trajectory of the munitions with the mass of light would free him ..., and would take him through the epistles of the Codex or Codex Raedus, to be escorted by the Sybillas. The thickness of light that passed through the thymus gland reverberated in his Áspis Koilé that would hold it by the antilabé or Hoplon's hilt, which jointly ran the runaway projectile that was formed from his vigor and free Corpus that collided with the Kosmous where it was already extreme with the Arms of Christi in the patriarchal that ordered him to be part of the splendid Greek Orthodox Universe, specifically in the aedicule (Koilé, as a hollow shield) or Holy Sepulcher that made him exempt from the catalog of men sons of Hashem with more than two or three light paths in the Bios that had happened and that will happen! All clemency formed bewitching allegories that came from Antioquia that were contractually discovered interpolated into authentic adulterous women, who still depended on his inert entity, abandoning his nocturnal and spurious ethereal body.
Along with the chiaroscuro, the beams of mystery were transposed as a star that approached the vicinity of the Megaron that was anguished at the cracked guideline of the Opistodomos, indicating that the zoomorphic figures were coming that adorned all the symmetries that were crowned in the twelve stars that were emancipated from the orbit of Aurion. Vernarth felt an excessive burning on the back of him, making him prevail over crying, evictions of courage along with angels who carried flames that were absorbed in the chiaroscuro that sought to save him from all external subjects, like souls that intended to devour his absolved soul from Kathartiryum.

Between remanded expulsions they headed to the limen of Erebos that he transplanted from all the hollows that had teleported him from the infinitive of parapsychology, leaving him on the edge of his purification in his abscess like a skylight of Erebos, which would carry him into wandering spaces that ignored who could take pity on his conditional freedom at the expense of being freer than any body and his immortal soul, to cohabit in competitive everlasting worlds, which would personify him as superabundant of an underground world, towards the gift union to meet all his close beings free of all their redeeming quality, sentient if of all affiliation of the Caligo or Calígine that did not confiscate any hint of proceeding with or without senses that could thunder in the Vanguards of the Vernarthian Poems, where the Aether held him like the Porpax or bracelet in its primordial phase that would illuminate the vast earth, considering it as custodian and with assignee shadowing of Darkness where every fabulous impression would have to consider him a primal being of the Kosmous and the Calígine or darkness, which would soon carry the fabulous shudder of the introductory Aether where the Kingdom continues to feed back mortals and immortals, while all millennial past approaches the future with great commemorative glosses that revive, and make everyone join together in their commemorations, nevertheless leaving in their usufruct Heaven in the canopies of each dwelling, and of the future Hebrew that will be reborn in future Hellenic reincarnations, even when it is not intoned the hymn that will fly in colossal times.

The sacred word of the Apokálypsis was written alone in regard to the fact that it would not happen yet, where a holy case could be precipitated in a profusion of the garment that waved for whoever decided to see everything that is intangible, and that his diadem would alight before all who do know that they can aspire to a ceremony with hundreds of aid before all those who come saved from the Kathartyrium, narrating to him with winds and privileges that they wanted to possess him and warn him revived, before being handed over to the Mashiach who was moving before Vernarth. Swift golden eagles run on the roof of the Opistódomos, where the wrathful Eden gurgled that only Venarth could distinguish once he grasped the massive edges of the Himation. Here he kneels and asks the Mashiach, to grant him a tiny consent before escorting him, to reunite with all his descendants who would leave with the Hexagonal Birthright.

From the six edges that appeared in the Hexagonal Birthright, the identity silhouette of Eurydice, King David, Raeder, Petrobus, Saint John the Apostle, and Vernarth, once close to them, would go on the sixth Giga camel so as not to question themselves in some reverse diaspora that takes them into organisms where they do not wish their souls to be transferred. The verses booed by the Old Testament wind, or from the Old Testament, were invented in the analogy of Vernarth's Emptying or Ekénosen, leaving behind the footprints of the sixth ungulate, consolidating its sleeping body between lavenders and astragalus that were re-grafted from annihilation on the same ruins of the silence of himself (Myein). Vernarth was already chaff of the wind and incarnation of the same chaff that rose from the plantar legs of the sixth Giga, here they will be transfigured in its immaculate spectrum with golden trim by stoically using the Himation, and knowing how to reject any apathy at the power to silence his senses and ignore, that seven steeds with their vermilion eyes would pass at great speed and in the opposite direction, trying to ****** the kenosis of any of the six that claimed to be usufructuaries in the work of who can take the Life of any fiduciary steed that take away in your boldness.

The Sixth Camel was dislocated in the polygons of the Star of David, seeking the six edges of each linear that was destined to the six concatenations of the six bifurcations of the Hexagonal Birthright, forming the hexagram that somehow impelled them from the coincident central of the segments that would unite them even though they were intervals of each planting of each camel, simulating a hundred kilometers of distance to be the closest to the Opistodomes that would receive them in the resplendent Cinnabar flowing in triangulated equilaterals within the conformation of the Vas Auric or Beatific Medallion that it floated within the naos and the ceremonial physical structure. Everything was attributed to the Entasis of the Megaron that was combined in the mechanics of triangles that were attached to the concentric one of the Vas Auric, there were a hundred kilometers of routes where each dilation narrowed in dimension zero that bounced with another congruent zero of the six points of the Primogeniture and the vertices of the Star of David, from the fords that waved the generous Semitic skills, which alluded to the other haven of the concentric hard shoulder that turned them into six curbs of the same seat that was engaged in the Kenosis in the validated proportion of the auction that became friendly on the sixth camel, very close to him until the last step of the plantar basement is issued, thus allowing the same fatal wind from the desert of eternal life to destine him to the esotericism of human nature dressed in military garb , heir to all the panoply that would desert its guarantees when the sixth camel approached the first Giga where Saint John the Apostle was going. Everything was understood as a Vas Auric or reliquary of the Seal of Solomon immersed in the six points that symmetrically coincide with six dramatic points that would indicate the contiguity of the last hundred kilometers before reaching the last second and of the mystical power that would become resonant with six universes to later be transferred to the mighty Duoverso in each bias. The regular hexagon that King David conceived was made by lowering his head, almost touching the palfrey of the steeds that followed him rapidly running near his camel convoy, the opposing forces joined the hexagram of the Birthright in the Pentagram of King David, demonstrating little clarity of biblical innate gnosis to attend to the Old Testament of the remote metamorphosis, lavenders were already authorized that would penetrate into the Dipylones of the Megaron, in the face of any confusion that will be indicated as an Agia or a splendor synagogal that Vernarth presumably already dimensioned of the Universe behind his back of this same one so as not to revile the presence of the Mashiach by taking him out of the abject Kosmous, which filled him with ill-contained hopes of bad conjectures and stale past pundonor ..., not being self-referential! The twilight was unwound in the midst of the light orientation of the Star that would guide them as Unitarianism through the retrospective that would be added in intrepid pasts within another equal to himself, to make him Israelite-Hellenic, who would safeguard the Apokálypsis as the shield of emptying of his body granted by the Kenosis immersed in a Kosmous or recondite body, taking him together with Saint John the Apostle to the Dodecanese and the dodecagon itself, full of tribes that do not reposition themselves from the mega imagination when shepherding and traveling the immeasurable distances of Universal Faith submerging in fire and water, inciting the Macedonian Mezuzah as a pentagram or Five Strokes that vindicate the "V" Lacedaemon as a Penta or five that would initiate Vernarth as an inheritance of the world where everything is mentioned in the Fifth Dimension or Ependysi Imatos in the Investiture of the Himation of Vernarth.
Apokálypsis
Mike Adam May 2023
1
Drawn into the vortex
Of your life

By a formulaic
'How are you'

Hoarding memories
Like misers
As if identity were
A Thing
A Table, measured
And crafted

2
Or Self-real
When the very
Galaxies with
Dizzying speed

Belie the very
Notion of
Being

Amorphous time
Boxed,
Bagged fog pieced in
Handy seasons

Anniversaries
Of Nothing,
Events
Commemorations,

A drubbing of history
And nullification
Of failure.

3
No lights dim
City life

No Spring
Penetrates the
Screen

Plato sits in his
Cave
Weeping darkly,
Counting
Bodhidharmas
Eyelash
Over and over
Again
Uma natarajan May 2023
The vibes of inner self enthuses to trace imaginations
Evening glories are stretching towards crowing the night's commemorations
Expressions very often leak through the shutters of various reflections
The glass counter of vision witnesses adorable scenic sections
Jasmine emits lasting fragrances through the windows ventilations
Charming **** moon peeps and winks mischievously without alterations
Ryan O'Leary Jan 2020
Not long after Paddy's Day
annual commemorations of
***** Lipman's patent is
celebrated by the Lead Poets
Society of Mallow, at Spratts
old house of Pencil Hill near
Doneraile Co. Cork Ireland.
Rubbers are always supplied.



http://landedestates.nuigalway.ie/LandedEstates/jsp/estate-show.jsp?id=2872

30th March is annual Pencil Day.

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