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Mula sa higanteng alpombrang balot
Bumuhos ang walong henerasyon halos
Ng karit, palay, tagtuyot, unos
Martilyo, pako, pagpapakaputa sa utos!
Aba, hindi pangako ng sistema ang presensya ni Hesus!

Sa madilim na purgatoryo ng impiyerno at kalangitan,
Sa mahiwagang pagitan ng lunsuran at lansangan
Nagka-prusisyon ang dibinong Toledong bayan
‘Pagkat naipasalangit na
Ang Multo/Kapre/Bal-bal/Berberoka/
Aswang/Mangkukulam/Agta/Santelmo/
Batibat/Berbalang/Bungisngis/Diwata
Na sumiil sa banal na pook ng Toledo.

Pitu-pituhan ang naging palitan
Sa pagbuhat sa bangkay ni Rodiano Abduhan.
“Dito ako sa ulo.” “Pasmado ka ba? Larga na!”
Padulas-dulas ang kapit, sumisilip na ang paa
At sa bawat yapak, bumuhos ang patak
Ng dugong pesante sa sagradong Toledong lupa.

Rodiano Abduhan, mas kilala bilang Tatay Godong
Manggagamot, tagalunas ng salot, kampon ng Diyos,
Ika ng iilang nagpatingin sa mahiwagang tatang,
Pero manyak, magnanakaw, aswang, mangkukulam
Kamo ng nagmula sa abang Toledong bayan.
‘Pagkat ang pugad niya’y sa kanayunan, sa kalaliman, sa kaibuturan,
Ng mailap na lansangang ng Diyos tinalikuran.

Kaya nang ang taumbaya’y nakabatid
Na lumubha ang sakit ng pamangking si Adring,
At na natagpuang bukbukin ang bangkay ni Celine,
Kaniya-kaniyang satsat, sitsit, at hirit
Ang kumapal sa amihan ng Toledong hangin.

“Mangkukulam! Heto yung bumati sa Adring kong pamangkin!”
Kaya ng taumbaya’y binatikos at siniraan sa lihim
Sa walwal o gimik, pagkalaklak ng gin.

“Berbalang! ‘Di ka umawat hanggang naubos ang dugo!”
Kaya’t nang-imprinta ang madla ng mga galos abot sa buto
Tatak Cebu! Tatak lungsod ng Toledo!

“Aswang! Luwal ng putang nakunan!”
Kung kaya’t naisama rin ang anak ni Abduhan
Sa kawawang listahan ng mapapaslang.

Biro mo! Ang manggagawa ng himala
Natamaan ng sumbi ng masaklap na realidad!
Ay, hindi makaliligtas ang dukha
Sa kamandag ng pader ng matayog na siyudad!

Pero nang maabot ang mapanglaw na kremahan,
Ang mailap na lubid ng buhay at kamatayan
Ni Rodiano Abduhan, aswang at mangkukulam,
Ng dugong maliliwat ay tuluyan siyang naubusan.
Maputla niyang balat, sa abong langit ay umagpang.
Inaakit ng lagay na hamak na sa wakas ay tumahan.
Pero nang maunawaan niya na sa kaniyang kamatayan
Mapupuksa ang kasarinlan at kalayaan,
‘Pagkat siya ang sisidlan ng dugong maglilinang,
Kampeon ng kanayunan, hari ng himagsikan,

Nasapian ni Lazaro.
Nabuhay.
Natauhan.

Magsasaka, mangingisda, labandera, gerilya.
Artista, mayora, tindera, tsismosa.
Karpintero, ****, kutsero, kaminero.
Abugado, inhinyero, piloto, maestro.
Ninais ng lungsod ang pagsapit ng mundo
Sa mahinhing mundo ng mga diwata’t engkanto.
Oo lang nang oo, bawal mangontrabida,
Kaya kung gusto nila ng Multo/Kapre/Bal-bal/Berberoka
Ano pang magagawa kundi patabain ang mataba?

So natunaw ang pintura
Ng nagbabalat na ngang dingding
Nabawian ng Sol at Luna
Ang kalangitang sadya nang makulimlim
Ang basang semento ay nauhaw
At naging nagbabantang lamig.

Mula sa naagnas na kabaong sa hukay lumaya
Ang mga magsasaka, mangingisda, labandera, gerilya
Ang mga Batibat/Berbalang/Bungisngis/Diwata.
Mula sa abo sa loob ng saro nagka-anyo
Ang mga karpintero, ****, kutsero, kaminero
Ang mga Aswang/Mangkukulam/Agta/Santelmo.

Tsaka humayo’t bumulong kay Abduhan
Nang siya’y mailatag sa loob ng makinarya.
Tsaka niya nagunita ang anak at asawa
Nombrado na atang manananggal at tiyanak.
At ang bawat katiting na patak ng dugo
Na hinayaan niyang umagos, bumuhos, tumulo
Sa lupang Toledo, lupa ng berdugo’t demonyo.
Doon niya nabatid kung saan totoong nagmula
Ang mga Multo/Kapre/Bal-bal/Berberoka,
Aswang/Mangkukulam/Agta/Santelmo,
Batibat/Berbalang/Bungisngis/Diwata.

At doon nabuhay ang Santelmo ng Toledo;
Nang umalpas mula sa crematorium si Rodiano Abduhan,
‘Di na mas hahaba ang buhok, at nakatatak ang pangalan
Sa kaniyang mga galos at sugat, habang
Noo’y banig ang balot, ngayo’y apoy na bagong silang.
At nang nadaanan niya ang mga balintataw
Ng mayayamang poong siya mismo ang nakapukaw,
Nabatid niya kung bakit kailangan ng Toledo ng isang halimaw.
ive never written in such an aboveboard style aint proud of this **** lol
JOJO C PINCA Nov 2017
“Wake up and live”
― Bob Marley

Mga mukhang tao pero ugaling hayup,
hindi naman aso pero laging kumakahol.
Mga bastos magsalita,
mas salaula pa sa baboy ang mga putang-ina.
Matataas ang kanilang pinag-aralan
pero bagsak ang grado pagdating sa kagandahang asal.
Sa maiksing salita mga MAL-EDUKADO sila.

Ayaw nila nang sinasagot sila kahit nambabastos sila.
Gusto nila na galangin sila pero wala silang galang sa kapwa nila.
Masyadong mataas ang tingin sa kanilang sarili
kaya sobrang baba kung ituring nila ang iba.
In short, mga HIJO at HIJA DE PUTA sila.

Ang kanilang libangan ay ang pagalitan ang mga nasa ibaba nila.
Hindi sila kailanman pweding magkamali
at hindi nila tatanggapin ang kanilang naging pagkakamali.
Ang ipasa ang sisi d’yan sila dalubhasa na tila ba sanay na manggahasa,
manggahasa ng damdamin ng iba.
Ang paborito nilang motto ay ito “THE BOSS IS ALWAYS RIGHT”.

Mga bossing na saksakan ng kupal hindi pa kayo tamaan ng kidlat.
Sana bumuka ang lupa at lamunin kayong lahat.
Kung totoo ang aswang sana dagitin kayo ng mga manananggal.
Bakit kasi hindi pa kayo dukutin ng mga Tamawo?  

Ang mga katulad ninyo ang nagpapahirap sa buhay ng mga maliliit na tao. "You're adding insult to injury."
Dinadagdagan ninyo ang sugat sa kanilang mga dibdib.
Ipinamumukha ninyo lagi kung gaano lang sila kaliit.
Hindi kayo marunong umunawa at maawa
kasi ang alam lang ninyo ay ang mag-utos.
Puro lang pakinabang ang laman ng utak ninyo.

Hindi ninyo alam kung paano mabuhay ng marangal
kasi wala kayong dangal.
Salapi at posisyon ‘yan lang ang gusto ninyo.
Kapag hindi na ninyo napapakinabangan ang isang manggagawa
hindi na n’yo ito pinapansin,
walang pagsalang na inyong binabaliwala.
Nevermore May 2014
Reading about the paranormal,
The unknown,
Hearing of ghosts and spirits --
It hurts.

The otherworldly
Stirs up the painful memories
Of you.
I'd rather feel
Horror and fear
Anything else but this.

The demonic
The satanic
Can do little else to me
That you haven't already done.

Ghostly visitations,
Hauntings,
UFOs and their merry little abductions --
They all remind me of you
Still lurking my nights

When people trade stories
About aswang and demonic possession,
Cattle mutilations in the middle of nowhere,
I get chills
Thinking of you.

You are as inscrutable
As the Works of the Old Men
As the Nazca Lines
As the Coseck Circle.
Deciphering the Voynich Manuscript
Is nothing compared to the puzzle of you.

Listening to UVB-76
Max Headroom
The Bloop
Rebecca Black
Makes more sense than listening to you.

Unmask Jack the Ripper
Explain the Toynbee Tiles
Solve the Taman Shud Case
And I can solve you.

It's far less taxing, really
And more merciful on my limited cognitive faculties.


Bring me the Mongolian death worm
And Spring-heeled Jack
The Wandering Jew
The Dover Demon
And the Am Fear Liath Mòr
Before I decide
That sympathy and love
Are more that mere legends
Roaming the windswept wastes
Of your icy, shriveled heart,
Closer to reality than cryptozoology.

Abandoned cities and colonies
Only remind me of how abruptly and senselessly you left,
Leaving me a decrepit mystery of ruins

You believed in Atlantis
I said it was Plato's illustration --
His Republic,
Like Augustine's City of God.

Perhaps this was why our Atlantis
Sank to the ocean floor --
We were just good on paper.
Or maybe we started slaughtering
Noble half-breeds and changelings wholesale
Out of a misplaced sense of pride,

Or our union was unholy
And rankled the senses of the Sovereign
Who deemed it an offense
And thus condemned it,

Or perhaps this was an act of mercy
The equivalent of what Lovecraft said
The most merciful thing
Is the inability of the human mind
To correlate all the ******* he encounters
And has to deal with
On a daily ******* basis.


That the solid waves of mindfuck,
Pushing and heaving like tides,
Emanating from little ole you,
Would have finished off
Whatever was left of my mind.

You believed in ******* everything
But us.
Lost continents
Fox spirits
Psychometry
Were-boars
The ******* occult
No problem
All that which science cannot quantify nor qualify
You embraced
Yet you ran from me
And into the arms of another.

You claimed to be an empath
So tell me
How do I feel
After what you did to me?

You tell me.

And isn't empathy
Supposed to make people more compassionate?

The **** is this, then?

These stories
Of yetis and apparitions
Poltergeists and precognition
Used to intrigue and thrill me as a child.
When I grew up
I started ignoring them.
You put meaning back into the whole thing,
However insipid.

I was a skeptic.
You walked the line
Between the physical and supernatural
At least
If what you said is to be believed.

You were nothing but a specter,
Luring another hapless soul
Out into the barren wastelands
With a *** of stew,
Just beyond reach,
To its doom.

You're nothing but a ghost
Of an angry girl
Murdered by the cruelty
Of your parents and the church
And now I'm one of your victims.

Now as I start to see
Faint vistas of the supernatural,
They start to run
With memories of you
Until I can no longer
Distinguish one from the other.

So I'll ignore the glimpses
Of lurid phantasmagorias
And lock myself in
My world of letters and literature
Of armlocks and flying elbows
Of video games and liquor
I will pretend your world never existed.

Please, please keep out of mine.
*****.
JOJO C PINCA Nov 2017
wala sa sementeryo
ang misteryo,
hindi namamahay
sa lumang bahay
ang mga multo.
nand'yan lang sila
sa loob ng puso't isip mo.
mga kalansay ng buhay
mo'ng walang say-say,
naaalala mo pa ba
ang puting babae (white lady)
na lumulutang sa kama
habang hinuhubaran mo?
naririnig mo ba ang iyak
ng mga anak mo
na naging tiyanak
matapos mo silang ikalat.
hindi nabubuhay ang patay
pero may mga ala-alang
kailanman hindi namamatay,
susundan ka nila
na parang zombing naglalakad.
walang multo pero
kailangan mo ng indulto
sa dami ng buhay
na iyong nainsulto.
walang multo
pero may aswang
ikaw ang aswang
marami kang inaswang
animal ka.
Jun Lit Jun 2018
Among faded photographs piled up
in this grey-haired archive
your faces still shine like the smiling suns
that used to greet me - that little child
you called bunsô, the dawn’s speck
still in these brown eyes -
in the quiet and cold early mornings,
as I stared to the eastern skies
orange above the dearly missed Malarayat
of blues, and greens, and cones, and salakot
and as the last of the kabag bats
- guts filled with the insects of the night -
go home between our roof and ceiling,
the warmth of your call were tight hugs.

Your old picture comes alive -
like the first gulps of kapeng barako encouragements
that drained down the bullied throat of yesteryears
- the old radio broadcasts loudly the silenced tears
as the dozen hens were cackling the latest from the Beatles
and the lone rooster belts the Only You of the Platters
That time I tossed and threw far
the white grains of tattered notebooks to scatter
for the newly hatched chicks to patiently gather
Everything was an Amorsolo-replica, a summer
of joyful harvesting, harvest time, harvester . . .

Hope was the bottomless well beside the mango tree
The pig pens my palace, the chicken shed my tower of ivory
The rabbits are lords- and ladies-in-waiting
I was their prince in a kingdom that I made free
from hordes of aswang, tikbalang, kapre, dwende . . .
nothing to fear, really
but for the hairy caterpillars
hiding among the yellow confetti
of ******* trees, in the backyard
of distant day-dreaming days of dreams.

You made the noontime suns brightly lit
the roads and crossings the three little pigs
of my inner self have to trot,
for the distant future was a pack of cunning wolves
ready to devour all my mortal miscalculations,
infantile indecisions, and immature decisions,
and loud and strong they huffed, and puffed and blew
my self-esteem, whatever was left, beaten black and blue.
A hero plays mahjong, nothing really new,
as my teen life’s pages fell, no Redeemer ever knew
It was like tiles of dominoes - one after the other - on cue.

And yet at the siesta time of this human life,
your guiding photons allowed
this tired body with a ******* soul, yet beating heart
to rest, picking up each of the pieces
and the jigsaw of experiences
now make sense, a rainbow shows
as the skies emptied their jars
of tempting clouds like cotton candies
into a downpour of doubts, of tempests
of feelings of emptiness, of cyclones
of thoughts of worthlessness –
the suns were shining always
after all
behind the clouds
those clouds

In the sunsets of your lives
the rays still shone far beyond
the twilight time and in these humid tropics
your mem’ries are auroras in the darkest of my nights
even in my sleep, the dreams are video clips
always set inside that old Marauoy home
reminding me, there was that child in there, alone . . .

These days, the skies, the winds, remind me
of stormy days in the forgotten simplicity of Lipa,
you tied the windows as the gusts
threatened to grab them,
and then, the warm jackets and blankets
of your reassuring words, “we’ll be alright”
erased the traumas, blew away the fears.
reminding me, there was that child in there,
you dried his tears . . .

That child’s still here inside my decades-old heart,
like a prayerful devotee in an agnostic cathedral,
missing your hugs
longing for your cheers.
Notes on some Tagalog words used in the poem:
bunsô - youngest child
Malarayat - name of the group of mountains to the east of Lipa City in Batangas
salakot - native wide-brim hat, usually woven from palm leaves or fashioned out of hardened skin of gourds; one of the Malarayat mountains is shaped like it
kabag - small species of bats, usually the insect-eating kinds
kapeng barako - brewed native coffee, usually of the Liberica variety
aswang, tikbalang, kapre, dwende - names of feared elementals in the native folklore/mythology, respectively referring to: flying, bat-winged, half-bodied woman that eats internal organs; half-horse, transformable half-human; giant cigar-smoking male being inhabiting big, usually fig or banyan trees; dwarf or gnome
mahjong - Chinese game of tiles
siesta - midday resting time, usually for quick naps
Marauoy - old barrio (village) in Lipa City
Lipa - old town in Batangas, which became a city, the first in the province, after the second World War
Butch Decatoria Jun 2017
I have returned
Although I must,
To this glittering bowl of dust
I had to,

In this so similar form
The jackals recognize my shade
In the dark, they watch and stalk,
My moon to daylight sun

The seasons of my change.
The pupae without
Awaiting for grand mals
Or some winged departure
Of my light

Expecting me to fall...

But seasons stir with lightfoot
Pages turned,
Between the numbers in all that
Man's made
Hands knocking hours
Ticking seconds
Minutes crawling
Under every door

Like a shadow unnoticed underfoot
Moments walk on wires
As life watches from below
Or is it vice versa?
The Circe du foils
The urchins that we drown to be
Voila! Not much ventured
In the rings and side shows
We spectacles
Of flesh
Fallen and fearing
The feelings

Of just before
Steps
(Beyond)
If catlike careful some nimble beast

I must be
To return from the place
That once birthed and attempted
****** the unlearned me
I am too
American in the humidity
The parasitic biting
The heat

I'm a stranger in strange islands
Beautiful mystique
Of superstitious super strength
The beliefs become aswang legends
Come true life
The slaughtered pig as sacrifice

I vomited and **** out
My inner being
Waters of life projected out
The length of tongue and the depth
Of insides
Gushing out
Even through my tears
And delirium...
Possessed as tho' a lever had been pulled
To reverse what flowed in
The nutrients
The rehydration of excretions
Sucker punched to spew

And thru the pain I knew
The swine and its smug snorting laughter
And the old ones in the villages
Living among their own dead
In the trees and sands and sea
Their jealousy of City boy me
The threat I must be
Fearful of what I might ****
Tho I dare not and have not
Done
Unto
As they have now done to he
I have karmic grace
To make them mine,

But what and why would I want
Such long gone then and agains
Or rage against
In revenge?
At my beautiful motherland
The face of my race
The home of my blood

I keep my silence as their defeat
Render them
As a breeze through palm trees and hiss of sea
Rumors of the weather
Food poisoning
Jun Lit Mar 2021
Naampat na ang dugô,
patay na ang mga bayanì
Pipi’t ampaw nakatayo
ang katahimikang naghahari
Tulog ang diyos, Impô,
mga aswang nakangiti
Matatapos na ang “Aba po!”
lasing pa rin ang kudyapi

Kahit matapang ang kape
Di mahulasan ang kapre.

Ginayumang mamamayan
Tila bulag, tanga’t mangmang

Kapag may nagugulantang
Lalayas na rin, ‘kita’y iniiwan.

Ito
ang alamat
ng taumbayang niloloko
at patuloy na nagpapaloko;
ng bayang pinagsamantalahan,
ng bayang pinabayaan.
14th poem in my series "Kapeng Barako" - Kapeng Barako is brewed coffee in Lipa, Batangas, Philippines, often of the 'liberica" variety and roasted traditionally in large metal vats.
Butch Decatoria Mar 2020
Her great illusion:
Youth and beauty to ensnare
Hearts and blood of men.

Wak-wak or tik-tik
Shapeshifting vampire witch...
****** Eternally.
Not all vampires **** blood, beware of Chi vampires.
Here in America
They have haunted house
Some people believe in ghosts
Some don’t
In the Philippines
They have is called aswang
Aswang could be called many
Kinds form of things
It’s could be called ghost
Or people eating other people
I believe in being
Reborn again
Like after life’s
I also believe connecting
With people
Who left us
Some of us read tarot cards
To read the tarot cards
You have to accept both
Darkness’s and light
My sister tough me
When I was only 5 years old
Everyone who past away
Don’t actually live earth yet
Some has unfinished business
Earth for them is actually Trying base
After deaths
How much spirit are walking
Among us right now
We don’t see them
There’s no spirit out there
Will tell you
If they are pure

— The End —