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There is no need to dwell on the exterior cliche of an injured soldier, the propaganda is superficial. Civilians have only plastic green men, heavy dusty movie set costumes, and Army-of-One heroes to populate stereotypes. Keep your images larger than life, no use touching up a paint-by-number. Mine was banal, foolish, and 19; enough said.

One fence is the fraternity itself, the next is brain injury. No other way to understand but be there. A Solid-American-Made-Dashboard cracked my forehead at 45mph.
Crumpling into the footwell,
unaware that the flatbed's rear bumper
was smashing thru the passenger windshield above me
the frame stopped just shy of decapitating my luckily unoccupied seat.
Our vehicle's monstrous hood had attempted to murderously bury us under,
but the axle stopped momentum's fate and ended the carnage under dark iron.
Shards of my identity joined the slow, pulverized, airborn chaos.
Back, Deep, Gone.

Unconsciousness is the brain's frantic attempt to re-wire neurons, jury rig broken connections, the doctor's desperate attempt to re-attach, stand back and say, good enough. Essential systems limply functioned, but unessential ones were ditched. Years later a military doctor diagnosed an eventual triage: Hypothalimus disconnected from the Pituitary Gland, Executive Function damaged, long pathways for emotional regulation interrupted.

I woke up still kinda bleeding, crusty blood in my hair, a line of frankenstein stitches wandering across my forehead.   My sense of self had literally dissolved into morning dust floating in a sterile hospital sunbeam.  My name was down the hall, words and the desire to speak were on a different floor.  Life became me and also a separate me under constant renovation, a wrecking ball on one half, scaffolding and raw 2x4's the other.

Waking up in the hospital, I realized I needed help to get the blood cleaned up.   A nurse came in, largely glared at me in disregard, and quickly left… for an hour.   She returned and brusquely dropped a useless ace comb and gauze on the blanket over my feet and abandoned me again.  This was my introduction to the shame of a VA hospital.  I minced my way to the bathroom, objectively examined my face in the mirror with shocking stitches above one swollen eye.  Gingerly rinsing my hair, the water ran pink in white porcelain.  I remembered the sound in my skull between my ears when a doctor scraped a metal tool across my skull, cleaning debris before stitching.  I recalled that in the ER I was asking Is he ok, repeating it like a broken record, knowing I should stop but I couldn’t.  There was also perhaps a joke about an Excedrin headache.

It was morning, and since there was no such thing as time or purpose or feelings anymore, I wandered to the hall with my only companion, the IV pole. One side was a wall of windows, and I was, what, 10 or 12 stories up from the streets of a much larger city than where I crashed.  The hall was warm and sunny.  I wheeled my companion to a blocky square vinyl chair to sit next to a pay phone.  I didn’t have any thoughts at all, or care about it.   After about an hour my first name floated up from the void, then with some effort my last name.  It took the rest of the morning to remember I had a brother.  After lunch we resumed our post, and I spent the afternoon in concentration piecing together his phone number.  God had pushed the reset button.

Thirty years ago the doctors didn't understand head injuries; they only recognized the physical symptoms. At first there was good reason to be permanently admitted to the hospital.  My blood pressure was unstable, sometimes so low that drawing blood for tests caused my veins to collapse even with baby needles.  My thyroid had shut down completely, only jump-started again with six months of Synthroid.  I had to learn to live with crashing blood sugar and fluctuating appetite.  For years afterwards, any stress would cause arrhythmias, my heart filling and skipping out of sync, blood pressure popping my skull.  Will the clock stop this time?  

There is always at least one momentous event in every person’s life that becomes punctuation, before and after.  The other side of Before the accident truly was a different me.  I have a vague recollection of who that person may have been, and occasionally get reminders.   Before, I was getting recruiting letters from Ivy League colleges and MIT, a high school senior at sixteen.  After, I couldn’t balance a checkbook or even care about a savings account in the first place.  Before, I had aced the military entrance exam only missing one question, even including the speed math section.  They told me I could chose any rating I wanted, so I chose Air Traffic Control.  Twenty years later, I thumbed through old high school yearbooks at a reunion.   I saw a picture of me in the Shakespeare Club, not recalling what that could have been about.   On finding a picture of me in the Ski Club I thought, Wow, I guess I know how to ski.   A yellowed small-town newspaper article noted I was one of two National Merit Scholars; and in another there’s a mention of a part in the High School Musical.  

This side of After, I kept mixing right with left, was dyslexic with numbers, and occasionally stuttered with word soup.  Focus became separated from willpower, concentration was like herding cats.  The world had become intense.

(chapter 1 continues in memoir)
Ashley Haack Jul 2014
I'm so bored I could pass for a 2x4
unnamed Dec 2012
My sweet Austin Texas ecstasy, my beloved Guadalupe you
gem of the desert. Your family’s a basket-a-bigots but
******* they drink for miles and how near they are to my
heart. This heat’s a drug I swear it. Let's swim in that hole
in the bedrock between two rivers. That'd be nice: me and
you and mobs of Westlake High sophomores with their
blue-raspberry bikinis, a hundred Teen Vogue magazine
covers lined up on the grass like a set of bad church pews.
Imagine that whitewash of a crowd, you and me so alone in
that big static it's better than private. Let’s punch brick, peel
back our knuckles and watch’em clot in the sun. **** gauze,
we’re goin’ to a punk show. I’m puttin’ on short sleeves,
goin’ on parade, gunna flaunt my cigarette burns like a Cadillac:
I want those dorks at the Mohawk to look and love me like
they love gore. I’m gettin’ my black-eye ribbon tonight.
We’re in the Chaos in Tejas show, darlin’, put on Crazy Spirit
and bring your 2x4: skinheads ain’t jumpin’ themselves.
Let's get medicated, hunny, let's get saved. I love watching
Austin bleed out into the sand every dusk. Love the musicians
sailing out grimy and frothing over what night brings:
what a big sky, Texas, you're almost better in the day all
parched ground and azure azure. I love the glass on the high
buildings here, they’re like mirrors. This is God’s powder room.
This is where God sees himself drugged up and beaming in a
beautiful powder room. This is where God goes to remember
youth. I love how youth hasn’t gotten you yet. That unassailable
capacity for charity, that surging belief in belief shouting out
through your temples, I can’t stand how you make me sick of
making myself sick. You slapped the ******* outta me so quick
I’ve never seen grace move that fast. I thought you'd knock the
grapefruit polish right off your nails you hit me so good.
What a sight you are, kid, so proper and fit, Christ, you could
be therapy: so brunette-in-the-Fall, so full-lipped,
unabashed and Aristotelian, frayed like anything but ****
well stitched, impeccable at the seams.
After Matthew Dickman
Brycical Nov 2012
Sometimes you just gotta smash
your laptop against the wall
Tear and gnash your your canvas,
burn your pens and paintbrush
into a colorful tye-dye fire
**** on the kitchen floor
and smash the whisky bottle
across the glass wine rack
kick a hole in that guitar
spinning with lighted matches
spinning with a numb-reckless-abandon
toppling over bookshelves
laughing like a monkey
tossing the toaster
into the bathtub
break the mirror with a head-but
and take a 2x4 to the porch light outside
smiling like a python
stomping on the oven door
taking a knife to the floor
because carpet angels are totally in
Inspired the song "Give it Back" by The Ting Tings: http://youtu.be/-EnlcP7rAlc
Timothy Brown Nov 2012
Bed-ridden
with a grotesque taste
of mucus in my mouth.
Head hidden
beneath a wall of tissue.
I can't seem to clear my nose.
Aspirin given
in increments of 2x4.
My head is still pounding.
Fresh air forbidden.
I'm too weak to stand.
I'm too sick to think.
© November 21st, 2012 by Timothy R Brown. All rights reserved.
Mitch Nihilist May 2016
every 1:27am
I come to my garage
and I sit with wine
and converse with
an out-of-place nightstand,
june bugs aimlessly run into
stacked boxes and
heartbroken drywall wink
at my knuckles,
only tangibility could express the
scattered personality of this garage
but somehow I feel at home,
unplugged freezers,
shop brooms drenched in sawdust,
broken hockey sticks,
half stained 2x4’s
clout my memories with
wanting to be young again,
shooting pucks with dad,
having laughs roll
off my tongue again,
sweeping grass off
the driveway, and watching
my sister fail at riding a bike,
now she’s going to university
and I’m sweeping up
cigarette butts in this garage,
I still see the skateboard
I broke my wrist on and I
have to work in the morning,
at 1:53 I’m rolling up news papers
and hitting curve balled
june bugs and I have
to cut this short cause
my girlfriend called and she needs
a ride home from the bar //


3:17
Literally a randomized run through of an average night.

**THIS POEM IS NOTHING SPECIAL**
Robert Guerrero Sep 2013
No gloves or referee
Just a blank alley we can paint legally
With the vibrant colors of each others face
Dumpsters we can play in
2x4's with each others names
Let's fight
**** rules and regulations
Last man standing walks away
Beaten down but standing tall
Loser can sail away in his puddle of blood
Violence is on my mind
And you rung the bell
When you decided to play cat and mouse
With the fragile heart she carries
Along with the burdens of yesterday
Let's fight
No ******* or money involved
I need no pistol or grenade
My shotgun stare will carry you
To the explosion of my fist
Repeatedly rocking each side of your face
Bring an army
Be a *****
Bring a mirror
You're reflection will need surgery
Let's fight
Riddle stitches on each others face
I don't care who wins
I'm taking back the smile you stole
Ripping out the heart you digested
And I'll crawl back to her with them
I'll fight for you day in and day out. You're not just something to me, you're all I have left.
Robert Guerrero Apr 2013
Round 1
You beat me with a 2x4
I didn't see it coming
You snuck up from behind
Drilled splinters into my cranium
I dropped to the floor
And the ref counted 10

Round 2
I ***** your ***
You didn't hear me sneaking into your room
I taped you up
Tied you to your bed
****** you till you cried tears of blood
From your ******
I forgot you were a ******

Round 3
We laughed about this
Because it never happened
Just joked around
But we kissed
And continued with the fight
Because we wanted to hold the title

Round 4
Instant KO
I win told you I would
Simply by saying
Te casatoresti cu mine?
Mi vuoi sposare?
Quieres casarte conmigo?
Will you marry me?
I love you

But still you hold the title
Because you have the ring on your finger
You have my heart
You did what no one else did
Said....Yes I will!
With tears in your eyes
Guess I still have it in me. I'm not going anywhere!
Keith Moody Jun 2017
I'm a craftsman with words.
Each page I fill is another home I've built.
Every house is built differently to hold a variety of people.
I'm a craftsman with words.

A writing utensil is the only tool I will ever need.
It is a tool anybody can use but a true craftsman can do so much more with it.
My mind is a toolbox, filled with blueprints of houses just waiting to be built.
I'm a craftsman with words.

The page is the plot of land that I will build my house on.
The lines on the page is the foundation and the framework that I will build off of.
My pen is the hammer, each letter is a nail, and every word is a 2x4 holding the house together.
I'm a craftsman with words.

Every sentence a tile I lay to make the floor with.
Every paragraph is another wall that I put up.
Every "The end" is the roof I put to complete the house.
And every house I build, is a home people can move into.
I'm a craftsman with words.
There’s a gold-line interstate dancing through the state of mind, down through the snow storms of cotton willow seeds, to make your heartbeat freeze. 2x4’s hug the windows, and throw off the symmetry, of the three houses in a circle, where the town hall used to be… your grandma planted tobacco seeds. And the service played her lover “Taps” in 1943. And the money they sent home, bought her pills and some relief.
Oh Tennessee.
Tennessee.
Tennessee.
Frank Corbett Jan 2013
The glass is flying too quickly,
time is shuddering like a demolished foundation,
and I can feel snapping in my chest,
like the air in my knuckles,
but like nails in my heart,
it doesn't even hurt,
as I fly through the air,
into the newspaper stand,
2x4's splintering in my wake,
as I collapse alongside the brick wall,
completely and utterly surprised,
I swallow my teeth,
and walk.
SG Holter Jul 2014
On the rough handrail
Leading up to the barracks-
Where the guys eat lunch

There's a growing gap in the
2x4 -from them carving
Themselves toothpicks.

Everything has potential
For something else
Within.
Lewis Bosworth Feb 2017
—For my brothers in cabins, in hiding, out-of-this-world.

I succumb to the baby-oiled glossy perfect flesh.
The abs, the pecs, the shiny *****, the angles
and shadows creating those illusions.

These man-boys, some still acned and purple with
non-air-brushed bodies, fascinate me.  But
I look again.  These are photos of posing and
***** boys.

They’ve never seen the planting of garlic, nor
the digging of a grave to put to rest a
beloved raccoon, nor the dirt-fresh smells of
putting-down a root cellar, nor anything
that is our ‘neighbors.’

So, my brothers, I have no gloss to share, no hot
glamour to peddle. Rather, I’ll give you
my ***** finger-nails touching men in black-
and-white portraits, who consume me
with life and earth and real *****
and warts and paunches and hard-earned
scars and stains and 2X4 poems.


© Lewis Bosworth, ca. 1980
Selcæiös Feb 2018
I've always felt I was a sunflower
dancing around
with my scintillating akratic vibration
  the riviting opia long since latched;
  quick to your raunchy defeat

just remember to catch your breath
because so far,
every and each
lascivious contender had
forgotten to breathe.


But I just now had my
little-girl fantasy smashed wayy down
Hit with a 2x4 in the face;
it's also pretty infamous under the a.k.a. Reality,

I mean who else could cause
that severe of a frown
on the little girl
who parades around town
in a princess gown and crown?

I'm now living with Reality;
And apparently I'm ******* Snow
Cold-Hearted and Alluring
Striking was actually the word used
But Reality couldn't possibly know
who I was before I was "striking"
Besides, didn’t Reality strike me first?
**** this ******* (:
Robert Guerrero Nov 2021
I grew tired of asking
What it would be like
When I'm no longer there
Not within range
For you to touch
For you to say hi
For you to hear from
For you to think
You saw me on the freeway
Or able to pick up
When you're broke down
Trying to hold it together
Wanting to get away
I won't be there anymore
Can't run out the door
So don't take it personally
When my feet sway
Parallel to the floor
It wasn't anything you did
It wasn't any reason why
I just felt I had to die
There wasn't anything
I could do to be better
I tried to avoid it
But it haunted me anyway
I was always going
Never knowing where
But I'm leaving
And I know when you learn
I'll be too far for you to stop
So save your tears
Forget all your fears
I'm exactly where I should have been
I'm leaving
Don't worry I'm fine
Nothing anyone could have said
Would make it easier
I just hope you find strength
To carry on through the day
Sorry I couldn't stay
I just had to get away
From the me I was becoming
Always running out the door
Just to find a purpose
That kept my feet on the floor
Now they're parallel to it
As I take my leave
From all the pain
I've gotten familiar with
I grew tired of wearing
My heart on my sleeve
So here's an I love you
Before I hit the road
I'll try to send a postcard
But where I'm going
I doubt has an address
Here's the PS just in case
I'm sorry for going
Now that I'm gone
Don't let a tear leave
I wasn't much of anything
Even though I meant something to you
I just couldn't stand
The fighting in my head
Every 2x4 snapping
As my mind caved in
I couldn't take it anymore
That's why I locked the door
And my feet sway
Parallel to the floor
Styles 12 Aug 2017
Using broken nails to build my armor in order to protect myself against anything.

Gathering pieces of 2x4
to survive you.

Rebuilding a shattered tower.

A magic door awaits inside it.

The Magician is behind it, patiently waiting, eternity on its side,

holding secrets of a billion galaxies in its inhuman eyes.

The One residing in All things yet greater than all its parts.

I am reaching my hand through the portal, your golden healing elixir smoothing my broken nails, turning crumble into resurrection.

One eye.
Seeing through everything.

My trench of piles
anticipating more flow,

an ocean of clouds waiting to flood my prepared channel for the
masterpiece  of  Falling Rain.
Claire Billings Feb 2021
Your long red hair caused flames to become jealous because they could never compare to your color

Each freckle a kiss I wanted to leave on your body

Your willowy body swaying lithely to Conan Gray while I sat on your bed in amazement that God could create something as ethereal as you

My heart quickened at your touch, even though it was always platonic and nothing more than a brush against my arm or a friendly hug

Every curve in the right place, no matter how much you argued that you were built like a 2x4 plank of wood, everyone wished they were you

Everything about you seemed perfect, right down to your button nose that was covered in blush and bucket hat that was a size too big

You were my best friend, we were all we really had

And you were the first girl I ever loved, not that I ever told you before you left

But I still kept those polaroids and photo booth strips we took at the mall

No matter how hurt I was when you started ghosting me after you began a new life, I'll always think about you
Kyle White May 2020
Poetry,
I thought it would contain
Splinters of truth, or
At the very least
A mound of sawdust
To sift through,
Instead
You're getting a 2x4
Straight to the
Softest part of the skull

I'll locate the entry point
And
Penetrate the frontal lobe
Where memory and foresight
Simply
Coexist

Sharing these incantations
These fevered reveries
Is like disclosing your blood type
With a scourge of mosquito

Under examination
I twist and reshape
Like amoeba
On a slide
Under an
Evaluative eye

I do not wish to be seen
Yet
I crave for validation

— The End —