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 3d Daya
badwords
We were told freedom would make us artists.
We were told freedom would set us free.
But freedom made us consumers—
scrolling, streaming, drowning in plenty.

Peak content.
Peak noise.
Attention—the last currency.
And we are broke.

Then came the machine.
Infinite. Bespoke. Frictionless.
The tribe dissolved.
The story fractured.
Each of us—
a society of one.

Do not mistake this for culture.
Culture bleeds.
Culture resists.
Culture divides.
This is mimicry.
This is slop.
Outliers cribbed, stripped,
and rebranded before the ink dries.

This is the singularity.
Not awakening.
Collapse.
Not tribe.
Not ritual.
The machine as tribe.
Self-satisfaction—tribe enough.

But listen—
creativity still breathes.
Not to be seen.
Not to trend.
But to testify.
To mark the ruins.
To scratch in the stone:

A human was here.

Do you remember?
If you look up
Is it there?
All I see is air
Why do I raise
my arms up
hoping that God
hears my prayer

Is it some kind
of wicked game
we play ?

I never dreamed
I would meet
someone like you

What a deception
fast of feet
What a reception
so incomplete

I raise my
empty hands up
asking God
"Where is my love ?"
 Sep 16 Daya
Zywa
Where will I be safe?

Where will someone say to me:


You will be safe here.
Poem "Hier ben ik veilig" ("Here I am safe", 1994, Frida Vogels), published in the collection "De harde kern 3" ("The ******* 3" [part XII, Evaluation]), and in "Diary 1974-1976" (2013) - December 5th, 1976, Bologna

Collection "Trench Walking"
 Sep 16 Daya
Austin
I want to go back,
after turning my back,
on all I know,
trying to prove I could go,
the distance,
I put between us.
I want to go back,
before I left myself,
in the dark,
losing all sight of what I chasing,
turning the lights out,
with my own hand.

— The End —