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Duncan Brown Aug 2018
Beauty treads in coloured threads
Of shimmering silken silhouettes
Trailing shadows through the dust
Trespassing life's sweet mortal flesh
Shaped in realms of entrancing cloth
Traversing stone and this softer earth
In falling rhythms of coloured light
Reflecting images of luminous night
Caressing shapes of lyrical symmetry
Drifting in shades of woven mystery
A mirage unveils their sacred history
Wandering through the shared eclipse
Of time and nature’s mystic aspiration
Transcending all limitation of thought
The drifting image unveils the self
In unfolding waves of flowing soul
The falling falls of ascending truth
Revealing celestial images on Earth
Of the sacred soul of Mother India.
Duncan Brown Mar 2018
The weeping folds of that woven truth
Hang beautifully plain upon a saviour
Scorned and scourged in purple cloth
Devouring breath in luminous colour

Crossed in pain on that wooden frame
Crowning thorns adorn his golden halo
Compassion hangs in tear filled shame
While women suffer in fearful sorrow

Pierced with steel and proffered vinegar
The driven nails a scourging iron trinity
Denying life with sourest wine writ bitter
Mockery upon a final wooden sanctuary
Cruelty impales our sweetest redemption
Forgiveness is our beautiful resurrection.
Duncan Brown Jul 2018
A scarecrow dwells on the horizon
Such a lonely image of crucifixion
No ragged thieves surrounding
Sublimely frightening and beautiful
Observing this world’s unfolding
From the inside solitude of loneliness
Externally gazing at the moving distance
Tethered and shackled to lifelessness
Exposed to nature’s scorning passage
A victim of insignificant circumstance
This symbol of something miraculous
Sowing each souls fertile imagination
Harvesting it in the rags of the future
Fixed and pinioned to the present
The lonely ballerina on the landscape
Unmoved the world moves around it
Like a dancing figure on a music box.
Duncan Brown Aug 2018
The dealings done surreptitiously
Far from prying eyes or scrutiny
Money changes hands inconspicuously
Ambition triumphs over integrity
Substance is sold ever so discretely
Damage is always consequential
Destroying the hearts true potential
Wrecking lives and community
By an injection of poisoned pity
And getting away before the crunch
Politicians are a disreputable bunch.
Duncan Brown Jun 2018
Eatyour Beefingheartout FranklyZappa
Thisairguitarist hasyournumbereding
Sixanseven inmyveryown hothundrededing
Lessthanyourworth ansomuchymorexpensive
Thanpoorboyzin a rockingorchestralsonger
Noonebeats thisten steelfingeringwizardist
Intheimage of our charmless deceptionism
Ivestrutterdstuff wherestuff shouldntbestrutten
Thenseenmyself as othershaveneverseenme
Andbangedmyheaderer to the cosmicgodderer
Ivemimedasong where the wordsareallwrong
Andcameback foranencore anthensomemore
IvejammedwithJimi and hammeditupwithFreddie
DuckwalkedtoNewOrleansallthewayfromKansasCi­ty
ZZdmytopinacuteflipflop rollingoverwithBeethoven
Beenallalongthewatchtower anamnotareligiouser
Letalonealonely Jehoveringkinda windowdresser
BlindFaithsmyfaith the soundofoneslowhandClapton
Thatsgodinbluejeans he cansharemymirroranytime
Megodanthemidnightrambler ohwhatatriolivesinme
Wevewornout seventeenmirrors anfivemoteldoors
Butamtheking ofreflectedglory  inmyglassypalace
Wonderlandsgotnothingonmeangracelandsilluso­ry
TheKingmighthavehissoulfilledcamelotancastle
Mirrorsaretheuniv­erseofNarcissuseslookingatme
Lingeringonabluespalefacelikemealone­inreverie
Myfenderstratstrappedonmybluejeanedselfery
Slaying eachimagined audience gunslingerstyle
Zimmerman’s cubistfendering madeanartistoutofme
Thatharmonicasawarning forthestartofworldwarthree
IvedressedlikeKiss donethetwist ansetmygreatballsonfire
Anblewagollywithmissmolly cozIworespexlikeBuddyHolly
Soldmysoully to Beelzeebubby for sexndrugznrocknrolly
Beendrunkasaskunkanaoneleggedpunkanpogoedmys­elfsober
LivedinagarretwithaViciousSydBarretonthedarksideofaspoon­
BinZiggyingwithIggy anfedthe AnimalstothezoowithLou
Ohwhataperfectday to rearrange the theoryofevolution
Iveevenbeenjumperingbroomsticks withbonnieweeBrenda
Andwithmyonehandcuffclapping IfeltliketheprisonerofZenda
ThenshookenupmypelvistoElvis andtrystedmytrussatMadonna
Theformertwassublime thelatterwas likeaVirginonthedicriculous
Iveruinedmyhealth blownmywealth andyingwasacareeroption
Thenbeennbornagain anbecomeaZen anIonlyeatvegetarians
Ivebeendecievedtobelieve an I believe Ibelievedtodecieve
IduettedatriowithapreciousPearl justJanismeanBobbieMcGhee
Thehigherthethrilll thegreatertheFall the musictenthrallsusall
IvebeenaWhoan’If aThatan’aThem anseveraltypesofabbreviation
ShakespearesSister BecketsBrother An ChaucersCousin
Haveallplayedtheirliterarypart Inmyveryown Divine Comedy
Ivebeen a Door a Chair and a Floor covered in Spiral Carpets
Beatles Bugz  SuperfurryThugz antheoccasional Arctic Monkey
Haveplayedtheirpart inmy fantasticalanverymagical menagerie
Ivehuggedtrees an’creatureswithfleas an’hostsofgoldendaffodills
Beensavingwhaleswithpsychedelictales ImaSamurai eco-warrior
Theplanetssafe whileIvegotfaith ButI’llneverabandonmymirror
I’mthefoolwholefthishill arebelwithoutapplause I’masilentcinema
ComeeachMondayMonday I’lldescendthestairfwayfrommyheaven
Andworklikeapoormansson playingthatfoolwhoselefthishill
To be standing alone in the corner at All Tomorrows Parties.
Duncan Brown Jul 2018
The gravity of angels doth presage a fall
Dissent is the ascendant written on the scrawl
Scripture's now grafitti's permanent fixture
Anyone care for a psalm missile or two
God has a couple, his friends have got a few
Nothings old every things really quite new
Every bargain's even got a testament or two
Destructions guaranteed, creation's over rated
Another Eden's a blue print for a parking lot
Rise and fall's kids’ stuff, god does them all
Damnation just that button on a play station
Satnav's got two, that's one for each direction
Heaven's great ' but hell can be a serious option
It really is an avenue, you gotta keep it open
When faith abandons you, the other joints reliable
In the meantime just enjoy the uncertain chaos
Sin must have some virtue, there's enough about
Even the clergy occasionally let it all hang out
If its good enough for frock coats, who knows
It might be better for all of us dressed as we are
Ready for anything that sin can throw at us
And everything we can toss back in a glass
Darkly with the shades on in a cheap hotel
We might as well if heaven's hell on earth
And the wagers of each sin is just a gamble
With eternity dead heading with our salvation
It could take a while before the result comes in.
Duncan Brown Oct 2018
The gravity of angels doth presage a fall
Dissent is the ascendant written on the scrawl
Scripture's now grafitti's permanent fixture
Anyone care for a psalm missile or two
God has a couple, his friends have got a few
Nothings old every things really quite new
Every bargain's even got a testament or two
Destructions guaranteed, creation's over rated
Another Eden's a blue print for a parking lot
Rise and fall's kids’ stuff, god does them all
Damnation just that button on a play station
Satnav's got two, that's one for each direction
Heaven's great ' but hell can be a serious option
It really is an avenue, you gotta keep it open
When faith abandons you, the other joints reliable
In the meantime just enjoy the uncertain chaos
Sin must have some virtue, there's enough about
Even the clergy occasionally let it all hang out
If its good enough for frock coats, who knows
It might be better for all of us dressed as we are
Ready for anything that sin can throw at us
And everything we can toss back in a glass
Darkly with the shades on in a cheap hotel
We might as well if heaven's hell on earth
And the wagers of each sin is just a gamble
With eternity dead heading with our salvation
It could take a while before the result comes in.
Duncan Brown Aug 2018
The Chelsea Hotel
We remember it well
An' its splendid interior decor
By never setting foot there
A very Bohemian Rhapsody
Two Dylans are thrilling
One Bob an' one Thomas
One life and one death
A song and poetic requiem
A Sad Eyed Beautiful moment
Another unquietly into the night
Embracing the dread valley below
Sweet Syd and Saint Nancy
Perished like lovers in drama
No light at yonder window
For a rocking Romeo and Juliet
Breathless in period splendour
Lovers in tragically beautiful embrace
Immortality in the perfect place
Edie set her room on fire
Our heroine couldn't get much higher
As the ceiling just got lower
Another window was another score
When the ceiling hit the floor
Unbroken she was beautiful like a woman
Dancing eyes across the hotel floor
Her world moving in that revolving door
The Chelsea Hotel has more to tell
That Hotel California couldn't rival
That's why it’s there in New York City
An island of dreams in a concrete ocean
Where all lost writers find a paradise
Checking in is our one remaining dream
Checking it out our beautiful possibility.
Duncan Brown Mar 2018
His soul enraptured in streams of beauty
Perished in flowing ribbons of aspiration
Struggling for the breath of pure eternity
Written on the water of divine inspiration
Gathered from life’s sweet finite journey
Into realms of undiscovered imagination
His heaven bound soul to earth was born
A nativity in the stable of purest humility
The beautiful guest amidst critical scorn
Struggling for life and liberty’s company
Penning those dreams that dwell forever
On the soul and flesh of living creatures
Delivered from burdening useless sorrow
Unleashed by realms of golden ****** joy
In deaths song he beheld a beautiful dawn.
Duncan Brown Jul 2018
Walk nine miles
and then one more
food is always far
to feed a hungry family

Borrowed shoes
is what we wear
food brings us closer
distance is always shared

One single bowl
in many hands
food travels in circles
in the geometry of hunger

Three silver coins
for a loaf of bread
food is richness
in the common currency

Nourishment never lies
in empty eyes
food is truth
economy is the falsity

Food is what we are
food is what we become
eat and we are eaten
in the consuming society

Without food everything
becomes nothing
food is always
something for someone

Hunger is never
a lack of food
it is the greedy denial
of soul generosity

False is the equation
that doesn’t add up
food by the number
of hands left empty

Food was the first
of created things
in the origins of Eden
hunger was the second.
Duncan Brown Apr 2018
Walk nine miles
and then one more
food is always far
to feed a hungry family

Borrowed shoes
is what we wear
food brings us closer
distance is always shared

One single bowl
in many hands
food travels in circles
in the geometry of hunger

Three silver coins
for a loaf of bread
food is richness
in the common currency

Nourishment never lies
in empty eyes
food is truth
economy is the falsity

Food is what we are
food is what we become
eat and we are eaten
in the consuming society

Without food everything
becomes nothing
food is always
something for someone

Hunger is never
a lack of food
it is the greedy denial
of soul generosity

False is the equation
that doesn’t add up
food by the number
of hands left empty

Food was the first
of created things
in the origins of Eden
hunger was the second.
Duncan Brown Jun 2018
There’s a pawn shop broking on the corner
Doin’ some good business
As the venerable beads of the abacus announce
Their returns
An’ the parking lot hasn’t a lot of what
It was equipped for
Meanwhile the pillars of salt are crumbling

Flickering signs changing all the times
For the manys
Whilst flashing on for enlightenment
Of the fews
Broken light’s dancing on the pavement
It’s a sign on the shoes
While the sun blinds up as regular

These are the good times for the bad
Robbers of the daylight
Even better times for curtains
Nobody’s payin’ any attention to anybody
Stuttering out their views
We’re just watching a concerto
Making an overture to the blues.
Duncan Brown May 2018
The destructive power of beauty takes it toll
An’ hell’s what happens if you lose control
Of all the tender things creating open doors
Nothing remains nothing if no one knows
Souls perish in a sweet decorative flourish
And memory clings in mirrors that cherish
An image retained in the beatified presence
Sacrificed and deified upon an altared icon
Sacred in the memory but lost in the detail
Of bargains struck and other dealings done
Enriching so many and impoverishing one
Street singing angel with the choir of love
Descending miracles from that god above
Transforming water into a sweeter flowing
Of wine and beauty from a song and rhyme
Heard beyond dreams and streams of tears
Falling inside the sound of a sacred image
Anywhere other golden beyond pure choice
Caressing truth writ blues apocalyptic voice.
Duncan Brown Mar 2018
Beauty in the breath and beauty is born
Transcending death and transient scorn
On a cold cold street they left him to die
Profaning his name they just passed by
Poetic flesh and bone upon harder stone
His back to earth with eyes upon eternity
Beckoning his soul to that blessed trinity
His sacred words treasured by humanity
All for love sublime of a dead dead poet
Inspiring the worlds true cherished song
With the passionate colour of that flower
The symbol of a precious love for poetry
In streams that flew on wings of liberty
Blessed upon earth and graced elsewhere
Not that he would ever care to remember
Before or after his death and resurrection
So humbly born a poet prince for a’ that.
Duncan Brown May 2018
Chatterton the fabulous creator of other poets’ dreams
An angel of delusion in his world of written confusion
Summer days and lyrically sweet-sounding skylarks
The sunrise and the moonlight of his fading horizon
Writing by the second hand in a hour glass of sand
Amidst the red red roses and the golden daffodils
Quilling songs of hemlock and fading with the flowers
Wearing shoes of silver buckles in John Keats's soles
In his final moments he perished beautifully like a poet.
Duncan Brown Apr 2018
Here’s to a life lived in mirrors
Looking at you, looking at you
Looking back at you looking back
Through your glasses very darkly
To Greta Garbo on the phone
Waxing lyrically quite fantastically
About the joys of being alone
To Joan Crawford on the prowl
Couching a cast with every vowel
Telling Marilyn about her calling
And about the bombshell falling
On the emptiness of an ocean
Where no blonde is an island
Not even one in transit to Venus
Or some other heavenly body
Liking it hot and sometimes cool
Recounting their sins so Cardinale
Occasionally cracking a commandment
To a Sophia Lorenaissance princess
Returning home from Casablanca
So beautifully and unusually a suspect
Knowing she’s below suspicion
Lavishing serenely back in Hollywood
Wondering why Anita Ekberg fell
Like the silver dream’s golden foil
For fame and famous familiarity
Rediscovering tee-shirts as she went
That extra length for helpless notoriety
Without surviving such polite society
Or Grace and Kelly looking in
At you looking at her surprise
When stardom started whistling
At that gal from the windy city
Skinning her bucks Madonna style
Whip wisecracking her lady cat wiles
When Doris finally made her day
Inside that very holy wooden shrine
Renowned for famous fickle fortune
By passing shadow’s tripping failure
In the limelight of fantastic glamour
Having it all and loving the clamour
Before the system really damaged her
For toughing it out like Frances Farmer
The Deity from the silver scream
Her voice alone playing Saint Joan
When the mogul empire struck back
With a cast of riders in white coats
Halting a sweet Cordelia on the inside
As the tinsel world bade a shallow farewell
To another Angelina on the flipside
But glamour is as glamour does
So clamorous to a made up self
An’ there’s no clamour like Hollywood
Clamouring for another famous mirror
To see ourselves as others seldom see us
In realms of glittering golden clichés
Shimmering on the scarlet carpet
While worlds spin in awestruck wonder
At the mystic vision of light and shadow
Entranced by the mystery of the alchemy
Illuminating this lower light to heaven
Our senses ripped and vision stripped
By beauty’s outrageous plunder
And imagination’s helpless surrender
To that mirage with hooded lids
Never looking back at anything
Bringing it all to her Bette Davis eyes
And both her Betty Grable’s surprise
Shredding each soul’s futile resistance
Before the onslaught of her Divinity
Traipsed her spell through tinsel town
Draped in black with a golden halo
Stole the show with her red stiletto
Embedded in that wanton poster
Telling the world she won an award
For acting as she never meant to be
Selling it like some reluctant Ophelia
Wondering why they call her Cordelia
Whilst leering at her cinematic feature
Wearing hats of metaphysical mystery
On dreams eternal in a transient moment
Where every sin is an open invitation
To every door with a sign saying exit
Where tough guys come and wise guys go
But looking at you goes on forever
Inside hats of sparkling wonder
In the Hollywood hell of other people
Flashing their bulbs in prurient homage
At the sinning flash of a new décolletage
Of heavenly strutting star slight women
Stealing the show and loving the glow
And straightening out the golden rainbow
Dancing light fantastic on the brick yellow road
That’s the way those winning women glow.
Duncan Brown May 2018
The small gods of mediocrity worship me
In glimmering shades of opaque vanity
And a quantity of quietly suspended sanity
For believing in me is me deceiving in thee
Cos’ nothing exists inside an empty mirror
Everything is but a shallow showy business
An’ vanity’s the perfect anaesthetic to criticism
It has a certain cachet of symmetrical insecurity
Which protects one from the whips and scorns
Of the too, too solid clever clogging creatures
And their insistence upon a useless authenticity
And several types of other irredemptive features
If thickness was a virtue they’d be geniuses
As things stand they’re an average ordinary
Overburdened by the extremes of modernity
And the necessity to dwell in the sin of originality
No such burden afflicts this untempered soul
A pickpocket in heaven is a smart career move
There are so many treasures in eternal garments
Looking better on me than any famous other
They may have originality but I possess the sin
Tailored to perfection of a finely cut deception
Wrapped in the vestments of deceitful beauty
So befitting on this prince of thieving vanity                                            .
If you have been where I have always been
You could’ve written the Faerie Queen
And several iniquitous verses in between
The fame and fortune of writing anything
It’s a difficult business being someone else
At least on paper and preferably in private
An’ don’t you just love an innocent abroad
Loneliness is always my singular attraction
And sadness isn’t without capricious merit
They’re the essential requirements of being
A phantom haunting in the raiment of deceit
I could shake the scene but only for an hour
Why does everybody know that second-rater
Or some warbling barbed wire singer-songer?
The blowing wind of his twice solid injustice
Denies me my princely literary inheritance
I’ve got more Faust than a beggar’s banquet
I could be them, but they could never be me
So who is the real genius at the literary feast?
That’s the question that they refuse to answer
I’m the prince of all the borrowed tomorrows
And the silver-buckled trampling of history
Who are they compared to me, the thief of faces
A genius at my very own seditious practices?
Skylarks, nightingales and ****** red roses
There’s no purchase there for a born deceiver
Pirouetting upon the landscape of deception
My ancient trade, a slave to modern ambition
And isn’t wealth so comfortably in fashion
Filthy lucre for filthy booker is my very passion
A flattering self obsession can be so expensive
Plundering souls to satisfy a scribbling ego costs
Much more than your average literary bargain
Writing’s cheap and writers are even cheaper
That’s why I became this born-again deceiver
Transient fame and eternal blame’s my passion
Who cares about fifteen minutes of ignominy?
I’ll do it all tomorrow in another stolen name
Addiction thrives by being exposed to shame
Any fool can pen their play or scribe a novel
The romantics always scribble in their hovel
Whilst the past is a very lonely day tomorrow
And written failures drown in present sorrow
But my notoriety is a timeless endless furrow
Ploughed and planted in each passing season
Harvesting the festival of my sweetened treason
And I’m compelled to a very summer’s day
An’ winter springing another written disguise
Favouring my fortune by a winning surprise
Beggaring the belief of a charitable donation
To the swollen coffin of my self infatuation  
Ferreting in the trashcans of the famous
For those half-forgotten reject slips
Nothings too worn or useless for my audience
Even less for my insatiable appetite
To be appreciated as a literary genius
Even if it lasts for only fifteen minutes
In the company of an utterly innocent audience
I’m neither proud nor even vain glorious
It’s just part of my addictive insouciance
I just love that moment in my significance
When I can be seen as someone not average
Not much to ask and even less to deliver
It doesn’t take a genius to be just clever
That’s a joy that I can always joyfully deliver
Twice on Saturday provided one’s a matinee
I will venture on this shadowy way forever
Harming no one except a ripped off author
They should be grateful for the plunder
After all it is a kind of literary flattery
I have standards in my taste for literature
I’d never rob your average written writer
If they’ve mugged themselves, why bother?
A long lost great or an undiscovered genius
Is more my taste and appreciated flavour
New wine is fine but truth is there to be told
I’ll drink anything especially if it can be sold
To any old innocently paying punter
Desperation travels in the company of deceit
And much of it is right up my street
Not quite the boulevards of the ancients
And there I go along the road of the living
Avoiding life’s cul-de-sac dead end
A place to spend a life seriously avoiding
Even if it means inhabiting other people’s clothing
The wearing and the tearing is a riot
An’ God won’t send me to Hades for borrowing
The silken garments of the truly wonderful
But he sure as hell gets mad if I copyright it.
Duncan Brown Sep 2018
Ohwhatawasteofallthatdevilishmedicine
Andtherockerbootsarereallyquiteattractive
Saintsirmiickael and his coolcohorts
Shooking his lefter leggers in snorts
Bebopping aloopbop boppity bip bop
At this gal renamed crazylittlefender
A shadyladily upon the fadinglybeauty
Ryefillwryfilled arriveangetfooled
Crinklecrinkle comeangetyereyesfilled
Concretesnice but glueissomuchbetter
Rivetingstuff if you’re reallydesparate
Toplayerin a rockering and rolleringband
Flasheringjackerings on the higherways
Averygoodplace for loseringyourselfer
Asthewheelsonthebus go runarounding
Heavencanwait an hellhaslostitspatients
Electricsoup and banderaiderdependence
Twiceaweekontv and thriceinthemirror
Hereslookingatyou reallylookimngatme
Itsallright IthinkIbought abrandnewticket
Therollerskatesdontfitmeanywhereanyway
Butwhathav­eyoudonetoyoursingeringsong?
Duncan Brown Aug 2018
Writing poetry is dead easy if you have two precious documents before your very eyes. The two documents in question are The Divine Comedy; by some 13th century Italian bloke called Dante Aligheri, and any copy of the Iliad that’s lying about the joint. You will also need a full-length mirror, a tin of Brasso and an English/Italian dictionary. When you have assembled this lot you can commence discovering whether or not you are a Dante, or just chancing your luck as a wannabe Homer

Having assembled all the necessary paraphernalia, you can begin your quest to become a poet, or discover that you are just another lost soul who wants to copyright spelling mistakes and grammatical errors in order to make a fortune from the literary outpourings of desperate to be Dantes everywhere. (Think about it, that’s not as dumb as it sounds nor is it as dumb as you will be if you attempt it.) That’s your first lesson in Danteness and Homericness. Writing literature is a paradoxical experience, and never a contradiction. So, you may have to shove Hegel out the window and line the floor of your pet hamster’s cage with the complete works of Marx.

Now you are approaching the very personal and very revealing bit of this exercise to discover whether you are a potential Dante or not. But, as always, there’s a but: before that, you may wish to check out a few historical precedents. Check out Chaucer Shakespreare. Milton, Pope. Shelley and Keats, and after the death of the Good Lord Byron, you might want to move abroad to Ireland and The USA, to get the best out of literature by having a glance at Yeats, Hopkins, Whitman and Emerson. Then there are a couple of Russian poets: Akhmatova and Ratushinskaya . Africa has the Nobel Laureate Soyinka, who shouldn’t be missed. Rabindrinath Tagore is beyond words and there is a Chinese poet named Wei Bo who is also a sublime read. World literature is like world music, a surprise around every corner-

Now this is the wonderful part of your poetic odyssey. At this point you get to look in the mirror, a lot. But first a word of caution: mirrors can be very strange, if not downright frightening things to see yourself reflected in. Put on your bravest countenance and look straight into the glacial glossy glare, and tell yourself you’re not scared of a piece of silver painted glassery that looks back at you every time you glance at it.
Duncan Brown Sep 2018
Chaucer was that gentle parfett knight.
Travelling as he went on his pilgrimage
Like a beautifully medievel Kerouac
With a bunch of others on their progress
Telling tales as they went on the holy journey
To that place of worship on the road to poetry
Nothings deep everything is scenery an’ heraldry
Lovely on its pilgrimage to Canterbury
Then some silver stuff takes you on to genius
Written by that bad bad bald guy
In that age of written geniuses
When everything went Einstein in colour
Every relative had an absolute poet
Dreaming of theatres in the round
And other kinds of geometric fashions
For strutting the stuff of the written culture
Beggars were borrowed and the acting got better
Dressed for dying beautifully to a paying audience
Things were on the up when written downtown
Across the boards and curtained signs saying exit
Selling stuff in the aisles to increase the margins
And other kinds of existentially profitable existences
For the written word and the acting sin tax
Made a buck or two worth turning up for
In the bear pit of the wooden O’s auditorium.
Then the lights went out in a very puritan fashion
Of iron buckles on high and mighty hats
Inside heavy shoes were emptier soles
Nailed art to the boards in crucifying style
Paradise was lost but that light still shone
In those dark and dismal times of religion
Where even god was proclaimed a heretic
For daring to be one of life’s creative souls
With an occasional very flashy revelation
Flasing the light and other stuff so fantastically
Behind the shed in the basement of the other Eden
Johnnie was mixing up the stuff from the garden
Still tripping the light show quite fantastic
Transforming colour from darker spaces
That kept the puritans in their prurient places
A voice alone inside the high hat revolution
Didn’t quite do everything all write on the night
Because he thought about it twice in the daytime
Thinking about is okay but seeing it is better
A tale of genius smothered by intellectuality
Was wee Alexander’s thoughtful contribution
Butterflies and wheels and other kinds of deals
Set the scene for the future enlightenment
In the shape of ghosts to haunt eternity
With a grain of sand and a redder rose
An’ other stuff both wonderful and dangerous
Its appeal was so magically tremendous
It remains today to haunts us all so beautifully
In shapes that become everything around us
The surrounding beauty is so alchemical
Transforming water into wine and flowing poetry
The miracle of pouring words transforms us
From passengers to charioteers of fire
On the battlefield for a worlds tomorrow
Where our sweetest songs still remain
Our tears of joy from fleeing pain
Played upon the fields of destruction
Where yesterday will never be tomorrow
Unwritten the sun sings it on the morn
Because tomorrow wants to be here
It’s there on the rise before our very eyes
And nothing’s stopping it except ourselves
The poets wrote it so long ago
And now’s a better time than most to sing it
All together now, ‘the future can be beautiful’
Duncan Brown Aug 2018
Archie was smart; at least he reckoned he was, because he had what he considered to be the good things in life: dosh in his wallet, a Cat in the garage, and a detach. in the green belt; all of which he had worked hard to acquire. Worked, is not exactly the word for it. Archie did deals. He reckoned he could always turn a fiver into a tenner an’ a tenner into a pony; a pony into a ton and a ton to a grand. He was one of the cash economy’s natural alchemists.  The folding stuff was the measure of a person, he reckoned. Archie never thought about anything; he reckoned everything, and nothing on God’s good earth was beyond reckoning, he reckoned. An ever-ready reckoner; that was Archie, and he loved himself for it. Only John Wayne did more reckoning than Archie, his old dad, bless him, used to say, thought Archie. In Archie’s world a grand was currency; less than that was just spare change. He reckoned he gave superior meaning to the expression ‘it’s a grand life’. The only blemish on Archie’s horizon as far as he could see was the lack of a class bird, or ‘ream sort’, as he preferred to say; hence this evening’s extravaganza at a posh French restaurant in the company of a beautiful lady. Archie only had two serious weaknesses in his existence: a fondness for the last word in a dispute about anything you care to mention, and his infatuation with his dining companion, the beautiful Carmela.


Carmela shared a common background with Archie. They grew up on the same council estate in the inner city. They were aware of each other’s existence as kids and teenagers, but they didn’t really know each other. Carmela was a quiet child and very singular; even in company she could be by herself. None but she was wise to her sense of solitude. She had three passions in life: knitting, sewing and weaving; the blessed trinity of her existence. Carmela interpreted the world by these three gifts. Here she was, she thought, weaving her way through an evening, in the company of three strangers. One she knew, herself, another she didn’t know at all, despite proximity and semi-shared origins. Then there was the complete stranger to the trinity: the waiter in his new and very polished shiny black shoes, “You can tell a lot about a person by their shoes”, Carmela’s mum used to say, she was thinking about that as the waiter appeared to almost pirouette into vision.


The waiter was a patient soul, it goes with the territory. The waiting game wasn’t something you should rush in to, he often told himself, in one of his more existentialist moments. He appreciated the irony of the comment in a Sartresque kind of fashion. He was from a steel town in the Rhonda Valley of South Wales. Iron was in his veins if not his appearance. A creature of paradoxes, that’s what he told himself he was. He liked that assessment of himself. It complimented his passion for all things French: French food, French wine, French philosophy, literature and art. He was learning the language at night school. Alas, his accent was as lyrically refined as the landscape that bred him He shovelled the words onto a conveyor belt of sound and meaning as best he could in the general direction of the person he was talking to, more in hope than in faith that they understood what was being said .The other passion in his life was tap dancing, and as luck would have it he could wear the same outfit for work and leisure, hence the very shiny shoes which allowed him to dance around the tables of the restaurant, practising his language skills on the clientele, His life work and leisure dovetailed with his ambition and he was pleased to wake up in the morning and set about the mortal trespass with a skip in his step. The waiter imagined himself to be a cosmopolitan and enlightened soul, in a very Fred Astaire kind of way, and life was a flight of stairs which he could ascend and descend in a Morse code type of style, just like Mr Bojangles.


The fare was fine. the wine was rare, but the conversation was spare until the cheese board arrived.” Good grub”, said Archie to the waiter. “We don’t do grub, sir, we only serve the finest Gallic cuisine in this establishment,” replied the waiter, in his usual mangled French, whilst smiling that smile that only waiters can manage when registering disapproval. Archie looked blank. It was Carmela who spoke: “C’était magnifique! Mes compliments au chef.” “Streuth! You speak better French than Marcel Proust here” said Archie.” I studied Fashion and Design in Paris for five years “replied Carmela.” “An’ I joined the Common Market many moons ago. It’s good for business” said Archie. The waiter was impressed: “Food, fashion, wine, Proust and Paris. This must be Nirvana” he said. “Great band, but a very dubious heaven.” replied Carmela, knitting together the threads whilst changing the pattern of the conversation in a very subtle fashion that was more to her liking.” “It’s only rock ’n’ roll” said Archie, an’ if you’ve ever heard French rock ’n’ roll it’s enough to make you believe in Foucault” “Foucault, my hero!” said the waiter, “a philosophical genius”. “According to Foucault, a knitting pattern is the hieroglyphic of a consumerist and decadent capitalist society.” intoned Carmela.” “And ‘A recipe is a critique of a cake’, said the great Structuralist philosopher,” interjected Archie, so if you serve the gateaux we may effect the collapse of western civilisation as we all know and love it”. “Allors, Let them eat cake” said the waiter, and everybody smiled at the irony of the comment.

The waiter bojangled his way into the night, tapping and clicking the pavement as he went.  Carmela and Archie got into a black cab. “That was a night to remember,” said Carmela, “very Proustian”. “A la recherche du temps perdu”, replied Archie, pleased as punch to have the last word. Carmela just smiled as she looked at Archie’s shoes.
Duncan Brown Jul 2018
The heart is written on the page
Unavoidable in the empty space
Occupied by that tender rage
Unfolding in the patterned lace
Weaving words beyond their age

Each soul of scribing innocence
Traverses the lettered landscape
Seeking that treasured sentence
And a beautifully poetic escape
In the darkened light of experience

More in joy filled fields we furrow
An’ less in borrowed crying pity
Memory, the heartache of tomorrow
Reminds us of the mortal humility
Hidden inside our treasured sorrow

Struggling for another sacred word
That takes us somewhere different
Untouched unseen and unheard
Even blessed as the fragrant scent
Drifting in the untraversed firmament

History is the shadow written presently
And oft’ times an enlightened tragedy
Lurking like a lark in lyrical symmetry
Weaving the future’s heavenly story
So beautifully funny a divine comedy.
Duncan Brown Jun 2018
Tomorrow is never quite that certainty
And today’s a rumour from yesterday
Left over from some time just flown
Always re-emerging in another name
Where everything remains much the same
Rearranged inside another time frame
Compounding moments into a frenzy
Beyond the reach of our karmic odyssey

Narrow minimalism constricts our liberty
Reducing thought to a cypher of negativity
Trapped in a prism of fates consequence
Moving in straight lines by sheer necessity
Or compelled by force of circumstance
Robbing us of our capacity for generosity
Reducing soul to restrictive insignificance
Is perhaps the greatest crime of the century

Shuffling sideways backwards and forwards
Along constant corridors of disappointment
Life becomes that maze of bewilderment
Consumed by the gravitational pull of tedium
Plundering each imagination of nourishment
Shredding it in the pursuance of indifference
Demanding each soul’s utter compliance
Before the altar in a mall of insignificance

Infatuated by the trappings of materialism
Things destroy each souls loving humanity
Rendering useless our capacity to beauty
While some things remain changed the same
In a blizzard of repetitive indifference
We forget what used to inspire us deeply
Looking hopefully in every mundane mirror
We seek our inner selves in two dimensions

Each soul is possessed of such sweet beauty
Transcending ignorance and the iron inertia
With the golden hope of a living aspiration
Raising our dreams beyond our imagination
Beyond the realms of such unparalleled bliss
Waiting for the touch of our embracing kiss
Obscurity within may be a night-time seeker
There is no greater truth than the dawn of beauty.
Duncan Brown Apr 2018
When Elvis met Jimi
At the Lonely Waiter
Bringing him drinks
The purple was buzzing
The post was all broken
Returning to sender
Not really an option
The watch was watching
An’ time was almost saying
Excuse me while I kiss
You heartbreaking hotel
What an experience
Amongst the cutlery
An’ the crystal glintings tray
Ahead of Dr John
Reflecting on its surface
In his darker glasses
While Saint Joan
Was making passes
At the other jester
Behind the painted mirror
In the opposite corner
On the other inside
Of stained glass shades
Wrapped around
Equally coloured eyes
Like a matching pair
Of angels on fire
Hoping to light her fire
Before the wine poured in
And the flame was decanted
And she couldn’t get higher
This side of her fire
Where Neil Young never
Gets any longer older
His name is a blessing
Going with his territory
Where pearl sang the blues
She borrowed from Picasso
Before the gold rush happened
And all the haircuts
Vanished 'neath waves vanity
Where the longer is stronger
And ever so fashionable
In a Samson kind of way
Before the hairdressers
Kicked the windows in
The opposite direction
To Frank Sinatra’s hat
And that red red robin
Just kept bobbing along
In such an old fashioned
Very new kind of song
Stuck in the groove
Of fortified reverends
Heading for the exit strategy
And life on the fast track
So easily overtaken
By their Elvis impersonation
That leave the building
Very incognito ergo
It’s how they managed
Just like Rene Descartes
Used to sometimes play
In his laconic kind of way
Before he found that lost
Frank Sinatra hat
The Panama number
With a cute red band
And its jaunty angle
The geometry of stardom
He thought for a moment
Of being ahead an’ a hat of his time
An’ the stained-glass shades
Were so very existential
Tiffany’s lamps were jealous
As John and Paul used to sing
And that very lonely waiter
Only had that lonely tray
Eleanor Rigby refused used to say
Get father Mackenzie out of here
It’s his last chance to be Elvis
He’s innocent of everything
While this is still a building
The Apocalypse left a message
On his answering machine
Screaming get out of here
Architecture’s a threat to survival
There’s a whole lot of shaking
Going on everywhere upstairs
An the basement’s not much safer
Now’s a good time
To write your last letter
An’ send it to your lover
Saying that long goodbye
In the fastest time ever
(Someone cancelled the long player)
And nobody can be trusted
Not even your favourite ******
When the wind stops whispering
An’ you can’t make the distance
Say goodbye to your record collection.
Duncan Brown Jul 2018
In the times before the current ontology being right was easy; a gift from a dextrous God. On the other hand, the world was beautifully sinister. The ‘metaphysics of the sinister condition’ propelled Immanuel Kant to conclude, that: ‘Looking at your right hand in the mirror you see a left hand, identical to right, but unable to replace the other, which, like God is right.’ Wittgenstein, a patient soul, was rightly amused and replied 200 years later, (that’s the kind of guy he was: prepared to wait a couple of centuries in order to deliver a dexterously sinister reply), ‘A right hand glove could be put on the left hand if it could be turned around in four dimensional space’. (Neil Armstrong, Captain Kirk and Doctor Who have ordered two paisley patterned pairs each).            
Machiavelli absconded from this digital count, citing an ‘a priori’ engagement with the Inquisition as a not unreasonable excuse for his point of departure. Aristotle replied: ‘Might is Right’ was true Philosophy
and fitted the world like an un-left handed glove, but he didn’t want to hang around to debate it, because his brilliantly sinister protégé, Alexander, played a very destructive ragtime with his band and was quite decidedly a great southpaw, who got dextrously cross being labelled ‘sinister’ and imagined himself to be rather charming, in that mirrored image kind of way.

Julius Caesar like Jimi Hendrix before the fall
Playing a right handed empire upside down
Until only decadent ruination was left
Second handed down to instant history
Carved in stone upon an ancient broken glory
The experience never left his soul alone
Unlike it left the beautiful Saint Joan
True righteous in all her blossoming
Left to solitary incineration at the end
Leonardo always painted in the mirror
Reflecting images from right to left
And made the distant appear quite near
A smile gazing in the closer distance
But there’s miles of mystery in the eyes
Everything else is just as he rightly left it
Beautifully left vertical on the right horizontal
Restoring your faith in renaissance artistry
Bounarroti worked the Sistine ceiling
With God outstretched in dextrous touch
Toward Adam’s innocently sinister reach
In that other Eden; Adam was left handed
Not dissimilar to the artist and the vision
Set high above the holy sepulchred floor
With its tabernacle likened door
Left so far and distant down below
The hell of all those dazzling heavens right above
Inspired Napoleon to abandon his rags
For a brightly coloured bespoke coat
And a gorgeously tailored left-ways hat
The woven garb to free a continent
And safeguard the very precious joys
Of Liberté, Justice and Egalité
The food, wine and song of democracy
In a very left handed kind of way
That was so right-on you loved him for it forever
And Moscow never looked the same without him
It’s much more Left Bank now in its Russian ways
Catherine thinks it’s Great, and in that style she left it
Then left was right an’ wrongs were righted leftly
Until everything left was rightly wronged in cruelty
And left a scar that rightly shamed a century
Nothing lasts as all things pass to dust and history
Yet the phoenix flies in the face of burning misery
While the ever salient Homer left us his republic
And his equally luminous sinister revelation
That Jack the Ripper and the Boston Strangler
But worst of all, Ned Flanders were all lefties
As it is in the end, so it was in the beginning
The ever brilliant Elvis has left the building
Duncan Brown May 2018
Poetry weaves its wondrous symmetry
On drifting clouds of searing imagery
Wandering in realms of magical vision
Writ abstract on the naked imagination
Voyaging upon infinite oceans of rhyme
Beating rhythms of a sounding beauty
In those hours before a dawning chorus
Eclipsed the past of its dolorous song
Shackling poetry to its ancient thrall
The golden flower unchained the dream
Of brilliance writ in luminous cadence
Reaping in fields of solitary thought
Traversing horizons of pure romance
Gazing through time’s elliptical prism
Upon curves of solid liquid geometry
Flowing in streams of rippling sound
Unfolding nature’s riotous harmonies
In the lonely beauty of a single flower
Surrendering unto landscape’s mirage  
Decanting words worth heavenly song
Upon chalices of sweetened deliverance
Dazzling nature by her purest reflection.
Duncan Brown May 2018
There’s a writer on the block
  Inspiration’s on vacation
Gone on tour with culture shock
  Desperately seeking a situation
Far from the incessant ticking clock
  
Words are flowing like glue
Sniffed but so unwritten
The scent of inspiration flew
Southwards and unsmitten
By paucity’s shallow written hue

Heavy as leaden thought can be
The vacant empty page
Stares blank in mirrors at me
The mocking unwrit rage
A parallel universe in a vacant sea

A world of solid silent inertia
  Invades the imagination
And dulls the poetic drama
Each page gauged in vexation
Such a perfect portrait of a tabula rasa

The origami of crushed paper
A testament to frustration
And a tsunami of written failure
Mocks the myth of imagination
Reducing it to an unremembered feature

And then the keyboard sweetly sings
The ink is beautiful flowing time
While the percussive alphabet rings
The wine soaked harmonies of rhyme
Sweetening the song that poetry always brings.
Duncan Brown Apr 2018
Loan me a pyramid
Methinks I’ll create a desert
And a few things laid to waste
Hamlet’s now been discredited
His girlfriend went to his head
And the bald bard is now dead
Put that in your jest good fellow
And play with it until’ it’s finite
Cos’ I’ve got a life of my own
Dramatists an’ their princes
I ask you; who needs any of 'em?
This skull will paint the town
An' the treachery of Elsinore
A deep and blood soaked red
Life's much better red and dead
At last this poor, poor Yorrick
Wants his rich an' cold revenge
The pink champagne's on ice
An Ophelia's really quite nice
Twice a maiden for half the price
Chaining daisies for her prince
Will she jump or shall I shove
It’s jolly difficult to determine
If she’s coming or if she’s going
With half her bunnery to a nunnery
Or all her nakery to a bakery
It’s all really quite *******
I must mismatch that doxy later
She's such a lovely little mover
An’ quite the mountain shaker
She’s wasted on that lunatic
Besotted with his hollow crown
And everyone loves the mad prince
The odd fellow’s such an infinite pest
And an absolute calamity of error
Now the loser’s love will love  
This fool who looks and acts
Like me, a prince with brains
That's my own unkind of justice
Laced with the sweetest contempt
Her father was a broken pawn
Shop keeping’s in his blood
He had madness in his method
But his ambition was quite flawed
Shallow depth betrayed his thought
He could’ve have been a contender
Not just a two bit part of a player
Upstaged by a curtain. How tragic!
Death by drapery; don’t you just love it?
His son is now a polished footman
And such an excellent head waiter
He spends his life in glass mirrors
Reflecting on his boney features
As I make sure he waits forever
So much better never than Laertes
That’s my motto for another day
He may count himself so fortunate
He was such a snappy dresser
(Do take me to your tailor
I'll deal with your leader later)
‘Tis a pity he was such an idiot
If brains were more his fashion
And skulduggery were his judge
He might have fared much better
Of characters faithful to a grudge
He could’ve lived much longer
I'll make him beg and borrow
At my very own convenience
Then dispatch him to his father
That eternally serial draper
Ashes to ashes and curtains to curtains
There’s a poetic justice in that
And it’s ever so sweetly prosaic
I might even copyright that
It’s so great to be (sic) on the up
And watch the shallow pale cast
And all their precious thought
Come tumbling, tumbling down
Life’s just great for a vicious close
Horatio; a name to conjure with              
Is now my personal skull dresser
His life is in his hand held mirror
And vanity was his saving feature
But not enough to save the creature
Vanished in the puff of a hairspray
Mist and then tragically unspoken
By all outside his fractured image
Hair today and bald tomorrow
More in boredom than in sorrow
That’s the way life goes in Elsinore
A place of lunacy and ditch fillers
Bedevilled by ghosts and spectres
Wearied by the mortality of trespass
But lovely for their dramatic effect
With dreary words in opaque coats
Whose only life was useless death
Haunted by their unbroken breath
Killing the living is as easy as pie
Deceasing the dead takes real talent
But some how I know I’ll manage
Burying them is a different matter
Perfect for the professional digger
Such simple souls with nice shovels
To gouge their own infernal trench
'Neath the crust of an all receiving earth
Their trade is part of my obsession
And their undertake is imminent
I’ll ditch them with an eternal trowel
And let them shovel hell as well
Isn’t that so me, generous to a fault
I’ll let them share a double vault
Two messengers and a message
Arrived in time for their departure
Later’s so much better than sooner
When your life’s the dying business
Overtime’s a bonus. Die one get one free!
Who’d resist such a generous bargain?
Certainly not a haggling fool like me
Most consanguineous with his deed
The King and Queen were in their dream
Before they met their nightmare      
Now they’re gone to match their deeds
And the kingdom is quite empty
There’s nothing left in their possession
A perfect state for my accession
The hollow hat suits this skull
At a jaunty and a rakish angle
And Ophelia will look great on me
Do bring that doxy closer to her maker
She can bring her chain of flowers
They’re perfect for the occasion
Tonight’s the night for her accession
Tomorrows the date of her departure
She can take her mad, mad prince
To that too, too solid earth
That gladly awaits their tenure
And I’ll be king of the castle
It’s so true; nobility fits me like a glove
And power is my one true love
Down the below and up the above
But alas and alack it came to an end
The doxy brought her princely friend
Who wasn’t quite full round the bend
Neither was he my best friend
With a daisy chain in every hand
And designs upon my scrawny neck
He stretched it ‘til it made that sound
Which left me crumpled on the ground
Rattling bones and kicking legs
Gasping for that sweet fresh air
Which forsooth was never there
And thus it was I met my fate
Both outrageous and unfortunate
The shallow earth consumed my flesh
And stole my ****** hollow bones
More in vengeance than in sorrow
They let me rot for all tomorrow
Perished by their flowery garotte
The precocious pair claimed the lot
Castles, kingdoms and a ****** moat
And all that rots in old Denmark              
All by the method of their madness
And I their puppet on a string
I do believe they planned it thus
To leave me squirming in the dirt
To take the blame and feel the hurt
A cat’s paw for the embrace of death
By the doxy and the scheming heir
My my, my, what a precious pair
Death by daisy chain, how pathetic
A comedy more tragic than divine
I’ll never be able to live it down
And they will never dredge it up
Alas, this last poor Yorrick’s gone
And all their ***** doings are done
Less in grandeur than in greed
The beggars planned the ****** deed
And all I got was this floral ****
Oh what a foolish fool dies in me
And oh what a pity rules in Elsinore
A greedy prince an’ a scarlet *****
That’s their lot, there’s nothing more
Except this one true final score
The bald bard knew the old trap door
Concealed a fall in the rakish floor
Is everything wormwood, wormwood?
That’s the question, and there’s the scrub.

— The End —