Six steeple towers, cold as steel, drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

Coiled candle sticks! Their twisted wicks no longer 'lume the cracks
with dying flame, subdued and tame, mid pendant pearls of wax,
since deference to innocence dissolved in molten tracks.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, across the cruel moraine
reflecting white a wisp of light in ebon beads of bane
which casts a crooked smile across a faceless window pane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in lurid swinging gait),
haunt ballrooms, bars and bare bazaars, though no one's there to fete.

The souls who come with jagged tongue won't sing a silent psalm,
nor paint pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm,
nor yet redress the emptiness that shifting shades embalm –
they've seen, you see, life’s brevity, and face it with aplomb.

Cast a glance to the comet up high
with a name sounding awkward and dry
          (in the stellar marquee
          it's marked 'six-seven-P')
and a motion that's hard to descry.

As the comet continues to fly,
caught in gravity none can defy
         (yes, it traces ellipses
         through solar eclipses),
we ask 'does dark matter comply'.

So, we sent the Rosetta to pry
and I can't help but wondering why
          (once in orbit) we spun it
          so close to the sun, it
is likely to sizzle and fry…

But before, we may soon verify
that the comet's a custard cream pie
          made of  green cheddar cheese,
          like the moon, if you please
(though that's gospel the savants deny).

When receivers no longer reply
(at the end of their solar supply),
          we won't seek to debug 'em,
          instead we'll we unplug 'em
and turn off our spy in the sky.

If it's certain Rosetta will die
then, oh lordy, I surely will cry
          if we land it like Philae
          behind the sun, shyly,  
before I can whisper goodbye.

Someday I'd like to wander free
like butterfly, like bumblebee,
perhaps to plant a willow tree
beside the silent solemn sea,

before these things exist no more,
from mountain top to shifting shore,
when, soon, bald eagles cease to soar
and build their aeries nevermore,

and fish forsake polluted streams
(where sulfur swims and typhoid teems
since no one really cares it seems)
to die inside our toxic dreams
while ice caps melt and winter steams,

and all the air surrounding reeks
as children choke, for no one speaks
of fracking wells or oily leaks
(Big Brother's silenced all critiques!),

and rancid rains acidify
so woods no longer multiply
(for God so wills, we can't deny,
which is, of course, our alibi).

And as the deepest ocean fills
with plastic bags, and garbage spills
upon the plains, across the hills
and turns to poison dust that kills
wild dingo dogs and daffodils
which sink in swamps’ forsaken swills,

the mocking bird makes light and trills
(midst waning wails of whippoorwills)
"Behold the surreal scene that chills
and greet the dread that death distills!
You've had your day with all the frills
that brought the flood and final ills
that can't be cured with bitter pills
nor yet undone with further thrills
of profit gained that grinds and fills
dead desert sands with dollar bills."

              EPILOGUE

Though swaddled still in infancy,
we feel we’ve reached our primacy
(aloof, though preaching piously,
disdaining deeds of decency)
and have no need of augury.

But in the pit of prophecy
the crucial questions seem to be:

“Is doom Earth’s fate, our destiny
to twist in tides of agony
destroying nature’s progeny
with no return a certainty
assured by death’s finality?”

and

        ”Should we plant a willow tree
to someday weep for you and me?”

The Rulers wield their silver shields,
             wear golden coronets
while warders guard the prison yard,
             boast brazen bayonets
and unicorns flaunt ivory horns
             defending martinets.

While Bankers beam Their self-esteem
             (bailed out of broker's debts),
and Bureaucrats grow rich and fat
             in six-star luncheonettes,
the deep, devout and down and out
             survive as silhouettes.

The Press take pains to wash our brains,
             Their words have mesmerized.
So, mild and meek, we fear to speak
             in worlds They’ve polarized,
and rush to war, through Satan's door,
             watch cities vaporized.

The Lord of Lore tells tales of war,
             of victories far away,
where eyes stare stark within the dark
             and death is painted gray
on faces cold, some young, some old,
             in spectral disarray.

We're taught at school the Golden Rule
             for all to live in bliss,
but in the wars on foreign shores
             the only rule is this:
“Yo! You and I must fight and die
             inside the black abyss!”

But well alive, the Merchants thrive
            on sales of armaments
that Barons built (with pride, not guilt)
            to quell the dissidents,
while Partisans are posing plans
             to conquer continents.

And back at home, the rumors roam
             “Good times are soon to come,
despite the breeze on frozen seas
             in weathers wet and numb.”
When we’re in need, They’ll intercede
             with prayers if we succumb.

A Tabloid screams of phantom dreams
             to keep our minds at sea
and TV skews the evening news,
             ensures we all agree:
“With dynamite we fight for right
             and not for tyranny.”

The brain aborts when drugged with sports
               and fashions of the day,
and sevenfold, men think as told
              and so are led astray;
and like some sheep (unless asleep)
             they baa when they obey.  

In search of sense in sounds intense
             of droning drum tattoos
(the beat sustains the endless reigns
             which swamp the avenues)
souls, thin and worn, traipse by, forlorn,
             delayed by shackled shoes.

Ten thousand eyes belong to Spies
            who watch us day and night
to track our trails and read our mails
             and say They have the right
to know our thoughts and thwart our plots
             to cease Their oversight.

Behind the scenes, behind the screens,
             the rules are fixed, arranged
(contorted smiles conceal Their wiles -
             Their goals have never changed).
When upside-down, a grin is frown
             and common sense deranged.

Along the roads, the future bodes
             in legends made of dust,
and ashes gray the alleyway
             'neath lampposts scaled with rust.
While Divas dine with cakes and wine
             pale orphans share a crust.

Dead colonies of humble bees,
             a ravaged hornets' hive,
rain forests, dales and minke whales
             soon nothing left alive…        
a world laid waste is to Their taste,
             as long as They survive.

As sunlight wanes in winter rains
             and sullen shadows crawl,
the evening ebbs, and spider's webs
             seem tattooed on the wall.
Upon the night the Masters write
             The Final Protocol.

The scientists flung the Rosetta      
like spinning a ball in rouletta.
      The nerds were annoyed
      when their progeny buoyed.
All was saved with a back turbojeta

Settling down on an icy ast'roid,
which was neither oblong nor spheroid,
      they said "Philae be grounded",
      instead she rebounded
and almost was lost in the void.

With war games and money misdealt
the project was left needing gelt.
      And cells lacking power
      sent nerds to the shower
while watching the meteor melt.

We've landed a probe on a comet
and found it was made of green *****.
      Well, creatures within it,
      decided to thin it,
serve probe a pea soup, then embalm it.