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Thoughts begin to racquetball,
of Ginsberg’s peaches and Whitman’s lilacs
in a field of green and Diane Di Prima,
just Diane Di Prima, in her translucent garb,
completely exposed
as vulnerable as can be, breaking a heart
in every line

Then they bounce off to other places,
like the milk you forgot to buy,
or the mildewed laundry you’ll have to hang
on the flank-y drying rack
in the afternoon moon,
or that long-awaited
message
from a friend
taking up space,
while dust bunnies flop around,
left and right, with every hesitant
primordial blow
that you feed them

Then again, back to
Auden’s weighing clocks, ticking away
at something you can’t quite grasp
or would like to, as the signal
returns

— The End —