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ConnectHook Feb 2020
I used to write
I can’t be a poet
because a poem is about race-grievances
and identity-mongering,
speaking with a country drawl
unveiling a *******-*** flag
or letting the words pound like metal
into the brains of brothers
who will never understand
and vote for Trump.
But, I’ve spent my life as a white boy
a part oriental, straight-haired,
thin-lipped,
small-***** White boy
and the poem will surely come out right
like me.

And, I don’t want everyone misinterpreting.

If I could be a gun-owning patriot
with concealed carry,
someone’s Ken doll and Clint Eastwood,
I’d be poetry in motion
without shooting a round
and wouldn’t have to make sense if I did.
If I were militant, I could be peaceful and mad
instead of an evil, pouting confederate general
a *******, passed over
crumbled and passed over,
a *******
crumbled in the bushes.

My father tells me
I used to run home crying
that I wanted to be black like my sisters.
She shook her head and told me
there was nothing wrong with my skin-lightener.
She didn’t tell me I was racist
(so my face wouldn’t swell up).

White boys cannot afford to
have delusions of Afrocentrism,
not drumming, singing off-key,
dry and rigid White boys.

And even though in Amerikkka
I was mistaken for someone’s professor or landlord
or policeman down south,
even though I swore
never again to walk with my hair straight,
proud,
ever to care
that those people who denigrate
the popular brand of diversity
don’t feel me,
it still shatters.

Looking through a window, it shatters.
Standing next to my lover
when someone dark gets that
“he ain’t no NBA star” expression
it shatters.

But it’s not so sad now.
I can cry about it,
Shoot hoops and write poems
about all those lay-ups,
my age and shading.
I’m through waiting for hope and change,
the 80’s didn’t throw me a bone
and as many years as I’ve been
White like Ivory
White like the clouds
I have seen in the water
and the sights of my brothers
that ugly is the man in light
who withers with hating.


An adjusted rewrite.
Homage to Bill de Blasio's wife, poetess and mental-health rights reformer Chirlane McCray

I used to think
I can’t be a poet
because a poem is being everything you can be
in one moment,
speaking with lightning protest
unveiling a fiery intellect
or letting the words drift feather-soft
into the ears of strangers
who will suddenly understand
my beautiful and tortured soul.
But, I’ve spent my life as a Black girl
a *****-headed, no-haired,
fat-lipped,
big-bottomed Black girl
and the poem will surely come out wrong
like me.

And, I don’t want everyone looking at me.

If I could be a cream-colored lovely
with gypsy curls,
someone’s pecan dream and sweet sensation,
I’d be poetry in motion
without saying a word
and wouldn’t have to make sense if I did.
If I were beautiful, I could be angry and cute
instead of an evil, pouting mammy *****
a ****** woman, passed over
conquested and passed over,
a ****** woman
to do it to in the bushes.

My mother tells me
I used to run home crying
that I wanted to be light like my sisters.
She shook her head and told me
there was nothing wrong with my color.
She didn’t tell me I was pretty
(so my head wouldn’t swell up).

Black girls cannot afford to
have illusions of grandeur,
not ***-kicking, too-loud-laughing,
mean and loose Black girls.

And even though in Afrika
I was mistaken for someone’s fine sister or cousin
or neighbor down the way,
even though I swore
never again to walk with my head down,
ashamed,
never to care
that those people who celebrate
the popular brand of beauty
don’t see me,
it still matters.

Looking for a job, it matters.
Standing next to my lover
when someone light gets that
“she ain’t nothin come home with me” expression
it matters.

But it’s not so bad now.
I can laugh about it,
trade stories and write poems
about all those put-downs,
my rage and hiding.
I’m through waiting for minds to change,
the 60’s didn’t put me on a throne
and as many years as I’ve been
Black like ebony
Black like the night
I have seen in the mirror
and the eyes of my sisters
that pretty is the woman in darkness
who flowers with loving.

©1983 Chirlane McCray

— The End —