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A man steps onto the sidewalk,
his new two hundred dollar shoes catch the sunlight.
He checks his watch.
Five minutes past noon, already.
He has twenty five minutes left for lunch
and however much he would like to go to The Blue Room and blow fifty bucks on lunch, he only has time to walk to the hot dog stand done the street.
"Oh well," he thinks, "maybe it will bring back some nostalgic memories of my father."
He laughs.

After taking one bite of his hotdog, he remembers how his father used to yell at him.
"Timmy," his father would say, "when are you going to get off your *** and earn money like a man? When are you going to make your father proud?"
His mother would yell from the next room, which would always spark an argument.
"John," she'd yell, "don't yell at my son! He's 14, he doesn't need a job!"
They would yell and yell and each time Timmy's father hit his wife, he would take another swig from his flask. He ended up drinking himself to death by the time John was in college (which his father never paid a time for).

Lighting up one-twentieth of a twelve dollar pack of cigarettes,
he began walking back to his office, where he made the better end of $90,000 dollars annually, after taxes.
He heard a voice beside him ask for a cigarette.
Turning around, not at all surprised with what he saw, he grudgingly handed one-twentieth of his twelve dollar pack of cigarettes to a *****, unshaven man.
"Thanks a lot, white"
"What was that supposed to mean," thought John.
"What the hell was that supposed to mean?" John asked the man.
"Chill out, white, man, I mean white collar, you know, rich boy?"
"You know why I'm a rich boy, huh dirt?" John never usually said such things but thinking about his father put him an a bad mood. As did the breaking down of his self tanner the night before.
"I'm a rich man because I work hard, and I don't sit around on my *** and *** smokes off a man who actually earns them. Why don't you get a job, huh? Why don't you stop being a *******? Why don't you stop being the black eye of modern America and do something with your life?"
John was breathing hard at this point. He would lose no sleep over saying those things.
The man smiled politely, and looked at John for a second, before saying:
"I don't make money, simply because I don't need money."
A pause.
"Do you realize why I don't need money? I don't need money because it isn't important. Do you know what is important?"
The man tapped his heart, and then his head,
"These are important. My heart is healthier than yours and so is my head. I am free. I can sit on the street corner and eat your scraps, or I can take a bus to California and eat Californian's scraps. I am free. I can do whatever I want, man. I can run with the bulls in Spain, I can run with the taxis here. But leave, your lunch our is almost over and we wouldn't your boss getting mad at you, would we? So run along, little slave, little slave to money. Have a nice day and thanks for the smoke."

The man left before John did.
John called in sick to work, and he was indeed sick.
How could this man possibly think he was better than John?
John didn't lose any sleep over what he said,
but he lost a lot of sleep,
and a lot of ***,
and a lot of money,
because this man was right.
John wasn't free.
I put me up for sale

Counting on your help

Praying I don’t fail

To advertise myself!

Up for sale, advertising myself?

Yea, exactly what I do

Not for the gain of power or pelf

*For reaching the heart of you!
Where are you now
my son?

Where are you now?
I seek you

in the high noon
and at eventide

I wait for your presence
in the hall

your entrance
into the main room

sitting at table
or in your favourite

armchair
but I look again

and you're not there.
I listen

for your Mutley chuckle
in a further room

or your deep
soft laugh

or words of wit
but I listen again

and there's none of it.
I gaze at your pictures

about the house
those when

a mischievous child
or thoughtful student

or grown man
all spread

to a twenty nine
year span

all having
that knowing look

that smile or grin
and it makes me

hurt within
that you have gone

yet proud
Ole

proud
my son.
YES TERDAY WAS MY SON OLIVER "OLE"'S FUNERAL. GOD BLESS HIM.
It's a Thursday night
and I'm higher than I've been
all week.

The boy told me this was the good stuff (as he does every week) so I took it on faith that he was exaggerating.

Two blows later
and I can barely read the late Mr. Vizzini's words.
My body feels warmer than it has
since November of 2012,
and my face is itchier than my last year in Boy Scouts, circa 2008.

The walls of my room seems a lighter shade of purple than the have in years
and my carpet is not as stained as it was this morning.

Old Polaroids of my parents' wedding are tacked on my wall,
and in those pictures my grandmother is the most beautiful women in the world.

Thank God for muscle memory,
and thank God for compulsive *******,
and thank God unsharpened pencils,
and thank God for everything else that my body knows how to do and everything that I can see in my room and put down in this poem.

There is no purpose to this,
but today I asked a friend of mine
why she is always looking at the sky
and she told me because if she looks at it long enough
it isn't the sky at all.
It is her
and she can speak to herself
and she can thank God for compulsive ******* and ****** science fiction literature.
 Feb 2014 Susan O'Reilly
st64
When the fog burns off and the air's pulverized  

diamonds and you can see beyond the islands  

of forever!—far too dramatic for me. It hurts  

something behind my eyes near the sphenoid,  

not good. I prefer fog with fog behind it,  

uninflammable fog. Then there's no competition  

for brightness, no Byron for your Shelley,  

no Juno eclisping your Athena, no big bridge  

statement about bringing unity to landmasses.  



All the thought balloons are blank. The marching  

band can't practice, even a bird's got to get  

within five feet before it can start an argument.  

Like dead flies on the sill of an abandoned  

nursery, we too are seeds in the rattle  

of mortality. A foglike baby god  

picks it up, shakes it, laughs insanely  

then goes back to playing with her feet.  



I have felt awful cold and lonely and fog  

has been blotting paper to my tears.  

My dog is fog and I don't have to scoop  

its **** with my hand in a plastic bag.  

There are sensations that begin in the world,  

the mind responding with ideas but then  

those ideas cause other sensations.  



What a mess. We stand at the edge  

of a drop that doesn't answer back,  

fog our only friend although it's hell  

on shrimpboats. There, there, says the fog.  

Where, where? You can't see a thing.


                                                      by D. Young






21 Feb 2014
Dean Young (b. 1955)




Poet Dean Young was born in Columbia, Pennsylvania, and received his MFA from Indiana University. Recognized as one of the most energetic, influential poets writing today, his numerous collections of poetry include Strike Anywhere (1995), winner of the Colorado Prize for Poetry; Skid (2002), finalist for the Lenore Marshall Poetry Prize; Elegy on Toy Piano (2005), finalist for the Pulitzer Prize; and Primitive Mentor (2008), shortlisted for the International Griffin Poetry Prize.  
He has also written a book on poetics, The Art of Recklessness: Poetry as Assertive Force and Contradiction (2010).

Strongly influenced by the New York School poets, and Surrealists such as Andre Breton, Young’s poetry is full of wild leaps of illogic, extravagant imagery, and mercurial shifts in tone. Using surrealist techniques like collage, Young’s poems often blur the boundaries between reality and imagination, creating a poetry that is enormously, almost disruptively, inclusive.
In an interview with the journal Jubilat, Young admitted of his poetry: “I want to put everything in.”

And speaking to the centrality of misunderstanding in his poetry: “I think to tie meaning too closely to understanding misses the point.”
Move over incompetence-
That’s my seat.  

We’ll have tea.  The herbal variety.
And talk about my listless absence
over rosehips and peppermint.

It has been a long road trip
on awkward interstates,
since I have eaten poetry.
It tastes tangy on my tongue-
tahini and tap water,
like salad dressing gone south.  

I went south, since last we spoke.  
I cry still for the colors,
the blues and greens that burned my eyes
and transfigured my palette.
The mountains spoke foreign languages
but blessed me with new ears to hear,
but I did not record their tales.

I sit now trying to catch a shimmer of their dialect
but I am full of empty English.

I repent now,
of my caustic neglect,
to the nymphs of creative order—
and humbly bow myself to the sword of
articulated
chaos.
~wherever, whenever and forever for Sally B.~


"Don’t urge me to leave you.              "If I could, then I would
To turn back from you.                          I'll go wherever you will go
Wherever you go,                                   Way up high or down low
I will go,                                                   I'll go wherever you will go
And where you stay,                              Run away with my heart
I will stay.                                                 Run away with my hope
Your people will be                                Run away with my love
My people                                                I know now, just quite how
And your God                                         My life and love
my God.                                                   Might still go on
Where you die, I will die,                      In your heart, in your mind
There I will be buried."                          I'll stay with you for all of time"

(Book of Ruth 1:16)                                  (Charlene Soria Lyrics)


Let it be writ,
Let it be sung,
All should know,
This I swear,
Where you are,
So, I shall be too.
Your hope, my hope.
Your heart, my heart.
Life and love,
But one.

Where you run,
I'll shall follow.
Now, today,
Forever,
If our bodies apart,
If our hands cannot
Grasp each other,
Yet, still,
In your heart,
In your soul,
I will be,
I cannot leave.

Where you are,
So, I shall be too.
Thank you all for loving this poem s much.  I have long thought of the symmetry between Ruth and the lyrics to the song Wherever You Go, when ever I hear them on Pandora....last nite around Two Am I decided to set up the side, by side and then to see what happened...and the merger, the synthesis was the obvious and only solution.

then much later I discovered this:
https://youtu.be/vmfxf1DLLkM
Deep within
where none else goes

the hard grief grows
and just when you think

you are moving on a bit
it comes back

with the painful hit
moving you back

to yesteryears
which move to tears

the little boy
the growing lad

young man
grown man

and deep loved son
all wrapped up in one

big bundle of memories
unfolding and moving

and having moved
to edge of hurt and pain

the whirlpool
of all emotions spin

in that secret chamber
deep within

where none else goes
the deep grief grows
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