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Jonny Angel May 2015
I want to learn how to play it,
not just strap it on my back
like those counterfeit troubadors
playing it out on the fields of grass
with beautiful sweet ladies & no rhythm.
No.
I want to learn how to play it
with the desire of a rock star,
with the kindred spirits of the strings,
with the purists of the picks,
strumming with my finger-love.
Megan Sherman Feb 2017
O Sappho, prophet of the page
To whom the Greeks devote their age
Humbly true in gentle words
Full of spirit, passion stirred
Poetess, in mind embeds
A fulsome flame of luscious red

On glistening isle, on ******' shores
Sappho ruminates, adores
Rendering the usual world
In to magic truth unfurled
Written cross the sky in stars
Sung in time to ancient lyres

Her descant rings in metaphors
The earliest of troubadors
Enamoured of the wise, sublime
Conveyed in verse that transcends time
A most dutiful and diligent scribe
Gifting us, the reading tribe

Her vision ascends to immortal throne
Throughout time it sparkled, shone
Inspiring the future sages
To lust for verse and give up wages
To be a poet, that's her bliss
To see the sunshine as a kiss
Antony Glaser Feb 2022
Troubadors sing their hearts out
Surround me evermore.
Spirits caught in castled ruins.
Frangipani wait to hark.
Poppy dogs with sheepish eyes
lost in the dark.
Happy as Larry in Lincolnshire fayres.
Dragons Tooth flowering late.
Ordinariness dressed in leitmotifs,
starts to fade
Antony Glaser Sep 2021
Caught in November
Troubadors sing their hearts out
Surround me evermore
Spirits caught in castle ruins
Frangipani wait to hark
Poppy dogs with sheepish eyes
lost in the dark
Happy as a jester in Lincolnshire fayres
Dragons Tooth flowering late
Ordinariness dressed in leitmotifs
Aimée  Jul 2022
Words that Ring
Aimée Jul 2022
The world is splendid
Just become some words exist
And elicit pure emotion like

Sinister and Sundance
Miserly malevolence
Traipsing troubadors
Effervescence and efficacy
Roguish racketeering
Peevish, and prismatic
Incandescent and inundated
Flippant, frivolous, fictitious
Beleaguered and boarish
Opulent and obstructive
Gaunt and Gallavanting
Visceral and villainous
Whimsical wanderlust

A list that could flowing infinitely
And thankfully it does
Alright poets! Add to the list! Which words strike you when you hear them used perfectly??
TOD HOWARD HAWKS Jul 2020
You were first seen in a painting in the Trois Freres cave circa 13,000 B.C. in what in now France. Like all beautiful women, over centuries you changed shapes, styles, names. You became lyres, then lutes. You played dyads and chords. The Persians callrd you "barbat." The Arabs called you "oud." When the Moors flocked to Iberia, they brought you along. You spread to Provence
where you influenced troubadors and eventually the rest of Europe. But wherever you traveled, whatever evolutions you underwent, you always retained your sonorous tones. You became the French "mandore. You became the German "mandoer." You became the Spanish "vandola." You became the Italiam "mandola." Your path was tortuous. Eventually, though, you became the mandolin, but you still had highs and lows. Your first high was in 1744. Your first low was the end of the Napoleonic Wars of 1815. Your next high was the Paris Exposition of 1878. And further, from the late 19th Century through the early years of the 20h Century, was the "GoldenAge" of the mandolin. But after World War I, the mandolin gradually sufferred another decline supplanted by the advent of Jazz. You, a mandolin, beautiful women you have always been, have lived a long, long life, and it's not over yet. You contine to bring beautiful, musical sounds to all music lovers around the world. Your lovely life may never end.

Copyright 2020 Tod Howard Hawks
A graduate of Andover and Columbia College, Columbia University, Tod Howard hawks has been a poet, anovelist, and a human-rights advocate his entire adult life.
bob eberth Sep 2020
this is one in a series of over 200 inter-related poems

voices in the air

riding on the aether
the essence of
tony frank dean & bing
permeates everywhere
like god's omnipresence
they are the unseen
troubadors that eminate
from a magic box
that sits next to the lamp
on the parlor table
matilda first turns one ****
then the other
till their voices rise
above the static
voices that flow
within the glow
of vacuum tubes
voices that ride
upon the aether
from a magic box
to matilda's ear
this is part of a character based series of poems with nearly 250 poems written

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