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Which takes us on a direct path to:
THE  INCIDENT.
Say you are a normal man—whatever that means—
But say it’s late June of 1993 and you’re laying on the couch,
Scratching your *****, trying to intuit your LDL level
Based on the two bowls of the Old Lady’s Cholesterol Chowder.
The Old Lady-- you can call her Peg or Mrs. Bundy—
Served it up in her special legacy china,
An assortment of recycled tin foil casserole dishes &
Vintage melmac handed down by your mother-in-law.
You are on the couch giving digestion your best shot,
Still scratching your agates when Peg comes
In from the kitchen with your second glass of
Two-buck chuck and a smoking fatty she’s just ignited,
Miraculously without burning the house down.
The TV is on—the TV is always on because
The TV has had no off button since 1984
You are tuned to the CNN evening news &
A report comes on that makes you sit up,
Snap to attention, straight up and take notice:
"WOMAN CUTS OFF HUSBAND'S *****!"
The media shrikes in Atlanta have your attention now,
Your complete attention;
Your eyes are riveted to the telescreen &
Your blood pressure spiking at 240 over 140.
During the previous night of June 23, 1993,
John Wayne Bobbitt arrives at the
Couple's apartment in Manassas, Virginia,
Highly intoxicated after a night of partying.
According to testimony given by Lorena Bobbitt
In a 1994 court hearing, he then rapes her.
Afterwards, Lorena Bobbitt gets out of bed,
Goes to the kitchen for a drink of water.
According to a journal article in the
National Women's Justice & Defense
League of Psychotic Castrating *******,
While in the kitchen she notices,
A carving knife on the counter & "memories of
Past domestic abuse races through her head."
Grabbing the knife, Lorena Bobbitt enters the bedroom
Where John is sleeping & proceeds to
Cut off nearly half his *****,
Half his Johnson,
In this instance aptly named.
So you have some schnook who’s named
After the iconic Hollywood superstar John Wayne . . .
Now understand something, John Wayne—
The ******* Duke of Earl--
Personifies everything alpha male:
Physique, animal magnetism & a pair of
Huge ***** swinging in his chaps as
He sashays across the screen.
In real life he’s a bullfight & cigar aficionado,
A big game hunter and sport fisherman, &
A hard drinking Hemingway hero
Who spends most of his time aboard
A customized WWII U.S. mine sweeper
******* to a pier behind his house in
Newport Harbor, California.
He’s the proverbial man’s man, &
There’s no one like him in America
Until maybe Eastwood or Willis comes along.
There’s a statue of him out in front of
The Orange County Airport that bears his name.
I have a photograph of him hanging in my garage
Next to a Mad-Dog 20-20 poster.
But I digress.
We return to the Bobbitt story because
It gets better, keeps getting crazier.
After assaulting her husband,
Lorena leaves the apartment with the severed *****,
Drives around aimlessly for a short while,
Then rolls down the car window &
Throws the ***** into a field.
Only then does the loony ***** realize
The severity of the incident.
She stops and calls 911.
After an exhaustive search by
Volunteers from the local Humane Society,
The ***** is located, packed in the ice-slurry of
A banana-flavored 7/11 Slurpee, &
Taken to the hospital where half-**** John Bobbitt
Gets a short-arm inspection and treated,
Mostly for shock and awe.
His ***** is later reattached by Drs. James T. Sehn &
David Berman during a nine-and-a-half-hour surgery
Filmed by Ken Burns and broadcast in its entirety by
WGBH Boston, a stunning illustration of
Your tax dollars hard at work
At the National Endowment for the Arts.
An abridged version later becomes the season premier of
"Girls Gone ******* ******, Manassas!"
Lorena goes on Oprah to explain herself.

Lorena Bobbitt ((née Gallo) was born in Ecuador.
Her maiden name, ironically,
Means **** in English.
Sheriff Joe Arpaio in Phoenix had this to say:
“Deport the *****. She may have an INS green card
But there’s no way she had a government permit to
Go around lopping ***** off in Virginia or any other state.
Who does she think she is, Janet Napolitano?”
Napolitano could not be reached for comment.
Shortly after the incident, episodes of "Bobbittmania,"
Or copycat crimes, were reported.
The name Lorena Bobbitt eventually became
Synonymous with ***** removal.
The terms "Bobbitt Punishment" and "Bobbitt Procedure" gained
Social cache with a radical break-away sect of N.O.W.
COPYCAT Catherine Kieu Becker, 48 (Garden Grove P.D.)  
Woman Accused of Cutting Off Husband's *****
Pleads Not Guilty/ VIDEO: Watch Jennifer Gould's Report
KTLA News   10:40 a.m. PST, February 3, 2012 /SANTA ANA, Calif.
"A 48-year-old woman accused of cutting off
Her husband's ***** and putting it
In the garbage disposal has pleaded
Not guilty to all the charges against her.
Catherine Kieu, of Garden Grove,
Was indicted earlier this month on
One felony count of torture &
One felony count of aggravated mayhem.
She also faces a sentencing enhancement for
Practicing surgical medicine without a license."
Sign up for KTLA 5 Breaking News Email Alerts
Comments (130) Add / View comments | Discussion FAQ
Happy627 at 10:35 PM January 18, 2012
"So my x-wife is a violent drunken *****?
Never once did I ever think of hurting her
But now I see I was wrong.
Vengeance's is the true answer & payback is hell.
So basically I should put an M-40
In her *** and light the fuse.
I should be acquitted from any wrong doing
Because she was a violent drunken *****.
Maybe all men should do this to their
Violent wives/girlfriends & teach them a lesson.
Cyanmanta at 1:10 AM January 11, 2012
In response to Doreen Meyer:
"So you're assuming that because he was the victim
He must have done something to deserve it
In some small way?
Typical of convenient feminism:
Assume all female victims are innocent &
Pure as driven snow,
While dismissing all male victims
With the idea that 'he had it coming.'
I wish I could pander shamelessly
To the media for preferential treatment,
But sadly, I am male (or as feminists would say)
The Evil Gender."
Westfield at 5:47 PM Jan.09, 2012
She should get her own show on the ***** channel.
(Bravo). KABC radio's John Phillips & his girlfriend
Nathan Baker would love to watch it."
Sluff it off, take a load off, baby.
Take a load off?
“Take a load off Annie,
Take a load for free;
Take a load off Annie, and
Bom bom bom bom
Bom be bom— & Dddddddddd,
You can put the load right on me.”
Send “The Weight” Ringtone to Your Cell

. . . Snipped, fixed, neutered, gelded,
Emasculated, eunuchized, or castrated?
(Castrating Forceps  (www.alibaba.com/
Showroom/castration-tool.html).
Bobbittized!
Terry O'Leary Sep 2014
Sweet Butterfly, with wings now dry 'tis time to break away
and light upon the leaves of dawn while weeping willows sway,
not reminisce 'bout chrysalis discarded yesterday,
but treasure life, with colors rife in nature's cabaret.

Sweet Butterfly, you sometimes sigh "terrene so strange and new”,
but take a chance, with winged expanse of fairy-like bijou,
to taste delight in random flight, to drift beyond the blue
and then collect her naked nectar, sipped in morning dew.

Sweet Butterfly, you question why the breeze is seldom soft
when swirling you, your wings askew, while floating free aloft.
Some seem to find their peace of mind believing gods have coughed,
but others, downed, have often found more freedom when they've scoffed.

Sweet Butterfly, you needn't cry, the fields are full of clover,
and meadowlands bare braided strands that winds in waves flow over -
but if you fear that, more than here, another mead is mauver,
just flutter by, beneath the sky, unfettered flitting rover.

Sweet Butterfly, farewell, goodbye, you've left this world behind.
I oft gaze back along the track of flowers that you've mined
recalling days of light sashays and movements unconfined
that complement the firmament where beauty lies enshrined.
The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.
Steve D'Beard Jul 2014
Risa's eyes looked out from almond shells
glinting in the morning sun
concealing a golden buttercup glow
wrapped round the ragged peaks of the Himalaya's
like an immaculate dust cover
embroidered with a million clean cut diamonds
revealing the majesty of light
pinwheeling over broken shadows
and shattered solitary star-bursts
peeling round mighty boulders flung by giants
breathing new life into ancient stones
sealing prophecies of dancing immortal angels
stealing the remnants of passing moonlight
as the coming day reaches out and cradles
the last vestige of piercing cold night.

This was the daily healing
the warmth upon her young face
the smile appearing that would melt the ice itself
the young girl from Darjeeling
embraced with gifts of seeing
her nubile and youthful grace
belies the hardship and the routine
of carrying spice to the market
she was not yet even thirteen
the Lapis gem of her mothers eye
the little queen of all she surveys
sashays down the cobbled street way
nestled in the lap of the gods
and the praise of summer days.
A young lady sashays across the kitchen floor .. Displaying a stunning , red Ball gown , beaming , contrarily to an fro , eager for a compliment from a proud seamstress . A fidgety young boy ,  hand -me -down jacket with slacks being tailored , patches cut , hand sewn at worn out knees ..Darning Papas socks , repairing a tablecloth , custom curtains ,  flour sacks made into napkins , aprons , quilts  and handkerchiefs . A wicker box that belonged to very gifted hands indeed
Copyright September 25 , 2015 by Randolph L Wilson * All Rights Reserved
Frank DeRose Jan 2017
She whispers slow,
Soft, seductive secrets. 

She sashays with stealth,
And deposits a million kind kisses

Upon these,
My tired and listless lips. 

She breathes beauty,
Boldly inflating me. 

She summons my soul
From its deep and haunted hollow. 

She comes closer and closer with confidence,
Knowing that I am coolly complicit. 

(As ivy climbs its tremendous tower,
So too do I grow gratefully into her.)

She lifts my life,
And we float free of fear. 

Far, far away from here. 

To a land of longing long-forgotten,
Where all are secure in their insecurities. 

She takes me there,
Loves me with tender care. 

And then, with not a word,

She softly dissevers,
Disperses,
And departs.

I am left alone.
Hayley Neininger Jan 2012
My mother is getting ready for work. And I a child of about 9 years old sitting on her bedroom floor watching her get dressed the same as I would for the next 9 or so years in this house. This house, I remember, that shook violently from the train a block away and was so fragile and damp that its walls warped and swelled making the house look like someone had once blown up a large balloon inside and the walls still held its shape. My mother who never complained about the state of our house ans instead would tell me, “Isn’t it cozy living in a snow-globe house?” So on the damp floor I would sit and I would watch my mother go through the motions, the same motions she went through every night and every night in the same order, she did this so often and religiously she had it down to an art, a methodical art that at this age seemed to me more like dancing. She started her dance by thumbing over the light pale and pink lip paint she saved for weekday afternoons and Sunday mornings , reaching instead for the bright Chinese red stick she painted onto her perfectly pursed lips, next pressing down wrinkles smooth as the backs of thumb-tacks -on her black tight dress, pressing over her hips, her thighs. She next sashays over to her vanity and picks up a small black container to paint over her eyelids a bright but dusty blue shadow, then gently sweeps me up and sets me on her bed as she kneels down and tells me to sprinkle her face with a shimmery clear powder, giving her the look she always said made her stand out, made her look “unique”. Her next step was then slipping her dainty and fragile size 7 feet into heels that I knew would be both black and invisible in the dark night outside our front door. That I often thought would hurt her feet as she walked the long stretch of street outside our house.  Her then, grasping with both hands a purple and gold glass bottle of perfume on her dresser, which then to me looked like a curious crystal globe of sweet-smelling water, that sparkled like a snow-globe when she shook it. This is my mother’s last step, she presses down the sponge-like pump. The only magical part of my mother’s evening- the part I always thought would make her realize she should stay. As she presses down on the pump I see the shiny and clear purple hued liquid release and bubble out into tiny specks of oxygen atoms, I see watch them as they swirl up the golden bottle-the snow-globe holding them in, controlling them, allowing them to eddy and ebb around themselves, to tango around each other within the safety of its glass. They are dancing, writhing around in their own world, free from the terrors of the outside air, these atoms they embrace the chaos and they wallow in the pressure that perpetuates them in an endless looping of rhythmic motion. They enjoy it. They bask in the comfort of the fluid that holds them tight together safe in their glass house, keeping them untouched. I, sitting there eye level to this bottle watching ever so closely as the air bubbles swim closer and closer to the surface. Until they slowly start to realize that they are being expelled from their bottle. They then stop dancing and move franticly in a tornado-like motion, they scream and they fight their way back down towards the others like them, wishing to not be pushed up and out into the bigger pool of air they know will surely render them invisible. They wish so strongly to be kept inside their bottle, to always be safe and visible in the enwombing liquid that circles around them in their bottle, that reassures them of their existence as a single being and not as a part of a whole, to be separate from the mass of air that awaits them, the air that only yearns to add to its girth, by swallowing the tiny air-bubbles. I want them to stay. Stay in their snow-globe to live forever as air bubbles safe and few, to not swim to the world that will gulp them down whole. I know they are dainty and fragile and I want to keep them safe. I want to always see them dancing separate and unique and never leaving, yet they do. I want them to stay, yet they do not. All in an instant, faster than the blink of an eye, the once dancing bubbles are gone and are now sprinkled sweet across my mother’s neck. The only evidence of their existence- a lingering scent flowing out of my mother’s bedroom as she grabs her purse on the couch. I want her to stay. And as she grabs her purse and slams the front door it shakes our house like glass around me. Me, left here feeling liquid and weak in a snow-globe house now void of air.
Just something I'm working on.
Nat Lipstadt May 2013
In Orange County


In Orange County, Californiyay,
When you arrive at John Wayne Airport,
No need to show driver license or passport,
But be prepared for inspection to gain entry.

Are your teeth white enough to light the roads?
Is your navel hairless and clean enough to be licked?
Do you have two tats, if not, get going back
to whatever!
If your not blonde, produce pictures of your parents,
In any event, law demands, go directly to the colorist!

At the John Wayne Airport,
Religion is everywhere,
Who says God is illegal
In the great state of California-yay?

A flimsy dress, no room to guess,
Sashays slowly before the lines of the waiting,
If you are a believer, all is revealed,
A thong is the path to the Promised Land,
All you do is silent pray, Good God,
Mine eyes have seen the coming of The Lord!

A middle aged woman with many large bags
Dances a pas de deux with the luggage carousel,
Wrestling those black devils to the ground,
Her less than flat physique is displayed,
All you do is silent pray, Good God,
Please tell me she is pregnant!

Everybody smiles and says hello, so friendly,
But having mastered the technique of doing so
While looking over and past you, rest assured,
Your New York sensibilities of ignoring the movie star
Sitting next to you on the subway feels like the ultimate,
True cool.

In this place the sun never sets, which is why the citizens
Have sunglasses surgically attached to their heads.
Have not seen a big nose 'cept mine
Being looked down on from people who by law
Must be a minimum of six feet tall.

Need my gritty, need my cabbies giving me the finger,
Need the senior citizens fighting tooth and elbow for anything on sale,
Need my rivers, need to bleed orange and blue,
Need my ballet, my museums, my rude compatriots,
Who rush to your side when you sidewalk stumble,
Who never judge a book by its cover,
Cause the **** next to you is likely the author.
Who open their pockets and hearts to every needy person,
Hand extended, give 'em a buck, genuinely wish 'em God Bless,
They who let us share the fabric, woof and weave of our
City streets, their homes...

I got beach, I got mountains,
So maybe they're not visible from my living room,
But I got more living in the hearts of my fellow Yorkers,
Than there are grains of sands on the beaches of
Orange County.
Reece AJ Chambers  Jun 2014
Fresh
I write your name
                              in red
   sunlight
seeps through bottles
          on a windowsill
   margarine kaleidoscopes
         on legs

naked for a change
(early summer risky business)

Floorboards yawn
     under the weight of our stories
   I take showers
        as well as baths now
   Can't be twenty-one here
older   shush you couldn't tell

   Roll my finger
   make your piano tingle
like when our wrists
    bump together
    when spines crackle
on books bought yesterday
    this city   bubbles
        all fiction

You think
monochrome
     makes you look better
     camera   snap   done
jazz sashays around the room
    head out a window
hear people as nosebleeds
                    scrabble about

You flirt
        (what a discovery)
like flowers in a vase
   orange juice   bagels
ten-plus-ten toes

     (A moment
where your eyes ache
     into mine)

I hop
stepped jumped
into this mess

     you know as well as I do
     what a delectable
mess we are in
Written: June 2014.
Explanation: A poem written in my own time (and there will be more, somewhat similar pieces to this soon.) Something very rare happened, in which I sat and wrote a page of random notes inspired by recurring dreams, and rather than leave it and later alter it into a poem, I just re-shuffled some bits, added some more, and put it on here, so while it is in one sense 'raw', to me it is also rather 'fresh.' Feedback highly welcome and appreciated on this.
NOTE: This poem was inspired, but is not directly about somebody.
rachelle lee Apr 2013
this is the color of sunshine and innocence,
of freckle-faced children running through the dry grass
as butterflies flit and grasshoppers bound.
it is the shade of the center of the daisies
their older sister plucks from the earth.
a reserved smile tugs on her lips as
one by one the petals fall to the whispered words,

"he loves me,
he loves me not."

it is the color of lemonade and buttered croissants,
and the dance the mother makes across the kitchen,
floral skirt swaying as she sashays to and fro.
a grin flashes across her face
as she remembers the color of the dreams she chased in her youth;

the color of her name up in lights
the color of camera bulbs and the afterimages
that creep across her vision
when the paparazzi descends.

this color makes it way down the hall and into the study,
where the father sits at his desk pouring
over numbers and figures while furiously
punching them into a calculator.

it is the color of post-it notes scribbled over with important dates,
of the faded coffee stain on the front of the man's shirt,
of the potted flowers doing their absolute best
to brighten up the austere space.

when the day reaches its end
this color seems to disappear...

but it persists

in the most subtle
of places.

it wraps around the tiny nightlight in the youngest son's room,
providing a barrier between him
and whatever goes bump in the night.

it chimes in the nervous giggles that attempt to dispel
the fear that comes with a late-night scary story.

it emanates from the glow-in-the-dark stars and planets
stuck to the older sister's ceiling--
there they remain
despite her insistence that she it too old for them.

this color is most certainly not the color of darkness,
but,
rather--
the moments that break its emptiness.
Part two of my color series! Once again, this was originally written in prose so please bear with me as I try to restructure them.
arham  Oct 2013
Pretentious
arham Oct 2013
You can call me
Pretentious
With my fancy words and
My endless rants
About
These beautiful words, worlds and
Fantasy lives.

I talk about being alive in
The lilt of those words the
Curve of my tongue rolling off every
Lush little letter I talk
About poetry and magic and
An exasperating universe.
And god! I'm breathless

With the chaos of this beauty
And the beauty of this chaos.
And god every deep
Breath is another burst
Of magic and every new word
Settles into the depths of my
Soul.

****, I try to be humble but
Everything in me sways
And sashays
To the rhythm of these words
And its song entwined with the
Melody of my heart, I dance
And I jump and hum with all this joy.

Never pretentious.
Always alive.

— The End —