i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.

only one word prompted me: szło,  i.e. as it went...
urgh... phobias for slavs.... she was drininking tango...
(strachy na lachy, piła tango; czarna bandera! i or spanish y,
janosik! hula huj! niby, oby, nie prawda).
ugh, i sat there, on the throne, with my **** eager,
i felt sick more about a ******* relationship than the actual
taboo infested act... family via ****, what a dross!
back to level 1 of art, heterosexual, and onan,
                it was alway going to be
akin to history, and the caurosel... bilinigual "dyslexia" -
carousel... kabbalah in the moment, loss
of fixation on the tetragrammaton...
and i woke up today, fiddling with my hands
like a blind buddha...
that handsignal he is understood to "wave"
about in statue form, how the ring finger
bends and touches the thumb's nail...
and that's to represent a family,
index woman, middle man, pinky a child...
and why we use acronym base
for putting on a ring onto the ring finger,
touching the tip of thumb,
meaning Caesar said: all good...
outside the coliseum...
so that's what blind buddha said...
and like i already said,
in the future philosophers were sellers
of dictionaries, and lawyers were
sellers of thesarus rex...
you mention the dinosaurs,
and i'm supposed to say: you're the lucky un.
i drank in order to remember
that i must forget...
but still my previous life was flashing
before my eyes...
like i was about to engage in
re-imitating it... a *******'s load of hope
groping the eyes of those who,
stranded in the desert, suggested an oasis...
as the title suggest: always about
cliche, about a faux pas... and yes:
an opera...
  i want to be the linguistic orginating in
chemistry, seems i am,
how the english tongue took to
late christainity, the un-orthodox mention
of st. thomas' gospel unearthed from
an egyptian desert... 30 miles south of Cairo...
or so so...
            i might like to read an existential
novel of the children bound to feminism
and i.v.f., and how horrid it was to live
with your parents, and economy,
   and how the shame came,
in pakistani format...
                 just thinking...
my **** said much more 30 minutes prior,
but the i.v.f. narrative and how our nature
was dislodged by our power to overcome
our foundations, and still people died
in earthquakes and tsunamis...
                 but indeed, szło:
how it went...
                and thus my reason to give it ***...
like learning french, masculine and feminine forms,
of the said word,
  szła = she went; szedł = he was dasein / walked,
ergo revision szła = he was dasein...
   and that's the reason i didn't really
love my russian girlfriend, she said
polish was primarily defined by
   ш ш ш, i said huш, she said: шut up!
   the last love and the only and the end, of a concept
and matrimony to fiction.
let's deal with realities... play marbles,
talk about gambling and gamble...
**** it all away... flip coins and
do whatever is necessary, having found love
is rare more than a peacock feather for a quill,
and let's just, grow up.
every, single, time, that jewish ghetto freak
of a god comes up, an all encompassing word,
that can encompass mere noun, from mere sound,
from mere onomatopoeia, into a verb,
   a lament configuration that just encrusts itself
into the concept of a noumenon...
past terms, present terms, future terms...
and sexuality...
  szła шedł szło...
     three sexes, one, the last, neutral...
               and when psychology comes along to play
the game of anthropology you'll say
what i said... she dasein, he dasein,
   it, the world, happened...
                             and that's a thank you
to a philosopher of lore (20th century) for being
able to complicate my life, and
   celebrate the ghetto god of Jews...
  nah, they can keep the crucifix and their
Judas reward like altars...
  all that gold needs the stink of prayer
and sycophancy... like they do in Russia:
priest stands before the altar, reads an orthodox
verse, his back against the people kneeling
behind him, as the depiction of Judas
in the scenario of the last supper...
and you can't even sit and listen to the choir
doing a rendition of Bach... some church
attendant tells you to not sit...
and appreciate the choir...
"modern" Russia for you...
   what's with this cult of modernity?
we are living in times where modernity is cult,
it's nothing but cult, or the limit...
modernity is a cult of journalists...
they're almost anti-darwinist in their expression...
poetry, poetry has to, attack journalism...
i see no other way to go about it...
   marriage... hmmph! шło, how it went...
well... it went like this:
siała baba mak, nie wiedziała jak...
chłop powiedział.... i to było tak:
   an idiot mongolian played the imaginary
harmonica doing motorboat with
his lips and moving his index finger
up and down against the "slur" of excess phlegm...
(a woman was sowing poppies,
she didn't know how,
a man said: like this... and both became
Glaswegian ****** junkies to "feel" good)...
   i broke up with that russian hyenna
just before she embarked into m.d.m.a.,
yes, i'm a happily alcoholic concept of
sanity, for what sanity's worth looking
at other people claim their rites of passage
beyond religion, beyond anything,
as said: only choice, and subsequent regrets
and joviality: if prominent on the faces
of some you encounter in the fudge of
modern grey matter / area.
i can only say that this current transgender
movement is almost as prominent as
what's inherent in the english language,
how words like table, chair...
pineapple, do not have gender in the language
per se, there's no masculine or feminine
conceptualisation of simple things,
someone who's french might say
a chair has male qualities,
   and a table has feminine qualities...
it's subtle... refined to a very slight
           chance of spotting a variation of spelling...
e.g. шło (how it went), and the two variations,
one for man (шedł), and one for woman (шła)...
evidently the anglophone language has too
much money, and even more spare time,
to actually un-poeticize the nag hammadi library...
i mean, everyone is killing poetry,
but this sort of ****** is beyond any worth...
the genesis of this story begins with
psychiatry and the 1960s, primarily a Scot,
a Glaswegian, r. d. laing, coming straight out
of c. g. jung.... freud is for rich people and
the only oedipus: Wilhelm II of german...
it must be a luxury, it can't be anything but,
it must be a luxury to have dreams
and to also have an interpretation of them,
right? they call them the snowflakes generation...
i just call them freud-tards with their toothpicks
for trees forests of "depth".
looking at the way jesus is depicted, with a
void black halo around him:
i'm suspecting we wasn't a big dreamer,
to lift the veil: an imitation of Joseph,
seven lean years, seven bountiful...
   and how so few of us actually have a rich
dream life... we don't, not everyone is invited
to lead such a double life...
  some do, and they have recurrent dreams,
well, one dream over and over and... what a boring life.
i dream sometimes, but it looks like scrambled eggs,
too many: dreams within dreams...
   then again, if i followed the diagnostics of
w. burroughs, i'd probably feel embodied in dreams
if i shot up ******... or smoked it...
  but i prefer a rested body anyway.
so yeah, a bit quasi-etymological,
those "idiosyncratic" but rather specific words:
шło... id.... that it went / how it went...
  and so it went...
english doesn't have a *** in language,
   nothing to decipher whether a man or woman uses
it, unless you congest it with
   excess pronoun shrapnel...
          excess pronoun and conjunction shrapnel...
the only thing that resembles saxon in post-Hastings
french viking invasion are the way chemical
nouns reflect what a german makes of
antidote to claustrophobia:
                  habbeschneizergoo, or thereabouts.
let's just say: language as theory.
   this is mine... what do you have?
ah... right... a concrete heart, an empirical heart...
does that allow counter defining an origin
not related to the big bang, but a meow or a woof
of knuckling a tree... i.e. extracting sounds
and later appropriating the invocation of sound
to later state pointless mantra, and otherwise
read more, see less?
   if we're talking sounds, or the big bang
is my idea of the φoνoς, look... the ancients
beginning with Heraclitus had logos...
or word, until that concept became ghetto...
now we have so much music, and that one
defining "sound"... i say φoνoς, to counter
the science of the bang... and yeah, it's apparently "big"...
just learn a science to a degree level,
and then relax unlearning it writing philosophy...
you just might spontaneously write poetry,
     and gave a libido of a Solomon, but no harem;
gents! handshakes! handshakes!

what can't become anything like a theatre,
yet faces and masks fly off the shelves
in market stall, none are given the gravitas
of thought, instead: turkey-feeding
reverse bulimia, the sith and jedis?
      i can create a string of oaths to suggest
that it's happening,
   a grand masquerade of "concerns"...
      they call them the inverted commas...
what, like the spanish inverted question mark ¿?
jinnie out of the bottle sort of ****?
                   when did " become an inversion
of '?
                  that time i did the only thing possible
and dragged it down to the plateau of sentence
and paragraph like a prometheus?
         what could possibly be inverted about
the ditto?
              i guess you have to say that, given
shortenings, and all that glutton english,
don't ****'stani me this ******* back!
         the idea of an inverted comma is already
in use, and it's up, not down, as is:
    i wouldn't care as much if i didn't have an
education in chemistry: and didn't become pedantic
about certain things.
   the ditto enclosure: " " = ~ / ≈...
                             and that translates into:
well... if you want ambiguity of certain words:
read a book on existentialism rather than a harry potter
instalment; movies? great great,
      books? i'd sooner be dead than read
on of them.
                 i was just watching this
julian assange interview and couldn't help but see
a constantly implosive dualism,
    we got rid of the church-state,
   we inherited the military-industrial complex,
    and only americans have a justifiable concept
of nationalism, or so it would seem,
given they don't feel threatened by russia's ideologue
or that of china's; which really helps if you have
a puppet-state...
        back in napoleonic times they had satellite states,
now they have puppets...
    napoleon liberated poland and created the duchy
of warsaw, america has israel and the soviets
once had cuba...
                         but are any of the "axis" puppet-states
even recognisable? israel is blatant with connections
to america, they're practically nudist about it,
if i ever need to look at a glass window, i'd look
at that relationship...
   oh pick my sweet cherry blossom while you're at it,
i'll find the next plastic surgeon to remove my
protruding male larynx and talk funny...
water adam's tonic...
   i really want to see, though, how many spelling
mistakes i can make... julian... assange? assangé?
mannuel's ¿que?  fawlty ******* towers:
flip me a pancake!
                                  but you know what the saddest
thing about university is? babies...
  you end up teaching them how to make
pancakes, about how you add sunflower oil to
the runny-dough for the purpose of
what would otherwise become a tefal fryingpan:
garko-tłuks!
  can i ask what the necessary proximity of two
letters with diacritical marks? i know that english
loves that **** with either consonants and vowels:
tool.. pool... poll... pal... paul...
                                     stutter, staged,
     staging, poppy, pop, pops,
                         populist, pondering, package,
edge, age, -ydge... ****'s freaky...
             it really is... so you can have the orthographical
aesthetic of two vowels or two consonants side by side,
but what of an actual orthographic example?
the horrid case in poland of ó vs. u...
  there's no visible stress in the disctinction,
it's just something that ends up being either:
pleasing to the eye, or displeasing.
                               i never heard the ó accent to
be honest, people just ended up saying:
we need to remember the beauty of a word that uses
that distinction... notably on walls via
graffiti... grafitti? cappuccino?
          huj vs. hój...    or what later becomes: ahoy!
cockrels for supper! no, wait: cockerels for supper!
tomato       ta-may-toh, american drooling out
spaghetti from their gobs... tah-may-toe(h)...
and between H and H              a lot going on...
     hard to find a laugh though... you find it people
start complaining... i never understood the
cognitive concept of laughter, about how you might
laugh internally...
          if only germany learned to play rugby...
i'd love to see germans play rugby, just for fun,
and expand the tournament into: the 7 nations cup...
what sort of history can combine scotland to
italy? i get the british isles to be related,
but i just loath seeing italy get thrashed all the time...
i'd love to see germany pick up a tenet for rugby
(yes, a tenet, not a tenant... and it is a type
of spiritual currency);
or maybe the germans are just really good football
ballerinas?
            oh they'd fit it alright, what with so much
shared history; they had a football match in
Flanders one time, so why wouldn't they bond over
rugby?
             yeah... so this old form of problems,
what with the church-state complex, that lost both
church, and state, and became a federal institution...
or whatever it was that it became...
it's something new emerging on the horizon?
   i couldn't say church-like, but nonetheless very
much church-like?
                       i don't even know how to conceptualise
current affairs in a hyphen (-) complexity...
   it's ****** obvious though: corporations?
      yet the state disappears... the only permitted
nationalism is american, so what the hell do we get
to juggle with? evidently throwing only one
ball from hand to hand and "pretending"
to be juggling will not end up with a successful circus
act...
                    so we got rid of the church,
and that morphed into the ultimate poly-schism in america,
we got rid of the state, and that morphed into
denials of sorts...
                so from the military-industrial complex
we have created a military-consumer complex...
    isn't that so? isn't america faking it a little bit?
   ever time i had *** with women i always assumed
they were never pleased...
    then one night in st. petersburg i asked her:
- i'm keeping count, how many did you have?
- 7.
- thank-*******-fabulous.
                     brag? isn't that the whole point?
****** brags about a yacht he owns in the caribbean (
carribean?)... i'll brag about that night
                                                  and the 7 ohs;
but the current situation isn't about a military-industrial
complex, that's why there came promises of
job revival: blue work, not white collar work...
   but once you feed china-smaug the coins
for every piece of work someone else could have
done to a better quality... wait... what was that? desolation
of smaug?            
                 the military-industrial complex isn't exactly
dead... but it's like a seesaw with a fat kid:
   to many losses on one side... say 100,000 iraqis
and about 400 english troops...
                when it becomes too easy... to ****** advanced
that it: literally becomes boring...
                  no kind of memorial will do it for me,
i'm still involved in the military-consumerism complex...
          like: it's so so "complex"...
                          throw **** here, throw a **** there,
and then not ask for spoilt snowflakes to come along.
             if i only said something original
i would have been more than happy...
        but since i didn't, and it's all there for everyone
to see, i guess i had to turn toward
         orthographic "inconsistencies" -
or those dreaded words: inverted commas...
     "    "     i'm seeing four, no one writes the un-inverted
comma, since no one writes,, and doesn't point out:
oh look! a typo!

it's largely based on the introduction, drunk poetry of Bob Dylan's blonde on blonde, or Dave Bowie's heathen albums that can be treated as fully-loaded novels with missing charting song, you can champ the narratives akin to nearing ancient symphonies making Nietzsche more of a German Chopin than an idea formation, excusing himself with too maxims; yep, Bob Dylan's blonde on blonde given Nick Hornby's care for the music in what's a fluke of care for piquant fidelity, country and blues, bought at a supermarket; or avoid both and head straight for Ticlah's si hecho palante.

for some strange reason i woke up early,
usually i miss the morning staying up
till 5 or 6 a.m., like a vampire scared of sunrise,
winter is my most productive period,
summer my least productive,
spring and autumn are seasons when
magic happens, just today the oak tree was
brushing away its flowery bloom
before the fat yoke of chestnuts would fall
a few months later, the spring bloom
of pink or white was already tailored for
the excess greenery of summer, over a period
of two days the flowers withered and
the green leaves appeared.
she once complimented on my cooking skills
and my taste of music, notably *tool,
i first met her when we got together in the
student flats and two girls were *******-up
frying pancakes... the dough stuck to the
frying-pan... so i said 'you need to put some
oil into the mixture!' hey presto a Michelin star
on my attire rather than Victoria's crux
of a soldier... that's how it goes with philosophy
nothing pompous i promise you,
Plato misquoted Socrates talking about
looking funny at men who sought brothel comforts
(the norm in Amsterdam, no guilt, no tabloid spice,
o.k. o.k. Leo Getz style, 'it's like going to the gym,
she was South American, plump, she had a little nergo
boy fetch beers for her clients, she kept the window
open so passersbys could hear her moan after laughing
at my addressing her genitalia with may i taste the fleshy
floral patterns? ah ****, didn't work, you get to write
about *** and it just ends up a string of cliché
like philosophy and the maxim - prostitutes and the
Gemini lips, try kissing both at the same time);
i'd be funny-looking at the other route of philosophers,
mainly through the army, i'm all lazy eye cross-eyed with
those *******... (i do "pending" interludes since
with drunk finger playing the keyboard i tend to
delete by accident about 1 poem for each 10, heartbreaking
experience) - lost the drift, i must be in Birmingham:
no river... no flow. standard model always included
rivers for people congregating, in the countryside
a church would be enough, but for urbanity a river...
this phenomenon of canal cities like Venice is
truly staggering, call it the Maldives of the west,
the Maldives of Europe, 100 years from now
it will probably be more than a Glastonbury fashion
statement of donning farmer John's galoshes.
i've lost the plot... fun-*******-tastic!
oh yeah, the pancakes... well after falling in love
with organic experiments i learnt to love cuisine,
well d'uh cooking, my flatmate just cooked risotto
after risotto until i started pulling rice grains from my nose...
esters and perfumes, the smelly ****, like pickled cabbage,
the grand joke of british asians...
yeah sauerkraut and chicken escalopes are the grand
joke, although try shoving asian spices under your
armpits and you'll be walking the catwalk of Versace for
sure (hey man, stick has two ends!)...
it's an escalope and that's hardly the profanity of
a chicken Kiev, also called a schnitzel... but not schabowy...
you know there's this great aesthetic joke concerning
polish graffiti about the orthography of ****** / phallus
in poland? yep, the variations: huj, hój, chuj, chój...
technically they all sound the same,
they're found next to the anarchists' A and swastikas
on communist apartments.
she wanted so so much, i was at the end of the third year,
and there she is, moving out of her student accommodation
to live with me in my private flat (rented)...
i mean, great... but i'm about to sit my final exams
to get a piece of paper telling others i'm qualified...
what a ******* mess: i know a 3rd of examinable material
i was studying i'll fail, physical chemistry is not my
strong point, organic i can ace, inorganic i can do well on...
but she's there, full-on intense teen... it's a juggling
act that requires a clown, rather than a man,
i'm not saying i'm perfect, but there's too much idealism
in her that requires a hefty stash of pecunia bratus
(money trees)... ah i wish, but had i wished it
i would be writing such uninhibited poems...
up-to-speed... on today's menu!
that's the culinary abhorrence of poetry, remembering
ingredients in recipes rather than rhymes,
for example Thai green curry, and the ***** curry,
the former with spoonful of green Thai sauce to replace
the use of lemongrass, and lime leaves,
actually the limes we replaced with lemons,
the Thai sauce was added, the garlic & ginger paste used,
onions, mangetout added last to add a crispness on the bite,
new potatoes avoided, half a jar of Thai green curry paste,
Thai fish sauce, not salty enough soya sauce was added
(both light and dark), coconut milk of course, caster sugar,
chicken (well, d'uh), basil... yes... basil! lemon zest
and rice, chilli powder!
the second curry involved: cumin seeds, fennel seeds,
a cinnamon stick, garam masala, chilli powder,
turmeric, chopped tomatoes, sugar, chicken stock,
chopped coriander... all in all this is a culinary attack
of poetry, it's not clearly an ancient revenge,
but when i was younger i was instructed to memorise
a poem, aged circa 7... the poem in question was
school bell, i didn't get why we had to memorise it,
it wasn't anything spectacular, i protested,
gave an oath in swear words against my classmates,
got told off... culinary principles invoke the need
to memorise recipes rather than poems,
curbing the influence of fast-food outlets...
i rather remember the ingredient lists of dishes than poems...
indeed i did make these dishes today,
but only because i switched the radio off
and inserted bought art into the device:
Tom Petty's and the Heartbreaker's greatest hits
and !!!'s (chk chk chk's) myth takes album.

3 weeks, that's all it takes,
      how many necessary things could have
been said, but weren't...
    i could have written to my local m.p.,
or say - an imaginary letter to
Lorca, like Jack Spicer -
     instead, i wrote a few pieces of
verbal-diarrhea - sheer frustration -
      how debasing i sometimes see myself
becoming, all this talk of self-censorship,
     it's this ominous shadow of some third
party sources... the more you write
it seems, the more you start fearing
in the existence of that famous chestnut
known as writer's block...
                         it's such a fear that it's
impossible to call it irrational,
a tiny fear, a phobia, fear without a narrative...
so you end up becoming debasing for a while:
thankfully: there's nothing in concreto
about it...
                    you begin almost in trance
blurting out words to no civilised purpose -
  just to go beyond the rust and stiffness of
3 weeks sober, as if starved from the world:
because your grandparents don't have an internet
connection...
      and you return from a place where
you have to time to read books, and be content
at being fed by a television set...
                rather than having to feed
the computer and that amassing of knowledge
and shared experience...
      a digital detox they call it...
   i call it a double-whammy detox... and strange
how doable it is: it doesn't require
a rehab...    or some guru telling you
       that you have to block out thoughts
immersed to the internet...
                    but then again, is it about that?
all i can claim to say is that:
    the internet can really become a cul de sac...
i'd feign to believe that anyone with
   it can read a novel these days...
                       i know i can't -
     in the most ordinary circumstances -
                     a complete shut-down can provide
enough furniture to be so less itchy
and nagging to touch...
                               and it wasn't even a case
of a self-imposed hiatus...
                    don't know what it actually meant
other than an immersion in: what
life was like in the 20th century...
                              and on that touchy subject of
certain words being treated as if said
by children and deserving the scorn from an elder...
well sure, would that give us many more
graces to: write in the fxxx?   and if i actually did -
if only the english language used some sort of
orthographic, but it can't: since it has no diacritical
markings...
    the aesthetic is so different in Poland...
you don't censor certain words so might think you're
talking roses and adorable puppies for some
grand social project...
       there's a graffiti joke in Poland...
              and there about four different variations
of the same word (as it sounds) -
huj                         hój
             chuj                                and chój...
  there are no others... but there's only one accepted
spelling of the word: given the orthographic convention...
and if this word is seen on walls
   without the correct orthography, it's a good joke...
  (it's the first spelling of the word that's correct,
if you want to know)...
     what i can't understand is creating these excessive
emotional associations with words,
not sentences that lead to a fuller meaning:
but isolated words...
                         it's a simple bewilderment that
using such words, for the sake of using them, might
suddenly lead toward some antagonism of
an ethnicity -
                                 it's black on white -
there are no hues of words... but when it's used
from fear of a writer's block, and it has to be used,
once again: not in concreto...
                        then it's again, used like i might
throw everything into grammatical categorisation of
words, and get back a lesson in grammar...
    that's 3 weeks without a keyboard - you're
bound to vent out some frustration...
                    at least there's an antidote to it,
on saturday i experienced zenith of the frustration,
until it dwindled away, overnight...
                             rarely do you see a review of a poetry
book in english newspapers...
   perhaps the guardian, but in the times?
               once in a blue moon...
           the review: if jeremy corbyn wrote poems...
    for almost a whole evening i was experiencing this
sort of: debilitating paralysis, debilitating because it
was wholly mental... i equated reading this review
with an experience of: ethical monopoly of vocab...
    and it really does exist... its not a question of political
correctness, but a case of ethics:
                  could i use the word nxxxer or not?
    can it really be so scary to see that correct spelling?
and what if i wrote about the river Niger, because
i felt like it... or took to the fancy of a trip to Nigeria?
       boy, Niagara falls must be stunning to look at too!
i don't understand that privacy can be so usurped,
so wrangled out one's on comfort...
    so we have our closet racists and closet intellectuals
(who i call the bearded white boys
                 in chequered shirts and torn jeans) -
    but in a fit of personal transitioning, are we really
about to censor each other, and on what ground?
      yes, i have a ku klux **** hood in my closet
and i'm about to shout ye ha! on a lynch frenzy...
      it's a word said out of context with a historical content
still ascribed to it... if this word were taken into
an urban environment: it would be an epitome of
what once was used with the words *******...
         i'm not concerned with the word historically...
       historically speaking: it's urban now...
                               it can literally mean: thick-as-night...
and can you start to begin finalising such
nano experiences in life...
                           some people get to sky-dive,
or hunt lions on safaris...
                                i'm stuck with a wasted evening
duped into thinking this out:
  like so horror minority report, said the word:
predestined to do the most god-awful evil...
                       or like i said the word:
and that's equivalent to not washing my mouth for
2 weeks... 2 weeks spent on a diet of onions,
garlic and raw beef...
                           it's this absurdity that has nothing
fancy about it, this could not be written by
Albert Camus... it's too worm-like absurd...
                 i don't whether to laugh or cry, or tell you
how i had to find a counter-frustration...
but i did, the review of a poetry book in a saturday newspaper...
philip collins' take on unreconciled - poems 1991 - 2013
   by michel houellebecq...
                               i'm guessing the actual book
would make me feel less frictive than the reviewer's take on it...
   such this huge ball of fungus dropped into
my cranium and started to cannibalise itself with
digestive juices of nihilism... thankfully reviews like this
would spur me on and make me want to read such a book...
just to get the antithesis (if that's correct word to use)...
   to me, it sounds like a book
that's supposed to oppose the european use of the haiku...
   for me not all haikus are philosophical...
     although i know they're intended as such...
personally, i think that the art behind the haiku is
more than the actual haiku...
    say, someone who invented this medium,
yes, an easterner would probably write 20 haikus in
a period of 20 years...
     writing too many haikus (usually done by westerners)
is precisely the opposite of the art-form...
      how can a haiku be written without a year-long
restraint, and when finally the pressure is too much:
you get ''so little''?
                      well sure, i can write a haiku any moment
i can... but i'd have to have a gnat's worth of
consciousness to write one without having meditated for
a year...
                we europeans can at least write
absurd excerpts from our rigid lives...
                        and houellebecq does that -
   we live in these snappy narcissistic observations taken
from the world we have so made systematic -
    and i guess reason is a big tender dog -
given that unreason is a ******* chiwawa that
constantly keeps barking... or any other small dog
for that matter...       well: once again -
who told these people who review poetry books that
poetry is an Ikea manual?
                               lack of imagination, i'd say...
   and i'll say that about any other liar out there who
can say that visualising poems is easy -
     modern art can be seen as pretentious ******* -
but then what can you verbalise about it is the whole trick...
   just asking, because i was thinking about when
that famous school of fine art in Florence is going to
reopen, and why no one bothered to remember the techniques
using oil on canvas...
                 evidently something is up in the zeitgeist -
    i'm guessing we'll not see a **** study by edward calvet
any time soon... and it'll remain so, for quiete some time -
something is being revised - i'd call all modern art
by the movement: revisionism -
                      well: the dark ages were revising something -
everything's crude once more...
                  as came with the over-exposure to our
******... and did i say there's something wrong with that?
but evidently seeing too much fucky-fucky
    has created jelly in the eyes of artists who have to
go back to basics... it's like artists are looking for words...
they want to return to a dialogue of the reneissance...
    or at least it sounds like that... oh no, not from them:
from the people that have a critical eye on the matter:
the intellectuals... i see it as a hope for coming back to
dialogue... if you can't return to a dialogue over
a very simple modern canvas... there's no point
talking about the greater intricacies...
                             that leave you speechless -
  i mean: what's the point of talking about a mona lisa
when you can enjoy a joke asking whether
the devil didn't have his hand up her skirt?
       or the ecstasy of st. theresa... what's there to talk about?
i look at that statue and just want to get a hard-on...
but first i guess i have to rediscover a dialogue
with what the current times prescribe me...
and these really are works of prescription... there's no
point look into pharmacology's list of prescriptions...
   as going about saying it's all a load of *******,
leads to the first step toward modern alienation...
       if darwinism can be a humanism, a study of
the human... i can only give it a motto:
there's a reason behind everything... there's a reason
snakes don't have eyelids...
                              or that giraffes look funny...
             or that camels are the most vile mammals
to walk this earth...
                       personally i

this ins't the Cabaret Voltaire moment,
but it almost feels like one,
i'm not cutting up newspapers into
singled-out words to pull out of the bag
like some magician with a top hat and a white
rabbit... i know i can influence people,
and that's my prime worry...
but sometimes you get to point out a correlation
of your own words the preceding day,
and the day that follows in newspapers...
and i do think that newspapers are the perfect
canvases to work from, to write a poetry,
all the tabloid presses get left in the gutter,
the famous and the rich get their faces printed
on its pages, but they nonetheless end up
in the gutters and get stamped on...
if i'll ever set up a polished Instagram profile
i'll think about keeping a clean lifestyle
photo-feed just prior i get my shoes polished...
so this ain't a Dada-revision...
i'd love for it being so... starting with
cuts of newspapers like writing a ransom letter...
you know i stress the need to avoid censoring
swear words, i'm getting systematically peeved
about this practice continuing...
like i said, newspapers are more about poetry
than philosophy ever wished to attack...
of course some of those trailing in the marathon
with their idealism will still meet the natural
critique... but poetry these days is more about
journalistic adventures solo
than essences, orchestras, ideals and singing
about Larks... those that lag behind will get burnt...
believe me... they're already barbecue burnt
chicken wings... and it does happen,
not like Cabaret Voltaire rebellion Dada,
i mean writing something akin to the argument
between Newton and Leibniz about who
discovered the mathematical Antarctica first:
calculus... it doesn't matter...
a day ago i wrote about swear words being
like conjunction words, the lubricants that scare
away dictionaries and thesauruses...
and what do i get today?
I SWEAR THAT'S POETRY... (Tom Whippie),
page 37 of the Saturday Times...
the jyst noting of things:
they are poetic, expressive, build trust and offer
a crucial linguistic hammering...
also aligned with Asterix and Obelix due to
their malignant oncology...
but! but... a US academic has called for a rehabilitation
of swear words, saying: 'profanity is poetic'
(Michael Adams, University of Indiana) - adding
'poetic because it's a surplus of expressiveness
and also poetic because there is something
in an extremely frustrated person finding no other
word suitable fir the level of frustration they feel'.
well... i just liked the idea of toying with
grammatical classification... i already said:
i would condense that statement into... to be honest,
and to be honest once more, and once more again...
i like to see these words like conjunctions -
which is the polar opposite of what western
society deems as: ******* **** and a demise
to further encourage dyslexia - the same joke
from Poland about the graffiti: huj and chój and hój..
people laughed at the excess aesthetic of the latter
two examples... bellybutton intellectualism of
the world (i.e. English) doesn't necessarily have to be
right... but nonetheless, Prof. Adam's in his
in praise of profanity speaks about the versatility
of swearing, that it has a power to make it
a much underappreciated linguistic device...
'there are words that punctuate experience; profanity
is artful speech'... add the word therapy to
that statement and you become a Guru...
socially useful, like teenagers using slang and acronym
encoding to talk cool, but also to provide the herd
an insight against paedophiles... nothing new...
paradox? you cannot praise profanity without
rules of legislation being imposed...
failing to preserve profanity would mean letting
down future generations... then the *** comes out...
a Prof. would talk about restraints...
straitjacket vocabulary... casual swearing...
oh right... i ought to fit my larynx with a bow-tie
for the formal affairs of the world...
i never expected my poems to be Grecian marble
smooth because i was about to gobble caviar and
champagne... well, let's face it...
somehow Evelyn Beatrice Hall's Friends of Voltaire
seems a bit redundant these days - it's no longer:
i disapprove of what you say, but i will defend to
the death your right to say it - is that at all true these days?
i always thought that the internet was more of
a thinking platform than a stage to shout your
opinions... maybe i was wrong... the sins of thinking
and leaving your thinking output exposed
in a public realm rather than in your bedroom
drawer... i rather be offended than live my life
out in an Apathetic Utopia of Fascist Islam...
******... just shoot already, but make sure i'm dead
rather than disabled.

S'e kisha njoft veten
Po sdi pse quditna kur s'e njoh hala
Cdo dite e njoftoj veten me veten
Kom pritje edhe e paragjykoj is ni
T'huj

By Rreze Hoxha

i wouldn't be looking for a grain of sand
(biology and physics involved in
the extreme of timescales as necessities
of prescriptive ontology akin to paracetamol),
to pass the time looking at paint dry
or the kleptomaniac amphetamine ******
trying to allocate time a spacing: clepsydra -
i'd be looking for a Napoleonic mountain -
something grand, something audacious -
something crowd pleasing; i'd be looking
for a mountain rather than a grain of sand,
a Mohammed's brow of pleased foresight
forged by pleasing excitement: when
-ed got in the way of -ing upon revision -
the necessity of the verb: (to) please.

and of him they said three things:
1. the death of death
2. the man who turned himself into a tree
3. of the men that will instil fear
    into the children of others
4. did you know that there was a child
    born without a brain in Poland?
    yep! no brain, he could talk and walk
    but he didn't have a brain... no, not that he
    was a hillbilly intellectually... he literally had no brain...
    just a woodpecker in the cranium of war-drums bellowing
    out a familiar tune of geese strapped to a
   methodology of synchronisation...
(5. rightfully alcoholic and apostate catholic,
      know any better sedative?
     Priest Rydzyk: radio Maria:
     hoi hoi huj! as if the Vatican isn't the
     oldest name for Mafia -
     usurper of education in orthography,
     a question of aesthetic and lessened
     rigour is relevant: as is the prevalent
     notion of *chomąto - or the missing tail
     on the a, as in o & n:  the ą stress was always
     nasal, so, chomonto - unless we encourage
     the English to use diacritic marks,
     we'll have to unravel what makes a couplet
     of diacritical vowel and consonants -
                                  and not cheap -
      but hope -                   c's apparently
      optional, or, would you believe,
      a monopoly... d'uh, what else?
      the more i hear of Poland
      these days the more i make assurance
      to not speak anything but English...
      chomąto, i.e. noble herb? no!
                               horse collar - to oar the fields
for french fries - just like the modern children
who say milk comes from a supermarket
and not a cow... the Bermuda ****** tweak
of revisionists' scandal: to improve humanity.
altogether another way to say
                     behind this man there was no woman
for you to imitate writing and outright
subordination -
                              shady creatures, women,
long lost artefacts of womanhood:
the Graeae sisters and Medusa - ******* saints
in the feminist dogma -
                                       soon to be released:
feminism and Plato, feminism and Nietzsche,
feminism and ******, feminism and Leibniz,
feminism and Einstein, feminism and Putin,
feminism... **** me! the long lost theory
of everything! we've found it! stop digging!

it's called: whenether you dare to call it infantile, that you start imagining people being serious about selling shoe-laces; or Korans.

even those, who you left to "live"
unto the age of 70 and past,
are asking, are asking themselves
whehter it has worth it...
            your arguments don't
scare me, they threaten me,
        and when someone
feels threatened:
             they react in
a natural tribunal of effort...
  when the arguments threaten
you fear confiscates
   the dire need of death
being an alpine promise...
      and the such...
you rob me of fear,
you instill a pragmatic of death,
like the Jew paid his alimony
  what the suffered under the **** crimes...
of course,
the numbers matter....
the Marshall plan in neutral Sweden...
              or what the Poles
    got with Communism...
Jew... barricades... barricades!
messerschmitt teuton krähe schwarzkreuze,
   love your neighbour as yourself:
that too died on the cross...
   and i was but a peasant in Warsaw,
and Warasaw was but a village...
                     something worth ******* on...
and it was the ****'s worth of geography
for merely being there.
       it's there... something akin to be odd...
               i have, oddly enough, no allegiance...
i'm bound to being dreamy...
          so called lazy...
   the next best thing...
                 right now the Jews matter,
i took no deutsche marks from the swabian schweine...
             the jews did...
               jews... they did...
                     blondas *kurva trop!
happy retirement and Hannukah...
you crass-case of albino...
                  alias neo-deutsche!
                          austrjak jebany palmą!
w głowe, jebudiet!
   Wengier! hu ha dusza, i świntosiek
                  duch, i iskra, i łamana
                          świca...
         serce mi da tą ziemie:
   i ja tą ziemie dam w cheć na
pogoń, zwane zając!

nie dla narodu, z kochanej, e, u, ro, py...
pierdole ten cyrk!
ja, niby, polok...
o to ten huj, iskra huja w pizdzie i pizde mi
na kilo jabłek potem wgryść, rozdać i sie
tylko śmiać... Jarkowski, jebany,
       Kowalski, zapomniany...
           Jazurelski: troche i coś odtąd nie tak...
czyli, ricochet, echom czy apropos?
         bo to cynic: prawde mę, to samo co prawde mlą.
hej stop to warto obgadać jako: gnój!
          i szmira, i obowiązek... niby...
   ale skupowisko nie-urzytków, tzn. słów...
rodzinka sie wkurwi na widow mnie!
    no, po prostu wkurwi!
              oj, hyba że ja ponowny Szo'pę,
i kres mego serca na łałel... via W unto V
or: Vienna.
                      as cheap as the joke can be made,
or as plastic and extending as it allows itself
to be...
             taaak, bluźnie:
        bo mi na pacierz nie wypada...
kler: zegnam sie, panie sługo... zegnam sie...
paciorek i tymianek... gówno wśród nas!
to wszystko przez
           braku ari de verci....    
  albo quo vadis -
              ryj!                 i gleba.

alesz ty brat ty mym... co wspomina serce, jeno ortografią... taki brat z ciebie: tym: huj z tobą, bratku warszawiaku! szkic ciebie, na ołtarzu kossaka - frajer z ciebie... ty: gówno wart frrrrrr'a jerze! huj z tobą i pospolite pogawędki! sznór na szczóra! a oświęcim pyta: teraz?! zaraz... za-raz (pierdolona zaraza szwabem ryta)... gazem tylko po dziewiątej.?*

najgorsze wiersze pisałem:
a najlepsze...
puściłem w wiatr!
horongiew reką pisać
to tło narodu...
ten tatuaż historii!
co zwałem mym tchem -
i co nie: na boga kara
i jego zbawieniem ołtarza:
na to: dałem wiare:
swym głosem,
by wiatr znikł, czy też
zamilkł! tym jego
pierwszy ruch bielą w
                                biel
i na tym, pytam:
                   tylko kość?!
nie! wapno! i stolik! i drewna
na sto lat!
               a ta ruska
hydra! ma coś do gawari
by? by wybyć więcej?!
co? ta ruska pizda huja szuka?!
ah... brak jej mongoł:
szkic i ten azjatu: szept!
  wnet pizda tego szuka?!
                    huja wróbla!
   pani! czemu nie tak do-słownie
po prostu, od razu?!

chór! i duch!
               blady... rym...
ale i też wygoda powrotu
jako niby żyd... bo
te paluski... i ten *lajkonik...
kiev w warszawie... na
tym tle: bo to gwar gadania
i autobus w pizdzie nocy i
zimy... ceka... ceka.

   o bodziem...
  punk kot w czekam
i czoło i glebe i rys islamu,
   i szkło skalu w czaszke
i gołote... i ten... pierdolony kosciół!
goły... naked...
         the cat weighs about 10 kilograms
i'm obviously going to head-**** him
to say good morning...

rrrrrryb ah! koscioł! groto i smród!
rekąpis!                   ryba! flu flu flu!
oj tu: pingwin sie zgina! huj! bra!
   tu! zeżre te polsche... te polsche...
zerwie z nią... bo co?
jakie narodziny mam, "celebrować"?
ja na typ o motłoch? baba?!
taki typ by na miet i slóp -czysłav?!
pats! prostak z... miasta...
  chleba mało... tsa zebrać...
seplień seplień se o se: nago
      i choroba... gniew... grób;
padaj! jak gwóźdz w trumne
czy tam gówno w toalete...
       tsa u... tu com sa, tam com sa...
ja na wygnań!
        ja wygnany, co mi te poloki?
półtłoki? boli, nie? zyh poza granicą,
tam, dam ci kwit i... kćuka!
                 kćuka! na witaj huju!
potem -senką: za casów Herod'a...
  co sfe: pio... senką; taki tanz: oi! ola ola o!

taki zemnie polok, jaki ten
pierw żyd, co pyta:
  
  pytam... bo czekam...

(choir and [the] ghost).

    warto pytać, oto wiem że o nic nie czekam
(nie czekam o nic... po? nie czekam o nic...
po prostu czekam; tak tak, nic nici nić nitka nikt;
kurvfa shoelaces... you ******* deaf
or watching kochaj albo rzuć?       );
tym warte pytać of -zyk-
kiedy nie w... kraju...  or-zelek... or-zelek...
              taki kwaśniewski co tylko sepleni...
blah blah blah... potem na gniew
vay vest vey kal it a p-cle... susumber: or cueue...
         oi oi! wrona! hej! wrona!              co tam?!
eh, ten rojs siber tesz popierdolony...
rrrrreeee lee, wrona! co tam?
o kurva... terz troche... mmm uhum... mm... eh?
   is bez powrotu... taki... niby...
dobry fason i wybór słów
    jako dobry wójek... po glebie jak po
grzbiecie psa...
ah ten pysk.... taki dobry pies
mógł być, a potem, nagle, naturalnie:
wściek! pyska... harem! harem!
         harem! grypa! grypa! ugh!
                                golem!
    co tam wyrośnie, to tam nigdy nie było...
ani cebula co płacze, ani
           burak któremu zęby
   wypadają...
      oś? czy... osa? i z tym językiem
bez tego języka gwarancji?
            taki jam obcy...
   ja nawet obcy gadać obcym... do perfekcji...
jaki to musi być nud... aby było
              jak to musi być, skoro jest?
    last time i checked... pretty **** awful.

given the title?                       a history.
                 you simply don't get it,
you don't get a focal point,
   instead of the hejnał mariacki
i get: the beatles...  included in the exodus package....
or the: when will immigrants be deemed expatriots?
now, never, soon?! host nations
forget that immigrants have a host nation
to remind people of: at least given the lingo...
but then local people repel it:
given the Anglos: it's a best kept secret in
Rotherham... because that's how we like it...
see? we English: two-faced politeness...
  all ****-based in Ibiza... or dare say otherwise...
we like the carry-ons... said:
you say, where we were naughty...
             keep it as you are
you'll eventually remind me of nothing...
   that's worse than a hangover...
you''ll literally remind me of nothing,
perhaps Netwton, but mostly Cockney
inspired ****... i just made half of keeping
Oxford...
             yes, you with Roman and Viking
history, i can't speak a history of Mongol
invasian, or the qusi-vikings akin to Swedes,
and then the Turks...
******* islelanders...
       as the French always said:
you not into ******?
               **** it! let's sell it anyway!
  about as gravity prone to tell a difference
between a rock and a mountain...
watch which one sink further into quicksand...
what you don't get with your d.n.a.:
a history...
what you don't get with your d.n.a.:
no pretty face will be able to repeat it...
you don't get to reach for a history...
            you don't get to claim Maine
of the u.s.a., you have to come back,
back via little england...
     you first have to craft a reply
counter the ιρη and the σκωτ,
no poly
- if britain is outside of europe:
i'll bring europe to britain -
i'll ensure there's the mandible bone's worth
in it jamming its jaw...
  just so it can chew: and later lap up
a history basis...
      call it a Yugoslavia mm,
or murmur... or something akin...
                i know of the snow surrounding
Belgrade...
                     ι / i / ε / +
             -ρη        catch a breath: -re
  i.r.a. to the malconcent,
well, it's a chessboard: either you're pawn
or no pawn at all...
            i get more english in england
than irish in england,
    i never hear scoot in anglo-shire...
not once, not ever...
              the irish belong in american
urban folklore, or unless nibbling on
the Poznań crown of tatties...
  oh... look at ye / v... cosmopolitan self...
mighty proud i am of ye / v..    
    wiepszo-wą...                 ...tek
                ten.. pierdolony... pyr!
Poznański pyr... to gówno i mowa równikiem:
sroka!
        o kurwa ó ó...  sedament:
   i to zwane cegłą.... wielkopolski huj:
schwaben herz!        pyr! daj mi boże wojne
domową wedle testamentu Syrii...
bo ja gnije w nadzieji żem nadaramene wygnany!
    wielko-huja-warty-*******...
pyr... ziemniok... wielko-łaski "hrabia"
    einzbach! ten: poznański "rebel"
  pseudo des esseintes...
   generically know as merely: pyr...
  wkrocze w cheć Warszawy na nowo:
a poza tym? angielska róż może zgnić
w makijarz. tyle.... o o.... tyle...
kopytka i klątwy... śląskie glizdy: czy klusy...
      czyli poznański szlachto-łez-odziedziczony...
            "pan"...
nadal tylko kurwa pyr dla mnie!
no, kurwa, kochaj mnie!
        tak abym nie pisał tym ozorem... zza granicą!
czyli bez ł i paciora, a jednak tyle co chodzi o tau.
i never have to answer my host nation,
i never had to... it's the nation that gave
the care to give Chopin's heart a tomb in Wawel...
         as the perpetual home:
   cheap racist ignitions don't make me really
****- sensitive concerning English don't and do not
slang translation...
   i'm worried about my mother incubator,
    and yes, that's ****- i.e. don't and
pakistani i.e. do not...
                        well... there's bound to be a gensis
at some point... it doesn't necessarily
have to be koranic...
given the saudis are so ******* lazy in their
inheritence of sitting on what the islamic
world calls *schwarz gœlt.

hardly, it's offensive to see the correct spelling of f&&&, but not so much the sight of a page 3's *******... if only english had an orthographic dimension, they''d appreciate the graffiti joke in poland: ****, i.e. the correct version being chuj, and the wrong alternatives: huj, hój, chój... but then i find that english is a language regarding dyslexia... since it has no orthographic rules, since it applies no diacritical markers to form a rubric, which means; minus the orthographic graffiti joke; oh, right, and poland has what england doesn't, homeless dogs, and feral cats that occupy graveyards; truly, miles apart. personally, i still think the orthographic "wrong" aesthetic of huj looks better than the "correct" orthography... just as a metal-works factory huta, will always look better than chuta; both are a haa haa - even though that ch = h ought to own some grapheme symbol, mentioned later, with the german s / z.

one of those dead-funk *******...

what? i end reading more book reviews
than actual books,
i haven't the time,
            i'm about to admire a mighty sunset
and i don't require a flaubert to tell me
of salon mannerisms of french ladies in waiting
to boot...
    ****-facing, fracking the next
******* of a shooga-daddy-oh...
                    and thank **** that my hand
feels like doing ****,
taking a dump and doing a ***** roger handshake
never felt so good, as it did,
  when it was performed.
apparently massaging your **** by
straining it into an opening while jerking off
is almost, but not quiet, the **** experience.
        oh right, books...
*swearing is good for you, by an emma byrne:
a neuroscientist...
sky's the limit!
               japanese - manko or plain dumb
****...
                kutabare - or drop dead;
i'm still wondering why the *** yuppies didn't
invent poker...
                 squint-eyed double enforcing the stoner
eye-contact... huh?
             ah, when it comes to swearing,
i was at a pyjamas party in edinburgh once,
you knoiw students, complete party freaks...
  i has by tartan pyjamas on,
and this exchange student walks up to me,
and starts to compliment me
on the noun kurva, yes, written as kurwa -
but in english that W? = a Ł -
              which means two is a churchill -
3s a kit-kat...
                         and if you know the antics
of experimentation, that means 3 fingers up a manko.
don't ask me how stretch armstrong got
involved... he just did.
              but imagine paying the
compliment on how the western slav
managed to not numb the R (akin to the
english) - or hark it (akin to the french) -
but encrusted the trill...
  he called the word kurva a genius
statement, akin to a tool, like a hammer...
he called it a cushioning effect -
the cushioning effect of the word kúrva -
               something akin to a boxing bag...
sooner will you throw a punch than
actually neutralise it with a word -
  and the necessary rattlesnake effect of the R...
     scheisse nimmer ******* es
                           (**** never cuts its)...
           mind you the word kurva is bound
to a tectonic shift in the use of language,
categorically speaking,
    it's not a noun...
    it's a conjunction...
                       a conjunction just shy of being
a punctuation mark.
   yet i'm still wondering what happened
to the oath in german, scheisse -
  well...
  there's the ß (sharp s, i.e. z and somehow
nearing sh - + it) -
  but scheisse exposes the german s /ch -
i.e. a soft s...
                              which out to be its own
individual grapheme -
and there actually are...
ch, dz, rz, cz, sz, sch, central european
graphemes...
with only ß to congregate on -
  and even then it's not an es zett -
  nor a sharp s, rather a double s -
like rudolph heß -
                            why aren't these sounds
turned into graphemes symbols?
aesthetic reasons?!
                hardly...
                             ­     i've seen english text
slang... the poles and the germans can hardly
make it uglier than c u l8er,
   i swear to god... we've his the wall,
and the test dummies are mumbling in
some form of english that only exists in
pixel paper, text, tech, techno,
             **** know what they call it -
it's most certainly peppered with the americanism
of acronym, e.g. b.s.,
                                        f.t.f. -
fatty *** ****...
                                you know the usual
spare me, dear lord!
                       and why is this all relevant?
the same reason i can jump off a hyena /
             gorgon of a *******,
jump into the bath and have a cold shower
while she watches me and masturbates -
  and we have our little ***** moment on mute...
        we keep our *** in the realm of
onomatopoeia, mostly vowels and one or two
consonants...
                  the only "*****" talk i ever provide
is when i think...
        makes me less suspicious of myself ever
having encouraged ****** profanities.