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AAron Roz  May 2018
Sound
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Cyril Blythe Apr 2013
“El Rabio”

Saturday 6-4
Hello again white pages. I’m writing this on Sunday for Saturday because I came seven hours away from dying yesterday, I was a little busy. I know I need to write this now or I’ll start to forget certain details so, here we go.

I woke up at 5:30 for my 6:00 breakfast. The air in Lima is always wet and sharp in the morning; it is incomparable to any type of Alabama morning mist. The morning mist in Lima is tainted from the 8 billion people who live here and curse it with their waking breath, it curses them back with sharp gray stings of water on their, our, faces as we leave the shelter of the tin roofs and adobe walls. As I walked into the kitchen, Madre Tula scolded me, again, “¡Estás tan flaco como un frijole mi amor! Ven. Ven aqui. ¡Comé!” Which, if you forget your Spanish years from now when you are reading this basically means she thinks I’m too skinny and need more meat on my bones. Madre accomplishes this by feeding me, every single morning, a piece of torta, a bowl of cualquier con fruta, and a ham and quail egg sandwich. It’s always delicious and yesterday was no exception. The NesCafe coffee yesterday burnt my tongue. I gulped it down in a heated hurry because of how tired I was. I gave Madre un besito and left to walk down the street to get the girl interns, Dylan and Lindsay, from their house so we could catch a combi (bus) to Salamanca to work the yard sale for our church with our missionary leaders, Mike and Lauren Ferry.

We made it to the yard sale safe and got straight to work. There was already a huge line of locals waiting to be the first ones in the gates to buy what the American missionaries were selling. After setting up tables and moving hundreds of boxes for about an hour Lauren came sprinting up to me and said, “You got bit by a dog?” I tried to laugh and make a joke about it being just my luck but she interrupted, “This is really serious, Cyril. This is a dang big deal.” I was instantly immersed into a stage of cold adrenaline as she continued, “Cyril, you need to go to the hospital. NOW. People die from this. We’ve had to send interns home for the rest of the summer for scratches from dogs in Salamanca.” She continued to tell me that I needed to catch a combi and find the nearest hospital immediately. The sides of my vision were clouding black and I sat down, I was suddenly very cold.

I think I was in shock and my brain was trying to refuse what it was being forced to process. Rabies. Rabies? Really? That **** dog. It was foaming and all the locals ran from it. I don’t know why I thought if I just stood still it would run past me. I remember the locals screaming Spanish, Quechua, or Aymaraat at me that I was helpless to translate with my two semester of Spanish at Auburn. That **** dog was brown and its lips were foaming. After I kicked it off me and climbed up on a wall of someone’s house I remember wiping the foam off my bloodied legs. Why the hell did I not think, “Oh, that’s probably a bad thing, right?” No. I was just too embarrassed by having made a ****** spectacle of myself in front of the locals to even think about the inherent dangers of rabies.

“Cyril?” I remember looking up from my racing thoughts. Somehow I had ended up sitting on the ground with my head in my hands. I was shaking as I looked up and saw Mike, Lauren’s husband, offering me a hand. He asked me to try and remember exactly what time I got to Salamanca yesterday and when I was attacked. I thought about it and remembered I was running late so I kept checking my watch. It was around 3pm. “****,” Mike said. When you hear a missionary cuss is when you know you’re totally ******. “Stand up, come on.” He helped me to my feet. “Cyril, listen. If you don’t get the first booster shot within 24 hours you die. There is nothing anyone can do. You have about seven hours left. You need to hurry, don’t be scared.” When he said that I remember laughing. Mike gave me a concerned eyebrow furrow as he led me, by the arm, over to one of the other missionaries working the yard sale, Mrs. Sarah. He explained the situation to her and I watched the Peruanos spilling in the gates and milling through the rows of tables and missionaries selling old books and trinkets. One lady that walked in had a monkey with yellow ears on her shoulders. I remember worrying it could be rabid too.

“Cyril?” Mrs. Sarah smiled at me, “You’re going to be okay honey. Lets go.” We left the yard sale. I remember anxiously watching the monkey sitting on the ladies shoulder and as we walked past it, it **** all over her and started to rub it in her hair. I swear it was smiling at me. Mrs. Sarah hailed a combi and we headed for Clinica Anglo-Americana. The taxi driver asked if we were okay and Mrs. Sarah told him about my situation. He fingered the rosary hanging from his rear view mirror and said over and over again, “Dios mio…pobre, pobrecito.” I understood that much Spanish. Even my taxi driver thought I was going to die.

We pulled up to the hospital and told the guard with the AK-47 why we were there and he waved us in past the spiked metal gates. Inside the hospital looked more like a bed and breakfast than the place where I would be given a second chance at life after rabies. The walls were whitewashed and the Untied States, Peruvian, and British flags draped down from three golden flagpoles by the front door. There were beautiful pink and yellow flowers everywhere that scared away the painful Peruvian morning fog that permeated my memory of the rest of that morning. We paid the taxi driver; he patted my hand and drove off.

Inside, I was encouraged to explain why I was there—in Spanish of course— to the friendly nurse waiting in the entrance. I was furious. Time was wasting; it was not the time for me to practice subjuntivo or pluscuamperfecto. I mangled out a few awkward sentences and the nurse’s jaw dropped. Mrs. Sarah erupted into belly bursting alto laughter. The rest of the waiting room was empty. I was so confused, terrified, and angry I didn’t know what else to do except sit. So, I sat on the closest wooden bench and felt a tear peer over one of my eyelids. Mrs. Sarah and the nurse were twittering in rapid Spanish and I kept thinking, “Six hours. I have six hours left to live by now.” Mrs. Sarah walked over, put her arms around me and explained that I had told the nurse the reason I was in the hospital was because I killed a dog in the streets yesterday. I smiled.

“Señor Blythe?” A doctor appeared and frantically motioned for us to come into his room. I walked in and it looked just like any other doctors office except the tray of scalpels, huge needles, tweezers, and vials of purple medicine beside the bed that he motioned for me to lay down on, “Acostarse.” Mrs. Sarah told me to relax. Humorous. The doctor and his two nurses wiped down the bite marks on each of my legs with three pungent and strangely colored gels in quick succession. I swear I hear a sizzling noise. The doctor picked up the scissors and I winced, but he only used them to open up a white packet from which he pulled out a huge thick roll of rough, wet gauze, which he used to wipe my legs clean. It numbed my legs. Then, of course, he grabbed the biggest needle on the table and used it to stab both legs; directly into the bite marks. If he hadn’t already scrubbed them so hard they were scab-less the needle would have cracked the crusted scabs back to flowing red. Rabies vaccines are not fun.

After a few more vials of life were shot into me the doctor wrapped up my legs in weird smelling gauze I was told not to shower and that I had to return to the US within 3 days to receive a “monohemoglobin shot” that they didn’t have in the hospitals in Lima at the time. I sat up on the bed and asked Mrs. Sarah, “So, am I going to live?” She smiled and nodded her head and the nurse answered, *“Si, mi amor, por supuesto.”
Could be I’m on a mission:
Convince the entire world
I am the World's Greatest Living
English Language poet;
Of course, genius such as mine
Goes generally unrecognized until
The posthumous crowd weighs in.
And yet, wouldn’t it be nice?

• BEACH BOYS LYRICS-Wouldn't It Be Nice-A-Z Lyrics www.azlyrics.com /lyrics/beachboys/ wouldntitbenice. Wouldn't It Be Nice Lyrics-Beach Boys www.lyricsfreak.com›Beach Boys

Yes, wouldn’t it be nice?
(The Nobel Prize,
Tribute at the Kennedy Center,
A MacArthur Grant,
The Presidential Medal of Honor,
Reverent BJs from hipster groupies . . .
The Poet Laureate in his vicarage,
Enjoying my sweet twilight celebrity.)

(Cue “Guys & Dolls” soundtrack: “What's in the daily news?
I'll tell you what's in the daily news.”)
23: Beheaded at Nigerian Election Rally!
Amanda Knox Gets Away with ****** Again in Italy!
Kung Pow: Silicon Valley Penisocracy Crushes Ellen Pao
German Crash Dummy Co-pilot Flies Jet into the Alps!
Hilary’s Emails Are *****!
Sierra Leone Ebola Lockdown!
Iran: Kooks with Nukes!
Sri Lankan President’s Brother Dies from Ax Wounds!
Saudi Diplomats Evacuate Yemen!
Stampede at Hindu Bathing Ritual, Bangladesh Kills at Least 10!
Simply put:  THE WORLD IS IN A STATE OF ****.

Perhaps it’s time we turn again.
Seek solace in poetry—
“Yeah, chemistry,” insists my Sky Masterson,
My “Guys & Dolls” alter ago.
Surprised? You shouldn’t be.
All poets are gamblers & moonshiners.
We polish our chemical craft,
Sweet-talking the distillation apparatus,
Getting us, getting at linguistic essence.
Cunning linguists are we.
(Colonel Angus, are you back?)
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
We open this hearing to determine
Whether or not S.I. Hayakawa—guilty of
Numerous crimes against humanity & other
Professional Neo-Fascist “entrechats.”--
Whether or not he merits a kinder, gentler
Wikipedia BIO.
(Wikipedia ( i/ˌwɪkɨˈpiːdiə/ or  i/ˌwɪkiˈpiːdiə/ WIK-i-***-dee-ə) Wikipedia)
We open this forum, focusing on his
Courageous stand against the
SDS & Black Panthers, part of
An unlikely coalition: The Worker-Student Alliance
& It’s rival, Joe Hill Caucuses.
Da Name of the Place:
(“I like it like that!” Hot Chelle Rae-“I Like It Like That” lyrics| Metro Lyrics www.metrolyrics.com Lyrics to 'I Like It Like That' by Hot Chelle Rae. “Let's get it on, yeah, y'all can come along/Everybody drinks on me, buy out the bar /Just to feel like I'm.”)
The name of the place: San Francisco State,
1968-69, the longest student strike in U.S. history,
Led successfully to the creation of
Black & Other Ethnic studies programs
On campuses across the country,
And, one could argue,
Gave the green light to
Osama Hussein Obama,
Our first Uncle Tom President.
But I digress.

ACTING SFSU President, Dr. Hayakawa—
Perpetual audition, the pressure on,
Feisty, independent-minded & combative,
Screaming at that skeevy student mob:
(Skeevy as in “He bought the thing from
Some skeevy dude in an alley.")
Declaring “A State of Emergency,”
Calling in the SFPD, whose
Inexplicable slogan says”
“Oro en Paz,
Fierro en Guerra.”
Archaic Spanish for
Gold in peace,
Iron in war, by the by,
For you holdouts,
Those of you who still
Think the “English First Movement”
Breathes life still.
I’ve got more news for you:
That crusade died long ago,
Locked up, dark & shuttered,
Bank Repo thugs, their thick
Neck muscles flexing from side to side,
Sashaying across the parking lot,
Like John Wayne on steroids,
Right up to the front door.)
The SFPD: San Francisco city fuzz,
(As they were known at the time) &
The California National Guard, as well,
Obstreperously, generously catered by
Governor Ronald Wilson Reagan,
(Early stage, Alzheimer’s at the time.
But still very much “The Gypper,”
Still chipper in Sacramento.)
Ronnie--keenly interested in
The Eureka State’s congressional clout,
Lassoes a seat in the U.S. House of Lords:
AKA: The U.S. Senate, SPQR.
It’s still hard . . .

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Still hard to believe that California was once
Rock solid in the clutches of the GOP,
Gripped tightly in the Party’s
Desperate talons. But the grip slipped,
Slipped in the slip-sliding 1970s.
It got harder and harder . . .

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Harder and harder to remind
Leroy & the rest of his ebony posse,
That it was Abraham Lincoln—
“The Great Emancipator” himself—who was,
Our first Republican President.
The Emancipation Proclamation:
That toothless rhetorical flourish,
Based solely on Abe’s
Constitutional authority as
Commander-in-Chief,
Not on a law passed by Congress.
It was just Abe blowing smoke
Up their ***** again,
Just an egalitarian blast from
His Old Kentucky past,
A youth spent splitting rails,
Busting his *** just like
Any plantation ******,
A stark plebeian commonality,
Too deeply etched to be ignored.
Poor Abraham Lincoln:
Probably a **** Creek crypto-Jew,
Neutered by the opposition:
His very own Republican majority Congress,
Another example of the GOP
Shooting off its own foot, right up there
With Mitt Romney’s "47 percent of the people,”
The rhetorical gaffe which cost him his
Second & final shot at the White House.
But I digress.

Senator Sam S.I. Samuel Hayakawa:
That inscrutable Asian fixer, is now U.S. Senator,
Republican, California, 1976-83
Pulpit-bullying his Senate colleagues,
Fiercely opposed to transfer of the
Panama Canal & Panama Canal Zone to
Panama: a diplomatic no-brainer; Duh?
Their freaking name is on both of them.
Senator Sam, obstinate & blustering:
"We should keep the Panama Canal.
After all, we stole it fair and square.”
And Hayakawa, later the driving impetus
Behind the Far Right “English Only” movement.
His co-founding an "Official English"
Advocacy group, U.S. English;
Their party line summarizes their belief:
“The passage of English as the official language will help to expand opportunities for immigrants to learn and speak English, the single greatest empowering tool that immigrants must have to succeed."
That’s how they sold it, anyway.
In sooth: just old-fashioned nativist
Anti-immigration hysteria.

Hayakawa: always the high achiever.
Hayakawa: The Great Assimilator,
Preaching his xenophobic Gospel:
“Immigration Must Be Reduced!”
Aryan rhetoric, of course,
A bi-product of radical authoritarian nationalism,
A movement with deep American roots.
Senator Sam: a Japanese-Canadian-American,
Always tried too hard to fit in.
Sam, comfortable in Chicago during WWII,
Not personally subject to confinement,
Advocated that Japanese-Americans
Submit to FDR’s 1942, Executive Order 9066.
“Time in camp, will eventually work to Japanese advantage."
Later, during the Congressional debate over
The Civil Liberties Act of 1988 . . .
(Passed the House on September 17, 1987 (243–141)
Passed the Senate on April 20, 1988 (69–27, in lieu of S. 1009)
Reported by the joint conference committee on July 26, 1988,
Agreed to by the Senate on July 27, 1988 (voice vote) and
By the House on August 4, 1988 (257–156,
Signed into law by President Ronald Reagan 8/10/88.
He opposed $reparations for WWII internment:
“Japanese-Americans should not
Be paid for fulfilling their obligations."
Some guys, I guess, would say, or
Do anything for Bohemia Club membership.
Plagued by night terrors, nonetheless,
His Manzanar nightmares, his vivid
Imaginary experience at other Japanese
Internment Sites: Tule Lake & Camp Rohwer.
Stalag (German pronunciation: [ˈʃtalak])
Stalags, infamous still,
“Stalags ‘R Us,”
Still palpable memories for
Issei ("first generation")
& Nisei ("second generation").
See: 323 U.S. 214. Korematsu v. United States
(No. 22: Argued: October 11, 12, 1944.
Decided: December 18, 1944.140 F.2d 289.
The opinion, written by Hugo Black,
Chief Justice Harlan Stone, Presiding.)

Hayakawa: a strange duck, of course,
But we mustn’t ignore his strong credentials,
And I’d like to disabuse anyone here
Of the notion that it was anything
Other than his academic record
That got his case to this Forum.
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
So begins this fractured Pardoner’s Tale,
This petition for forgiveness,
The Capo di Tutti Capi,
Presiding: the original Italian mafioso,
His Eminence--the Vicar of Jesus Christ,
The Supreme Pontiff
Pope Paparazzi of Rome!
Roma: the only venue large enough to
Dispense dispensation of this magnitude.

Hayakawa: everyone says his C.V. is “impeccable.”
But did anyone ever freaking Google it?
Just where did Professor Sam go to school?
Undergrad? The University of Manitoba,
Truly, by any Third World Standard
A great bastion of intellectual rigor;
Grad school? McGill and U Wisconsin-Madison.
He was a Canadian by birth,
His academic discipline was Semantics.
(As in “That’s just semantics,”
That all-purpose rejoinder in any argument.)
Professor Hayakawa, The Semanticist,
He taught us: “All thought is sub-vocal speech.”

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Hmmm? We think in words.
The medium of thought is language.
If you grok this for the first time,
Let’s stop to celebrate our enlightenment,
With a cultural nod of respect,
We salute our Islamic brethren.
Radical Islam: the new bogeyman,
Responsible for keeping lights on in Alexandria,
Paying the defense & intelligence bills,
Sustaining that sinister
Military-Industrial complex
Ike warned us about.
Hang in there, Mustafa, old buddy.
Like the Cold War, this insanity
Will eventually blow over.
Orwell’s Oceania will reshuffle
Its deck of global grab-***, and a
New enemy will suddenly appear.
Big Brother, as always,
In the full-control mode,
Simply put: on top of the situation.
So Hurrah!
Allāhu Akbar. “God is Great!
The Takbīr (the term for the
Arabic phrase: usually translated as
"God is [the] greatest.")

“All thought is sub-vocal speech.”
What a simple, yet profound insight!
Just a short hop, skip & jump to the
Realization that, perhaps, the clarity
& Power of our minds can be groomed,
Improved upon by mastery of—
In Sam’s case, anyway--the English Language.
Was this, perhaps, the germ of U.S. English,
The political lobbying organization
He co-founded, dedicated to making
English, the official language of the United States.
Hayakawa: a wooly conservative of his own design;
No wonder Governor Reagan loved him.

Dr. S.I. Hayakawa, a colorful and polarizing
Figure in California politics during the 1960s and 70s.
Can we forgive his daily afternoon naps.
Asleep on the floor of the U.S. Senate,
Leaving California so pathetically,
So ostensibly under-represented.
Senator Sam’s comatose presence at
Washington-on Potomac; the
District of Columbia.
A long time ago,
In a distant galaxy . . .
Far, far away.

TEAR GAS.
Alas, long before he got to Washington,
Long before ever setting foot off campus,
He called for tear gas to
Disperse those pesky college kids.
I repeat myself for emphasis:
He authorized the use of tear gas at SF State.
Tear gas: a lachrymatory agent?
Actually, a potentially lethal
Chemical agent . . .
(Yeah, Chemistry!
To wit: Sgt. Sara Brown,
Referencing “Guys & Dolls” again.)
Outlawed for use during wartime,
Banned in international warfare
Under both the 1925 Geneva Protocol; & the
Chemical Weapons Convention;
“Tear gas:  a weapon of war against
The people. We believe that
Tear gas remains a chemical weapon
Whether used on a battlefield, or city streets.”

Thus, history will be your judge,
You unleashed tear gas on college kids,
So I wouldn’t expect a rep makeover
Any time soon, Ichiye-san, my ichiban friend.
Wade Redfearn Sep 2018
The first settlers to the area called the Lumber River Drowning Creek. The river got its name for its dark, swift-moving waters. In 1809, the North Carolina state legislature changed the name of Drowning Creek to the Lumber River. The headwaters are still referred to as Drowning Creek.

Three p.m. on a Sunday.
Anxiously hungry, I stay dry, out of the pool’s cold water,
taking the light, dripping into my pages.
A city with a white face blank as a bust
peers over my shoulder.
Wildflowers on the roads. Planes circle from west,
come down steeply and out of sight.
A pinkness rises in my breast and arms:
wet as the drowned, my eyes sting with sweat.
Over the useless chimneys a bank of cloud piles up.
There is something terrible in the sky, but it keeps breaking.
Another is dead. Fentanyl. Sister of a friend, rarely seen.
A hand reaches everywhere to pass over eyes and mouths.
A glowing wound opens in heaven.
A mirror out of doors draws a gyre of oak seeds no one watches,
in the clear pool now sunless and black.

Bitter water freezes the muscles and I am far from shore.
I paddle in the shallows, near the wooden jail.
The water reflects a taut rope,
feet hanging in the breeze singing mercy
at the site of the last public hanging in the state.
A part-white fugitive with an extorted confession,
loved by the poor, dumb enough to get himself captured,
lonely on this side of authority: a world he has never lived in
foisting itself on the world he has -
only now, to steal his drunken life, then gone again.

1871 - Henderson Oxendine, one of the notorious gang of outlaws who for some time have infested Robeson County, N. C., committing ****** and robbery, and otherwise setting defiance to the laws, was hung at Lumberton, on Friday last in the presence of a large assemblage. His execution took place a very few days after his conviction, and his death occurred almost without a struggle.

Today, the town square collapses as if scorched
by the whiskey he drank that morning to still himself,
folds itself up like Amazing Grace is finished.
A plinth is laid
in the shadow of his feet, sticky with pine,
here where the water sickens with roots.
Where the canoe overturned. Where the broken oar floated and fell.
Where the snake lives, and teethes on bark,
waiting for another uncle.

Where the tobacco waves near drying barns rusted like horseshoes
and cotton studs the ground like the cropped hair of the buried.
Where schoolchildren take the afternoon
to trim the kudzu growing between the bodies of slaves.
Where appetite is met with flood and fat
and a clinic for the heart.
Where barges took chips of tar to port,
for money that no one ever saw.

Tar sticks the heel but isn’t courage.
Tar seals the hulls -
binds the planks -
builds the road.
Tar, fiery on the tongue, heavy as bad blood in the family -
dead to glue the dead together to secure the living.
Tar on the roofs, pouring heat.
Tar is a dark brown or black viscous liquid of hydrocarbons and free carbon,
obtained from a wide variety of organic materials
through destructive distillation.
Tar in the lungs will one day go as hard as a five-cent candy.

Liberty Food Mart
Cheapest Prices on Cigarettes
Parliament $22.50/carton
Marlboro $27.50/carton

The white-bibbed slaughterhouse Hmong hunch down the steps
of an old school bus with no air conditioner,
rush into the cool of the supermarket.
They pick clean the vegetables, flee with woven bags bulging.
What were they promised?
Air conditioning.
And what did they receive?
Chickenshit on the wind; a dead river they can't understand
with a name it gained from killing.

Truth:
A man was flung onto a fencepost and died in a front yard down the street.
A girl with a grudge in her eyes slipped a razorblade from her teeth and ended recess.
I once saw an Indian murdered for stealing a twelve-foot ladder.
The red line indicating heart disease grows higher and higher.
The red line indicating cardiovascular mortality grows higher and higher.
The red line indicating motor vehicle deaths grows higher and higher.
I burn with the desire to leave.

The stories make us full baskets of dark. No death troubles me.
Not the girl's blood, inert, tickled by opiates,
not the masked arson of the law;
not the smell of drywall as it rots,
or the door of the safe falling from its hinges,
or the chassis of cars, airborne over the rise by the planetarium,
three classmates plunging wide-eyed in the river’s icy arc –
absent from prom, still struggling to free themselves from their seatbelts -
the gunsmoke at the home invasion,
the tenement bisected by flood,
the cattle lowing, gelded
by agriculture students on a field trip.

The air contains skin and mud.
The galvanized barns, long empty, cough up
their dust of rotten feed, dry tobacco.
Men kneel in the tilled rows,
to pick up nails off the ground
still splashed with the blood of their makers.

You Never Sausage a Place
(You’re Always a ****** at Pedro’s!)
South of the Border – Fireworks, Motel & Rides
Exit 9: 10mi.

Drunkards in Dickies will tell you the roads are straight enough
that the drive home will not bend away from them.
Look in the woods to see by lamplight
two girls filling each other's mouths with smoke.
Hear a friendly command:
boys loosening a tire, stuck in the gut of a dog.
Turn on the radio between towns of two thousand
and hear the tiny voice of an AM preacher,
sharing the airwaves of country dark
with some chords plucked from a guitar.
Taste this water thick with tannin
and tell me that trees do not feel pain.
I would be a mausoleum for these thousands
if I only had the room.

I sealed myself against the flood.
Bodies knock against my eaves:
a clutch of cats drowned in a crawlspace,
an old woman bereft with a vase of pennies,
her dead son in her living room costumed as the black Jesus,
the ***** oil of a Chinese restaurant
dancing on top of black water.
A flow gauge spins its tin wheel
endlessly above the bloated dead,
and I will pretend not to be sick at dinner.

Misery now, a struggle ahead for Robeson County after flooding from Hurricane Matthew
LUMBERTON
After years of things leaving Robeson County – manufacturing plants, jobs, payrolls, people – something finally came in, and what was it but more misery?

I said a prayer to the city:
make me a figure in a figure,
solvent, owed and owing.
Take my jute sacks of wristbones,
my sheaves and sheaves of fealty,
the smell of the forest from my feet.
Weigh me only by my purse.
A slim woman with a college degree,
a rented room without the black wings
of palmetto roaches fleeing the damp:
I saw the calm white towers and subscribed.
No ingrate, I saved a space for the lost.
They filled it once, twice, and kept on,
eating greasy flesh straight from the bone,
craning their heads to ask a prayer for them instead.

Downtown later in the easy dark,
three college boys in foam cowboy hats shout in poor Spanish.
They press into the night and the night presses into them.
They will go home when they have to.
Under the bridge lit in violet,
a folding chair is draped in a ***** blanket.
A grubby pair of tennis shoes lay beneath, no feet inside.
Iced tea seeps from a chewed cup.
I pass a bar lit like Christmas.
A mute and pretty face full of indoor light
makes a promise I see through a window.
I pay obscene rents to find out if it is true,
in this nation tied together with gallows-rope,
thumbing its codex of virtues.
Considering this just recently got rejected and I'm free to publish it, and also considering that the town this poem describes is subject once again to a deluge whose damage promises to be worse than before, it seemed like a suitable time to post it. If you've enjoyed it, please think about making a small donation to the North Carolina Disaster Relief Fund at the URL below:
https://governor.nc.gov/donate-florence-recovery

— The End —