The Day Trump Tr-i-ump-hed

Trumpeting, he ******* and triumphed…
Did he, has he?
Thumping his way forward,
Jumping through the hoops of word and phrase,
Razing those that blocked his ways,
He dazed the lot.
Crazed, ablaze – or not.  But hot,
He took a stand,
But didn’t seem to understand (and may not still)
That energy attracts a gangland:
Thinking not that crowds could form,
Become a throbbing, clobbering or bombing mob:
A swarming army.

Young we heard,
You can’t take back the caustic word
Once in the air it’s there!
So rather than lie down
Crowds gather,
Drawing to themselves an anger,
War uncivil,
Civil war
                  once more,
And monies that he’s vowed to earn
Will burn in costs for crowd control, police patrol.  

The day that Trump was voted in
May not, in fact become a win -
For reasons manifold and sundry.

The Day Trump Tr-i-ump-hed 11.11.2016
Our Times, Our Culture II: Special People, Special Occasions,
Arlene Corwin

Crackling criss-crossing blue in mind. It scissors down the lanes through the pipes and tubes and little dividers. Electrical mind numbing beauty. Veins-bursting in excited anticipation. Convulsions and scenic skittering routes. Into the Nexus! Here simmers what we are thinking and believing. Our mind's eye focuses and drips into the pool until completion. Psionic figures dance flicker through life existence. Pulse-width fluctuations. Tiny menagerie of our Will. Scribbling through dusted panes of time interface. All afire with ourselves once we have discovered ourselves. Nano-tech emotions. Hope fear anger mercy curiosity buzzing swarms of grey goo jibbering and bubbling in an artificial mind-****. What is all this allusion? Nothing complicated. Speculation on future times where sensual technological biological singularity is paramount. In my room where the clocks are taped over and the sun is dark and dim. Through the windows I see myself. The boxes on the floor emanate simple clickings with melodies intertwined casually. I myself appear redundant. I have done this and so have others. To discuss oneself is worthless unless you become convinced you are another entity gazing back across the room. I feel I am being watched. I become cautious as he may have noticed. Tingling weightlessness tickles in waves in both heads. The Jazz Classic appears. Old dark men and women in hazy environments. Organic supposition or cold observation? Both hold importance so let us appreciate it all. The cello quivers and hums with vibration. Fingers callused and riveted like the age-old corn field bother still strings. A child hums to just myself. What does he want? I never asked him for an audience. Yet he freely gives it to me. Now he multiplies. Or she? Children confuse and cause one to be apprehensive. Nothing and silence. Silence in movement. Cease my visual stimulation for a couple seconds each. The child is back. What does he speak? Pray inside the rubble? Heal in this place? In disgrace? I do not know. His octaves are meshing together. Whining and thrumming with strange alterations. Some madmen tweaks my ears. Maybe he knows the child? I'm not sure. Let us continue on. The flute is the child. Old cello, you have stopped? These musings mean nothing. I would look upon them in a year and think nothing of it. Yet it feels as if this time is important. Da Vinci knocks on the door. Not as if I wanted to talk to it. Wouldn't mind I suppose. He is gone. We talked but I do not remember the conversation. Perhaps we've all talked but we just don't remember our conversations. That's ridiculous though. Then anything is possible. We could have flown to the moon on scarlet weasels outfitted with the latest nano-pores that secreted pure liquid indulgence. And we did because I just imagined we might have. However, I don't remember actually doing it. Just what I thought it might have been like. How frustrating. My thoughts are the same as all others who write out their thoughts when under the influence of yourself. It always seems like some thing is scuttling near my feet or under the nightstand; just out of view. Strange. I would be afraid. No reason to fear that which doesn't bother me. No reason to fear much of anything. That's been said before. Why are we so often concerned with saying that which has been said before? Cliche? auump-ump auump-ump auump-ump little thumping noise in my ears. That vibration is calming. Every night I am awake. Every day I seem asleep. I do not like it but I do not care yet I allow it to be what it will. Vision defaults to out of focus. My eyes always cross if I cease trying to control them. People are strange. Animals are strange. Same thing I guess. Someone will find that clever. Someone will find it cliche. This someone won't care. ****** fantasy permeates day to day. More entertaining than living a fantasy though. ***. Not that entertaining. Perhaps no one knows how to do it properly anymore. Maybe we never did. Maybe some people are just disenchanted with it. When I'm by myself, I never have any ****** desire. When around others, I generally think of it out of curiosity: what would it be like to please the person in front of me? The only enjoyment I've had with *** would consist of pleasing another or observing another ****. The human body is intriguing. Definitely. I really do think so. Sometimes I look at my own. Not out of appreciation really. Just the fact that I have body allows me to investigate it and understand it more. Pain is merely a stage one can get past, so I suppose I injure myself sometimes to see how I react. It's like I need to check I'm still working properly. I can't tell when I'm tired. I feel something, but when I ask myself if I'm tired, I murmur back, "I don't know." Maybe that is why I stay up till early mornings? I wanted to add again that the human body is beautiful and unappealing all in the same space. Perhaps the unattractiveness and softness and strangeness produces attraction. A negative and a negative equals a positive. Three negatives likes to fluctuate. In my mind at least. I may ask another to remove their clothing and whatnot during those intimate moments. Eh, never quite feel like having *** though. I like the emotions and sensuality of just looking at someone. They usually want to physically play around with each other. I think I enjoy fighting more. One day I'll leave everyone except I'll reminisce on those I enjoyed meeting. Maybe come back and visit? I would like to ride something quickly through an empty desert. Find my own food and water. Create shelter. Think by myself. My room is the smallest desert I have and the biggest. I have more in my head but I only occupy one at a time. I suppose I like I do like things like all others. I mean, materials can be nice. If I impart meaning on to an object it gains importance. I see it vital to also say that if it were to be lost, then I wouldn't mind and I would obtain something else or nothing at all.The constitution. Just mentioned by some woman in my room. Or in my ears would be more correct. Constitutional Rights. I honestly don't see the need for them. I was criticized for burbling that once. We should not need a constitution. We should be able to do what we like to do without fear or concern. Unless natural fear and concern appears. Now that may confuse a bit. Right to bear arms. I shouldn't have to be told or allowed to massive bear arms if I feel the need to have them. Big hairy bear arms. Curious little mishap. Freudian slip as Johnny said once? Danger Danger. Anyway, Right to bare arms. I shouldn't have to be told, as I look back,  go back and throw in that comma after told, that I'm allowed to bare arms and defend myself. I'll just do it if the need arises. Freedom of speech. That already has many issues these days. However, there shouldn't have been a need to tell people they have freedom of speech. Speech should have been freely allowed and never oppressed in  the first place. Theme? We have erred so much in the past and I would think sometimes we ignore that and just try make little cosmetic fixes by saying it's okay. Another point. Hold that: side discomfort. I sometimes feel like a little spider or creature is crawling or skittering on my leg under the covers or I'll change the music to Galaxy 2 Galaxy 90's hi-tec jazz there we go. Done! Now back! Or I forget what I said about the spiders. Another point: what? ******, curse damnable ****. Can't recollect what it was I was connecting together. Something that tied in to deceiving people into things are okay. I could go on about consumerism and all that jazz. Instead I'm listening to some techno-jazz whatever-decided-to-call-it. Hyphenated phrases are fun when I decide they are appropriate. English and grammar in such can be cool but at the same time I want to say **** it and stay proper. Do both. Acknowledge how to write and speak "correctly," but as long as someone understands what you are trying to say, then why correct more? Someone large doesn't like the fact I make a lot of noise in the morning. I stole some speakers and subwoofer from the room next to me as I was going to say Austin.  They are on the floor and whichever large person lives below me is probably annoyed or was. I don't spend any of my actual time despising them, but I'll easily say I despise them when someone asks. Otherwise it isn't worth wasting time on. Perhaps the vibration quivers downstairs and shakes them silently. The greate beast is perturbed and sneaky vibrations cause electro-annoyance! Her pulsewidth as I understand it must be like a super-saw as I think it. Silence. Some woman said it's just a feeling. HEA not sure what why I put that sounds like a garageband song. Switched to Inspiration! That is what I did this night. Finally start writing and making things again. Even though I never did and always did. My head sometimes hurts from thinking. Never truly though. Gotta say those things to keep the conversation going. That is really the only reason I say anything. To keep the conversation going. Otherwise I'd just watch people and be just fine. Just yelled "bahh," out loud (didn't sound the comma) because I felt the need or the want. Same. Wrong keys erased. sdas=a====dddddddddd Sorry. Oh well. Oh My. How the time flies goodbye. Going nowhere. Could write more but I felt the slight flicker of wanting to stop. So I do. What an ending. Now I'm only typing to continue the conversation with myself. Just thought ******* sounds good melody. Do as I sayt way to go good job. STOPSDMFA

****** a

Guess I'll read this little conundrum I wrote up. Stop writing ******. Stop EDITING

i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c