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Brian Oarr Feb 2012
Granite plaque in a tulip bed, end to the Oregon Trail.
Teminus for ordeal by ox and prairie schooner,
where slight survivors began rejuvenation,
the wretched fortunate refusing a backward glance,
children with ancient faces set atop skeletal frames
tried desperately to remember what it meant to play.
Manifest Destiny's broken terra incognitae rested.

Swamp Mama Johnson's concert in the park,
a blues-to-the-wall celebration of life and love,
was a saxaphoned shibboleth for offbeat orphans.
Homeless youth played hacky-sack in time;
a baglady danced with the little girl with Downs;
a camera rocked on the shoulders of the PBS man
--- Olympia gave hommage to ghosts in the gazebo.
Few know that the Oregon trail ends in the city of Olympia in Washington state. Sylvester Park is laid out on the very spot where the trail is said to have ended. In 1997 I attended the 150th anniversary celebration of the historic trail.
judy smith Apr 2015
After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses
John F McCullagh Jun 2015
Way down South where they once grew cotton
Old times there must be forgotten
Go away, Go away Go away Dixie land.

In this very year of the Sesquicentennial
Hatred blooms as a hardy perennial.
Go away, Go away Go away Dixie land.

Don’t want to be in Dixie Today! Today!
In Dixie land a white young man
caused nine to die in Dixie.
For shame, for shame, ashamed down South in Dixie.
For shame, for shame, ashamed down South in Dixie.

When tempers flare and times are trying
The “stars and bars” should not be flying
Go away, Go away Go away Dixie land.

In the very town the rebellion started
“Things must change!” say the Progressive minded
Go away, Go away, Go away Dixie land.



The Great grand kin of rebellious brothers
Have voted to strike down the colors
Look away, Look away, Look away Dixie land.

If this gets further out of hand
The “Dixie” cup will soon be banned!
Go away, Go away Go away Dixie land.

Way down South where they once grew cotton
Old times there must be forgotten
Go away, Go away Go away Dixie land.
(A parody, with apologies to
Mr. Daniel Decatur Emmett of Mount Vernon, Ohio )

Sesquicentennial;150TH ANNIVERSARY OF LEE'S SURRENDER
alwaystrying Jan 2015
World rotator broke, needs hearts inside to churn
We are stuck in the same grid.

Agony on the forefront, sign your name to the list
Cardiac arrests in a jam and sad, nowhere out.

Rush your feet, paddle your wares
Sesquicentennial views would baulk at what we do.

— The End —