observing the ardent eagerness of the wind
it is clearly understood
that nascent pollens are overflowing
the niche of her heart  

in response to the signals of the river
she keeps on ringing
all long the month of earth-quakes

the bench of the rail-station
wants to hug her

the medicine-counter of the ***-end of the day
beckons her with the hand to come nearer

in the assembly-hall for musical demonstration
adorned with ash-trays
going on the rehearsal of her dancing and singing

she also distributes some life
to the meticulous dressing
of the magnolia

2.
let the swimming pool be fully absorbed  
with its dark-room

when the feather of your fore-finger
becomes green

the merchant of venice
will leave his business of photo-coping machine
to start walking directly
in search of new earnings

evening sets in
on the boiler of the delta

putting on yellow-dress comes
the water-vessel of the paper-balloon

there is no singing bird
shivering with cold
in the fold of the dear bed-sheet  

it is possible that the boldness of the metro-railway
may give some wood of tamarisk
on the expanded palms  

yet oh the western page of night
do tell today
why so much tamed polythene
are here in our cohabitation

3.
after so many days
published in the wind
painted in wings
the recent heart’s desire
of the doors and windows

they have rolled up their fairy-tales
from the ignorant drawing-room that wanted
to set her mind to the hill slanting downward

they did not want to know
how much rheumatism is there
in the hands and legs of the bark
to whom is delegated
the control of the mason-made bus-journey

sleep hugs the eye-lids of the rivers

though there is no postage-stamp
within the reaching-point

then what magic is there
in the hill slanting downward

why the wall does not learn
how to swim like a fish

truly it is he from whom
those negligible moments of man-ism
itch for blue candle-stand

4.
the ***-appeal of the telephone
and the bugle of the carnies-breaking ****-crows
are all harmonised seamlessly

the noon in the blood
is flowing along the river

all the dialogues are covered
with misspelling of men and women

the tailors want to increase life
cutting rightly the walking of clothes

after the vanishing of collyrium
from the eyes
there is not a single being
in the relief-camps

as far as the eyes can travel
i can notice in the ear-lob of the village-boats
the water-colour of fire-flies
twinkles

then let an agreement be signed
with the defence ministry
on the right
to enter into private bathroom

5.
in the air
on which flowers are engraved
the union of the betel leaves are making their outposts
anew

before the calling of the next pine-woods
you all the butterflies do take on board the tram
to go to the south-pole

is it well to incline so much
towards the tv-screen

who can say
the waves of the terracotta
would never make revolution

i’ve sent some full-moons of winter
and some water-bodies
into the holes of the handkerchief

the lacking of the colours
may kindly be excused

the birds that are blind from their birth
has been singing till now
the songs of the cave-civilisation

there is no question any where
this eclipsed-valley is adorned
with the answers only

6.
i am to be blown off on the first bombardment
then it is to be flown
in the crowd of  fire-flies
on the bushes of the scented-lemons

and it is to see the memory race of the grown-up girls

it is to see more
that after the opening of the sluice gates
one by one  
how the gathering in the hindu hotels
increases
by leaps and bounds

the pores of the skin of the body
whose hoods are open
and who are running up
along the spiral route
that leads to the top of the mountain

their child
due to late-marriage
now only knows
how to move on all fours

7.
under the table-glass
i  unfold the life-chronicle of one lakh year

and in the olive-cabinet
all the applications for living

from the monsoon-noon to the winter-afternoon
the lines you draw on the parchment

none of them is so condensed
as to touch the palms of a sailor  

from the numerable timber-joists
come down the swarms of personal white ants

no spring seems to become corporeal
without the spell of misunderstandings  

so of late
besides the dry statistics
with the cough
comes out grey thermometer

prickly-heats spread over the whole body  

the sticks of young antenna
shake off their wings

behind the bath-scene
lies the succulent hailstorm

8.
there is no lovely add
yet the market-value of your headache
is going up day by day

all the noon send her mad
the intellectual kisses
the coos

or is it the running about of the tennis-ball

so much pop-corns are flying out
from the draw-well

or that sound of foot-steps
in the north-east

may be
that is of some brown horses
or some horse-drawn perambulators

when the moon spreads out the platinum
does it judge the recipients

thus the bin-leaves can ring
from head to foot

it unfurls an incorrigible right-angle
in the early-evening

the troop with armours
open a shop of ******
beside the vainglory of the lake

Imaging you when you were a school girl
Mini- sarong, small white shirt
A bag jam-packed with books hanging on your shoulder
Tiara in head, and two queues like two small dark snake
And those long eye petals highlighted with collyrium
Your two sapphires fluctuating in deep Blue Ocean
Impish humming birds were humming with their assiduous tongue,
to get your attention.
Let the Almighty curse their tongue was your supplication
Walking in two fickleness legs, licking an Ice- cream
Bewilderingly, you became my “A Midsummer night’s dream”.
Each second I encounter you in my Ruya
For years you are my Ruya.

Dear Poet Friends, while trying to retrieve my old poems from ‘Poetfreak.com’ which is closing down by this year end, I found this love poem of mine which was composed in the year 2010!  Hope you like this short love poem where the beloved begs her lover not to leave, but to spend the night under the ‘shamiana’- which is the ‘canopy cover’ created by her dark eye lashes! Hope you like the same! Thanks, - Raj, New Delhi.  

UNDER THE SHAMIANA OF MY
        DARK EYE LASHES !

O my love, please do not insist on leaving me
tonight!
Instead, keep sitting under the shadows of my
collyrium-laden eye lashes,
Where you shall find peace comfort and
solace!
Please do not insist on leaving again, nor be
adamant;
Sit under the sprawling shamiana* of my
gazelle-like eye lashes,
Which I have spread beside the oasis of my
two brimming eyes, -
Whose bottomless depths reflect my love for
you always!
For here you may bathe to get refreshed,
and sip your sweet vine sitting by my side!
But do not insist on leaving me behind,
to remain alone in the silence of this night!

My love, let us sit and relish these few ephemeral
measured moments,
Granted to us by the munificence of merciless time!
For once gone, these moments shall return no
more!
Whisper softly into my ears those sweet words
of love;
Saying all the while how you love me,
How you cannot live without me, even though
it be against your will!
And transform this into a magical, mystical
night!
For even a falsehood spoken convincingly, and
repeated like a sweet refrain, again, and again,
Assumes the colour of Truth, I heard people say!
But your words shall make this lovelorn life of
mine worthwhile;
And all my efforts to possess you for the night
shall not go in vain!
                                              - Raj Nandy
(* Shamiana = like a tent or a canopy cover)

Stuck in a delirium
man searches for meaning
applying collyrium
to his unnoticeable leaning

The daughter of water is running towards the home
After taking a shower in the sea water,
Bland shades thus looks towards
To see her, passionately.

The drunken wind is blowing there
Spreading her body odor,
The silver anklet is playing on the feet
The mind-soul is pacified.

Rubbing collyrium in her two eyes
Bunch of flowers in her chignon,
She is walking on red feet by painting with lack-dye
A white flower pendant in the ear.

Which crystal water filled the eyes
What a deep love there,
Gallinules are singing in unison
Her body is filled with gold color.