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Ambizzy
Albuquerque   

Poems

I can't have it
and you can't have it
and we won't
get it

so don't bet on it
or even think about
it

just get out of bed
each morning

wash
shave
clothe
yourself
and go out into
it

because
outside of that
all that's left is
suicide and
madness

so you just
can't
expect too much

you can't even
expect

so what you do
is
work from a modest
minimal
base

like when you
walk outside
be glad your car
might possibly
be there

and if it is-
that the tires
aren't
flat

then you get
in
and if it
starts--you
start.

and
it's the damndest
movie
you've ever
seen
because
you're
in it--

low budget
and
4 billion
critics

and the longest
run
you ever hope
for
is

one
day.
Left Foot Poet Mar 2018
cellphone to heart, mobile to immobile, electric dead to living

you know that sleep and I are but passing acquaintances,
when it drops in, to heavy my lids, it is through a cracked window slivered, just enough for a Pan boy to grab me and away me to Almost Neverland

when the alarms sound that it’s sleepy time,
(quite like that quiet verse)
no time to delist the “those pre-shluffy to do things,”
cell drop upon my chest, like an open mic,
then the raging observatory tapestry begins!

the cell lies directly above my ventricular chamber,
and communication is live, the brain cutoff switch, well, cutoff

all manner of imps, devils, rejected poems, angels and
Greek gods and some Indian as well, stand in line for to make
free calls via a beating human message call center, utilizing my friends and family verizon plan to register complaints,
close out unfinished biz, or just contact, friends, family or other
mischievous imps or even you, in other time zone worlds

though my brain may not interfere, like the CIA, it records all
conversations and give me a list of new poem titles, notions, stories glories and wrenching heartbreaking heartbreak,
requiring “fleshing out” when I awake from my three fingers
of scotch, glass eye tears drops made me drunk,

damning this transmigration chorus of voices that offer up a treasure of divine humankind’s hopes and travails,
and the occasional call on the divine’s 1-800 confession line,
hear it all, my chewing out by one particular god of mine who does not suffer my criticisms well of his ungodly actions, nope not sweetly and

when else would he dare contact me, except when no edgewise
words of mine can appear to contradict his mealy mouth excuses

did you musty misty mistake  my poems  as the product of
the miracle water wages of my imaginary inspiration,
no, not, from the replaying of your desperate exclamations,
the cancerous shrieks of loss and prickly investiture of the aesthetics of soft whispers and solitary foot treads,
that is where my insanity is bred, and tumbling s-words, sworn

don’t consider it eavesdropping as there is no signed rental agreement, consider this unfair warning, if you should secret use my cellular line, your everything is now ******,
your genetic material is materialistic mine and my poems yours,
this bittersweet sentiment is a measure of our bloods commingling,
your tears and impish silliness, are shiny hidden within mine

somehow I feel compelled to state this unique statistic:

I love you

4:47pm on 3/11

who writes poems like this?
silly old boys with gray hair, standing on one left leg.  but you knew that, right?
Val Ajdari Nov 2013
Some fools are born, conditioned by fate,
And they, like all, still procreate.
All useful knowledge flee their minds;
Ignorance fulfill these swine.
And while they swing and cheat for joys,
The watchful eyes of their little boys
Take a glance at what they see,
And what they see is “a bigger me.”
Their little girls, in company of dolls,
On occasion foresee what befall
On them, too, as they soon explore --
An impending battle of love and war.
But then, there exists that little kid
Whose *** and gender shall remain amid
A cloud of quantum mystery;
Their wisdom calls more urgently.
And as this kid sees life unravel
Along Lacanian stages of travel,
Concerned are they with all fuss and mess,
To which most adults do not confess.
As one parent lacks all the care,
The other lives a life unfair.
In times of chaos and audacious cuss
Dear, vengeful killer, Oedipus
Consumes all facets of the mind
Of the little kid who must confine
All pain, and hatred, and all rage,
Enough to place one in a cage,
While free the bird whose wings to fly
Have been broken off, now left to die;
In part, by diabolical norms
That invade a home in all shapes and forms.
But the kid looks up at the two,
Then whispers quietly, “I’m neither of you;
Not the blinded one, on flight to reign,
Nor the indebted one, too tied to pain."
Nor does the kid ever dare to be
A product passed politically:
Ingrained in mind, in heart, and soul
A subordinate being in a bowl
That churns, and churns, and churns, and churns
While glutenous ******* more they yearn.
This ceaseless cycle leaves little choice
For the ill-fated screaming voice,
As a true language for them not made
Because demonic beings must place a shade
Over the stronger ones deprived
Appraisal for their stronger minds.
The kid, all this, can’t take to be
As what they see they wish not to see.
In this unbalanced Yin and Yang,
The kid’s perception hits a bang:
“The power lies within the one
Who mostly governs with a gun.
But, how can a human hurt their double,
When love and passion are lesser trouble?"
A fitting *** the kid cannot choose,
As in every win each *** will lose.
But slowly, as they come to be,
The kid, society directs to see
That to the right *** they must belong
As "genitalia proves feelings wrong."
This funny theory most credits Freud.
But by collective viewpoints the kid’s annoyed:
'No good is said, no good is done
For those who are all, but yet are none.'
Great gender points makes Butler, Judith,
While blind opponents seek to disprove her;
They ink 'she is wrong within her stance!'
That female unity will give rise to chance
To an inclusion of the female word,
And one that’s First...not second or third.
The opposite, still out to bend
The rules and laws, all to pretend
That the other *** does not exist
Because swollen egos must persist
In rule, in art, in build, and biz:
'Fields where opposites lack all wiz.'
The kid, in this silly world of theirs,
Looks at all these foolish heirs
Who bounce and shoot this gendered ball,
While the kid stands back and laughs at all.