When winds at night on windows roar
wax runs out dies candle's flame
you would hear a knock upon door
a familiar voice calling your name.

Don't respond nor open the eyes
the voice is keen over winds' howl
grows it louder its pitches rise
scaring even the brave barn owl.

Pull the blanket up your head
you are safe so long you hide
lie dead quiet not move on bed
with mom asleep by your side.

Between the pause your fears mount
if is a chance to be found out
one two three the calls you count
but count it right leave no doubt.

Three times the voice would call your name
for it has no power to do any more
but move onto where dies a candle's flame
and a child is awake behind closed door.

The power of music
and friendship
heals dead connections;
a well-meaning member
of a jam session
offers me a guitar.
I politely decline,
embarrassed by my disability,
and they shrug.  Your choice.
The familiar curves
beneath my arm
like a woman
from my past,
my amnesiac left hand
reaches for the
muscle memory
of fifty years' practice.
After an agonizing minute,
the G chord miraculously plays,
as I played it at five,
the three big fingers alone
strong enough to hold it.
The switch to C impossible;
so I play a variation.
Doesn't sound bad with the group.
My God, I might play a D7
by the next time it comes around
in the song.
The gang is playing old standards,
Ohio State music;
three chords and a cloud of dust,
which suits my present skill(?) well.
I almost cried when a few tunes later,
we sang A Horse With No Name
to my accompaniment.

Beethoven was deaf, yet heard the Ode To Joy.
Hawking is paralyzed, and travels the universe.
I have three good fingers,
and no good excuses.