Have you heard the words spoken by the ocean, when the cliff tops call its name with disparaging diatribe? And how do you fare as the undulating waves tell tales of a million generations of fish? I sat there as the days wore on like so many jazz men beating holistic drums and blowing those crazy brass horns as if possessed by the demons of some ancient tribe way out in the Kalahari, masked by the illuminating stares of wonderment and the children in the darkened bar, silent, speculating. I see the waning wood through magnificent trees, behemoths in the dusk skies. I see the ground too, for it is stable and true. As true as one could attest to its objectivity, I often ponder the relevance of truth and whether the whole concept is but a twisted lie fed by the men before us. Quite cruel these thoughts, and barely worthy of the hours I waste. The ocean too speaks truth but its truth is one I have faith in. Sure as I am, sitting here, witnessing the waves as they mourn the changing sands and the rubble they sift, sure as I am, that the gently faltering ripples will retreat before attacking the shore once more. I am sure of these acts, as I am sure that I will die with laughter on my lips and a tear in my eye.
Take your water and let it flow through the bodies of man, take it, take it and do good. Let those clear drops circulate and bring about true knowledge in one and all.
Let your rocks fall to the ground, erosion of the city and decay of the populace. Let them fall with dignity, while we scream from the Atlantic and feel tumultuous waves of apathetic foreboding ripple into our skin and bring us to ******.
These rocks in the sea, these rocks in you… and in me.
Has the land seen distress like its inhabitants, or have they been the harbingers of such malcontent abuse to these fare isles? Have you, You, have you seen the sea when its tranquil repose turns to solemn spite at the ego of the cliff face? I have heard the ocean speak, and it told me to fall to its mercy and ebb into the unified conscious.
Have you heard the words spoken by the ocean, or do you too stand with your back to the truth and one leg bowed cocksure over the top of some deteriorating construct?

The one with the
         crack
along the middle,
dark and so thin
words could fall through
like water in a colander.

Under the grand chandelier,
a slew of sheets
spat with confident blue juice,
cardboard-covered notebooks,
a team of paper ***** to be tossed
towards your wooden jail.

Sketches of mice, polar bears,
a recipe for rabbit at his right elbow,
red Shakespeare
and a well-read thesaurus
as scruffy
as recently rinsed blonde hair.

You always ***** the lid
on your own *** of ink, black,
sleeping silver scissors
near your French dictionary
and shells over a plastic
sunglasses case.

The table
in the room
in the house on Tomás Ortuño,
serenity bathing you,
a golden spark
of solitude.

I'm hiding here
in this space where
I keep brutally exposing myself
I'm not really My self
I wear masks
and pseudonyms
and there's certain things I can't say
won't say
because I'm afraid of who will read them
and what they might learn about me
And sometimes I feel that makes
all of this
pointless
I am torn between two
equally important desires
I need to be raw here
I need to be violently open
I need to feel free to express
whatever I am feeling
for no other reason than the simple fact that
I am feeling
But I am also afraid
of the reactions I might get
afraid I might hurt someone
afraid of someone I know
learning something about me
that I don't want them to know
afraid they'll use it to hurt me somehow
I need to be wide open
but can only do it behind the safety of a mask
and even that isn't good enough
I still constantly self-censor
I have pages and pages of writings that no one
but me
has ever seen
will ever see
Even now
as I write this
I can't help but wonder at the reactions
I might get
from people I know
in real life
or people I know
in the wire
or people I've
never met
and that wondering changes me
changes my feelings
makes me second-guess
what I'm going to say
The only way my art can ever be
absolutely true
absolutely honest
absolutely Me
is if no one ever reads it
But what good is Expression
without Witness?
I need to have
an audience of strangers
for each poem
total strangers
that I will never have to see again
Or I should tag my poems on walls around town
in the middle of the night
like my little brother
(oh, gods, what if he reads this??!)

*******
I'm leaving it in

take off your tank top
shuck off your short shorts
remove your heart-shaped glasses
squint til my mouth is a skyline
and mountains form my teeth

mess up your makeup
clean your cuts, old and new
shrug off your lonely soul my love
put on a smile; dive down to pluck
pearls from my dusty guts

burn your mary janes, baby
peel the covers from your pink
while i dissect yesterdays disguises
i'll be a blank slate; fetch the ink
they're waiting so patiently
just to hear from us ♥

I speak in praise of the *******, yes,
and as a male, I decline to be clandestine about this.
The reason I so admire the ******* is that it's the female's key
to being multiply *******, and frankly, I'm in awe of this.

You see, the male ***** can't compare
because, of course, it has a dual purpose.  
It wasn't put there just for bliss,
which is the only purpose of the *******.

Males must just resign
themselves to their dangling ganglia, the ****,
which is so easy to malign compared to the delicate paradigm
of the **** and its remarkable economy of design.

Now I realize that females may be suspicious
of my focus on their *******
but actually, I think it’s ingenious.  
My own discovery of this was serendipitous and propitious.

You see? Really, I’m envious of the *******
because it's indefatigable and delectable,
(I think she likes a little nibble),
and anyway, there’s not much point in trying to distinguish
between ******* and the *******.

So there's my poem to the little ****
with admiration and respect.
I speak in praise of the *******.
Truly. A gift for all of us.