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Railroad Country, Sacred Land

Hurry now, it’s leaving soon Car door slams, gravel underfoot And from the boot Grandmas lil helper is lifted Oh! Where did it go? Wind twists scarf to snake Released from frames captivity I stoop and tug Under your foot, Gran She shuffles, Ties it firmly around tiny shoulders Bright colour against delicate skin Paper thin, both, One for beauty, one to hold the blood in And may it hold the blood in, Just a little longer... The train awaits, Monstrous, Steele stark against surrounding bush. Matt has a sausage, Mum bothers about tickets, Both fuss and fizzle, I press lips firmly together Deciding then and there Never to let entertainment turn to stress; It’s more than it’s worth. We’re to be in the engine room, The rest will be left behind - As something faulty. Matt lifts Gran up; She’s tiny, She’s flying, She’s in. And then we’re all in. Crammed. We stare longingly through grimy glass At empty carriages Can’t we be in there? It’s all a bit stuffy. There’s a fire along the track But we don’t go any further. The smoke streams out over forest. And jerking and bumping, Dipping along, We reverse back to whence we started. Petrol fumes and smoke fill our tiny cocoon Here, let me help you Passenger to passenger, Fellow human, Compassionate eyes. Gran has a seat; She sways while we lurch. Deep within Railroad country I make believe I know something Of the girl Of the Plannies; That sacred connection To land and sky, To Native country, To Golden Macrocarpa I stare over hills of tree ferns, Kawakawa, Wheki, Punga And, knowing no other, I feel this land Majestically My own.
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Written by
TuesdayPixie
New Zealander
Published
Nov 3, 2014
Lines·Words
72·281
Notes

"The girl of the Plannies" is Janet Frame, New Zealand author and poet, and a huge inspiration to me. Her autobiography taught me so much and made me truly realise my connection to New Zealand.

Tags
#adventure#nature#railroad#newzealand#janetframe
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