You walk a lonely path old man but now and then you show us you're alive And maybe when you've had a few you'll shed a sorry tear or two. That's fine.
But if you really must insist on dredging up this **** Each and every time. As each new fact's learned don't mistake horror for concern. Cos it's a lie.
I'm happy. My eyes are dry. I can't feel pity looking in your killer's eyes. So chin up son, don't you cry. The things you did were unforgivable and I'll never sympathise.
Lying just beneath the skin there hides a multitude of sins That wait For a ear that doesn't sneer or recoil sickened Cos they can't relate.
Seize any opportunity; for you've so many agonies to share, To unload your woes but that cross you built is yours alone to bear.
Each sacred tet-a-tet where you might vocalise regrets makes you renewed, But don't forget that as they peer at you it's one-way glass their peering through.
You look through misty eyes - your little heart is opened wide, but their's are shut. They can't return your gaze of hopelessness and shame, They've heard enough.
If I thought there was an afterlife I'd be concerned for what's coming your way And whilst I don't believe in evil You and him came pretty close I'd say
You can repent until your spent or Flagellate your sorry self to death. But if your just trying ro tell the world your sorry Well, you can save your breath.
Leave flowers on his grave and promise that you'll never misbehave again Curse the wicked heart god gave you - If you had the chance you do it all the same.
Mount another charm offensive Show them all the side they think you lack But know that no amount of Humility will ever bring him back.
These are the lyrics to a song. It's about a dead friend whose death I was indirectly responsibleresponsible for.
On reflection the metre roughly fits that of the verse sections of Radiohead's High and Dry.