House plants are hostages
we take while we rob  
the bank of life for
all the experience notes we
can carry safely away.

We are using the funds
to build our vivarium
homes, microcosms of
the world beyond our walls
where we first glimpsed
the scheme.

The machinery of the world,
greased by blood and sweat,
remains beyond our control
while at large, yet
under our close supervision
we coax submission
out of our captives for
our own enjoyment:

selfish, ambivalently cruel
benefactors, dispensers of
our plants' waters of life.