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Nov 2013
I.
Well you know that I sip on my sadness, my dear,
filthy palms, filled to the brim.
And I know that you watch trains
passing by, dizzy eyed, still drunk with sin.
Your teeth reek of reality lately,
You smile facts, figures and cracked calcium.
Now, once more with cupped hands
leaking, shaking delirium up to your chin.

Well I know that I’ve missed the point, honey
I should get it tattooed on my wrists,
but you know you talk like firecrackers
so flinching gets awful hard to resist.
I make believe that I’m right like craters
make moons believe.
So I’ll comment on comets and ignore
truths popping between parentheses.

My delusion has your lips liquored up,
but I notice your tongue...

II.
You say,
“It’s fiction we live in. You play in pastels
and fake hollywood rhythms and I’m tired,
staring up at your screen.


You're addicted to this diction. My voice is lost,
screaming these words you keep stealing
and twist for yourself what they mean."


III.
Your lips liquored up,
but I notice your tongue's not numb.
Drink deep, darling. Let's inoculate.

IV.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."


It's this clothing, from bedpost to box-spring,
It's all wax-coats and smoke screens,
live lit-candle lasting
When did skin begin to fit wrong?


V.
So they say, one day
Or, one day, they say,
we’ll find ghosts sewed to the seams
of Fringe Wolf bones picked clean
who waltz wicked and crooked a foxtrot to show
that sometimes loss is beautiful.
And when I ask for your hand you’ll look tragic
like this dance was only ever for me
and my feet always fall off beat
Like I beat off any discreet romancing
To pretend that this dancing was
Anything more than masturbatory.
I guess I do dance the way I drink:
Heavy handed and troglodytic
And a little listless, but I always fight it.
So while you walk away, I’m drowning drunk in cinderblock boots; Toe-tapping a slurred S.O.S. like some song you kept whispering.
You keep whispers like keepsakes.
You speak so soft but
Baby, your voice sticks with me
like sickness.

VI.
And you say,
“It’s fiction we live in. It’s intended for men
like you, bottled, up-ended,
but I've watched you drain out in my palm."


Alright, it's fiction that we live in
It's intended for men like me, bottled, up-ended,
but at best I just seeped through your teeth.

VII.
I stitched script to my chest like a scarlet letter vest that attests there's no Soul here worth Saving but ******* come save me anyway.
Your voice sticks
to my ghost-sewn, sea-floor bound foot steps like sickness.
Tread lightly, my love. Let's inoculate.

VIII.
So when they ask for me at the after party
With neon eyes and harlot tongues,
You can tell them I traded this stale air in
For forest fires and tornado lungs.
Because I’ve been reading up in matchbooks
how to dance with disastrous fate,
and I'm finding my rhythm so wake silent
or sleep long, my love. Let's inoculate.
Chris Voss
Written by
Chris Voss
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