she was never too much— only too alive for those who mistook control for strength and silence for peace.
her becoming was not a performance. it was a war— and the ones who claimed to love her dropped their weapons only to place their hands around her throat in the name of order.
they called her chaotic, but it was their cowardice that feared the shape she would take if left untouched by their grip.
they chose the seductress, the one who dances at the edge of her own erasure— pliant, priestess of their small gods, goddess of their easy pleasure.
but the true woman is not a priestess of men; she is a temple unto herself.
and to know her, to truly see her, requires the man to suffer.
to suffer her beauty without owning it. to suffer her fire without extinguishing it. to suffer the rise of a soul that will not yield to his fear of being seen as less.
he must descend into the fragmentation that makes him reach for control— and there, only there, may he begin to rise.