The cards of the 30 year old deck
festooned with Monet´ prints
swoosh so easily pliant in our hands
we unthinking about what the cards must know.

The dealer endures rebuke for bad hands
and pleads randomness and no malice
but still has the cheek to brag of her own good lot.
The cards bear unholy smudges of anger
and oh the tales fingerprints could tell:
loss of cool, onslaught of quiet ire
if not murderous fancies
all shielded by superb acting
and control
of ****** muscles
and the pace of breathing.

This drama plays out
unspoken but with latently lurking
hurts, slights, envy
and long smoldering resentments.

Even patriarchy rears its ugly self-righteous head
and cords of tolerance of the old man are strained
and taut to the breaking point,
Pete now realizing why Kit no longer plays when Dad’s at table.

But then there is the rare event
like when it’s revealed that Liz had the better hand
but folded because she knew Burt needed a win tonight.