i’m going to have to dress you up for this one, i hope you don’t mind,
it’s just that we’re flitting between identities and trying to change the past.
by change, i mean we’re keeping everything the same,
but switching out her for me,
in the white-washed hallways with that imagery you fear;
a pregnant factory belt birthing electric dreams.
it’s all about what they do to women
and our brains and our autonomy,
it’s selfish, really,
to make this about me sitting alone in my room
but we’re still choking out the space we claim.
if there’s a film camera, there’s a film,
and if there’s an eye, there’s an i.
get those cinematic shots of long hallways where nobody knows what’s next,
and play the nurse, play the exorcist, thrice.
you’ll never know how many years you have after leaving western state,
but i’m hoping for less;
life afterwards is the transitional period between salt and freshwater,
and i need to distance myself.
*oh, how the rooms look so inviting, you’ll be cured here,
how wonderful,
that we have groundbreaking technology to fix your brain
when we tell you it’s broken.
how amazing it must be to be you,
this opportunity
to be chained down by something other than fame,
you look so beautiful!
i have to have you, you look so beautiful!
we’ll keep you here because you look so, so beautiful
when drool leaks from a mute mouth.
From a poetry portfolio I wrote in second year of university, titled 'Lonely Placements in a Loveless Universe'.