he arrives around 10:30am,
after the morning rushers
and multiple malingerers
have surrendered to the orange clocker's
rocket red glare stare,
that little dictator of time that
rules lands far and wide,
well before the hoped for lunch crush,
every restauranteur's faraway *******

most days, to the last counter stool,
he beelines,
the least desirable seat in all of diner-land,
adjacent to the noise of kitchen,
and its higher risk perilous,
two way swinging door "entera-ance,"
a residence to be avoided most studiously
though hardly a corner to go unnoticed,
by virtue of its iffy existence,
unless one likes the increased chance of
being a victim of a crashing accident

Mr. Condiment Man
goes in and out,
silently unremarked
in our land of spacious skies
and amber waves of plastic

customarily any "regular" is
happily accorded a
rousing Sousa welcome,
but that mistake now twice made,
a historical hurry up-to-be-please-be-forgotten incident,
the Condiment Man's invisibility
second only to the
Famous Cinema Actors
seeking breakfast
amidst the common people

no words are passed,
no pleasantries are planted,
the rule of incommunicado silence,
for both sides now,
most happily observed,
like a UN peacekeeping boundary

quick appears Cream of Tomato soup
accompanied by  ever multiplying handfuls
of packages of Nabisco crackered packets,
with a ketchup Heinz handy

a soupçon of five iodized salt shakes
into the soup interred,
released from the prototypical
stainless topped, glass shaker
whose universality of usage seems to be
a Federal law o' the land

the meal in silence arrived,
silently but oh-so-slowly-consumed,
it's extenuating circumstances
lengthily enhanced by intermittent deliveries
of additional cracking crackers,
and an unrequited, unacknowledged,
"topping off" soup refillament

this one act play presented daily,
with a free tall glass of water in red plastic
also refillable,
as needed
a play with no official ending,
no white topped, green lined,
ripped from the ubiquitous diner pad,
scribbled, billing ever presented

but the loose change precisely,
scrupulously counted then
upon the counter left,
materializes by the hands
of the Condiment Man,
which is sourced from pockets various,
in places where no pocket belongs

you can set you watch by his timed departure
at five minutes of Twelve,
he is no longer,
the play thus ended,
the audience to feet leaps
relieved and appreciative
of the quiet man's drama
and his most excellent
silent soliloquy

some strange human need satisfied,
sated, and pleased
for all parties concerned,
when the New York Times
revealed that this condo man
left a 50 million dollar estate
to Meals-on-Wheels,
here was no shocked groaning,
only some perfunctory observing
that frugality had a place,
and that this fantastick show,
now closed, would be
sorely missed,
for it had become a condiment itself
in the lives of so many