It's better this way-- Infinitely gracious through some colossal mistake of philosophy, Fists bleeding crumbs and spent cartridges but no, not here Not even heaped in trembling awful coarse and remnant parts So I gulp my spent errors - hid in the corner cloaked and dripping, All chin-slicked rivers and dead raw mouthfuls my Open-jaw distention retching light and dread obscenity. And already I'm done - the earth is too rich and your face is too much And my skull is not a crown And my eyes are not a crown and My fingers, stretched in nets of elegant blue recurve all casual magnetism Slow repose and measured coronas of flesh and revelled refraction But no, still not a crown Not even down here where the rainclouds cough And as I lift my face and tongue all wrapped all very strange in Feathers and claws and elegant uniforms still no still no ah! here there's nothing. But the maps are not a science and never you promised me never no Never, not even as we stretched and turned in revelled liquid bursts of languid sanity. My skull's a cracked chariot, never not a crown And it never could it hold, not even for a moment, Even a broken-down notion of you.
First-ever free-verse piece, inspired by Walt Whitman and Ginsberg. I still prefer form poetry as here are many more unlovely sequences of words in a free-verse piece than a sonnet or similar; but if a poet is especially talented the free verse is tumbling and exuberant.