of the tongue and body as it beats the demons of my own silence to a gentle hum – a drunk laced representation of what the watching eyes desire, crave, emulate in their sacred spaces – center stage with every performer abroad this conditioned disillusion – how it masks all the confusion for those that jumped in early – the lights look so friendly when you need them, but it's you who feeds them – and you die without knowing it, you cry without showing it – mourn, in distractions, what could have been; what could have been if you didn't have to keep on searching –
the pen marks rely on the same security, lost in its contrived purity –
the light is blinding, but it keeps us from rewinding, reminding our hearts of the pain or the game, all the same –