the tides are impossible these days moving in and out of focus, leaning and falling back from shore clawing the ground as they're pulled. they sift through the rocks like a child looking for shells or burying his feet as deep as he can in the gravel's warmness before the cold comes for his ankles. the water moves faster than before-- now that the moon's in an ice chest shedding dust and gravity somewhere in a ship far from shore-- and the men who caught it have hopelessly lost their way, victims of an all-too-sudden high tide and violent, rushing winds.
it turns out it didn't take much to take the silvered old rock down. moonlight is spun like a web down in pillars to the ground and water, sticking to sea spray and the clouds, suspending in the air. a couple of fishermen caught it while filled half-and-half with sleep and moonshine. they said it wandered near the edge of the cliff where night meets the day and when they threw the net up the moon's web got twisted, tangled in rope and pulled it right down with them.
some light floats on. broken strands of silk take to the air, still attached to the ground and water, though the connection's cut at the other end. they're waving away today, in the sky, like a luminous greeting: hello, or goodbye. people watching onshore say it's pretty to see the moonlight like this-- they say it looks like a field of tall grass pushed sideways and whirling, carrying fireflies and ladybugs away from the overgrown-- and they feel like the insects buried deep in their own glowing forest, talking to the sea and moonlight with waves.
I'm fond of this piece. I've got a lot saved on my phone and this one is my most recent, which draws me to it for some reason. I nearly always think my most recent piece is my best, maybe because I see the newness and imagine myself in the poem, becoming new as well. but maybe not who knows for sure