there’s poetry in the uneven streets of *Salcedo. just to exhibit, ogle at the preen park and watch the ravenous trees write in a treatise: only shadows are engraved. gravity, their paperweight. there’s poetry on the oncoming figure, a woman in a pencil skirt, disfiguring herself to pick up her wallet – she wrote herself in cursive, cruising in front of the aperture, a form of C in crescendo, then jackknifes back to slender posture reaching for the sky, arms to sides like armaments poised to strike. making itself known through whimsical imperatives, the wind that bludgeons the trees, and smites the poles: written in hieroglyphic – the fall of leaves and the felled ash of morning, deepening in its station. you cannot escape poetry whereas, I start remembering you without consolation. the sudden onset of your memory thrusts through the escarpment following a steep descent towards my body, a figurine, without water. you will die here. and from what has been retained, will arrive the inescapable.