Jan 2016
The possibility of free declamation anchored
And lucid, inescapable rhythms
Do have meaning. They're strong as rocks
In the deep-toned Aeolian mode
For the listener, who listens in the snow,
A Poet could not but be gay,
The Impotence to Tell –
Still makes a poem a surprise!
And lucid, inescapable rhythms
Do have meaning. They're strong as rocks
In the deep-toned Aeolian mode
For the listener, who listens in the snow,
A Poet could not but be gay,
The Impotence to Tell –
Still makes a poem a surprise!
The possibility of free declamation anchored (John Ashbery, "Street Musicians," Selected Poetry, page 207)
And lucid, inescapable rhythms, (Wallace Stevens, "13 ways of looking at a blackbird")
do have meaning. They're strong as rocks. (Frank O’Hara, "Today")
In the deep-toned Aeolian mode (Lasus of Hermione )
For the listener, who listens in the snow, (Wallace Stevens, "The Snow Man")
A Poet could not but be gay, (Wordsworth, "The Daffodils")
The Impotence to Tell – (Emily Dickinson, poem 407.)
still makes a poem a surprise! (Frank O’Hara, "Today")
And lucid, inescapable rhythms, (Wallace Stevens, "13 ways of looking at a blackbird")
do have meaning. They're strong as rocks. (Frank O’Hara, "Today")
In the deep-toned Aeolian mode (Lasus of Hermione )
For the listener, who listens in the snow, (Wallace Stevens, "The Snow Man")
A Poet could not but be gay, (Wordsworth, "The Daffodils")
The Impotence to Tell – (Emily Dickinson, poem 407.)
still makes a poem a surprise! (Frank O’Hara, "Today")
