my interests in / with philosophy are grammatical,
"         "        "  /    "    theology      "   linguistic.*

as philosophy did not entice grammatical words to express it,
as philosophy did not entice grammatical words to be utilised,
so thus the study of language became distinct
from philosophy, with only english or german or italian
teachers using these words as a forgivable badge of honour,
but what if a philosopher decided to "steal" these words and use
them, what then? it would be secondary, to have learned
a language in order to progress to the second tier of language
and erase colloquial truths, idiosyncratic truths, etc.,
those maxims that never really matter, but find me one philosophy
book that deals with words rather than ideas by submerging
itself in ideas and theories not of the world, not political,
metaphysical, theological... but simply grammatical... as to why
the pronouns clash when used as the universal stipend of question:
who, how, when, what if, etc. it's a minefield of considerations,
categorisation of words to only craft learned plagiarisms
of the pulpit, that such rigidity in grammatical classification
of words is so aged ashen leaky and rickety and sir sneeringly sneaky
as to be disregarded by philosophy is a gaping black gravity vortex
of travesties. how do i write you ask, with what ease
and with what machinery of split second bullet fire (sometimes)?
i simply declassified certain words, rearranged their
grammatical classification, some permanently, some impermanently;
such is this curse of the orthodox theory of language,
this ungrammatical denotative classification,
before the sun or the moon can be a subject for a poem
or some other form of inspiration, it's firstly a subject for nouns;
oh i believe in grammar, but not how it's organised
for the sole purpose of schooling, the odd jack-in-the-box popup
lightning slosh of um um ah when the teacher labours momentarily to
utilise grammatical words to explain a bewilderment without
actually explaining anything other than the classification coupling
obvious(ness) in a poem... esp. one beginning with a conjunction such as and.