Take my hand in yours.

Show me Nocturne: Blue and Gold.
Comment on how the blue of the Thames fading to grey
Reminds you of my sad moods.
Slip in the fact that Whistler was born in the state where I grew up,
And died in the country that you call home.
Make it seem like fate, not coincidence.

Show me Newton.
Talk about Blake’s offense at deism.
Watch the mention of religion skitter past my ears
And right over my head.

Show me Norham Castle, Sunrise.
We’ll squint to make out shapes hidden by sun rays,
But it will only blur more.
We’ll take a few steps back and will see it clearly,
Before strangers obstruct our view.
I’ll comment on how the colours look like that of a child’s nursery.

Show me The Awakening Conscience.
I’ll ask you what you think is happening.
You’ll say that you don’t know.
I’ll point out the absence of a ring on her finger,
A mistress, she was.
She longs for something else.
Annie Miller’s beauty encapsulated in a single painting,
Her own life reflected for a moment.

Show me Beata Beatrix.
I’ll gasp with pleasure,
Recite bits of my favourite Rossetti poems for you to hear.
I’ll tell you the story of Rossetti and Lizzie Siddal,
And though you’ve heard it before,
You listen as though you haven’t.

Show me Ophelia.
Kiss my cheek as I gaze upon it, wide-eyed.
Tell me that I am as fair as Ophelia herself,
And I will smile while I marvel in Lizzie’s grace,
Better depicted by Millais
Than by her own husband.

As we leave
And pass the statue of Millais himself,
We shall embark on our own Shakespearean adventure.
To meet Ophelia’s fate,
Content and unaware of danger
Then drowned all at once,
I pray we refrain.