nary the further root(nor nearer neither)shoots
reaching similar jeering your carnal fold whoops
a crown of pink, whose gentler thorns enshrined
the meekest cruel sweetness of with mouth combined
posits a slender abrupt howl from the heaving
noose of abdomens 2 backed seething
(a beast twained)
or so sayeth William

i like you dyin'
your blissfully crisp
lucious pulled
tightly dyin'. your

bursting thinness the

skinny your arms

the(bytheway) your eyes

which(shining)gleam faultless eternal


andthe
your whynot perfectly hips
which carry like the burning of my cut
(with your cut)to
meet

                                ;  as ships



i and think do you
like dyin'

and you i like
(and like you i) a girl that
likes girls
                     (dyin')


likes





i

who becomes our bodies
after our flesh splits ways
with life and makes with
root worm and sun glass
the several blades of grass ?

(i'm making and again wonder
evenly obscene
in the sunlight over my arms
brushed with noon beams
and shadows tightly beneath
my feet;

i think,
and splay over the mind
of children's voices
hurryingly hunched
and bruising the silence
slightly with slim slivers
of giggling–

(there's a boat waiting for me)(

i have to go))(

goodbye  )   )    )

sleepgirl don't

                               the world
               waits

                        for
                  your
                           hands to
                     find it
                   kindly nestled unfisted gracefully held
                   A round word of unspeaking lips
                  berried in love of colours inumerable
                  cupped in the stomach of the ocean complains
                  against the night

                                                          ­       A LIGHT

                   which in your carefullest heart eternally
                   quakes for letting
                   so uncarefully more divide thy palms
                   admitting a fragile infinity of kissing)andsleepinggirldon't

.












                                                   ­                                                     run








­





                       quietly















                                          ­                                       feet













                                            thr­ough











                                                 ­                                                                 ­                     wind















                                      o'er cheeks













                                             ­                                               o'er earth












                                    green stuff cloven


















                                        ­                                                                 ­         run













                                   mutely














                                            ­                                       crushing













                                         hulking silence

















                                        ­                                                           run













                                                ­      feet













                                         ­                                                       leaving


­













                                                   ­   the













                                             ­                                                            air



















                                        to­ breathless hours shorn





























                              ­                                                                 ­                to fetless hours worn


















                                 by treading sunlight







































                 ­                                                                 ­                        in loose warmth


































                        ­       of muscles extremely






































                 ­                                                                 ­      run

hand which by is felt the stem
is set crimson at thorned *****
red so like the rose suddenly at
lips gleaming supping feverishly
at pains sorest pleasure(the palm
who riven draws even deeper the
pointed inch of agony to bone fine
white as a silk worm skin) like a
lily stupid with *** the comparable
hurt of which a hand that likes to
bleed

2wo deep thighs of night
hold in their crest
my mouth to instantly linger
less than to leave
only

of lust which
to taste
i

(healthless droll and constantly)

am my lips
between secret folds
of darkness
hung with

a crisp shingle
of Spring light
(whom Shakespeare
might said, "A
star danced,
and under that wuz I born.")

tasting as to taste what flavor that
what tastes like sea on scorch'd flat.

"It's like, I know you love god, but I
just want to bend you over a table and
*******–and I think you want it too.

I know you believe in all these things
and far be it from me to say they are
wrong, but under your skin I can
tell there is something else.

You pulse with something raw,
painful, and violent.

You seem to tremble with palpable aggression.

Give me the pain–give me the Valkyrie
I know you are.

I want you to hurt me, and I want to hurt you. Your neck is so pretty.
All I can think of is what it would
feel like in my hand.

We could be something so ugly and
beautiful. I can feel it within you.

It seems barely contained within you.

But maybe we shouldn't.

Maybe you shouldn't.

I don't want you to do something you don't want to.

But I want you. I want you to want it."

there is the world so much i think i have felt it

have felt by it
and by it felt

so much it
(the world)

who in droves presses ugly Spring against me
who in heards comes dying and immortal
who in sleeping flowers laughs most
(the world

by sting invisible
impulses each rotund death
of lungs upon heaps of dying
to go out and wear more gladly it

it girls laughing
it boys sweating to be first
it arcuate of hips
it thundering of industry
it of millions tinly each


each pointless
each fathomless
each more than last
each next than other
each the other than the next

i think and i have seen by it
and have i?
way north over the barn where goes the winter
when in neatish crimson hulking ****** comes

first small coming

then steadily gargantuan

Summer

in deep veins of failing gold
only to brittle
only to fold and tousle
only to rubble and quake

alas

and i have thought

alas

and i have read

alas

and i have felt so proud to get at the meanings of poems

) but ever have i known it?

No.

i have not been my feet to push of it a million splendors

i have not been my throat to scream so loud my body shook

i have not been amongst its people

i have not tasted

i have not been by the skinny bank of a winding stream in the middle of Summer when the cool water tickles across the span of each toe the wholeness of being

i have not kissed so long to love

i have not breathed so long to speak

what then can i say?
but do i say it?
of course

i say it by hands between quick thighs
uncurling hurting bruises of hot sharpness

i say it in the hunched play of a girl's wetness

i say it in the calm stroke of a withered dog's scalp

i say in quiet moments as in loud moments

i speak(and i always speak)

and i think i have the world so much by it felt as to know it

and i think i do not know it

and i think it is not so much

and i think i have not felt it

i have tasted the earth
who was a girl
whose body tasted of apple and spice
whose hair was the sea
whose lips smelled of frankincense and thyme
whose hips were a bay
flush with the wisp of spring
which are a tonic
that i am habitually to eat

the said girl most pain from deliberate comely lips
and there was almostsummer light minutely sprawled
in precisely slats of dark then undark (a how many
i can't recall, but) in just under wear(covers) she
two legs skinnyawkward eyes than greener forests
effused some small wetness

                                                         some little fragile
                                                         some frail shining
                                                         (and my coat scratched
                                                          my neck
                                                          was wool
                                                          and                                  )

                                                          whipped at my thigh
                                                          through suddenly door
                                                          swung shut escaping
                                                          almost its white vice

such things as my own body i have been:

                 (the grass

                   the sun

                   the moon

                   the sea        )

and felt the big violent urge up
of the whole world's thigh
each stupid flens of men:

their hands that go out from them
and come back into them–making and destroying;

(who have i been my own hands amongst such things?

making much

destroying much?



                                                                  they
                                                             go
                                                     out

                                                             come

                                                                        back

                                                                                    IN

and they are so heavy
with nothing
even the grass
that will become them
cannot grow in such
a dark place                                                                                                       )

dead what's it ?
inside the clasped lid
of never to part darkness
inching each breath
presses
pressing
with each breath
towards that titanic chasm

(into which leaps
every humdrum
scintillating eruption
of drab being)

I cannot imagine
anything more absurd than
perhaps ******* or sitting
outside on the pale veranda
of a minute café
tucked into the
silent crease of
a dying city


the light stroking
carelessly the **** soil
boils
with extremely sleepy
afternoon
every where–

and occasionally
a child
can be heard
murdering silence
with its long shriek
of rapid youth–

i wonder and play.
my hands neatly in the comely foil.
i bend and kern
each brilliantly lashed
marvel of coalesced laughter–

a tiny poem is sitting
slant wise their
across thighs
with deliberate health
of constant ***–

there is a mountain hurled
studiously *****
aggressively swept
by moonshadow
and nightdust:          (amongst the reeds

                                     a tired frog

                                      is lilting


across the ether
its ancient song           ) I wonder,


can you hear it to
ever think
upon the frail note
of its enormous throat
that to live is to die
constantly as–


a truck turns south
into the friscalating
dusklight its shadow
is minute;

and how can it
the insane probability
that we naked forevers
might suddenly be
in each distilled
anthem of terrible life,
the brute
the heap
of chaff
off from the stock
reaped by unthinkable hands

(but i think and i wonder
and my hands play amongst the
cool beds of immortal rivers
endless coils of blinding self

whose own body have i been
beyond myself to live?

some grey some black
tiny little box of tick
tock, little snap
little whir
and crank

over the engorged aperture
of girlflesh parted on spits
of young wanting-to-be beautiful;

snap snap
whir tick
tock film,

film over light
over film
over electric
sensor hot
at mouths

gush twaining
snip
snap

(1.8 60)
too bright
too light
not enough
chiaroscuro
when you're

"lick(ing) her ****"

ap
oem
w
assu
mm(h)
e
rh
er
wa
sa
and
itwa
sjust
g
re
een
(h
erg
­ra
ss)          when it
s
pilt
that tenderest first hurting
o
fl
o
ve

ked



                                                    the ****



                                                                                                                            "***




irl."G



her **** the i

o how easily your lips become me,
the burning crimp
of urging kiss,

to depart myself
and wander amongst
thy body holy and vile ridiculous winsome trivial spectacular,

(arm and thigh)
whose sweep and gait is love
made ready for tongue
to impart slowly tenacious,

whose comely hair is course tender difficulty splendrous,

whose moments are singeing exactly innumerably few
(and never enough)


who i have longed for in deepest valleys of untouching cruelty
(to cup thy whole mouth
in my mouth,
to carry it forward
thy kiss a burning standard

into inkset darkest darkness of night



that i might walk without stumbling;





that i might see           )

love is a girl with black hair last Saturday night
i said, "you have something in you i see, which
is a little vulnerability and beautiful is so"
and tattoos(milesofand)
that were a heart pierced by a blade
anda gain pierced

   A heart

with dark red lips
said, "you're really sweet, but i have a boyfriend"

a fist broken
uncurls tightly
(and from in
there bursts
a whole heart
laid o
           pen)

a colour what does spurt
t0 from the eglantine sprite
;an undarkness puddles about;
                                                          iknewthesummerand her lakes
of vibrant tousled marching hair
                  that giggled from her heaps
and groused with sweating men
                                        who liked the fashions of her flesh
      and the ponderance of shes daughters
wearing mostly skin
                      they flaunt to catch
(with velvet flagrant manacles           )
the ardor of passing boys
                                               them that march about
                                                hideously pedantic
                                                their carefully fastidious
                                                grooming hands
      they'd like to grip with
      ladies
       and wear them for the night

"The greatest weakness of my own character is the inability to bear the suffering of others for the furtherment of my own interests–my inability to inflict suffering."

.







































                        ­                                           ceci n'est pas un poème.































                           ­                                                                 ­                                                                 ­                  .

SUN);

                       you are colours brightest
                       in every lash
                       glowing tremendous
                       hair
                                                                                                             this only
                                                                                                             is such a fine
                                                                                                             it's unpractical
                                                                                                             and perfectly
                      even in the
                      fastest darkness
                      you are said more
                      loudly
                      roaring
                      to my eyes
                      every crumb
                      hot and naked
                                                                                                             creeping
                                                                                                             you up into
                                                                                                             my soul
                                                                                                             i steal
                                                                                                             briefly
                                                                                                             (prometheus too)
                                                                                                             some little
                                                                                                             blush
                     from on your cheeks
                     blooms
                     some hot neon
                     fire
                     (in the very deepness
                      darkness coddles
                      hushed lips)
                      and it is
                                                                                  love(

I feel the immediacy of things. The imminence of objects. I feel the keenness of a glass in my hands. The instantaneous dribble of condensation over a knuckle. The spontaneous aroma of a summer night. I am enthralled and enraptured by the crisp mint of toothpaste, after a barely slept night. I feel the rough twill of a garment and I am in love with it. I extend my hands into the rapid amber slats of the streetlamps on my dash, as I speed beneath them. I watch them wash over my hands and I feel somehow indescribable.

I am in love with beautiful women who pass me on the street. Every one them pretty. Every one of them a neat mystery. Every one of them in skin as lovely and soft as breath off the ocean. I know myself least when I kiss. I know myself best when I am kissed.

I feel myself in the world and I feel IT in me. I love my friends and my family. I love the rough smell of fire. I love the wisp of spring, grown into the verdant pulse of summer's heat. I love to sweat and feel the movement of my body through open space. I love the sharp itch of a tattooer's vibrant needle. The splay of colors. The tang of my blood.

I look at men and I see boys playing at what they think a man is supposed to be. I see excess, increase, and birth. I see leanness, erosion, and death. I somehow know that neither is life a beginning or death an ending. I know it as I know the tip of my finger. I know it as I know the taste of sweat and hairspray and sunscreen, distilled in the instant of a drunk kiss, in a tent just inside of Idaho.

I am for life. I am for pain as I am for pleasure. For I know that one is nothing without the either. I wish to be known and to say myself. I wish to know you and to hear yourself, said by, yourself. I am simply. I am a man. I am just what I am.

I may die tomorrow. I urge you to love those dear to you and to say it everyday. I only try to do that. I only try.

that last who goodbye says too quickly is your demure petal in the wind amongst the trees at night
there is sound like living and beetles rustling there is a doe in speckled whiteness comely mounting
the no sound of darkness with a chirp of starlings in the eaves shake a branch from leaves flutter
and magic as thick as girl thighs suddenly.

                                                      ­                   ,

                                                            

                                                        .


   ­                       
      
                                                                ­      '

in whose body fits most easily Spring: youth adorns


(petals full; stem with thorns)

not i




                               ,







                                                                         Turn this lift
                                                               upon its shoulder
                                              into up making music of
                                        neck:


sinew febrile alive with dancing electric sometimes sound of mouth; and
  by how of fingers alight with such ungrace to hurt is a beautiful poem
   faster than light is quick through the blinds cut into a trillion thinness
    of glowing dust–

                                          (it can barely to feel)

                                                         the
                                                  stroking
                                                boy sigh of
                                              tonguefully
                                             aware thighs.

                
                                                                        flah ton decarb
                                                                     by girl cheek of
                                                             inching into seams,
                                                           pollen thickly sealed.

(a rose of night and sword of day;
with which vein'd marvels play –    )

tumbling trill and awake with sight:
to see where dark and skein are tight )


                                                  –––––––––––––––––––––––

a not caving self of into daring stem
******,


                                                                    burnt
                                                                         ,

                                                                           reeling


                                                                                                                  and said .

fists curled gently
i unfurl thee
i splay thee
and on your spans
i blow a cool color
from whence is
produced a whole
cuddling aroma
and about the
freckled *****
of thy noblest
raiment (the sun
and moon) i
coil it upon
and bless it with
the smarting dress
of my cheerful kiss

T'what

death do i owe this living:
hot kissed sweating backs of knees the lick of tired grass drab waves of summer moonlight laughing outside a bar hands full of mouth eyes ******* and constantly the droll hammer of absurd youth


                             ?



(Portland was like that)


hung flesh
with the hot flush
of freshly ******
girllips

;

because i don't know why, the stars.
purred furiously with sky
deep with purple and ambrosia

came the licked in dawn
of orange and white husk
split at the collar–
leaking black wine
rain and occasionally


love

newly first pressing flesh
your firmly enamor
(thighs and cheeks)
you dangerous and
clean beveled dainty
stuff
        
         you're the very
eatage o' devils and
god

feels good reading whitman reading nietzsche reading christ and feeling cool between the pages of neat words how many songs of myself there is sung how many days of summer spent inside quiet and dark dark inside quiet and summer to put my teeth in and roll over the tongue the tense dew of youth and drink the pollen of easy flowers.

(to be where you are amongst your neck and your shoulders feeling needfully hunched and youthfuly broken )

to break and to be broken by–

upon rocks
upon skittering
coils of noonlight–

(the trees mark it there is a path very deeply within them

where there is cool and etherized
by curls around of night smoke)

But all that wants to be
to be inside
(to taste)
and to meet with

the uncertain darkness
of life:

girl hips, 2 in the morning, the ocean

.































                                               I am not myself

                                               (or

                                               am I always

                                               the same           )



















































.

it is funny





                        Livingdying



because                                       ,


(careful and new Spring
) is

autumn, thing. well

almost maybe

do you suppose, Dust

for ****** old maid

that passes quicker into nothing

it is funny


that because, lady

your fruit is nice and ripe
though for second
and forever won't

livingDying

do you suppose?

w

          w


                        white is girl talk

                        


                                                              ­   l

                                                        ol

  ­                                       vol


                      evol


levol

ylevol

teeth opalescent silky















                                            ­                                             it's big


















or small

immediately after






rainsomesummer
wetly (whose shoulders are star struck shining
             manifold upon manifold of dewy ******
             shakes
             a
             nExact
             excellence of pearls straightly
             more fragile than
             the bulb of a wilting flower is fragile
             but whose body is strong beneath it
             tall with muscles
             and wears laughter like a coronet of thorns)


                        emerging
                                           timidly
                                                        d­estroys
                                                         ­              by
                                                              ­             velveteen
                                                       ­                         breath
                                 ­                                                 the tightness
                                                       ­                            of closing eyes











L





































LO







­
















































LOV












­
































































­




LOVE

gilt in foiled amber streetlight bluntly buckled on my coffer p-coated and trundling meticulously a drafty cinder of pretty little veins blueing clicked small headed teeth blasting blond scalp and hot pinked lips they' were asking shyly if i'd a minute heat to burst the cool heap of tobacco splitting pleasantly her plush rinds a tube 'i"m sorry i don't smoke'

i(by 2or3)simple fingers untighten

                 SNoW

quickly into rills of gushing and
lips slickly shine grinning violently

                                                and

a­lso by ribbon of quaking genially
oral fumbling deftly shiver)bring

lewd SPRING into chaste WINTER
between hairless trees making flowers

it completely staged was your throat
1/2 broken perhaps yowling by a
long mouth inching rapidly

in eager please to
tell a boy how much he did
your cherry knees to wobble
(the anger of his hands
and the thrusting of his bobble)

for 6months wearing
a back into his sheets
only your inch mouth long
saying to darling I
for  a 1/2 year didn't

really ever come

"i like girls"each hole is something
easy nice and wet
in a sallow sheathe of skin
tight of sweat
after yoga class
in between their thighs
before not after
a shower
tasting like a parting
shale of acrid
heaven
bent over the washing machine
GULPandmy"kneeshurt"

within these lips
are 2 folds of kiss,

pulling with feeling
to saltwine and ****.

the dark thing that you are inside:

                
                    i love it


that it is
salt thin
blood wonderful
to press apart

as like to press apart
the darling stocks
of naked flowers


                    And,

it is like
it likes to be
hushed
handled
flush

within hand
to uncurl
the little strange song
of its **** throat

(and i love it
its quiet
and small intensity

burning 'gainst palm
the enormously delicate flicker
of its rough flame)

my dear
(and i love you that)
you are
(inside)
dark

horrible to touch
and painful

to release,

        .

  ,

        .


                ,



        .

with gentle flakes of summer's snow
a drowsy path does pinkly grow
A drowsy path i think i know
through dale and copse it lightly flows
littered slightly from stems and boughs
with the downy flakes of summer's snow

from off its blade i hear a crow
whose throat is telling through the boughs
and twilight's swelling deeply grows
and over mountain tops it flows
To fill the path with fading glow
this drowsy path i think i know

sits some thick blushed fitting thighs
around softly become
of mouth and lips

bump
bump
lips
bump

sits
bump
bump
sitting

***** curled
Summer
salt summer
fitting

petals in
doused
quickness
of aching
to part

on stem
on pistil

groans
groaning

the little house
of your hips

(where my mouth lives

the more less you (than unsuddenly writhing
with magic)i write for is really not and too
bad 'cause(taking with neat blackest fingers: me)
if you were i would swear a poem of fast
intricate roses(who amongst coyly hidden
scythes take)that swell with scents as
nearly radiant and folded as thy own scent
of swelling(so please waiting too long don't to
finding) enchanted nothing: rolls and rolls

of stink

each pairing

  --parting--

comes over words
lips over
sounds of
throats young.

hubble bubble
(outside)
below the window sill:

                
                        summer; and; ******

You stand very close to me I can
feel the heat from your skin it leaches
into my skin I am breathing (smallly)
your breaths as you are smallly
breathing mine my hand accidentally
touches your hand I'm (not) sorry I
wonder are you sorry I touched your
hand very close to my hand and I
would like to touch it I would like to
taste you between the near wetness of
your lips and drink the fair vial of your
health I wonder why do you stand so
close to me I hope it's because you
want to accidentally touch me 2.

is to see strangely
the rain hanging

by a most cloud
grey when
behindit
lays                      
only

blue

there is an old man who is dying inside me
he lies by a pale ocean
his eyes are and mouth mouth crawls with
ladybugs Spring is there
her lips are full of chafe and brightness hangs
about a flower less
petals each into the wind next to a pale ocean
where there is an
old man who inside of me is dying

i love sUMMEr oh i love it like like i do
i think because i love magic and i do
the darling suicide of its breast's between
i laid a crown of poppies and thistles
i laid a forest of ivy and of jasmine
i laid a hand between them and its hips
i laid (at least) 2fingers (3please)

                     SummeR

always tight and wet wants more fingers
between hips (and i laid a girl between them)
she rolls around when you stick her with a
thorn(andwhenyoucomeoutthere'scratches
all over your neck and you bleed a little
but it's ok SUMmer says coyly)


she's a **** and i love her

"Unfortunately, in reality, it doesn't really matter how you feel on the inside; it's what you project outwardly that has meaning. No one can look inside you. They cannot see or hear what you do not divulge. You are entirely in control of the way people perceive you.

Speaking and giving off of yourself is the most powerful mechanism you have in your hands. You can get the things you want and control your life simply by adjusting what's on the edifice.

You can be a ****** up wreck on the inside, but as long as you do not let this out, as long as it is not perceivable in your character, no one can know.  

In fact, to the contrary, you can, despite these feelings, build an image of confidence and power. This is what others come to know, and this becomes the shared reality."

so just sitting in my room softly light, the marvelous comely feeling of your warmer fingers elates me sitting in a narrow beam breaking beam by tree's boughs breaking beam in my silent room you fracture and dance dappling your warming narrow comely face