Spring, that whose every year is its last
and whose death always is the promise of its birth:

you pink between,

you softly to part,

you to come of flowers lathered,

you are a mystery.A cute curving mystery,
of slightly undeath.

a curt cutting mystery,
of increasing unhealth.

you're whose *** the mound of wreaking,
the confluence of hips,
and the pourn of roses, gardens.

there is a man in a small voice with a tight hallway

he is waiting

he is waiting, his boy like dolleyes watering
in his tight voice
is small hallway

he is waiting

motes
nicely
still
in a
pale
amber
shaft
of
sunlight
somewhere
in a
toowarm
quiet
room
(feel
a hand
motes
suddenly
tremble
into
life
dance
wildly
)return
to
           stillness

life, i cannot begin you to describe beyond my dreaming self your how divine moments of simple nothing.

your body is not, and i love it the how it is not. it is

and not it's


some muscles firing with hurt
seething to ache
so horribly
wondrous. it's driving

to the beach

too early in morning and you're heads not clear the sky is so wide and the sun is barely. it is

the uncurling of your fingers between
dishwater
and the winsome triteness
of the caving instant of your breath
caching in your throat
as you realize the dying
of your frail self,

clutching furiously the mundane heady song
of a coffee cup

(and in perfect silence emitting
the most enormous roar
of surging electric stillness)                                .    Life

you are half terribly
painful to. and life, you
are half splendorous to ****

sweating in the heap of your
car behind

the creeping sweep
of raging vein. Life

you are perhaps nothing. But lifE

you are the most,

and nothing hurriedly to slowly
take between the unutterably tiny *******
of snowgirls

their coldest song of closing lips,

and speak something hot

(something big).

"People love being weak. They are in love with with their weakness–flaws. This is due to the twisting of their own egoism: when they see someone strong and free of flaw or worry they must invent some way to justify their own value by contrast. They take those traits which define the capable, noble and powerful and redefine them; make them into hallmarks of stupidity and shallowness. They make claim that what is truly good is what is weak, flawed and incapable–what is like them.

What is most noble is what suffers the most. Who is the greatest victim is the greatest good, superior to all others. Thus you can see them in action: arguing for their victimhood, trying to be the weakest and most pathetic. Busily inventing with creative fervor new statuses of being to which to cling.

What is more profound, more deep and compelling than one in pain?

The irony could never be more clear in that the weak grow strong in their weakness to justify their secret longing to be superior to the strong. Are they not after all damaged, and yet still surviving? What is more brave than that? What is more laudable or commendable?"

love's not mine

                    nor

                for

                        me

                  neither

                i
                   either

i not loved
                    exalter
                                  though

to speak love, say love, deftly

                 I

my whole life i
,to say 1 raw
perfect thing
,t' would trade

uncouthed, in the plain, in the pleasant, in the big upward outward (foreverandever) the sky. andl eap tu pt ot ouch the grotesque marvel: the sun; who's infinitely finite strands of lovely fingers briskly gallop on the smooth earth. a fine lady, he loves most, HER.,;';,.

**** so little tremble(littletremblingthing)
you rough prickle, 'gainst my lips prickle
your day old stubble(idon'tcareifithurts
abit)and deeper digging mouth does
and those tiny splinters(asyousprout
yourentirelyquakingbody)get so
snugly piercing my skin i (but i didn't
care a bit even if they rip it clean from
my cheeks; those minute spears of yours
)pressing steeply even further i do
to get your fiercely pleasant muscles
up 2 1 startled splendor
(when you open sharply and cave out
one stifled ROAR,

do you see
     (eye have)
shadows?

they are a tiny billion streets
littered
           piling

in drifts

'bout streetlights 'bout
          stop signs   'bout
          dimly frosted pains
          of dimly glowing windows


gathered
gathered

huddling(and their hands almost touching

                  but don't

                   passing


passing

                                  )shadows


a­ tiny 1000000000

                                          










­



























                                     ­                            in the streets
          



























                   ­                                                                 ­                                                                 ­                         




















                   ­                                                                 ­                                                                 ­                        ,

.



































                                                                                fly













                                                                                                                                                                          .

it is funny





                        Livingdying



because                                       ,


(careful and new Spring
) is

autumn, thing. well

almost maybe

do you suppose, Dust

for ****** old maid

that passes quicker into nothing

it is funny


that because, lady

your fruit is nice and ripe
though for second
and forever won't

livingDying

do you suppose?

chest deep, thick as

nice sweeeet

                         salt glossed

                         a splayed fathom

                         of  girlthighs

                         ends in jointed parting

              departs
                             heavy
                                         2tongues 4 lips four lips
                                           pours a kiss

mint
          lipbiting
                          and

who forgot a word their lips trying to
find stumble stiffly up into the mouth
of a gun's barrel saying,

"Someday you'll see it."

when and used to sleep i'd dream
nary none now though i don't with
serious fantastical clouds of junipers
fast through summer like colours
through wind rush to meet the girls
in little bits of nothing next to a lake

                         and

throttled by a light breeze hair(brunettes
and blonds both)prattle and mingling
with it i when i used to dream cooly
of arms drunk with sun and pressed
with fashionable cotton and sugar(and sweat)
and little shining drops either on their
shoulders and napes and the backs of
their knees and when i used to dream
such things i didn't even because it
wasn't dreaming it was living

in bigsome whole colliding
the earthmoonsun suddenly
start starring into opaque
coolness: the nape over
standing hair exactly

on ends of pricked groove

the moonlight is just
and the crooked
fullness of mountain
the breadth of pale sky
interposed, a uh just

under the scalp tingling
when it's outside
carefully snow
and your feet are so wet
inside your shoes

where you kissed a pretty girl once
and though you will
(why not)
be dead someday

turning the radio
up until its bigness
erupts

1 invincible shining moment
comes crashing thoroughly
over the slack drawn tightly
instant your lovely fat lips
SmaS!H over me deliberately

i lay here in bed
and my wife’s
beside me her
breathbody is
rhythmically and
i can hear sleepness
which the curved
blades of her back
:(risingandfalling)
commit each after
each of breathing
which her ribs
contain and her nose
vents between cartilage
and membrane making
the finest whistle
only finer than the
thinnest fineness of
her hair which also
is and beside me which
catches the lamp light:::

      SHIMMERING

ap
oem
w
assu
mm(h)
e
rh
er
wa
sa
and
itwa
sjust
g
re
een
(h
erg
­ra
ss)          when it
s
pilt
that tenderest first hurting
o
fl
o
ve

on the ***** of pin rests the whole breathing and dying finite ugly world

cast in minute wearing

)she is fair and frail and far and far

Ffall, she shrugs shoulders and from
there stumbles gold in delicate smash
in aching sigh, in verdant crash
                                                                                      (the sun small i see through my window out there

somewhere a girl is probably sitting who almost)

how  of,

              
       U wen

've               been

wine amongst such dower trees as Spring:

a perched upon
a string of suddenly
cool night has


           alighted

with weft of surging flower
a stumbling drunkness of **** infinite self

(a parting of easy fragrance   )                  soft

at the hinges

and wet between

the peels of rough human knees:


                                                           (some hand; some soft
                                                            
                                                             At play

                                                             at hurtfully
                                                             entering eager pain    .)


                                                                             t
                                                                             h
                                                                             e
                                                                         sound
                                                                             o
                                                                             f
                                                                         fingers;

            
                                                                 the sound of love.

my arm

it was

                it was trying

it was my arm was trying

it was trying to say

              my arms was trying to were trying to say my arms were

saying

                blood

the world fits most easily in rain between
the close thighs of light
eking just slenderly

one ephemeral rill of ****
penetrating
to eagerly spill
dawn.

                 (the though world
                   in rain fits just
                   in just the loose tenseness
                   of muscle unbounding
                   from bone, wide
                   )with
                    a sliver
                                of
                            neat

                     ssenlriG

it hurts too loud
my teeth
the grinding
and ****
sound pretty
when


                  GULP!!


about your throat
my fingers
fit nicely

ybab em rof tips(on it baby)

and cute the slightly
tearing of you
cotton in neon

freckles apart shaking
little brown
legs,.!

cut that face pretty
stealing
                 between
aisles glossy thick
with starkest sharper
lighting catching on
the edges of heaped
organized rows and
rows
and rows of
cans(quickly splinters
a fairy pale smile)just
pink and little and
painful pretty smile
by the frozen goods
(i think i'll say

                       "hello"

"I'm so tired of being alone. It's like a weight; just heavy on me. And sometimes I almost want it to crush me. Just to get it over with. Just to be done with it."

a lot of times after the sun
and the lilies and next to
to the rain is a window
and i'm sitting waiting
looking and sitting
and waiting
next to the
rain a
window

i have coughed a small star
from my throat it tumbled
by all love though littleand
frail it charged urgently for
reckless girl things sinking
deftly into sweet crimson
parting miles of sound it
brusquely twained still blood
pushing rush(hearts clamped
)it pried from hinges doors
singeing crisply all downy
things and it though unfurled(
small; by all love)a fist of
hulking lust

this thing is very pretty.
it does not say much,
its cheeks are pale over
and beneath blossomed with crimson.

it has 2 light eyes
of greeness which
move softly over the nose
and lips–2 florid strips of pinking.

its hair is spun of evening sunlight,
red hushed and riven with ray.

this thing is rare
and beautiful
and lovely beyond lovely.

this thing is a girl,
she says
her name.

her eyes move softly,
and her cheeks shine as blood with snow.

few things have ever been so perfect,
few things have ever been so girl.

glory is to suddenly
hands drunk with
sunlight mingle
moted through
errant beams of
almost spring light

(the steering wheel tears laughing and enormously

    into


                the infinitely splayed
                thighs of flower



                a Pale hand waits
                to ***** the flourishing stem


                and drink through
                near darkness
                the excellent body of Spring,

                                      
                                                           '



                                                             ­         ,


  
                                        '





                 ­                                                  ,


.) Chaste–
doe ears leaf cotton
the twill of starlight
rough kissing between
forced lips of stiff youth:




                                                      ­   i
                                                    rid
       ­                                     iculous
                    ­                      ly that a
                                      m of freck
                                  led shoulde
                              rs lead through
                              by the parting
                               of naked health
                                 bright forests of
                                   dark trees
                                 whose black
                                wood hides in
                             who the always
                           sinking cur of
                      dumbest youth) let me speak and i will tell you a day:

"We'll start with choking and work our way up to slapping."

"There's nothing wrong with a ****–
just don't fall in love with one."

Do is everything because becoming by the hands of our repeated selves
(or so i'm told by Nietzsche is a really ******* ******* that can't
Kant a **** thing about a thing-in-itself give one flying **** too
many after hours drinking way low into the bottom of some end
i–means–met by the dark absorbing linger of neon around sign
talk talk talking about how Nietzscher'd teach yer about a thing
made of its own ******* will "you **** me or what)"?

come up through me

   lifting


         brightly

to
the        naked cup

      of my lips

an unpursed

whiteness

that shall spill

over thy slender

life

             LIGHT

i miss you are dead
somewhere
dead maybe

you were alive once
unknown
,but knowing  . how

like it feels to dark within
the instant upon looking
through wet neatness of
glass onto the rain

where a city is

and say, "because it stops for no one."

you are because i am because you are

holland was a pretty colour
wriggling in my veins
her languid golden
worms, freshly
elegant
dirt

.































































­                                         of
                                      loves

                 ­                  we've had


                     remembering is too difficult


                                    we would

                                       rather

                                       forget


















































.

there was unfat, a face with a grin, that wears a body
like a man without hope next to the grocers yesterday
skin and bones, a face that wears a man like a body
without food, veins clearly and muscles also, from a
body with a face that wears a man without hope or
food

              but grins

how i came by
this lush trickle of vocabular erupting passion
   i electrically shovel

  in
          digital grunts
i
   kno

                ,w
not
                                only
    

                   i           :T,s

HA'b,i:Tu
                       a
l l
          y

.































































­
                                                  who loves shall not die beyond there body.



























































­





                                                                                                                                                                              .

it was november it was raining just a little bit
of rain was powder fine glisten soaking
the frail pale length of the forest long dark
sleepily crisp in gnarled and in limbs
crooked elegent
the way was streaming(bent with treees)over
and a sprig of magic sharply
in my nape first creeping
through loam(worms)
my chest
worn of heart broken, i
through gnarled lengths of long sleeping trees
freshly said life
in the nicely dead forest
my heart(worms)creeping
through loam

burst distinct order. the old new's gaining trembly girth in spongy sauntering crawlingand BANG surely nothing's still as moving jitters cream a taunting yes

the eyes turn over fingers
turn over wine and flesh,

teeth tasting and small
inside the hips

(where my mouth lives
with 2 blades of youth.)

you like cuts, bleeding,
don't you
                 ?
                   (aren't you)

scratches dear,
you like,
                 don't you? dear

claret
                 baby

you like fingernails,
dear, you like,
                          aren't you?

black painted
red wells
                   from drawn, dear, you

           're

                    like that

don't you
                  ?

i am dead tomorrow
i wonder will i
live again the next day
or the night beyond perhaps?where

there is a silver stair
reaches through cloud
and shevel of
moonlight

up into a garden
of lilacs sleeping
betwixt a girl
and her thighs

a song will start
of dawn over the
valley of her
hips springing

into each lifeless
trestle of flower
the shaking lurch
of life to live

through jerking
happenstance of
body and make
in some other

garden between
the hips of
girl flowers
and down by

the lewd shoot
of stem
their seed to break
and life to end.

***** summer(deeply1st)on edge
season, bonny, svelte and croons
with wide cheek rouge splashed
damson thick eve: muscled up
thick little back splayed fitness
invites sin(2ndnever)body the
white heather, comely fragranced,
dew weeping lilies are hushed
coolly at petals crush, the stem
carries 'pon winsome morn
and
                the faintly murdered, caving rush

The first act of creating oneself is nearly impossible. Being that they must ***** the very plinth upon which all creating is later done–all plinths themselves been built on ever prior ones.

closedness
the
tighly
opening of
your
fist is


                   SPRINGwarm

                            wetwarmSPRING

                             cloaked in flowers
                             and reeling
                             with tough ***** tinder
                             to splay as girl lips

                              and




                               r       l
                                  e          ea       s       e

of all the world there writes beyond poems love.

in whose lips the dust o' fairies wafts half-sharp.


half sharp it wafts hard as girl hips.


fitting between easily hands(andthekissingofperhapsboys)

to each go singing
'pon the blithe dawn.





)for not is a word spoken more easily than Spring.

When beyond all poems writes
by the cherry heat of petaled fawns,

love.