"People love being weak. They are in love with with their weakness–flaws. This is due to the twisting of their own egoism: when they see someone strong and free of flaw or worry they must invent some way to justify their own value by contrast. They take those traits which define the capable, noble and powerful and redefine them; make them into hallmarks of stupidity and shallowness. They make claim that what is truly good is what is weak, flawed and incapable–what is like them.

What is most noble is what suffers the most. Who is the greatest victim is the greatest good, superior to all others. Thus you can see them in action: arguing for their victimhood, trying to be the weakest and most pathetic. Busily inventing with creative fervor new statuses of being to which to cling.

What is more profound, more deep and compelling than one in pain?

The irony could never be more clear in that the weak grow strong in their weakness to justify their secret longing to be superior to the strong. Are they not after all damaged, and yet still surviving? What is more brave than that? What is more laudable or commendable?"

not i




                               ,







                                                                         Turn this lift
                                                               upon its shoulder
                                              into up making music of
                                        neck:


sinew febrile alive with dancing electric sometimes sound of mouth; and
  by how of fingers alight with such ungrace to hurt is a beautiful poem
   faster than light is quick through the blinds cut into a trillion thinness
    of glowing dust–

                                          (it can barely to feel)

                                                         the
                                                  stroking
                                                boy sigh of
                                              tonguefully
                                             aware thighs.

                
                                                                        flah ton decarb
                                                                     by girl cheek of
                                                             inching into seams,
                                                           pollen thickly sealed.

(a rose of night and sword of day;
with which vein'd marvels play –    )

tumbling trill and awake with sight:
to see where dark and skein are tight )


                                                  –––––––––––––––––––––––

a not caving self of into daring stem
******,


                                                                    burnt
                                                                         ,

                                                                           reeling


                                                                                                                  and said .

"That I shall not be loved: I shall love no one."

some broken poem lives(idon'tknowwhere)won't let word or sound touch its thin thighs and scarred knees from being on them between the knees of boys too many times; demure and easy as rain in April where Christ is born again to the rough feeling of a broken poem in the backseat of her car running with face of eyeliner and still trying to be pretty.

i am dead tomorrow
i wonder will i
live again the next day
or the night beyond perhaps?where

there is a silver stair
reaches through cloud
and shevel of
moonlight

up into a garden
of lilacs sleeping
betwixt a girl
and her thighs

a song will start
of dawn over the
valley of her
hips springing

into each lifeless
trestle of flower
the shaking lurch
of life to live

through jerking
happenstance of
body and make
in some other

garden between
the hips of
girl flowers
and down by

the lewd shoot
of stem
their seed to break
and life to end.

your lips



             (the word)






are the smoothless mastery
of the sea breaking
into silence constantly
their loud sharpness;

quaking with rush of
moon hush, the fierce
treble of wave and
night beam

–glow broken
through unmute
shoveling of
lip;

and feel (where deep)
of green darkness
and the silver plucking
of woken thread.

"where were you?" i was the cooly over of mouth–the wind–
that beneath which chants of ***
incessantly

the world

in pink creases of easy Spring.

makes me to lay down
in waters of thistle
and hollyhock

the crude and sinuous
vehicle of sing.