Submit your work, meet writers and drop the ads. Become a member
 
Feb 2014 · 676
that too has a shadow...
Nat Lipstadt Feb 2014
mountain ranges cast
mountainous shadows

men, just,
even just,
one odd
man

can cast ranges of
mountainous shadows

these shadows,
both
in and visible,
out and invisible

there is a looming large,
late in the day shadow
of substantive length

in and on me,
though shadows amorphous,
it's weight is crushing me

You cannot escape, Helen
a shadow
both
in and visible,
out and invisible
Nat Lipstadt Feb 2014
the woman disregards
what's best for me,
( See http://hellopoetry.com/poem/bus-poems-victuals-victim/ )
gives me with kind regard,
what's best for me,
for this is the kindness
that hallmarks
the long lasting kind

bring before your childlike tap tap attention wains,
a treatise on leftover chicken wings
and other such nonsensical
finger food additions,
purposed
to inspire, to find innovation,
in expressing, reclaiming and newly exclaiming
that miscreant four letter word
that appears in the other 99% of les ecrivants
(See the notes)

in some poem writ recent,
pontificated that the
most overused three words,
yes, those abused three,
degraded by overuse,
losing their poetic juice
thru constant repetition,
being nearly
boringly indecent,
even when
boldly italicized,
the impact upon the reader
is in the realm of
"oh yeah, that's nice for you"

Better to be best in show,
deduce how,
to demonstrate
rather than insistently remonstrate,
new ways every day
to say
chicken wings means..
you know what...

Some get tea and oranges,
others get cherished
when our repast is twice recast,
when she feeds me leftover
chicken wings,
both kinds,
spiced and honey just like
l....e should be

do you know why
Silly
has two L's?

Correct.

for the run lies therein,
kissing knuckles when unexpected,
******* the exhausted, tucking them in,
going out for ice cream in the midst of a
polar vortex,
recording the game to watch later,
so her downtown abbey guys,
she can be watching at the
proper English
place and time,
and celebrating life the next day
with leftover chicken wings
and other heartfelt,
but unheart healthy food additions

that folks, is how you writ a poem in deed,
that will be returned to you sevenfold in reads,
when you want to explain how,
you can, truly, sigh,
you know, love another...
with sinful, leftover chicken wings
Love is a four letter word, when writ as,
I  love you,
Nat Lipstadt Feb 2014
Wry is one of many things you do well....
~~~~~~
dedicated to, inspired by Paul Anthony Hutchinson, who wrote those words to me but two hours ago

Wry
- produced by a distortion or lopsidedness of the ****** features: a wry grin.
- abnormally bent or turned to one side; twisted; crooked: a wry mouth.
- devious in course or purpose; misdirected.
- contrary; perverse.
- distorted or perverted, as in meaning.
- bitterly or disdainfully ironic or amusing: a wry remark.


It is bitter,
It is amusing,
the distorting that gives a shape and thereby
meaning
to a misdirected life,
the ****** muscles perused,
all reversed, all per-versed

t'is not just the smile that is loopy,
or simplistically turned upside down,
twisted but not dubious, nor devious,
twisted but straight, I say,
wry is not a seething something I do well,
wry is in every nuclei I ever split,
every line etch-a-sketched in every poem
worn down,
physically inscribed on my face.

so much to reveal,
but not here not now not,
ever on and ever in, explicit
but blurred, burred, and buried
within them is the ironic of a man
that laughed through the better part of his life,
for in that period, there was no
better,
just worse

I was born wry.
the last of three, I was nameless till I was twenty one,
they called me just
brother, or the brother.

at twenty five, I married the wrong woman,
though we both wanted not too,
thirty five years of wry, the lawyers rejoiced,
the judges celebrated, the poets went mad,
swear it true,
the family counselors said
beyond hopeless,

and with wry smiles at the spectacle of years wasted,
spent like there was no tomorrow,
for there was none
in the titanic disaster of more, new lives corrupted

I lived life wry.

now, in the final fourth quaternary,
see how he,
the master of the unceremonious,
in on bent knee, hands clasped, on bed, rested,
when he seeks comfort and guidance for the upcoming
finality following a two minute warning,
warning that even now,
the future wry, turned to one side, when all he wanted,
was to live quiet in the straight and narrow
and not write poems asking himself with trepidation,
from where will come the courage to make this
last passage....

oh yes, I do wry so well,
and all things that wryhme with hell,
you will be spared,
for wryly he exclaims
"Enough, enough"

wry why!
for in all the days of his disheveled life,
there have been but a few,
when it has been simply,
enough
Nat Lipstadt Feb 2014
In the end, where is the courage?
~~~~~~

a festering poem~notion
that can not be kept down,
in the making, long,
in the scrivening, short

even the simplest life,
the most ordinary,
cannot ever avoid the question,
where is the courage?

this journey, near complete,
packages delivered, dust and mud,
a canvas of the well worn, conceded and deeded,
nearly done, in the corner almost all that's needed,
a scrawled illegible, encircled set of initials

but never mind that,
for that doesn't obviate, or explicate,
what is important, no matter where and when
you are GPS dotted on your particular travelogue,
the quest, the question that does not come or e'er go,
but permanent, like the dimple, given at birth,
where is the courage?

threescore and more and therefore puzzling,
what matters now this solution in need of resolution?
this easy to provide the clarification notification,
perhaps you are young and the future looming large,
courage in ample supply, for when and where
life requires resuscitation, even enunciation,
you easy answer, here, within,
below the surface, just underneath,
at the ready, in service, a call awaiting when asked,
where is the courage?

the sword of mine so oft drawn and bloodied,
my exploits, I unashamed, but yet new war cries recirculate
and they call out "give us the veterans,"
whose courage spoke of and tale recorded,
let them lead us once again to succor and success!

they cannot know or be told,
my chain mail armour, my heart's amour,
rusted and weakened, and battle memories
too well recalled give me not wells to draw upon,
but wells to be drowned in, fears of fear of it,
it cannot be done again, the supply all drawn down,
the well overused and dry, history revisionists
cannot bring back what once was just by asking,
where is the courage?

the temple in Jerusalem sacked and burnt,
but the Israelites returned and rebuilt,
in ages and days when miracles were a dime a dozen,
no one could not imagine exile permanent,
but it came and lasted but tho many,
ceased to believe, a hardy few knew the answer,
when the the quest, the question that does not come or go,
was flaunted both to and by the fearful, the tired~souled,
where is the courage?

here, within, but this time dig much deeper,
under grime and desultory historic rhyme, it be buried,
just sip and sup of it, but a taste will reignite hope hopefully,
of
what is only dormant, but never gone complete,
that is what they whisper, in my one good ear,
but I know better, tho eyes dimmed,
my heart replies, the inky dark answer
that I hate but recognize as truth,
when it inquires
where is the courage?*

what matters where,
when, when,
there is no choice,
you know what to choose,
choose the pretense in hopes
that the muscle memory will return,
and restore what was once yours,
and must be yours, yet again
and if you fail,
fail well
for that will be you at the last, and the
lasting medal of courage tendered
Nessun dorma, None shall sleep.
This I know all too well,
you cannot leave or retire from the struggle
We call life, and
Tho my chin upon my chest weary rests,
Nonetheless, it my fingers under yours,
Under you chin, raising it up,
For that is what I have left,
That is what I do.

Feb. 3, 2014
Nat Lipstadt Feb 2014
Before the coma of wings and football,
invades my nation's soul.
by the East River will I perambulate
each figure on the walk drawn, that is me,
chatting to the gulls re the river's latest delicacies,
praying the bicyclists, on my body, have mercies,
but I will all the while be silently recording poems,
to tribute the international nation of poets and poetry
Later.
Nat Lipstadt Feb 2014
transducer -
a device that receives a signal in the form of one type of energy and converts it to a signal in another form: A microphone is a transducer that converts acoustic energy into electrical impulses

~~~~~~~~~
so many names,
none of them, kind,
none of them, nice words

The A, The B, The C word.

she would laugh and mock a spite and spittle filled man's
feeble curses and flit off to
charge her battery, steal electric life,
from a new outlet, another male body.

now a queen bee, regaling me,
her private audience,
with takes and tales,
of newly arrived
used up worker-boys,
her pleasure sources,
discards after a
singed single discharging/recharging

why come back to me,
what perversity,
did I supply?

she was elegant,
not stupid mean,
she was royal, imaginative,
her conception of a life well lived
was freedom from responsible,
self servicing,
the only motive

the negative pole, was I,
her cruelties energy, supplied
she was a transducer,
she was a re-former,
making her hate into her positivity

the original sin, mine,
hardly original, a cheating a beating,
plot of a rerun, rerun

the fist of being her
first
and then,
her last,
and now her only,
was
her curse returned,
sevenfold unending

her vocabulary was her deeds,
and her stories,
raw rut, well writ,
notated with selfies,
to insure my eyes agonists,
lest I cover my ears

I am your Transducer
she boasted,
pronouncing it languidly,
completing its proclamation
with the venom of a shotgun

I am your
Transsssssss-ducer!

I am a woman more sinned against than sinning,^
I am a woman more avenged by revenging,
I have taken your energy,
learned your cruelty,
and it has transformed me.
^rephrasing of Shakespeare's Kng Lear's "“I am a man more sinned against than sinning”


when you have no inspiration, then
http://hellopoetry.com/poem/find-your-word/
like "transducer " from which was wove an imaginary tale

Postscript inspired by Anubis-the-Philosomancer, measurerer of the science of romance.


The science of emotion
should be easily connoted by calculus.

The tides that do ebb and flow,
do we not with prcision know,
the exact time and duration of the
pull of the moon's gravitation,
was  child play even for the ancients.

But can anyone chart,
the human heart,
of a woman scorned?
Nat Lipstadt Feb 2014
Hannah! Stop that.

Hannah!
Did you hear me?
Hannah!

Go to your room!*

Really?
Seriously?

Go to my room?

Yaaaaay!
Hallway Conversations Overheard, perhaps like Bus Poems, a new series.  The father speaking in bold, true stuff. Hannah, a two year old muppet girl down the hall, well, that's my voice, responding, in italics.
Jan 2014 · 1.3k
Bus Poems: Victuals Victim
Nat Lipstadt Jan 2014
Bus poems are shorties written on the way home,
riding the M31 thru Manhattan. Often silly, often not...

There is a contest that does not involve my P.S.F.
(Preferred Sport Franchise) this weekend,
truly don't give a good ****** who wins,
but that is no excuse to deny me my sir sore-losing,
victim status,
so richly deserved.

A triumvirate of doctor, g.f. and medical tests,
have on the field ruled,
once a year, a conjugal visit permitted,
tween my arteries and chicken wings.

there will pigs in blankets demanding attention,
potato knishes, and cole slaw juices,  and a
foreign dignitary, Sayyid Cous-Cous,
lining up along side the quarterback  who will be
'winging' honey and spicy passes to his favorite receiver,
this couch coach and impartial observer.

This is my Sunday fare.
If insufficiently highbrow,
for all you poetic aesthetes,
have no fear,
this athlete gastronomic,,
victim of his victuals,
will prepare mentally
by hanging with King Lear once more,
sharing a verbal tasting menu,
the day prior,
who once called me,
at a Giant super bowl party,

“A knave; a rascal; an eater of broken meats; a
base, proud, shallow, beggarly, three-suited,
hundred-pound, filthy, worsted-stocking knave; a
lily-livered, action-taking knave, a whoreson,
glass-gazing, super-serviceable finical rogue;
one-trunk-inheriting slave; one that wouldst be a
bawd, in way of good service, and art nothing but
the composition of a knave, beggar, coward, pandar,
and the son and heir of a mongrel *****: one whom I
will beat into clamorous whining, if thou deniest
the least syllable of thy addition.”*
― William Shakespeare, King Lear
Not my finest, but you try and write standing up in an overheated bus
on the potholes they call streets in my city. As for King Lear, I still think he was just a verbose, whiny, sore losing Boston fan
Jan 2014 · 1.5k
Canary Yellow Diamond
Nat Lipstadt Jan 2014
tv tucked-in to premature sleep,
t'is elementary that I
I awaken midnightish,
mission most unusual
sherlocked~unaccomplished,
to disembark from the day's
shellacking


glancing out the window,
many of the yellow lit windows
decorating (not littering) my cityscape,
precisely the color of the tastefully ostentatious
but breath taking
canary yellow diamond five carat ring
I will never buy you,
that shall be the ring, always,
She-Lacked

not because I can't
not because it is impossible tho most extra frivolous ridiculous ice cream scoop
upright~downright double silly,
buuuuuut
because
certain things in life off course,
and are truly better for just
the wanting
than
the having.

but not you,
of course.

Of course!
From my eyes to your eyes and back to bed in five
sparkling heartbeats
Nat Lipstadt Jan 2014
I am circumcised, therefore, I enunciate...

circumcised: to purify spiritually

On the eighth day,
from my nativity,
circumcised,
as is the custom of my
wandering tribe.

marked thusly,
perma-identity carded,
thusly begins the path,
a pink-bricked road this one,
not to the Mighty Oz,
no phony curtain pulled aside,
where anyone goes to get
spiritual purification
for a price

Ah, you suspected something else,
something explicit,
not me~style,
give you honey,
road provisions,
come along for the observing his
clickety clackty clock

Ready?

For where we venture there is only
one exit,
And you are so not ready - I am who I am and I am
not ready too...

every line an enunciation,
every stanza an annunciation,
Angel Gabriel, a solo duo, unlike
Beyoncé and Jesus
we be on our way to any kind of purity,
poetry can buy

who knows what awaits us,
could be catholic, universal,
even the uncircumcised
get a chance to enunciate.

let me offer a clarification.

proclamations and sensations,
conditions and exploitations,
brown eyed girls, and surfer boys,
functions and malfunctions too,
abbreviations or adjudications,
conjugations in the congregation,
exhumation, the final excommunication,
I shun none,

I enunciate this:
false starts and junction boxes,
too many so so tired,
when can I lay down my shovel
and cease the decreasing deceasing of the body

this day nears complete,
and soon to eat
the last meal,
and still I ask

when can I lay down my shovel,
when will purity be mine,
my spirit's circumstances
repeat the commercial,
I am circumcised, therefore, I enunciate...

forgive my abstrusion,
my metaphors always offer perfect laxity,
choose the interpretation that pleases most
and my drift is toward the end of days,
when will my brow be a motif of
anointment and crowning head birth?

This is my Enunciation.

I cannot yet lay down the shovel,
and this writ is as of yet, still uncircumcised -
completely incomplete, it will be finished
when the spirit says
you are the purity,
the trinity of two hands holding two others holding two others holding two others and the chain is perfect because
it is broken perfectly, a forever repetitive respective handle with care
process

Forgive my visionary words that
give little clarity,
so summary due you,
This is my
Pronoun citation
I am
I am circumcised, therefore, I enunciate
on my way to the purity of spirit.
It just happened  on the way to sitting down to supper.
Nat Lipstadt Jan 2014
my love brought
me tranquility.
my love bought
me tranquility,
in a Manhattan bodega.

late at night in my city,
everything is for sale
where least expected
in mini marts, local delis,
greek coffee shops, spanish bodegas
pizza parlors, hardware stores,
all selling
salves for late night salvation

purveyors of
differential equations of
differing soulful sustenances,
certain imports that will probably never be
for sale in Walmart after midnight

all, readily available,
twenty four seven
in my miracle Manhattan heaven

My woman,
mapper of the byways
of my ****** landmarks
worn broad~ways,
his-toric foot trails of tears,
lines of laughters,
even a
purported dimple
I call a crevasse.

a sole survivor of
a mother's birthing skill marker,
duly recorded by her upon my visage,
in my miracle Manhattan

She knows, as do
some of youse guys,
that my poetry is
water born(e) and water soluble,
but Peconic Bay always
ain't right handy,
so bring on a
substitute teacher,
a hot bath,
helps me to enunciate
my verbal visitations

my love brought
me tranquility.
my  love bought
me tranquility
in a Manhattan bodega.

pour the aromatherapy,
my love brought me
for inspiration into and upon
my liquid writing table,
"Tranquility,"
a summer garden aroma

It soothes
my bad memories,
the herbs salve
accursed ancient wounds
that will never
ever fully heal
or be forgiven

my love brought
me tranquility.

my graces restored,
this poem offered in
grateful appreciation
with unlimited adoration,
something,
maybe even the
very one thing
**that can't be bought,
even,
in my miracle Manhattan
Oct. 16th, 2011
Nat Lipstadt Jan 2014
and he does not think it strange,
watching two hours of the hottest hip hop,
in freezing cold surround sound air,
returns home to a medium warm bath,
where the drink served, icy cold vitamin water,
liquefying the mournful, dismal~gloomy,
lugubrious poems of lost love he finds
under his hello poetry pillow,
that gives no one relief,
neither to the writer or the victimizer

and he does not think it strange

reads strange takes n' poem tales from Avenida Paulista,
but his body dances to an Argentine milongia melancholia,
a contrast and a contest,
his heart asks where is Patagonia,
as the Arctic Vortex melts into the bath water

and he does not think it strange

for he know, he knows that this makes little sense,
but perfect sense to the poet-man,
try to see it his way,
there is a fussing and fighting inside,
that cannot be worked out

and he does not think it strange

but this be the funk groove of his extra
ordinary life wherein his body and heart,
and hundreds more,
can be held aloft
on a single wrist with fluid ease,
if allowed

and he does not think it strange

when he says,
aside aside fellow dancer,
and he does not think it strange,
he wants you to understand
for that, you must be
*be beside beside, fellow dancer
You deserve some explanation.

Saw two hours of this dance company

http://www.youtube.com/watch?v=5EZ-eS-LClY


went out into the sub freezing cold.
climbed unto the holy water to
read and write, and reads poems on HP from SP,
and poems of busted love while
McCartney sings We Can Work It Out
writes of the streams mingling,
and he does not think it strange
but duty bound to ask you to join
the ride, and herein he signs your
permission slip,
for his woman is off dancing Argentine tango at a milonga
till long after he falls asleep
Jan 2014 · 1.3k
S.S.O.S.
Nat Lipstadt Jan 2014
love love me do
the reply, of course,
feed me tea and oranges
that come all the way from china,
meet by the river,
meet me by the marketplace,
meet me at
the railway station,
we'll pretend to be
strangers in the same compartment,
long lost
combat buddies,
exchanging SOS's,
duelists hidden in plain site,
you'll say I like that tune,
the reply, of course,
it's a memory I haven't had yet,
it's sad and it's sweet,
someday, I'll know it complete,
when I wear an older women's clothes

puzzled,
he will try to be impressive,
trading rhymes for freedom,
verses of hearses mourning distance,
but there are no secrets
the eyes can keep,
or others cannot read,
and if freedom is longing,
then these children are free,
not at last, but to long.

They are the
children of the morning
leaning out of windows,
looking for love,
will they lean that way forever?

there are twenty eight new moons
in the month approaching.

there is a reason for every day,
plus one.

sand castles get washed away,
but
dreams of waves and days
yet to come,
continuous and connected,
the cells and words
that transverse water bodies
built from the long lasting kind of
defiance,
the kind that states as its premise:

love can and should,
perhaps even,
will,
conquer the spaces
between the letters of their
exchanges and trade
whole words for
actions.

but what do I know, little,
for I am but an observer,
a driftwood beetle from another ocean,
a linesman of a different kind,
who only know how to hum
on a long distance line,
a single tune,
she loves you, yeah, yeah, yeah,
an eavesdropper of their voices
that are neither muted,
nor common.
Apologies to Leonard Cohen, Bill Joel, The Beatles, Glen Campbell and Nat Lipstadt, and one or two others who are nameless, from whom I plagiarized shamelessly, for inspiration.

In popular usage, SOS became associated with such phrases as "save our ship", "save our souls" and "send out succour". These may be regarded as mnemonics, but SOS does not actually stand for anything and is not an abbreviation, acronym or initialism.
Jan 2014 · 1.6k
The Muted Commoner
Nat Lipstadt Jan 2014
The Muted Commoner

You don't see them,
......Just past them......

Speak but unheard,
perforce, thus, muted,
against their will

blogs bread unread uneaten,
poem orphans better than us,
vine ripened unto death

Truly dare you say I/you the better?

Shamed heat, you spit,
outed, no penance offered,
non granted,
the forgivers are muted too

so this be your charge,
so this be your salvation:


free the mutes from the trance -
exhume, exhort find them
in the back pages, then
acknowledge  that we are all
Muted Commoners.

find the poem unread,
revive it with a read, a heart,
and then you can speak your
Peace.
Written in a taxi.
Jan 2014 · 6.5k
Dreams of a Child
Nat Lipstadt Jan 2014
Dreams of a Child
Created: Jan 23, 2011 5:44 AM
Finished: Jan 30, 2011 4:23 AM
Posted here  Jan 2014
Warning:
a very, very long poem, but within , I promise,
there is a precise stanza about, for you.  
Take it as my gift.
Let me know which you took home to play.

~~~~~~~


Some poets care not
for the
discipline of rules,
laws of punctuation.

Why bother brother,
with putting poems
in antiquated jailhouses,
prisons of vertical bars,
or afford the reader,
the courtesy of horizontal lines?

Question and quotations marks
these day refuted,
as a Catcher In The Rye
conspiracy symbology of big lies,,
political interventionism,
to the creative, most natural
right to be crude.  

Inconvenient impositions,
symbolic flailings, of an
over regulated civilization
in the throes of declination

Punkuation is but a
societal annoyance to
today's creative geniuses,
periods, commas,
nothing more than
a pause to think -
who needs 'em?
when we want to stink
up the atmosphere with vitriols
of half truths and inhuman
but oh so gleeful,
concentrated disparagement
of any person worthy of
nationwide late night mocking merriment.

Such free spirits, vivid animations,
within me do not reign,
though upon occasion,
boy got permission slips  
for breaking bad by invention
of an occasional new word.

New words, white truffles
vocabulic incantations,
my own cupcake creations,
meant to burr, or purr,
their tasty meanings, always,
were readily apparent.

Sometimes we rhyme,
sometimes  we can't;
doth not a reading of a
poetic periodic table
of rants, chants
love poems, and paeans
to a shhhh! pretend,
overarching, poesy ego
require some minimalist format?

How I envy you,
kind observer,
possessor of literary powers
untoward and untold,
delicate touches of a fingertip
rule and rue
poetic invention.

You can zoom away or in
for a closer examination
of unscripted revelations,
incinerate them like an
yesterday's newspaper,
thus demonstrate contempt for
less-than-historic ruminations,
as time has done before.

Witness the crumbled ruins of Ozymandias,
king of kings,
and how the critic's machinations
with a dash of tabasco time,
his works, now museum pieces,
in the Tate Modern's room of
Laughable Human Aspirations.

Don't panic, sigh or groan,
kind observer,
infection inflictions,
content of discontentment,  
ancient whinings that the publisher
long ago listed as discontinued,
will not herein unfold.

What has all these mumbled asides
to do with the Dreams of a Child?

Apologies prolific I distribute
for this long winded profligate prologue;
and even for prior invasions
of your contemplative fantasias,
but my intention certain:
**** out the weak chaff eaters,
feigners of faux interest,
who stanzas ago deserted us,
this confessional lore.

These prior lines conceived
to mislead and deceive,
to refer and deter
send away, the hangers-on
who litter our lives,
with whimpered falsehoods.


So, we begin anew:

Today's lecture entitled
Dreams of a Child
were formatted on a silver disc;
this communication's originations,
seedlings of block
roman black letters
on background of cleansing white,
re things that jar me in the night.

Easy slights that waken
from a fitful, pitted rest,
mental paintings
natured in gem colors,
tourmaline auras,
and vibratto hues
of blue zircons.  .  

I have never lain upon the couch,
in the inner holy of holies,
where one whispers
to the Father Confessor
an original composition,
subject, title and inspiration
of said unique origination,
decidedly of one's own choosing,
roots of the essay's telling,
harvested in the root garden
of one's dreams,
where grow herbs,
spicy ones,
flavors of childhood.

The lush and wooded smells
of a forest of childhood scars,
and it's concomitant
putrefying, fruited rot,
awoke and brokered
a stilted, tremulous sleep.

Went to bed a a man
of modest success,
of modest scenes,
a bond trader, who trades
exactly that:
his word, his bond,
his blessing to his
deal constructions,
all of which, ended with an
irrevocable cri of "Done!"

Yet like you,
I am oft undone.

Dreams.

In truth, not dreams, but
spectral moments of
our lives relived,
a melange of ancient lyrics,
taunts of childhood abusers and
peer humilators
who could
teach the CIA
torture techniques
of WORD boarding, par excellent.

Angelic faces of human ****
that birthed in me a holy duality,
anger and a,
love of words,
my vaccination serum.

Granted a love of
human kindness
from teachers who cherished their
high and mighty tight
to publicly humiliate,
knowing full well
that human laws could not
attempt to have them
justly incarcerated.

Where, where were
the supervisors
who let me be spit upon
in the back seat of a
Fifty's station wagon,
by the brothers of
a sainted dead shepherd?

I am still eight,
sitting on a stoop in the
modest side of town,
towel in hand, so handy,
to wipe the tears shed
for cause,
for the car-pool of suburban boys
who "forgot" to pick me up for
Sunday swim night.  

In high school,
in the back row,
I silently ******
the juice of a Sarte lemon and
essayed a term paper,
upon multiple mirrored
reflections of a man
called Camus.

As another self styled, only living
teenage expert
on "alien nations"
received with pride and trepidation,
a sentence of Ninety Eight,
on my term paper,
but the pedantic predators
deemed it an accident
for I, was  inscribed in their
Upper East Side
Coda of Prejudice,
as merely,
"just" a
man of USDA,
B grade quality intellect.  

Hand me downs
I did not get
as I was the
younger, sole brother,
but worn lint lines
of humiliation
when and where my pants
were "let down"
to accommodate growth spurts
were my growing marks of Cain.

Those growth lines
were economic reality signs,
and were rich fodder for
childhood monsters,
Scions of Income Superiority
who lived in ranch homes in
two car, color tv garage slums,
wearing band new Levis.

In the Sixties,
time of my unsilent spring
wore a cross of
teenage hood,
my hair,
worn long,
Jesus style

Worn with labor pride,
for it was
Made in the USA,
I was a most conventional
revolutionary.

In the parochial jail
of educated guesses,
where society's lesson plans
of all that was bad
were O so well taught,
I was apart, ahead,
of Our Crowd,
but not too, radically.  

But a spiteful
Principal of No Principle,
deemed my locks a
disruptive influence,
so to exorcise my rebel streak,
so to crucify his "Jesus Freak,"
so to exercise his diminutive spirit
a pompous uber man,
he had me shorn
like a sheep,
thrice
in just one day,

He loved his full employment
of his pharoic entitlement,
The Educator's Power of Abuse,

I was so denuded
of human strength,
the Italian barbers of the
East 86th Street subway station,
wept for me,
their cri du coeur,
Angels in Heaven did hear
and from God
did dare demand
an explanation!

He roared in manner celestial,
"Is he not my child too,
and if he be treated
in style *******,
it is purposed and willful."

Pornographic compilations of
slaps across a child's face,
I've got plenty
of and in My Space,
should you care to
add your own,
down under,
got plenty of room
for all comers    

In a Facebook world,
I pride, not pretend,
that having fewer "friends"  
is my honest and true
reflection of who I am, and,
life lessons learned -
quality, not quantity.  

Victims of discrimination
can be most discriminating
in matters of
human games, associations.  
****** or word,
lack of taking care
is not heart healthy.

Tried to forgive
the despotic progenitors,
of some of that which
is good within me
that, irony of ironies,
they can claim the title,
creator;

Tried to give them
what I had gotten -
from the happy malcontented  
evil spreaders,

That grace, grace is
the only methodology,
an inestimable but
valuable lost leader,
the only way
to survive on
this planet of
hardtack and
caste striation.  

Though still quick to anger
at the cutters and denigrators
I am quick still to
confess my own failings, and forgive those
of plain and honest folk.

Unfortunately, kind observer,
you had to share my brunt,
syllabic Iwo Jima battles
of a decaying verbal moonscape
to reach the denouement,
for now we have,
mostly arrived

Most likely you too
have long ago
deserted me like
so many others,
no matter,
this modulated breath
was born and released
from my heaving chest and
as I knew it,
know this:

My Absaloms
where ever you be,
presumably and hopefully in hell,
I give you thanks
and a mini bar drink
of absolution.
a tin medal of appreciation,
for the
Marked Improvement
you inadvertently nurtured
in this restless,
voyagered soul.

My ancient enemies
till now, be advised,
forgive and forget
was and has not  
fully formed
in my penitential template,

Unlike your natural capacity
for cruelty and mean
birthed unto you
in your third rate
genetic melange,
forgiveness is taught
in a Master Class
at a famous school of Ethical Drama,
that I did not attend

Though resident in
a better place,
my root garden,
the bitter herbs you planted
still grow but,
are welcome in sweet brotherhood,
until the selah days
of just one flavor.

Though the universe's expansion
is of a pace such that
time and space definitions
will stretch and warp
and need be
refined, replaced,
the governing principle here.
need not be rephrased.  

For goodness
from evil
doth come
and should your
evil spectres
once more try
for resurrection
in my benighted
dream world.
you will find the doors
locked and barred,
upon them a sign
not verbose,

**Done.
Whew.
Jan 2014 · 1.4k
Scordatura
Nat Lipstadt Jan 2014
Scordatura refers to the tuning of a stringed instrument in other than the usual way to facilitate the playing of certain compositions. A scordatura (literally Italian for "mistuning"), also called cross-tuning, is an alternative tuning used for the open strings of a string instrument.

Use of alternative tunings allows the playing of otherwise impossible note sequences or note combinations or can be used to create unusual timbres. The technique can be described as an extended technique.
http://en.wikipedia.org/wiki/Scordatura
~~~~~~~~~~~

no, non parlano italiano,
né ** conoscenza della musica!

no, I don't speak Italian,
nor do I have knowledge of music

but words, words I know how to love,
how to let them roll off my tongue,
onto yours, seducing you helpless...

Scordatura,
slow say,
you can't help it,
as you spoke it aloud
your hand opens,,
your mouth too,
irresistible, irrepressible.

wet finger petals of the flowering hand.

I want you.
I want you,
in my mouth.
I want our mouths
to make
Scordatura.

speak impossible note creations,
speak in unusual timbres,
but, as one instrument.

I want our
mistunings
to be the
tune of us.

Scordatura,
admit it, my seduction,
accomplished,
our tongues interwoven,
strings, X crossed,
and our tune,
extended.

I want our mouths to make
Scordatura,
speak impossible note creations,
speak in unusual timbres,
as one instrument,
tune combinato.

*Scordatura!
Composed on the eve of Jan. 27, 2014
Jan 2014 · 944
One more for the road
Nat Lipstadt Jan 2014
It's near to midnight,
and the work week fright,
so let's last-raise our glass,
and be upstanding,
let the words of
sleep-steeped prose of
a younger poet
rest our heads,
leading us to wander
off to sleep,
where we meet and greet
our poems borning
in their rawest form:


*can we walk
swaying like the tide,
along the damp, moon-lit breast of the beach
and fill the empty bottles in our clenched fingers
with lavender and red ocher,
a pallet of dawn
reflecting off glass?

can we...
drape ourselves in hanging hammocks under a
wide eyed sky?

i only want to listen to the distant roar
of water attacking sand,
like soft, silk whispers in a
salt canopied bed,
crickets chirping through the night time
warmth,

and tropical, sleeping
breath
slowly unleashed.
Saudade "Aching"

a talent beyond belief
Nat Lipstadt Jan 2014
you are just girl enough,
to be a real man...

so stand by me,
be a, be my man-girl,
shave that leathery face,
close and tight,
so I can kiss it smooth,
in front of everybody.

Go off to war, Cyrano,
write me love letters of
incredible tenderness,
poems as yet undreamt
come to me raggedy-man whole,
just enough girl in my man,
to make us both,
deliriously,
weep publicly.

Go ahead man,
write your beloved,
songs of the wars that worry you so,
that you don't show,
you think, I don't know,
but I am tough man tough enough,
plenty~enough,
to be yours,
not just the
woman, but that woman,
your beloved.

that bulge in your rear pocket,
not your wallet,
it's just some pocket tissues
you've been saving
for our reunion.

if you are afraid,
be not, be relieved,
you are just
girl enough,
to be a real man,
and I,

*well, I am tough man tough enough,
plenty~enough,
to be yours,
not just the woman,
but that woman,
your beloved
For WDE- 40
Nat Lipstadt Jan 2014
the theory of entropy

A doctrine of inevitable social decline and degeneration.
or
A single toss of a fair coin has an entropy of one bit. A series of two fair coin tosses has an entropy of two bits. The number of fair coin tosses is its entropy in bits. This random selection between two outcomes in a sequence over time, whether the outcomes are equally probable or not, is often referred to as a Bernoulli process. The entropy of such a process is given by the binary entropy function. The entropy rate for a fair coin toss is one bit per toss. However, if the coin is not fair, then the uncertainty, and hence the entropy rate, is lower. This is because, if asked to predict the next outcome, we could choose the most frequent result and be right more often than wrong. The difference between what we know, or predict, and the information that the unfair coin toss reveals to us is less than one heads-or-tails "message",
or bit, per toss.[5]
~~~~~
**one bit per toss

one love per life

over time we entropy,
degrade our physic,
even our heart~need,
tho ever burning,
gives off less heat,
as the candle aged-consumed,
the eighth day canister of love oil,
the sole remainder,
slow level diminishes.

we keep on tossing the coin,
and with every failed love,
the need, entropies, declines,
the coin is worn down,
making tails-you-lose
the greater probability.

but then all it probably takes,
just another toss,
and bit you are
by the coin of the realm
that-once-discovered,
from her, this realm,
this woman,
you will never leave,
nor coin-toss ever again
Jan. 26, 2014
For my beloved
Nat Lipstadt Jan 2014
we are bound by the electric
tape of music, poetry, dance,
a binding that only the rough cut
of a blade can sever.

rings, each of us have worn,
gold bands, for me three,
which I wore about my neck,
reminder, rings are easy removed,

but bind us in love,
of the pleasure of,
all things beautiful,
and
our boundaries become
one and the same,
there is no sundering
as long as we can
read, listen and dance
to the art of us.
For my beloved
Jan 26, 2014

She never reads the notes
Nat Lipstadt Jan 2014
Cut and paste unto your browser

http://www.playbill.com/multimedia/video/5723/EXTENDED-LOOK-Jeremy-Jordan-Darren-Criss-and-America-Ferrera-Perf­orm-Opening-Doors-in-New-HBO-Documentary-Six-By-Sondheim

Sondhei­m's only autobiographical song.

From Six by Sondheim. If u have HBO, find it, watch it.
Also whether-permitting see
http://hellopoetry.com/poem/lessons-of-us-what-is-your-target-market/
Nat Lipstadt Jan 2014
so listening to Sondheim talking
art, composition and
inspiration,
he says something that so astounds me, my core shaken.
hundreds of songs composed,
but only one,
only one!
autobiographical.

ashamed. I am ashamed.
99% of what is scribble-scribe, about myself,
so I flunk my very own poem exam.

worse, I knew it true
but would not say it lest,
my shame public pronounced,
till now.

his target market was the theater-goer,
the public, you.

mine, myself.
you invited into ******~voyage,
to peer into me
peering into me

but I have an oath modest taken,
from know-now on,
I will write
About You,
For you,
Less-on me,
Lessons of us....


Jan. 25th 2014.
http://www.playbill.com/multimedia/video/5723/EXTENDED-LOOK-J­eremy-Jordan-Darren-Criss-and-America-Ferrera-Perform-Opening-Doo­rs-in-New-HBO-Documentary-Six-By-Sondheim

Sondheim's only autobiographical song.

From Six by Sondheim. If u have HBO, find it, watch it.
Nat Lipstadt Jan 2014
How many days left in my body?
How many poems left in my body?
One and the same, one and the sane.
My body is my poems.

You cannot distinguish me
in any other way.

eye-scans, fingerprints, belly buttons,
areolae.

all possess, all differentiate, none suffice,
I say it thrice, still you do not understand,
none not a marker singular,
they are not me,
nor are they you.

so if you read but one of my poems,
my body,
you do not know.

but when I find you perusing, exhuming,
the-ones-that-went-before
then you will, can know as well
as I know myself.

each poem a pore,
each pore a poem.

How many days left in my body?
How many poems left in my body?
one and the same, one and the sane.
my body, my poems.


my body is not episodic.
turn on the tv, no imagination leaps needed,
but each and every contingent on the prior,
each poem a stepping stone to the in side,
insight to the story of the body.

more story than poems,
I began in the beginning,
believe me there are thousands
of writs that lie about, lay about,
that sunshine has n'ere exposed.

but enough survived
enough shared, enough spent,

You have never seen my face,
what matters that,
when you have seen my poems,
my body, more than windows into,
they are the very pores of me.

Jan. 26, 2014
Very very often I will read each and every poem you have written, one after the other. Thus, I am yours, but more importantly, you, are know-now, mine.
Reminded by Gina, to thank those of you who have rode along side me, and stayed.  Though I won't mention your names, I know and therefore each pore is now partly yours, indeed more yours than mine, because into them, the poems and the pores, you bring life, delaying the answer to the questions the poem asks, but does not answer...
Nat Lipstadt Jan 2014
Below is the first of two poems inspired by this piece of music, this one from a few years ago, in the midst of my divorce. The second, the better of the two,  is:

http://hellopoetry.com/poem/pachelbels-canon/

The music:

http://www.youtube.com/watch?v=kllZlF6mB2s&feature;=youtubegdataplayer
~~~~

Bereft of words,
one more time,
concussed by the hammering of
cacophonous silences
disabling my thought processes

In vanity,  
for when denied,
Le Poet-Poseur angrily asks:

Did not Mary  
have her cherries  
by command?^

But when the trees bow to me,
the collective of leaves mockingly
whisper sweet nadas, baby.
each leaf wraps my tongue,
in a sushi compote of sand,  
"hush-a-bye, baby boy poet"

June chilled.
But not chilling

Today, on a  overcast Saturday,
forces have mogged^^ me on,
transmogrified into a
Seventh Day Non-Inventist,
the creativity disrupters

Sadly,
Amazon doesn't sell,
original poems for redistribution

Pilings of papers,
variant demanders re my  
labors past and future,  
**** work-product of
teams of lawyers & harlots

Four years on, demanding now,
300 files subpoenaed,
need I say, they want me to re-tour my life my cuntry,
once more

Dummies!
these esquires ****** for hire,
my greatest invention,
my poetry,
they'll n'ere posses
cause I give it away,
domain denied

In need of a ****** shot,
drink repeatedly from the
Kanon by Pachelbel,
cannons of human-law
surmounted by the one divine

This note,  
the work product of
Pachelbel & Lipstadt,
harmony restoration,
a shared refuge,
a shared refute

Welcome friend to
a place that cannot be
bought, seized, sold

Pleasure thyself with each
note, scale repeated

Though the reign of the heavens  
doth suffer violence, and  
violent men do take it by force,^^^
peace and pardon,
earnest reward of  
poets who lived gently,
giving gentle, freely away
__________________________________________
(1)  http://en.wikipedia.org/wiki/Pachelbel's_Canon

^ Then bowed down the tallest tree, it bent to Mary's hand;
Then she cried: 'See, Joseph, I have cherries at command.'
Then she cried: 'See, Joseph, I have cherries at command.'

^^  Mogged means to have trudged along or moved away. (verb)

^^^ paraphrase of Matthew 10:7

My ex-**** wife lawyers got ever personal thing in my personal life, court ordered,  handed over to them looking for hidden treasure. I warned these *****, that they would find nothing except when I split an uneven amount, I rounded up the penny in her favor...which is precisely true of all the things they spot checked...what amazed me was that I had to go thru years of papers,  thus recalling our lives together, from the chaff came the wheat of poetry bread rising.
Jan 2014 · 904
Ode to a Kelly Rose
Nat Lipstadt Jan 2014
your beauty does not fade,
your self, remaking, and remade,
you see empty,
we see refilling,
seeking, dreaming,
but make no mistake,
isolation is not your condition,
no, instead think permutation,
you are skin shedding, evolving
the newer new, substance over
lip gloss of surface
and the voyage of transition
is wondrous to us.
Behold!
Behold, a
Kelly Rose!
Jan 25th, 2014
Postscript:

Tho the central sun warms the unfolding,
It is the bitter winded cold of the northeast that
Queries, what is the stuff of your composure?
Where artists litter the pavement, some rising,
Some falling, but all teaching by watching
You pirouette.

So when the inner quest is not sufficient,
Come to where the weather's central quest,
Is a reminder constant that there is no answer,
For humans are seasonal creatures,
Forever changing their skins or else
Slow dying under a tan that hides
No change

The postscript came to me later, obseving the snow flurries and and the NYCB dancers performing Concert Barocco (music by Bach) at the ballet now
Jan 2014 · 639
What is that, Dad?
Nat Lipstadt Jan 2014
Dedicated to Mr. Stephen Sondheim**


What is that, Dad?
Why that's red!
Red?
Red is a color.
A color?

Oh yes, colors are those very special things
that make all the difference, that make people and things
different, special and special is what you are to me.

What is that, Dad?
Why that's a cloud!
A cloud?

Oh yes, fluffy snowballs that are toys for angels, see them flowing across the blue screen, that is the angels playing games, like we do too!

What is that, Dad?
Why that is love tears!
Love tears?

Yes, love is what I feel when allowed, me to teach you, about the world and it is wet like tears and dry like when you make me big smile for asking the greatest questions and let me love, my being alive, even more, for the sum song of just we two.
Inspired by a HBO documentary watched last night, entitled Six By Sondheim, about the composer Steven Sondheim, his life, his views on art.  Famous for his willingness to teach, in response to a question about never having children, he replied that he regretted it for what a wonderful thing it would be to teach a child about colors and...if he read this, he would likely say, throw it out and start over and someday I will...
He also spoke about the significant  differences between writing lyrics and poetry (which are substantial).  
Jan. 24, 2014
Jan 2014 · 1.8k
Sparkling, Still or Tap?
Nat Lipstadt Jan 2014
Sparkling, Still or Tap?

Water. A profound subject. Of which, we are all expert. Therefore, I permit myself to write upon it. Water. When I offer you Sparkling, Still or Tap, think carefully for the path to happiness is confusing, you can be mislaid, strayed, betrayed if you imbibe the wrong path.

The definition of each is not my responsibility. Like poetry,
drink what you will from each, but drink you must, pas de choix (which is sparkling for no choice).

Getting drunk on the wrong water is very bad. You have washed your system out, after flooding it. Give an engine the incorrect quality of oil, and it will grind itself willing, having been tricked, into emoting itself into gear lock suicide.

Now go back to the first line, and star(t) over, because you are no longer silly but afraid, and that is the proper way to be when first cog-nizant that this is an earnest subject and you are a fool.

So I ask, not again but for the first time,

Sparkling, Still or Tap?
You say. You are. Poor. Tap is the only option.
Save the environment from plastique explosives.
Clear as colorless water (another sujet, for another self important foolishness) you lie.  Is Sparkling and Still not found naturally, while Tap is unnatural-now water transmogrified by rust pipes, fluorescent fluorides, that when drunken, tap you out and for which, You pay heavily when the water bill comes?

What am I?
Your cheek!  
As a ******- passenger-reader-human unsurpassed. So typical.
My credentials?
I am human-reader-passenger-****** so ***** your impudence!

I am still, but underneath,
I am effervesceing, like the band,
whose goth I am too,
but don't be an idiot, for
all we know,
is tapped into us and out of us
from birth ~
until death/


Was there water in your mother 's body when she breast fed you, was there water in your formula? Was it organic (idiot), from a crystal spring from polluted China,
and isn't it tool ate (auto correct for too late) now anyway?

So I rescind the question,
for we are provisioned but poisoned long before we have adult cash or credit card bills to answer properly this waiter's question,

Sparkling, Still or Tap?
(Nonetheless, if you have progressed to this sad conclusion,
as I wait upon you and,)

Your Reply,

Water is the clear space that surrounds the letters and words
We write, thus all words float to the surface on your unique percentage of body of water, that oils the brain.


Ergo, Ip So Facto,
I, the waiter *** writer,
already know.

Now start from the top,
Again, yes,
And answer me,

Sparkling, Still or Tap?
Awoke at 8:30am Jan. 25th the year 2014 (which is so far the annum of my birth, that I feel like a Civil War Veteran, feted),
from a drug induced sleep. Bilal Kaci wrote something which inspired this out-of-the-0rdinary stream from me and I serve it to you uncolored, unedited, and intended to make you ponder, if,  and since we are mostly water, as is the Earth then what are you,
Sparkling, Still or Tap?
Jan 2014 · 1.2k
You! Pledge that you will
Nat Lipstadt Jan 2014
Be a harpooner of the unexamined life,
with unfettered rhaposdy,
exhort the loopy
to light candles of illusions,
canonize the nursing mothers to deliver us
the kinder Ishmael's who will revel,
lead us with warmth and apprehension,
with the strength of sinews
fixed and flexible,
we will believe and
they will teach the rest of us
that the first commandment
is to empathize.

with clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
the comedy of our conscience,
our free to see,
the peep show of us,
explicate and deconstruct
our unexamined lives,
help us to extend the boundaries,
record the voyages of our timepieces,
declare us all free and victors,
file away the chains of language

**and declare us all poets
A piece cut from an older poem, when I was....a better poet.
Nat Lipstadt Jan 2014
Climb into bed and...

Hearth embers of body heat circulate,
Tourists on self-guided walking tours,
Exploring the cabalistic eighteen chai holies of the
Human body, temple depository of spark divine.

Heat sparkles cross over the isthmus of Touching Toes,
Continental negotiators, swapping free heat for icicles,
2 X 10 interstitial connections, now land masses filled,
Global warming credit trading par excellence

Fingers, jew wandering, exiled to freedom,
Intertwined within soft-edged, graying sea grasses,
Coverlet over pounding chest,
Hands illegally mining tousled head hair,  
Nestling, nesting, without proper permits

Lick away the rumbling hoarseness
Coating a neighboring sleepy throat,
Gate crasher bringing surround-sound comfort,
Seeking to seal and still the groans,
Escaping prisoners of the ills of the wearied mind

Your favorite parts inspiring, demanding
Song, word, drawing or simple quenching,
Tonic of revival, an affirmation of self,
Existence proofs met through need

I write this for me, for her, for you.
Suckers for iron pyrite, most will skip this polemic,
What you don't know about me could be a
Hit show on prime time cable TV.

Like a cute commercial that makes you smile,
For a product you'll never buy,
I write this for me, for her, for anonymous you,
I am the voyager, you the ******.

Middle of the night envisioner,
Re-writer of The Gift of the Magi,^
If I die today, I leave this as my last
Will and Testament,
Just another love poem
You'll never read.
You see I used to write them there flowery, verbal herbal pie poems, now I just write what I am thinking...

^ http://hellopoetry.com/poem/the-gift-of-the-sleeping-magi/
Nat Lipstadt Jan 2014
1 ***** your finger, describe it,
but never use the words,
red, flow, blood, dead.
Post to HP as My Finger Pricked:___

2. Post an Elizabethan Sonnet to HP

3. Think of a sad thing to make yourself cry, write what it was, how it felt, and are you now afraid/unafraid to admit it was so hard/easy to stain your face.
Post to HP as Cry Myself to:___

4. Get a stopwatch, pick your time limit, (max 7 minutes), write a poem, stopping when your time is up and post to HP as Seven Minutes:
_____

5.  Pick a poem of mine and why you don't like it. I am not an idiot, send it to me in a private message.  No penalty for being right (or wrong)

Each question worth 20 points.

Winner gets a pizza with any topping delivered to his residence any where in the world (or the local equivalent).  Or, if in NYC, dinner!
The first three poets to complete 4/5 tasks within say 72 hours, win.   Yes, task number 5 can be skipped if so desired! 3/5 gets a slice and soda at a place and time of mutual agreement.  2/5 answers gets u an Honorable Poet Certificate for 10 USD).  Anyone who likes poem gets 1 free credit....

UPDATE:  three pizazz pizzas going out to AmandaFh, Helen, and SE Reimer.  This has so surprised me that I will send as many  pizzas out as necessary, with out limit...some incredibly fluid spectacular smiles and tears... More please
Jan 2014 · 2.4k
A Poet's Anthem
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
Jan 2014 · 2.0k
A two minute walk in my mind
Nat Lipstadt Jan 2014
Inspiration pretty much finds you
even when you walk outside
to await the newspaper.*
A summer poem for a winter's day.
_


morning slow sleep walking,
reviewing my
evening sleep attire,
am I appropriately dressed,
to publicly receive
the somber weekend
Wall Street Journal?

which is hopefully waiting for
my rational embrace
where
the driveway meets the road.

as I walk,  I note the:

seamed stitching
on my shirt,
a series of
crisscrossed stitches,
pattern of acute angles
stitched in Thailand,
or perhaps Bangladesh,
and when machined,
did the seamstress dream that

with a single blink,
dream metamorphosis
stitches become
crisscrossed out entries
in the diary,
that I don't keep,

the notations naked and rendered,
I don't want you
to know about,
so scratched into oblivion
but in a orderly fashion

before spilling them freely
to any misfortunate innocent Joe,
nice enough to ask me,
how ya doing...

impatiently waiting on a country road
for recycled newsprint
impressed into the service of the
Canadian Pulp Navy

a paper mache arrival overdue
via a technology of delivery
some what quaint, a photo dated

impish young boy
upon bicycle,
with angel wings
who when he passes,
winks at me, seeing my impatience,
(his cheek delighting my cheeks!)
and with robust throw, salutes,
Mission Accomplished.

as I wait
the muses attack,
a formation of
no-see-ums insects bite
ruminations brain-inserted
war correspondents now embedded,
a fifth column
to betray me
and I wonder about:

newspaper printed words
stale seconds before
they are writ,
which makes think
about time,
about making plans,
to do lists,
about how fast my coffee cools,
about how slow my skin colors,

About the first time I put words
about doubt & certainty
on paper
summoning up the courage
to look foolish and
how great it felt,
at the time.

I fresh slap realize
these "poems"
are my diary,


so for the record,
let it be duly recorded,
the paperboy delivers to me
the New York Times,
in error,
a cosmic sign
that this is where this
deuce minute walk
into the mind of a gnat,
should randomly end,
and be
crisscrossed into
oblivion.

summer 2012
Nat Lipstadt Jan 2014
thinking of you
and the quietude in your mind that is
a struggle to main train,
so let me be the main line for your wavering train,
the caboose to your engine,
the second cell, the mitosis,
the backstop that backs up
those daisy boots gone walking

arms that have beheld
but never held you,
will follow your lead,
and if you get off course,
they'll be the friend
to kick your ***

arms that have beheld
but never held you,
will follow your lead,
and if you get off course,
they'll be the friend
to kick your ***
9:30AM  Martin Luther King Day
Nat Lipstadt Jan 2014
A trinity of three styles one man no religion one morning over a lifetime

Temporary (we tat too)

Temporary love
has no precision definition
so if I say
love you forever,
as I do,
know know
just know
this particular
phrase
is temporary,
unique and forgivable

as temporary
as our permanent tattoo,
the one embellishing you,  
the one marking me,
the two hearts tat
that means
we are a
tat two

If you begin a poem,
a love, a tat
with temporary,
usually, but not always,
you have already failed

See http://hellopoetry.com/poem/if-you-begin-a-poem-with-i/

~~~~~~~~~~~~~~~

Invalidation

my living bones, twisted.
my words, slurred,
disfigured with a panache,
that makes the mirror
turn away, ashamed

invalid. in valid.

I have been invalidated,
I spit at your too late heroics,
unwanted.
I spit at myself,
for missing the moment,
when choice was mine

I would have self-destructed, freely,
reborn in an act of self-validation,
be my own living will,
if only I had not been enslaved to my
*******
Fear

invalidation, the Cain mark of every failed man

~~~~~~~~~~~~

Bootyoir

three day weekend has commenced.
it's con-occlusion
now in rapid descent
mini-vacation, ****-sensation.

the only question remaining,
present but debated,
as yet undecided,
whose turn is it
to answer
the doorbell,
when the delivery guy
brings our break~fast

for it is forbidden,
a transgress,
to egress
from the bootyoir,
except for the
call of nature,
and naturally,
I am calling
you,
comeback comeback
hungry time
it's time we
co-authored some
bootyoir poetry
Temporary: for A.M., written yesterday morning, from a life of learning that sometimes temporary is best when you know its permanent, and sometimes permanent is thankfully, only temporary.

Invalidation:  from years ago, when my now ex, who made me miserable for thirty years, after having left me, tried to get back together.

Bootyoir:  this morning, the last of a three day weekend.
Jan 2014 · 969
The Moiety Times Two Blues
Nat Lipstadt Jan 2014
moiety: a half, an indefinite portion, part, or share.*






          writer                                   ­  reader

             can't have one without the other

normally don't fool around with linear spacing,
there but for the grace of god the words come a tumbling
so fast I plant them down in rows as is customary

but when it comes to that moiety times two blues,
when you've been up all night laying down tracks
and nobody has read you latest histrionics,
you wondering what for do I gig this gig,
fingers asking what's the point of ink staining
heart bugging you, never satisfied, even alone,
needs somebody to know, a status update,
a poem unread is a sin my maybe friends,
so if you should you trip over a stumble ***'s poem,
good or bad matters not, when you read, you complete,
so dying on the vine, untouched, incomplete,
be the first to have moiety times two with it,
the first read is the like the first kiss,
a certification of what is called
po-moeity carnal knowledge

a half, an indefinite portion, a part,
when shared, whereon it be writ-read,
your place on heaven and earth insured,
when you seal someone's else's deal,
I'll know and I'll be putting that checkmark
in my assignment book, and if you should go so far
to press the little red heart, my finger I'll crook,
and install you as co author of the words
a po with no mo
            is half a dream half remembered

tired of singing the moiety times two blues song,
*** going, go forth and like it,
the Frenchies they got style,
when reading a po-mo they like,
they call you up on the phone and ask,
voulez-vous coucher avec moi ce soir?
which is French for moiety times two blues no more
Jan 2014 · 4.3k
Dearest Sally,
Nat Lipstadt Jan 2014
Let us not keep our secret,
secret any more!

Thousands have read your poem,
from your tributary, they have drunk.

So I am re posting once more
to remind grandmother,
so many
you,
adore.

I will not stop
till ten
thousand new admirers
have you paid homage.
then I will
              post it again.


~~~~~~
Oct 6, 2013
The Banyan Tree (A Tribute to Sally)
I am a man, grandfather to four.
Adherent to the same religion,
Poetry.

Breathing through mine eyes,
Exhaling carbon words,
That with time and pressure become
Poems, verbal musical notes upon life.

Each motion, from tiny to grand,
A capsule of expression,
That if examined under microscope,
Familial DNA, interconnected tissue,
Discovered, tho logic says,  
Time and distance render impossible.

But this is a diamond
This is a writ to be slipped
Upon the finger, the heart, the essence,
Of the only Banyan tree I have hugged.

This poem but a fig,
In the cracks of kindness,
The crevices of caring,
It has slow germinated.

You dear, Sally,
My host,
A building upon I can lean,
When wearied spirits uproot
My surficial composure.

Your seeds carried from east to west,
By a fig wasp, a bird unknown,
An ocean voyager, of indisputable vision, strength.

This seeded messenger, word carrier,
Supplanted in me, and your pupils,
Whose very names breathe poems,
In others too, like me and so many,
Seeds to become new roots, but you,
Our Host official and forever
Planter of trees of loving kindness.

You already know with love and affection,
I call you Grandma Sally,
And when you ask, beseech,
I cannot refuse.

Together we will will banish the sad,
Acknowledge we, that life's ocean,
A mixture of many, even sad, a necessity.

But I promise that will turn it into
Something simple, something good.
For you have asked and I answer you
Right here right now - your wish,
My objective, deep rooted like you,
Like an old banyan tree,
Your roots spread far, spread wide.

So some eve, when to the beach, to the sky
You glance, smile, no matter what, troubles dispersed,
For the reflection of you, seeds, full fledged trees now,
Bending skywards, in search of your rays of expression,
Your maternal wisdom rooted, spread so wide, globally,
All over this Earth, is visible from your
Beloved Philippines.


---------------------------------------
In her own words..

I am a widow,
with five remarkable granddaughters....
all beautiful, intelligent girls.
It is such a waste not to write....
each morning that unfolds is filled
with things to write about....
the people, the birds,
the trees, the wind,
the seas,
everything we set our eyes on,
they are all
poetry in motion.
Life itself is poetry,
I always have pen and paper within reach.
My past experiences are a
never-ending source
of ideas and words for my poems....
I shall write until time permits me,
"til there's breath within me."
-------------------------------------------------
A banyan (also banian) is a fig that starts its life as an epiphyte (a plant growing on another plant) when its seeds germinate in the cracks and crevices on a host tree (or on structures like buildings and bridges). "Banyan" often refers specifically to the Indian banyan or Ficus benghalensis, the national tree of India,[1] though the term has been generalized to include all figs that share a characteristic life cycle...
Like other fig species (which includes the common edible fig Ficus carica), banyans have unique fruit structures and are dependent on fig wasps for reproduction. The seeds of banyans are dispersed by fruit-eating birds. The seeds germinate and send down roots towards the ground.

The leaves of the banyan tree are large, leathery, glossy green and elliptical in shape. Like most fig-trees, the leaf bud is covered by two large scales. As the leaf develops the scales fall. Young leaves have an attractive reddish tinge.[6]

Older banyan trees are characterized by their aerial prop roots that grow into thick woody trunks which, with age, can become indistinguishable from the main trunk. The original support tree can sometimes die, so that the banyan becomes a "columnar tree" with a hollow central core. Old trees can spread out laterally using these prop roots to cover a wide area.
Jan 2014 · 1.7k
My Curator
Nat Lipstadt Jan 2014
My Curator

I can't remember,
what I can't remember

new items arrive daily.
name of the restaurant,
where I ate dinner
last night

the name of the movie show
I saw last week,
the last place my glasses
went looking for me,
lucky me, only one key,
hanging around my neck,
easy peasy,
just trying to find which apartment
it's for

I can't remember,
what I can't remember

the first poem ever wrote,
the first poem ever loved,
written conceived while I ever wept,
cause
found some old ones and thought
hey, that kid is pretty good

I can't remember,
what I can't remember
when and how I knew,
what now you know
as well

what matters this, little

quote the kids,
last week is well,
so last week
or even better,
whatever...

yesterday, last week, last year
have all merged,
old men drivers, riding in the slow lane,
where the speed limit signs are reminders
go faster, keep up

the memory surplus, surfeit,
now purged, forfeit,
fear of droning,
my inspirations
grown decrepit,
forces desperate,
less than adequate creativity,  
trying to pour poems Beaujolais,
before they can age,
decant, evaporate,
poisoned by oxygenation
sour turning, stupid smiling,
cause I know you from someplace,
are you a clear and present danger?

I remember plenty
of glimpses and snatchery.,
but the incoming data flow
has strained my 50's circuitry.
these memories, onboarded
now a single product
of a mass hatchery,
all eggs are indistinguishable,
therefore they exist,
therefore I was once

electronic calendar
keeps my schedule,
thus my native personality
type A,
kept in line,
the pills work,
from time to time

so I am
where I was supposed to be,
a necessary
but insufficient conditionality,
pour justifier mon existence

the mission critical stuff,
the weave, the sensibility,
the collections of sensations
of another's hand
on my back as I write,
declining, felt their dying,
having arrived at the
skinny part of the tail
of the normal curve
of natural ability

alas,  alack,
too many poems dying stillborn

I have newly employed
a curator

sadly he (she?) will not
cure me,
nor save my soul,
tho he wears
a collar of white
around his neck,
and a stethoscope
over one wing,
a recorder on the other

his wage dear,
sold him my best jewels

Paying costly
for my Ponzi scheme
of reusing
words previously employed,
deeded ownership of the accidental newbies,
the old ones in the sewing box,
both now his property,
but at least, saved.

I cannot write
the name of what stands between  
you and I,
tween tip of tongue
and visions of past,
but future visions, pace taken,
they will survive
should they arrive again

you reader, you are
a familiar face

are you not my
savior,

My Curator?

10:45 AM
Sept. 3rd, 2012
Labor  Day
Nat Lipstadt Jan 2014
and anyone who finds solace in the company of poets


Adorn us
with you writing,
run from the smug,
the pretentious non-believers
into the arms of poets
who awaiting
your new words
with the hard panting hunger
of true lovers

this is my simplest invitation,
Grace us with you grace,
with subtle signs kiss our heart places,
for poetry,
good and bad
has never turned anyone away

and never will**

accept this write
with permanence of ink on paper,
cannot be erased or taken back
mine, yours, ours,
ink invulnerable to
delete

here here, are the preeminent
awaiting all your attentions,
feed us, you poets,
rivers, railway stations, unfamiliar gods,
Missouri to Malaysia,
the images
we neglected,
too far away for our limited vision,
but that you saved,
as gifts of touching lips,
miners in the crevices of the soul

I thank god for the company of poets and the kindness daily,
they bring to hearts,
all I ask is,
more...
* Inspired by http://hellopoetry.com/poem/poetry-is-pretentious/
just a girl from Misdouri
Jan 2014 · 2.4k
R&B: Joe wants to know
Nat Lipstadt Jan 2014
Joe wants to know
how'm I doing?

an innocuous query,
little can he know,
bye bye is my merry,
marooned on a skerry,
noxious fumes in the aerie,
currently inhabiting  my foreheady,
worry waves, rolling thunderous tides,
have myself beside

thus the answer to your toll,
something bad, on me, got a hold

Joe,
life is,
more than a tad
concerting

concerting?

surely you meant
converging, or perhaps,
concatenating, or concaving?
discombobulating, or more likely,
plain ole disconcerting?

indeed, all of the above,
fit like a glove,
but best combinated in steaming mug of
concerting

"to contrive or arrange by agreement: to plan; devise"

the world is secret contriving,
the world is secret devising,
a plan for my demising,
forces are concerting re me...
most concerning,
as trends converging,
concave hollow chains clinking,
a concatenating chorus
voicing their displeasure,
at my happy existence,
which now gone,
its loss, wept for, in great measure

life dissing me, in a manner
concerting and dis-concerting,
my composure,
decomposing,
the ides of depression,
hip hop discombob-
(undu)lating throb
but then again,
what's in a word,
what's in a rhyme,
jes that old timey R&B;,
rhyming and blues,
of a verbal kind

so, Joe, how'm I doing?

now that you are knowing,
as men of distinguished letters,
students of history,
part time poets,
Your Reply
must only be:

"Oh no, Natty,
say it ain't so"
http://www.thisdayinquotes.com/2009/09/it-ain-so-joe-actually-wasnt-so.html
http://en.wikipedia.org/wiki/Shoeless_Joe_Jackson


Skerry: a skerry is a small rocky island, too small for habitation; it may simply be a rocky reef.
Aerie:   any habitation at a high altitude
Concatenating:  to link together; unite in a series or chain.
Combinated: poetic license
Concaving: hollow and curved
Discombobulating: to confuse or disconcert; upset; frustrate
Dissing: to show disrespect for; affront. to disparage; belittle.
Jan 2014 · 1.4k
The Ice Of Poetry
Nat Lipstadt Jan 2014
the ice of poetry,
glassine smooth
but
charged hardness,
hits you, ****** you,
the unexpected snowball in the face,

the fire of poetry,
cherished phrase, a patois,
comfort food when
whole winter skies
swallow you bleak

mutual contradictions of poetry
savaging the soothed ego,
revealing the raging id

what's in a word anyway?

quite a lot, quite a lot...
Re posting an overlooked snowball from 7 months ago
Jan 2014 · 2.0k
Things to know 'bout me
Nat Lipstadt Jan 2014
eat my cinnamon raisin bread
from the inside out,
so if you follow the trail of
crust and crumb to my bed,
swear innocent but not one
cinnamonized raisin will be found

put on my slippers with
trepidation,
for slippers so named,
slip off my toes
at the worst moments,
that my life insurance
expressly forbids our
cohabitation

Well gifted and well returned,
my parents taught me to love
words and the human voice enthralling,
voyage never ending,
love of words

If our issue be our mark,
then mark them well
for you reputation recedes
with them

so as I ponder the why and where,
of the last poem I will write,
issue a tiny prayer that the notes
be cinnamon raisin sweet
and that each letter
slip from my heart,
and let these marks of me
come with smoothing ease of
a welcoming finality
Jan 2014 · 2.3k
Mystique
Nat Lipstadt Jan 2014
Mystique

- a framework of doctrines, ideas, beliefs, or the like, constructed around a person or object, endowing the person or object with enhanced value or profound meaning: "the mystique of Poe."

- an aura of mystery or mystical power surrounding a particular occupation or pursuit: "the mystique of nuclear science."

the mystique of Poe,
the mystique of nuclear science,

don't you see the irony extraordinaire,
the perfect intersection of
human and science?

atoms of a poet.

what, who better to
radiate
the profound complex meaning of
mystique

smile while
commencing the
delving, inhaling,
comprehending,
subsuming the
aura of human cells
odors of the atomizer
flavors mellifluous
chain reacting

the set theory of all my senses,
at the ultimate overlapping
of the primordial intersection
of the nucleus.

I am the living scientific proof,
the written poem,
the
realization of mystique,
the enhanced value
of the human you.
Written to Copeland's Variations on a Shaker Melody

For she who knows where the inspiration came from...
Jan 2014 · 14.3k
A flawless poem (Jan. 2014)
Nat Lipstadt Jan 2014
a  flawless poem
if such there were,
will always be,
the next one

my poor soul,
my rag tag heart
has no censor,
so careless, reckless,
as if words were but
frivolous treasures,
easy spent, easy get

if only, how I wish I
could harvest my best,
with golden cutlery excise
the single flawless poem,
that I know in my possess

lay down this hand so weary
from cupping tears,
be satisfied at long last,
so much so,
that my casket lowered,
hands in repose companioned,
clutching his best, easing his rest,
a paper record to join his ash,
his flawless poem,
at long last
Written in ten minutes when Frivolous Treasure, Ingrid, and SE Reimer
excised it from with me, a triage performed and a poem delivered, fluid and tear wet,  while Mozart's Serenade No. 13 for Strings harmonized what ever music the man has left.

flawless? Perhaps one slightly less flawed.

give us your names and I will write someday
what my heart knows exists

Words are hopeless, poor substitutes for what they in vain,and we too, we call the heart's decay but this poem give unto me a deeper satisfaction than most...
Jan 2014 · 2.7k
"quiver of constant smiles"
Nat Lipstadt Jan 2014
a man gave me that phrase as a gift today.
quiver of constant smiles

for well he could,
yet little did he ken
the nature of the present

because
I read the smiles as the
tween the spaces,
in between the words of
anguish that never goes away

how can this be,
how to make sense of this

well I am a father too,
of words and sobs
and ownership of sins
between sons and fathers,
who inhabit
the unfilled spaces within,
the drawers with their name
on masking tape attached

Your fathers's hell will slowly go by

Show me a man-father
whose lips
have not quiet quivered
when hearing those words sung

we ease the grip of

carrying them on our shoulders
when they are five at the
Macy's day parade,
running alongside their first
solo bicycle ride

we ease the grip of
the vise of

not seeing them for years,
or never again,
cause they hold you guilty,
responsible for their confusion

have too, ease the grip,
cause we got more than one
singular responsibility

so we dad draw,
a smile from the quiver,
that like those of the elves,
replenished magically,
strap it on wide,
mile high and move on

oh you teenage children, you babies,
with your endless angst and bravado
of drunken scar talk,
first love lost
and the hard course
of being sixteen

put down your tiresome blunt pens
that revel only in Self-intensity glorious-galore,
read of the self destruction
of love pains thirty years in the making
and fifty in the undoing

write of ancient inescapable feelings
decades in the vat, aging, but drunk in the
moment quick searing of
every life breath you take

and it's Sunday nite
and the work week hell begins
but it is no compare to the other,
but ****, you can't understand

so chant these words,

reflect on them well,
for soon while you dream sleep,
in clean, dry sheets and safe bed
a man will come for a peep,
to make the checkmark
on the all's well list

so chant these words,
a sad violin melody,
the single sole he ever hears,


**Your fathers's hell will slowly go by
This written unexpectedly, surprising the writer...
Jan 2014 · 2.2k
Pachelbel's Canon
Nat Lipstadt Jan 2014
Please, please, first listen to this, if you are unfamiliar with this musical piece*

http://www.youtube.com/watch?v=kllZlF6mB2s


~~~~~~~~~~~
you thought you didn't know it,
but you did

somewhere a wedding, a movie
and you thought how beautiful

I hear it
each note distinct, unique and a
passageway to the next and the next

a transcendence
a generation
an uplifting
an arousal
a smoothing
a calming
a weeping

smithy of words,
I have read,
I have writ
words that gut punch me,
round my mouth into oh's,
cause me weeping endless


but this music
arrests *and
rests me,
miracle each time
I walk on its waters

how utter fools we be
to have "lost" this
for over three hundred years!

I rediscover it each time

somewhere a wedding a movie
and you thought how beautiful

for me, a funeral,

play it for me at
my funeral,

hold it in a
wedding chapel,

so with it,
upon hearing its invocation,
I may thee wed

thereafter, when you stumble on it
our vows be timely renewed,

and
though apart,
together,
we will weep, once more,
transcendent, once again,
ascendant, then and now
Jan. 12, 2014

http://en.wikipedia.org/wiki/Pachelbel's_Canon
His music was "lost" for hundreds of years.

I love George Winston's piano version.   Read about George Winston, fascinating,

http://en.wikipedia.org/wiki/George_Winston

"So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory"
Oscar Wilde
Nat Lipstadt Jan 2014
the world will never run out of water
as long as the actors, dancers, painters, writers,
can make fellow humans weep,
as long as there are teaspoons
to catch their tears that face seep,
the world will never run out of water,
but you better learn to like the flavor,
*salty sweet
Jan. 12, 2014
Jan 2014 · 2.8k
A Singular Proposition
Nat Lipstadt Jan 2014
Singular

definition:
extraordinary; remarkable; exceptional: a singular success.

unusual or strange; odd; different: singular behavior.

being the only one of its kind; distinctive; unique: a singular example.

separate; individual.

Logic: a proposition containing no quantifiers, as “Socrates was mortal.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A Singular Proposition:

you think you are special, exceptional,
you think you are unusual, odd,
proud of it.

extraordinary, exceptional, unique.

maybe so.

Here then is my Singular Proposition:

On the day that you unconditionally
accept responsibility
for the care and feeding,
for,
yes, the very
survival*
of just
one single
other

on that day,
you may call yourself,
singular,
in every sense of the word.*

Propositions:
I am a singular.
I am mortal.

Affirmed.
Jan. 12, 2014
Jan 2014 · 1.3k
Plain among poets
Nat Lipstadt Jan 2014
for Drumhound,
whose poems make me weep in the early morn.

Which drop in the salt sea can say
I am better, I am the best,
only the visceral,
vis-a-real,
truth from the vision.

This drop we cherish,
this drop is serious,
this drop, we keep.*

No man is a poet
to his wife and child.

First Foremost,
he is just theirs,

Then the world can have him
as just a poet,
after they are done,
loving him for his totality.


Drumhound has no definition in the dictionary.

So I wrote this, my own, my visceral, my virtual one,
my vision real and realized,
his word vise on me, surreal.

Plain among poets,
a salt sea drop I keep.

Once anything is defined, it exists forever.

like a single scraggly blade of grass
of a poem I once memorized,
about a child I did not know,
but know so well,
a human-memory survives perennial,
once defined, forever lives.
Jan. 12, 2014

See these, then understand...

read http://hellopoetry.com/poem/when-ter/

read http://hellopoetry.com/poem/treboth/

once in a while, I am satisfied proud of a poem I have authored.
Not just for Drumhound, but for so many other dear ones.
Nat Lipstadt Jan 2014
Why Do You Want To Have *** With Me?

Version One
Jul 7, 2013

Answer:
Because your poems please me.
And
I want to write one
too.

Version Two
Jan 11, 2014

Answer:
To perfect my poetry,
I need to learn
New words
frequently.
Jan 2014 · 1.8k
If I was an opera singer
Nat Lipstadt Jan 2014
the neighbors would hate me
tween 11 and 6:00pm

when I sing we must of true detective stories
of unrequited love, death,
the stony stink of
the poverty of starvation
of body and soul,

the stuff that makes
the paper librettos
come alive,
but my lease reads:

The Renter is required to refrain from singing between the hours of 11:00pm and 6:00am.
Writing poetry is not only permissible, but encouraged.
For Livi
Next page