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Nat Lipstadt Aug 2016
quite recently, I received an extraordinary complimentary message to one of my poems, from a comrade in arms, dare I call him friend, that cored, scored me.  I post it below.  Not from braggadocio, or vanity, venal poetry sins.  But, it could not stand orphaned,
unrequited and unreciprocated,
for that would be a sin of even greater magnitude,

ingratitude

<>

this poem begins unique,
am struggling with a problem previously
unknown, never before even
close encountered

how do I commence?

poet wonders repeatedly,
a tune on the not-so-natty brain,
set on the machine's "repeat"setting,
this problematical for de minimus - 25 hour day,
this scribbler, this constant nibbler
on the Graham crackers life bestows,
befuddled muddled
for

this is never an issue,
it's the windup, the shutdown,
knowing when enough is enough,
that is the sorest point of his
elongated, can't shut up skill set

it cannot stand, it cannot just hang,
it needs a rabbinical wise,
responsible responsum,
a simple
thank you
holy, holy, holy
insufficient

these words, an almost wet smackdown,
catch me exposed, crossing Sixth Avenue,
against oncoming traffic (naturally),
while on cell phone bad boy,
doing his three R's,#
reading, writing & errrrr, deleting,
(yeah, yeah, I know, I know)
amidst my multiplicity of incoming artillery shells of
automobiles and messages,
this one,
seizing me up, me like a screeching,
near dying engine, broke from being oil-less,
nearly dropping my two large
20 oz. McDonald's coffees which easy
could flood this four lane
thoroughfare

you want to write like this,
are you mad, man?

all I ever es-say is what I see,
throwing in a rhyme or two,
a pinch of a fancy word to impress the
hoi polloi, and plenty salty sweet
to provocate a sensory ah ha
confusion

sir, why write like me,
when you pen this?

"yet all of this could
just as easily be,
the sum of two,
grateful hearts in equal parts,
the beat of two in rhythm thrum,
march in time upon one drum"
^

which pretty much says
what needs saying
all in one perfect stanza humming

but this note, is so far,
way deficient,
a mockery of what the situation requires and is deserving,
so multiple lovely muses redirect me
back to my email,
where I find this waiting,
in repose, this prose,
perfect

A compliment is a complement—
this I know, just as the clock
will always strike midnight
and history repeats. This is how
I can wake up the next morning
and love the world again.
^^

blossoming notion, this is but a complement,
where the line dotted allows free passage
from reader to poet, from poet to poet,
permitting the peaking reciprocity of completion,
and this complement
I accept, unashamedly, profoundly
for this is my 1/1,
for to make a whole, we still require
numerator, denominator,
of equal value

on this basis,
and this basis alone,
I accept your words

when prowling scowling late at night,
or early sun rising, old bones enthroned
in my Adirondack dis-comforter,
will come a-sneaking, a-peaking,
nobody-around-real quiet like,
for another look-see at this kookery,
in my solitary poet's by-the-bay nookery,

the thought comes,
maybe it's time to lay that pen down,
the Israelites have crossed that Red Sea,
dry and on their way to a land of promises,
when sure enough my coffee mug
spills onto an ant hill hard by the beach,
and oops, soiling the soil,
the Lesser Antillean inhabitants making an unholy ruckus,
and oops, ther goes another rubber plant, high hopes, poem aborning,^^^

but sir, be advised,
your excess foolishness is warming,
but we cannot without each other,
march to one drum,
our steps surely mismatched,
it is the reciprocity of
complementary numerical worthies that unites the fractions of us
into a singletary winter pea,
a whole of us,
in order to
"let us love the world again"
yes, a true 'story'
<>
#reading, writing and 'rithmetic
-----------
"some time back
this notion became clear to me.
have wanted to say it since;
this, your words, the perfect segue.

i have come to love
the style of your writing,
so much so as to adopt it,
as my own, though perhaps
in my own tone, voice, and
life experience.

much of how i write today,
I attribute to your influence...
no kidding, no hyperbole,
no gush, no mush, just truth.

whomever taught or influenced you
is to be admired most,
for in the style
i see most encapsulated by yours
is a conveyance that goes
well beyond words,
well beyond mere ideas...
it incorporates heart and emotion,
and more so,
the heart behind the heart,
in a way rather uncommon
to most poetry."^

S. Reimer
"After-math"
<>
^^ "On Being Told I Look Like FLOTUS, New Year’s Eve Party 2014"
by January Gill O’Neil

<>

^^^ https://www.youtube.com/watch?v=S94Bh3Qez9o
  Aug 2016 Nat Lipstadt
r
Near morning
by the sea
where I tangle
with the shadows
like a cage of sad tigers
by a grave I find a rope ladder
left by a thief
as the tide steals my eyes,
prisoners of time
without a hammer
trying to drive a stake
in the ground
and this is my crime
living and dreaming.
  Aug 2016 Nat Lipstadt
Left Foot Poet
"Be the harpooner of the unexamined life,
with unfettered rhapsody, comfort caress us,
exhort the loopy to light their illusionary candles,
turn the sad eyed lowlanders into crinkly eye-lined smilers."



l<>|

writ many years past, just another dusted off phrasing,
composed from life's lecture notes, collected by eyes tired
from the hazing,
eyes wearied by the addict-strong,
incessant observational needing,
of celebrating the loopy,
they who make this planet
capable of laughing at itself,
a helping habit for mutual survival...

should you spot a man ungainly wrought,
weighted down by a harpoon cross
cursed  'pon his Cain-marked back,
you need not move to the other side,
'tis only a make-believe poet,
with his recording device,
seizing your rhapsodies to rhyme,
his collected artifacts, your crinkly smiles,
his meat, his metier, his chosen career,
a comfort caresser of your illusions into
a shapely sculpture of words for you to keep,
a token of your now examined worth,
a celebration for the keeping...
T'is a curious thing,
these verbal peddlers,
these tribal members,
famously well known to no one,
perhaps at best,
a kindred few, fellow-travelers.

Each a troop,
in the army of orphans,
bloodied, purple hearted,
word-wounded,
anonymous unto each other,
yet all bonded intimates,
in solitary struggle united,
yet sea-parted by the very nature
of the solitude of composition.

All poets are Cain scar-marked,
purposed for everyone to see,
a warning to the rabbled boors,
the imagination suppressors!

World:

cherish these flawed ones,
gentle these frail but gritty,
the Lord has tasked them
to be prophets in one tongue untied,
undo the strife of Babel's division.

Poets!

Be the harpooners
of the unexamined life,
with unfettered rhapsody,
comfort caress us,
exhort the loopy
to light their illusionary candles,
turn the sad eyed lowlanders
into crinkly eye-lined smilers.

With clinical observation,
dense and demanding,
make us laugh at
the comedy of our situation,
teach us our free-to-see peep show,
reveal, unseal us
with **** empathy!

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
taste his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
becoming one who was, yet still is,
because of you,
because of poetry.

http://hellopoetry.com/poem/1564122/orphans-and-poets-peddlers-members/
  Aug 2016 Nat Lipstadt
onlylovepoetry
a Saturday afternoon love song*

<>

finally the breezes have sheared the humidity,
away, away, out, out sluggish, do nothing thoughted spots,
so peculiar to a Saturday August afternoon,  
passing like a last exhaling breath,
quiet like, no receipt, no return, no raising of the turgid, languid lungs
one more time

alone with quiet contemplation for sole companionship,
observe a regatta of sailing board boats, silenced passerby's,
orderly and regal, the wind keeping them tidily single filed

their empowering wind makes me prone to
thoughts of singing,
Leon Russell's A Song For You,
up next on the playlist,
but the squirrels beg off,
the rabbits hide away 'neath the deck,
the craven ravens retreat to the highest branches,
alone, laughing at their impolite, unsubtle slipping away of the
dearly departed

earbud a semi-solo performance, a duet,
me backed up by
Leon and the river-baying waves,
a city boy singin$ rockily,
in a place where a city boy has no earthly business to be, ^
especially singing,
chanting to everyone, no one in particular,
listening real careful like to the words of two oaky, growly voices,
leftovers from the Sixties, sing a song to the ones they love

"I love you in a place where there's no space or time,
I love you for my life, You're a friend of mine
And when my life is over, Remember when we were together,
We were alone and I was singing this song to you"

sometimes it just doesn't get any better,
under the wings of the sky and its multi-shaded blue blessings,
don't need counting, enumerating, all kind of blending going on

the old alone days been on the mind,
those laser clouded future gazing hazing days,
when you listened to music non-stop, but never sung along,
strange though, I wept then, and weeping now,
can't quite make the connection...
guess my singing is still
just that bad*

<>

August 13, 2016
05:50pm
S.I.
https://www.google.com/search?q=leon+russell+singing+this+song+for+you&rlz;=1C9BKJA_enUS668US701&oq;=leon+russel+sing+&aq;;=chrome.2.69i57j0l3.8534j0j9&hl;=en-US&sourceid;=chrome-mobile&ie;=UTF-8

^a line borrowed fromThe Shawshank Redemption
"At the base of that wall, you'll find a rock that has no earthly business in a Maine hayfield. Piece of black, volcanic glass."
Nat Lipstadt Aug 2016
grew my hair too long, watched it get cut and
all the snippets
fell to the floor,
decided my hair had not been
long enough
started all over again,
longer longer deeper longer,
pasting the snippets together
hoping the parts are greater than the
hole I am forever filling with
Haagen Daz vanilla buttermilk,
wise choices of words,
the satisfactory completion
of finishing and the joyous anticipatory
of starting all over again

undecided if today will be
a day where I tend my love, or,
need more being attended to

every poem I every writ
is just a
snip snip snip
of instant instances seconds capsulated
that run on into one long sentence my
gorgeous blonde 5th grade teacher, who had a crush on me,
(and vice versa)
would red ink wink critique as a
run on sentence and I could not agree more

snip snip snip
becomes a life
of one run on sentence to living larger and longer,
want a becoming life,
life becoming comely,
only commas and no periods,
period

exhausting the indecision of living
so pasting snippets seems more manageable
but not so much fun, indeed, in deed,
too much **** work, this cutting and pasting,
so gonna give you the rough and tumble of my words
as they pour out and as long as they keep coming back,
I'll keep on pouring and ******* and godpraise
this word well that runs dry never

my poems are not too long -
if you have learned to taste wisely -
how to taste gloriously languorously language

my poems are not too long,
life is too short to leave all these
demoted spaces of empty,
in between the raging and the loving,
the aching, fretting and the heaven sending thrills
of thanking the powers to be for everything
I got blessed with,
even my curses are just the flip side of*

snip snip snip

so much from just one cup of coffee


<>
six minutes of Aug 13, 2016 life, something you might call a
snip snip snip
SIP
Nat Lipstadt Aug 2016
is this craft that chose you, not defined by machine millimeters,
precision absolute, curvatures, so eye-pleasing,
they demonstrate no tolerance for tolerance of the
ordinary?

*the skill of words, too, cut so fine,
find the  extraordinary within, refine, refine, refine,
shave away the trite, the reused, discard the instant recognition,
unusable
part of http://hellopoetry.com/poem/958457/machinist-tool-thyself-for-joe/

written by me in a different guise
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