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martin challis Jan 2015
I look over my shoulder
you’re watching me,
with a green tree-frog sitting on your  shoulder.
You’re both smiling.
So am I.
Your photograph goes on repeating its smile, day after day,
it never tires
or has a day off,
just waits to share a bit more of your enthusiasm.

You’re there as I wake each morning
reminding me we’re inseperable.
Even now I can hear you say,
“you know the river finds its way,
you know the tree was once a seed..."

Two thousand kilometres, seperate cities, seperate lives
serve the paradox of our closeness.

Your photograph reminds me
love will reveal itself with each day.
The 'I  that loves you'
is beyond us both,
to understand it
is as impossible
as interpreting the smile of frogs or the speech of trees.

'I love you'
lives outside a definition;
there’s simply no explanation needed
as we inhale.

MChallis © 2015
martin challis Nov 2015
cursive arm
arcane
encompassing form

verdant hip
in moist tropical air

shoulder to storm or zephyr, cloud mist arising over
culdera and precipice

vulcan formed soft-soil
in fecund sleep
the circumference

paternal line
maternal steep
ancient cradle

bundjalung, first people
watchers listen deeply
this river their song


MChallis @ 2015
martin challis Aug 2011
I’m waiting for you to leave me
but you don’t

I’m waiting
for perspective
to re-appear,
for
diminishing return
for warmth from distant appreciation
but you don’t leave

I’m inhabited
the meal doesn’t end
the wine re-fills itself

surely time will take you from me
a little further off
so I can wave
the small wave, of
loving friend

rather this
than retain the air
where you might have been
imagining that you hold me

as you do
Martin Challis © 2011
www.martinchallis.com
martin challis Nov 2014
the voice of cynicism
with imperious wisdom
informed by circumstances past
where through defeated expectation, corrupted naivety
perhaps wounded vulnerability has been
disappointed on innumerable occasions

and chanting incessantly
in a cavernous register
"there is no hope - there is no point"
and louder
"there is no hope - there is no point"
and louder still
"there is no hope - there is no point"

would have you adopt this epigram as your own
in the belief
that if you do
the prophecy of self determined hopelessness
will be affirmed and validated

its unspoken fear of course is that you will leave it there
abandoned and alone in the cavern of its own arrogant despair

so here's an idea
surprise it
take it with you
out of the pit
take it for a bicycle ride on the beach at low tide
**** it in a ruck-sack up a rocky ridge
swim with it in a lake with a sandy bottom and willow banks
invite it to the funniest Robin Williams film you can think of
above all else, let it experience your unconditional positive regard

constantly
continuously
repeatedly
offering counsel
in all the tones and voices
of unrelenting love


MChallis @ 2104
martin challis Mar 2015
with morning's breath
soft kisses touching
lightly the nape of love

MChallis © 2015
martin challis Aug 2011
There were painter’s clouds that day;
broiling, tumbling,
moving inner silence across an easel.

Beneath them
a concrete mind mixed and etched
one long brush-stroke:
the tarmac before us.

Excited engines carried us along
and carried by us
an air befriended...
with the convertible top thrown down
your hair streamed
olympic colour; a spectrum of extraordinary.
You threw back a sunrise laugh,
the wind and all else
belonged to exhilaration.

The horizon captured another sky,
a mist-green hail filled sea; a quiet litany.

A pallet knife scratched its lightening
and the danger of no potential
that kept us moving on.
Martin Challis © 2011
www.martinchallis.com
martin challis Jan 2015
There were painter’s clouds that day;
broiled and tumbled,
moving inner silence across an easel.

Beneath them
a concrete mind mixed and etched
one long brush-stroke;
the tarmac before us.

Excited engines carried us along
and carried by us
an air befriended...

with the convertible top thrown down
your hair streamed behind
olympic colour; a spectrum of extraordinary.

Your head held back a sunrise laugh
and all the wind
belonged to exhilaration.

Ahead of us, the horizon captured another sky,
a mist-green hail filled sea; that ominous litany.

A pallet knife scratched its lightening
and the danger of no potential
that kept us moving on.


MChallis © 2015
martin challis Jan 2018
I climbed down through coastal scrub
Sandstone nub and turkey scratch,
Purposefully counted into the hundreds
And then became distracted for caution
And for possible misstep. On safe arrival
The foreshore held its mysteries
Within the wash and cliff and ancient sands
I did not inquire or pause to study, yet committed and turned again to climb knowing afore each rise I would descend

Martinos @ 2018
martin challis Apr 2015
At the end of our road
A straight road
Of dusty gravel
Well trodden in all
Our passing,
The waning eyelid moon
Rises omnisciently, anointing
a bedazzled sea;
light-scape dappling, dancing.

On this night
at rest at sleep, as
many others, we may
not attend
the ancient eye, in
perpetual orbit
slowly winking
her way to shut.



MChallis @ 2015
martin challis Sep 2015
To wonder where on beaches or in skies
Lives freedom
Or to contemplate of clouds
The nature of their making
In this
I am moved
To mouth the names of ancestors
To call in song dear kindred, for whose imprints
I sweep the sand
In fragments of faltering dreams
A search for meaning
Where breathes an origin of founding stars


MChallis @ 2015
martin challis Oct 2014
Who will lead us when we do not lead ourselves?
Who will know us when we do not know ourselves?
Who will love us when we do not love ourselves?
Who will trust us when we do not trust ourselves?

None.

When we name what gets in our way of leading.
We find the courage to speak what is true.

When we name what gets in our way of knowing.
We find the wisdom to shape our world.

When we name what gets in our way of loving.
We find the heart open to find the heart.

When we name what gets in our way of trusting.
We find the will to move beyond fear.

We find our place of leading
And others know this
And find it
through us


MChallis © 2014
martin challis Oct 2014
for my darling jan*

I woke at 2.30am and left you sighing gently as you slept,
checked the trap but found only droppings on the floor
I set the trap again and hoped the rats would leave –
I would prefer not to **** anything.
The dog mawed and moaned at its fleas
rubbing against the rail on the back verandah,
it settled when I whished it back inside to sit
(my mouth made that wist noise, the one you know the dog will hear but won’t wake the sleeping).

I lay on the red couch in the study and read Ray Carver.
A return to Carver simplifying me. If not by sleep I was
comforted by his weave of innocence and knowledge.
Ray started writing poetry in the year I was born (1957),
I don’t know why I mention this, perhaps I feel him like a kindred
spirit and am warmed by even the slightest connection.

Between the living and the dead are the sleeping. However being at rest
is no excuse for ignorance. Ray is at rest - some 18 years.
His poems like me are alive and breathing.

The magpies begin their morning carol as I return to bed at dawn.
Your breath and skin have waited for me.
When we wake, I tell you,
I am grateful our poem continues.



MChallis © 2010/2014
martin challis May 2015
Let us take a position
of composition
a dance friends, together
of non opposition
of flow.


MChallis © 2015
martin challis May 2017
In our house
Is living a house
for life - a home
fixed entity with
space under roof
and shelter for love, with
the life that arrives
each day we say
I'm so glad, so glad to
be home

Martinos @ 2017
martin challis May 2017
If I am an eagle
Then I have landed

If I am an only
Then you are an also

And together
We're one

On the shape of that
We're set for takeoff

Martinos @ 2017
martin challis May 2017
In the morning
You say good morning
And the heart
Lights up!
Go figure:
A light heart
To lighten the day
And the strongest beacon
To find the way home

Martinos @ 2017
martin challis May 2017
'First fire'
She wrote
At winter's edge
Setting pine cones
Twigs and kindling alight
Yet I would tell her
Ours is the first fire
First and foremost
Alive, bright and
Inexstinguishable

Martinos @ 2017
martin challis Apr 2016
on a southwind eagles fly,

majestic gliders forensic eyed, poised

on shifting drafts of autumnal clear-skied air,

on breezes yearning steadily from southern seas,

from seas afar,

deep blue dark realms of wilderness and mystery

whose fathoms cold, swarm with micro and macrocosmic life;

all forms to balance and connect this natural world

by land and sea, in ocean and air, on wing and eye, all upon which

this life of ours so utterly depends, as it does

when on a southwind

eagles fly





MChallis © 2016
martin challis Jan 2018
In the homecoming

joy

in the barring

regret



of letting go

freedom

of craving

imprisonment



at the welcome

belonging

at the termination

abandonment



with waking up

insight

with shutting out

ignorance



in kindness

compassion

in aggression

self harm



upon reflection

knowledge

upon dogmatism

blindness



with helpfulness

endless option

with ill-will

limitation



and

remarkably

within each experience

the possibility

of discovery





Martinos © 2017
martin challis Aug 2011
Looking to the west I see a perfect rainbow
Tucked under and lifting a symphony of cloud
The sun beams in lay-lines from its horizon.
Yet, the scientist who explains this phenomenon
Cannot describe my feelings for such a spectacle
Cannot describe the song in me that dances
The miracle of light and spectrum.
—-
You are mighty, you are ethereal
Your many fingers rake aberrant their spatulas of light
Your beauty makes all else ghastly or at least ordinary.
The trifles of each day’s turnings are insignificant in comparison.
A conscience of orb, mist, shadow, light
The Gods derive pleasure from your presence
Else their thunderous growls bemoan your magnificence.
—-
There is no darkness just the absence of light
There is no cold just the absence of heat
There is no disbelief just the absence of your benediction.
Uncapturable, delicate, infamous portent.
In the implausible silence you are where I worship
Without beginning or ending
Yours is an ultimate mantra.
Martin Challis © 2011
www.martinchallis.com
martin challis Nov 2014
In the heat of the night
When everything is cool    Is when
I miss her
The most

It was raspberry tea
No
Peppermint - I don't know

Lips wet longer when an afternoon
Came after
Noon
And went like clouds before clouds before…

You know
It is interesting to meet some…
Someone you can
You can
  You know
I don't know

We touched, like others
Like all others
Nothing new
Nothing new anymore
You want it so much
To be new
New for old is what they say

What do these old hands hold?
Old …
You want it so much
To hold
It slips
You never did hold on very well
Its like its like

I don't know, you want it so much

I miss her


MChallis © 1995/2014
This poem was the work that initiated the collaboration with Katie Noonan. First penned in 1995. Slightly reworked for HP.
martin challis Sep 2014
Reach toward her
the little one
there in your hurts and fears
Look toward her, not away

You take your soldier to war
guardian at the perimeter
with the rationale of defence
yet she is bereft

Look toward him
the little one
tucked underneath the carapace
hidden from your tender heart

You are discourteous in attack
blind to empathy
righteous in argument and in thesis
yet none are healed or reassured

Look inward soldier
to the little one
his fear has become your fear

Look inward soldier
to the little one
her fear has become your fear

The child within is not yet comforted




MChallis © 2014
martin challis Nov 2015
When we work with love

We're doing, the

Real Work.



MChallis @ 2015
martin challis Jan 2015
when the sound of every car door slamming is yours
the ring in every telephone is you
when the whisper in every voice
the cast of every eye
the ball in every park
the call in every sonnet
the face in every smile
the bubble in every brook
is you,
what is left for me to do
but write you down in every word
and read you,
over and over and over


MChallis © 2015
martin challis Apr 2015
For Douglas*

In a land well trod
not flat but deep,
etched in lines of song
on ridges red by ochre
and once upon a time, by slaughter.

This at the hands of our fathers.
Now hidden in history’s shadow
the ancient’s heritage not well understood
or anguish felt for them, whose suffering
echoes across seven generations.

What could be cherished
with such spirits – the gentle natured wisdom
that does when recognised
nourish and unblemish
the white wash of ignorance
that once invoked atrocity as necessity.

To pause and touch this capacity
for recognition, to offer meagre apology
as but a humble first limp, albeit powerful beginning,
to the ongoing actions of forgiveness and compassion to
heal this red land and join in unison
the lines of ancient song.

MCHALLIS © 2015
martin challis Mar 2018
Had I been kinder

She thought of her love

Long passed


In the fading light of

Our last circadian rhythm

An epitaph might ask

Had we all



Martinos @ 2018
martin challis Jan 2015
The ebb and the ebb and the ebb of your sad heart dear friend.  The
smooth wet weight of river stone;  those sleek dark ears in their grey-green window.

Clear-water sadness all the way to the bottom of the bed
where small grains furrow over the nose of an inquisitive predator.

I know so well your course and turn and how you stir
like an eddy above the tail of a hungry fish.

I see you rise and move. And swim
to another bend to curl into fronds that stroke you.

When you reach the surface, I fin-tickle your belly as
you stop the wing of a succulent dragon fly.   I do not...

I do not want you to go just yet; to the drenching wilderness,
stay a while and bask in the shallows.  Rest,

before you turn to the deep to hunt the elusive figment.
Stay a while and rest with me; empty your ears of whispering watery ghosts.


MChallis © 2015
martin challis Jan 2015
Returning to you sylvia in the black week of no moon:
the carapace
the awkwardness
aflame with evidence
the jew-net of Poland
-- your rack of guilt.

to fly at the sun or burn in its shadow
emptying pockets before you leave
you reap an abandoned harvest, but

the acolytes who call and call hear the ringing of rocks;
bells around the necks
of ghosts
lying down in
hallowed halls,  somewhere bellowing

their words
        like yours
punishing  me
punching  me up the middle,
every image jagged remedy
my **** to my heart
jammed with grief,
throat swolen with loss

the case of your broken bits;
crockery splintered
in capsules or
shoeboxes or drawers carefully there,  there

you are lips pressing
cold glass,
to kiss you to drink your warmth
impossible

after death I hear you;
crow sends your messages
but sweet sister that’s not why you call

inimical oven:  cavern and synagogue,
I am undone
discovering buried treasure.

in the breath of trees you are
somehow there,
in the quick-slip of feet across smooth linoleum
my mausaleum agrees with your arrival

but in the hour before dawn
in the silent roaring volume
you never hear of my love for you

we are cold lovers
both agony


MChallis © 2000/2014
martin challis Jun 2014
While i was learning to savour the new taste of cashew and walnut in the autumn of that year
you were learning to eat the bones of your neighbours' dog as you fled from an earth gone moist
the leaves of war were torn from the jungle as a cavalry of shrapnel burnt away the air
you were learning to hold your breath while i was doing the same in a suburban swimming pool

when the dust of your family filled the lids of your eyes
being left to see for yourself held quite a different meaning
while your skin seared from the heat of warfire
i was feeling the warmth of a shopping centre in winter

when you went without feet, a landmine exploding your underneath world underneath
i sprained an ankle at basketball
the words of an american god spat forth from an automatic weapon
and you saw the tongues of the lamb inviting you to feast in a foreign language

and while i drew in crayon on the kindergarten wall
you were drawn in the crosshairs just before the smell of cordite
Used as a lyric by Elixir
martin challis Oct 2014
On the 4th of September some time ago now
I returned to an empty house,
a wall of anger ran through me and around me

It took a week for that wall to crumble,
standing at the cash register at work
anguish surging up from a deep well way down low.

For hours I sobbed and howled
in the office out back of the store
Evelyn the manager came and went
and when she could - just sat and listened.

3 days later my mother and father arrived
for 2 weeks they stayed
their child, the grown man needed care

mother cleaned all the shelves and cupboards
cleaned all the clothes and ironed all the shirts
father tried to find the answers
and in the end - just sat and listened.

After they went home, the house slowly lost their comfort,
shelves and cupboards returned to slight disorder and
one by one ironed shirts were worn, never again to feel the same.

Hanging in its place I left one shirt untouched,
now and again I would open the wardrobe
to feel my mother in the sleeve.

A decade later we are speaking on the phone
about the children
all of them young men now and mostly independent

you talk about wanting to see them more often
and it being hard to arrange, you tell me about your new man
and how things are working out.

In a moment of candour you speak of the past
confessing
it should probably never have happened.


Who would have thought that in the end
it would be me, who just sat and listened.



MChallis @ 2014
martin challis Sep 2014
I am a craftsman. My hands are made of clay.
They're soft and wet and mould silhouette.
The last I made were without shadow,
The next will be more musical.
They will be spin around me -
Chimes in a western wind. Chimes of a different figuring
perhaps to hang in branches, simply as decoration.

If I rest, there will be no forming.
I fear this.
I fear the unmaking and forever sleep.
The chimes will awaken me with their shadow-music.

*
Squalls and storm clouds move inside me.
I hear thunder. Some say
they see change coming.
I see constant weather. There
is purpose in their forecast,
no in-decision and in a precise moment
the exact snap of thin ice.

*
I awaken before a bridge - reaching far across a rocky canyon.
Going to the edge and leaning over I see
the darkness of endless sleep. I hope to hear
water song and the expanse of rain-dreaming.
I wait at the bridge for a traveller like me to pass -
I will ask him to describe his journey and
The way ahead which I have not yet seen.
martin challis Mar 2015
with the shadow of the beetle
comes the simplest truth:
everything has its season

just as the cast will lengthen
to fight change, ultimately
will overwhelm you



MChallis © 2015
*Inspired by Joe Lassiter*
martin challis Jan 2015
Found a lyric
in an old file in
a folder within a folder
within another
called 'The Field'
and so...

*last train
last station
last hour of light
I look for reason
reason for flight

spoken promise of a
broken dream
in a field of angels
I have seen

the wings my guardian
are a wish fulfilled
to depart the earth
as life distils

I wish to answer
for a neighbour’s crime
speak forgiveness
to a friend of mine

I do not answer
I do not yield
brother sister
on the killing field
your bodies tremble
you seek a name
discover elsewhere
a peace un-named

last train
last station
last hour of light
wait for reason
reason for flight

spoken promise of a
broken dream
in a field of angels
I have seen
the wings my guardian
are a wish fulfilled
to depart the earth
as life distils

last train
last station
last hour of light
I look  for  reason
reason for flight
martin challis Sep 2015
Nothing
Is
Everything

MChallis @ 2015
martin challis Aug 2017
when the child comes to you as the voice of disquiet
will you sit with him? will you hold his heart in yours?
will you say to him – you are loved and i will hear you?
and will you tell him that he can come again
as often he needs – until a time when he does not?
will you show him love and kindness, and have him know
emerging from that new quietness
you are sure to find the solace and the guidance
you both seek?

martinos © 2017
martin challis Jan 2015
The loving stretch of your cloudy fingers,
your welcoming cob-web eyes.

How they haunt,
shake salt from the limb,
sweep up leaves in courtyards, and
carry their eclipse to the brink of me.

Tree’s circumcised by gardener time
poke forks at you ,
scrape your soft full plate
with the chafe of spidering knuckles.

Everything the flavour of sun-set is a plea.

What can I do when the wing of you
has nothing to say
but fall in reverse,

have you no pity,
you do nothing but sleep, yawn
and blink back your triumph.

Where are the places
I might squeeze you
into submission:
windows only take in so much.

Just once I’d have you secede at my feet,
break bread with the best of me;
release this enthralled impatience.

I starve for some light conversation
but you practise your zen enchantment,
practise it right in front of me
day after day after day.

Show mercy.
Crush me,
     do something.

I want you to fall.


MChallis © 2015
martin challis Dec 2014
when there is nothing left
but the need for sleep
all the body can do
is close the eyes
it will not need
for a time
and find the hollowest
part of a calming memory
to tuck away into
releasing the need
to hold anything
save the desire
for peaceful
slumber

from deepest rest
there can be a return
to the world where
possibility re-awakens
and with morning
the opportunity to
go again
to attempt what had
the night before
been unimaginable
and impossible

MChallis © 2014
martin challis Jan 2015
in bed - he lies awake
pleading
for sleep's soft death
the laceration of each fragile memory
is a
knife sharp
theif
come to steal
thin peace.

in time
desperate
measured

sleep
comes,
his only suicide.


MChallis © 2015
martin challis Apr 2016
for Daniel*



the country singer has gone to the city

packed all his chords and a harp

how the voice of love sings

in New York

his part in the harmony

stepping between tramways

along avenues

he finds a new stanza

picked like a flower, put

to the lips of new promise

and her meeting with

soft-eyed recitals in cafes and bars

the tenderness

singing

awakening each heart



Martinos © 2016
martin challis Nov 2015
for Daniel*

the country singer has gone to the city

packed all his chords and a harp

how the voice of love sings

in New York

his part in the harmony

stepping between tramways

along avenues

he finds a new stanza

picked like a flower, put

to the lips of new promise

and her meeting with soft eyed

recitals in cafes and bars

the tenderness

singing

awakening each heart


.

MChallis © 2015
martin challis May 2015
In the spaces that once held the ones we loved or loathed
are rooms where silence sits to wait upon us;
to precisely bring with it the thought that can caress,
if needed, or spur, if wanted.
And upon reflection the memories that have shaped us, and
subtly the choices within them to hold or unmake each one.
A centrifuge the potter’s wheel - the mind.
The choice always within our crafting gifts to mould,
to throw, to release or to refine.
Which memory will I spin today?
What forgiveness to bestow or fondness to befriend?
Such is the choice that with silence my contemplation brings.


MChallis @ 2015
martin challis Jan 2015
Some stars are set free to come live with us
Some live with sadness thinking they do not shine in this heaven*

sweet man
you are not abandoned

you are formed in the shape
of brilliant light

you are brilliant life
in the visage of life

a free heart brother
cry not your river

your brothers steady you
in their rock arms

and in turn, you are
the expression of this


MChallis © 2015
martin challis Jun 2015
and
you will know space
as an intelligent resource

so discovered
through the power
            of the pause



MChallis © 2015
martin challis Jan 2015
take rain from sky
take the way tall men straighten your stance
take the students of dance
see the little ballerina stretch her toes
see her mother warm with the floodlight

take your plea to the judiciary
take your eye to the statue of David
smear on the dust of Somalia
rub raw the frost of Croatia
refresh your aim in the heights of Angola
but do not stop only at this

breathe every impediment
trust every promise of clemency
stumble if you will
fall under cease-fire
take it all

take the watchmaker
bent over time
with fine tools
clasp each second

take the sculptor who
chisels and scalpels for the grandiose

later in your armchair
fold creases in your newspaper with care

be with every nourishment
be with the cloth of your nakedness
make sail for your harbour of origin

remember the milk of your mothe?r
warm or cold or sweet if it is so
appease hunger
with the ambidextrous mouth
of a soldier
fed with death in his jungle

be the bystander, be the bi-partisan,
the *******, the timeless,
the dancer
be it all

breathe each increment
do it now
measure the infinite
the possible


MChallis © 2015
martin challis Feb 2015
One

The body is a song
Beat after beat the drummer keeping time
Saves one beat for you and one for the heart of the world

Two

When humans care for orphaned gorillas
They are human beings – being human
The gorillas
Witness to an endangered species.

Three

Three wise men arrive in Las Vegas. They're confused. The city of stars accepts their gifts in return for chips and exchanges their camels for Pontiacs.
Eventually the three men run out of goodwill and are asked to leave the star-city.
Now each of then wears self-correcting sunglasses, far more cautious when following the brightness of artificial light.

Four

The world is a box with clear sides
Through this we see the sky dark and the sky light
We see four directions on all horizons
And constellations that rise and fall
Shut your eyes and listen carefully
You can hear the lid open every time one of us enters
And one of us leaves.

Five

The lad in the schoolyard solves a problem with the same
Mathematical precision of his father
He counts on his five fingers and divides them
Into one tight fist
With this math he gets a perfect score and
None argue with the result.

Six

When all the world clocks stop ticking.
They will each tell of a different time: during rush hour, before the interview, at the moment of martyrdom, just after take off, when war is declared, the date and time of your birth.
On any given day each one will tell the truth - at least twice.

Seven

Seven sons were seven suns a'shine on everyday
Yet seven suns one day went dark to shine another way
Seven dwarves in darkening hue imminently benign
No longer to bright any sky and none would see the sign

Eight

Eight accounts of starving populations
Eight charity organisations seeking aid
Eight million raised per quarter
Quartered by eight reasons to extract a share
Before the rest is shared to the rest
Who continue to starve.

Nine

Nine millimetre cannon kills you with a slightly larger calibre than eight millimetre cannon. Makes a slightly larger hole, travels slightly quicker, has a slightly longer trajectory, provides a slightly louder thud or thwuk when it hits the target.
This knowledge may not prevent you from coming to harm; but at least if killed by nine millimetre cannon, you'll die well informed.

Ten

How many cynics does it take to change a light bulb?
As many as it takes to be satisfied with this as an ending.



MChallis © 2015
martin challis Jan 2015
The teeth of hierarchy flash
a scowled curse in quick lightening.

This hard edge does not hunger for food.

His, is a stare into a desert battle-ground:
dry-rasping, gaunt and unforgiving,

A Goliath.
And me - envious of stones in the desert.
The '*******’ in the eye of his razor.

My punishment waits like a
missionary’s head in a bucket
(its smile still praising in a tribal trophy necklace).

His armoured lips sip hot-dipped darkness
deep from the volcano.

The boy in class with my blood in his schoolbag.
The teacher dripping words of impatience onto my flight plan.

Head down, writing escape from the demon
Furiously - until the last bell.



MChallis © 2015
martin challis May 2015
At the centre

Of your being

Is a mystery

Quieter, stronger

More silent that imagined

You can anchor there

In all seas and seasons

It is close by,

And always possible to

Enter in simplicity

Such stillness


MChallis © 2015
martin challis Nov 2014
...and going to state...action.

The jade edge of the writing compartment showed luminescent in the venetian-split rays of an afternoon sun.

Pillar Vas-Gurta gestured a heavy mop like hand towards the cigar case.

Take as many as you like, he mouthed. But everything suspicious
caused in me an urgent decline.  You are always too generous Pillar,
I uttered with feigned diplomacy; the dense undertow carrying off the forfeit.

Why are the Arm-ericans not displaying a greater sense of co-operation,
Pillar questioned the telephone in thick Polish, and to me the single nod of a telephone rung off, his reply was as good as a grunt.

As he finished the call; Ah now, come sit young Valentin, if you’ll none of my Cubans come sit and sip Cognac with me at least, spend a moment with an excellent mint.

Untroubled by the American question, Pillar, eyes like hurricanes, hair curled on his forhead with the oil of a whistle, teeth forged, as if by a village blacksmith, patient and keen to devour conversation, was not a man to be declined twice in one afternoon.

Pillar was a man who’s stubble grew as he considered each of his thoughts: and the skewer fed silence that connected fear with steel.

I sense Valentin you are withholding something, are you troubled, rumbled the Polish border, is the Cuban smoke a little too dense for your sensibilities, My friend, my friend you are troubled, so tell me.

Please. I answered for the cognac. And for the writing compartment.
I see it is from Gabriella.  His flash, dense and swift as a school of minnows turning their escape into silver, caught me unaware; the weight in my question.

He loves this woman. Here it is then. Even Pillar is vulnerable.

You do not answer Valentin. No I’m sorry, I mumbled. Something troubles me. Please tell me Pillar, why am I here, why have you called me.

Ah the question that cuts to chase the rabbit. As you say. Or something like that, no. You are here Valentin because I like you. You may think, there is nothing I like, and that also may be true. But the cigar must be smoked to appreciate its fullness.

And it that moment, Pillar reached for the razor in his sleeve. Before he was aware, I had seen the gesture. The heel of my shoe captured his nose. The cognac glass filled slowly; a distortion of colour. Pillar sat motionless at his desk. Draining with the final swill. The jade edge of the writing compartment offering a seal of approval; Gabriella's last kiss.
The cigar case remained open and untouched.

I had taken as many as I'd liked.

...and Cut..
This was an attempt at a 'thriller' poem written a while back.
martin challis Jan 2015
"In a spiral galaxy, the ratio of dark-to-light matter is about a factor of ten. That's probably a good number for the ratio of our ignorance-to-knowledge. We're out of kindergarten, but only in about third grade."*
Vera Rubin

In questioning existence
It's purpose and
Our place in the universe
The disprover looks for evidence from the Galaxy

No matter how extraordinary the measurements
Such as the size of the sun and it's distance from the earth
The ratio of dark to light matter
The number of atoms in each molecule of carbon
The countless number of solar systems
The disprovers will find no evidence of purpose or cause

I wonder if
they might be looking
In the wrong place

MChallis @ 2015
martin challis Feb 2014
Whatever experience you are having
Know that, it too shall pass.

Know that at times it will be okay to be not okay
And that, this too shall pass.

Within every experience
something will be there for you.

It will either touch the truth of who you are
Or it will ask you to look closer to find that truth.

On looking, the truth of who you are will draw closer
With patience, with acceptance, with courage, with love, with practice, you will touch it but not hold it.

Whatever experience you are having,
It too shall pass.
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