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 Mar 2013 Makiya
brooke
15:4
 Mar 2013 Makiya
brooke
Today I wore a dress. It was cold and my skin
pinched up in the wind. I hurt a strange and
angry sort of hurt today. Where my bones
shook and my stomach hurt but with my
sunglasses nobody on I-5 knew the difference
between singing and screaming and I ended up in Seattle
where the roads are confusing and the sky is stretched through
shuttle bus wires and the blinkers never stop, I may have blown a red
light but nobody noticed--especially when I ended up in Ballard. who knew
you could get back to Everett by skipping half the free way and by the time I
ended up back where I started I saw myself leaving hours earlier down the ramp,
decided I couldn't go home because I wasn't ready. I asked the boy at the ticket
counter which movie was the least less full? Sorry, least most full? Which theater
had the least amount of people (to see me cry) and he smiled strangely, but asked
for my ID. For a moment I remembered I wasn't 17, 17 was just that age where
you're allowed, I was so past allowed but here's my ID anyway, it was sticky.
I didn't watch that movie, what even happened? A man sat behind me,
grunting. I tried to cover my phone but my mind was elsewhere in
an anger that did not let me be mad. Instead I could only consider
the situation a hundred times over, consider the words
I could say, should say, would not say,
should not say, the things I should do,
the right
things (whatever they were)
the wrong things. At this point I noticed
the movie was crude, disgusting even. I hadn't even
laughed once. What kind of humor was
this? But again, my mind
was
elsewhere
and Stephanie wanted
to know where I was, where
are you? Where was I? I was at Costco
with mom earlier, how did I get here? I was laying on
my bed when I got that text but here I am now, soaked
in salt, although my bones no longer shake and my stomach
no longer hurts but these blankets know the difference between
screaming and singing, I know the difference. But I'm. Still. Here.
God, God, I don't know what to do or say or be. I don't
know what to do or say or be or say or do.
(c) Brooke Otto


today was unfortunately very long.
 Mar 2013 Makiya
PK Wakefield
morning
you cruelly who
in lust Springfully come

your mouth wet
feels in dew lathered




uncurling

brutish





pinkat
the fringes
cool steaming
in the jeer of rounding light
pierced at the aperture of closing
darkness by a ***** of slothful mounting earth upon earth
 Mar 2013 Makiya
Sean L
I drove down state road seventeen
without seeing a single car.

It was sunny, arguably first days of spring.

Mexican men worked in the apple orchards.
They stood on ladders, pruning branches in a cloud of pink apple blossoms.

Smoke streams from my window, static hangs over the voices on the radio.

I turn right at grainery, I find the first town for miles.

After a high narrow bridge over Snake River,
I pull off near an abandon barn and take a ****.

I wonder how many people have killed themselves jumping from that bridge.
To live in isolation, and still be unable to escape. What do they run from?

There is no sound anywhere, except for me urinating.
Not the wind, nor animals, or machines. Only me.

Back on the road I drive on the edge of valley after valley.
The sun folds the sky into different shades.

The hills of the valleys are smooth from
millions of years of wind and rain.

The soil is thick with the silt of ashes, and sand.
The hills roll onward, almost forever.

I think back to the Mexican men working in the orchards.
Do they thank the rain, the silt, the rock?

Do I?

I approach my destination.
I greet my friend.

I observe his toddler as it learns to walk.

That night, my friend and I sit on stools.
In between drinks, I ask my friend,
"Do you thank the rain, the silt, and the rock?"

"When I remember to," he said.
 Mar 2013 Makiya
JL
In fact they will stop on rainy street corners
To read us behind glass black and white
Televisions flickering
They laugh at us and toss cigarette butts
Getting into taxis
Off to some important date
In old gilded hotel lobbies
But on the rainy street
Our poetry is lost
'Neath the hustle and buss
Of their everyday feet
 Mar 2013 Makiya
Steven Hutchison
I was angry when I saw her dancing.
She had no right.

Just last night she danced with me,
turning blues to pomegranates
and stepping on the seeds.

She walked through my corridors
(dim lights, bright-eyed)
painting the walls with broken expectations.

She whispered like a secret
she was now laying bare
at the tongues of anxious barbarians.

This morning her hips repulsed me,
churning smiles from grizzle
and burning coffee beans.

She had no right.
 Mar 2013 Makiya
Overwhelmed
people mill about,
most tourists, some locals,
looking at all the shiny jewelry
and the hand-made palm-frond baskets,
feeling the money in their pockets
and the sun on the back of their necks,
and somewhere else in the world
the president plots a drone strike
on a desolate desert in Asia,
and two Dutch florists make love
after a beautiful anniversary dinner,
and a spider dies silently after falling
under the sandal of a Brazilian child,
and somewhere there is an old rotting
apple left out from the morning meal,
and somewhere a scientist is weeping
with joy at his or her new discovery,
and somewhere there is a boy weeping
at the loss of his first and only love,
and somewhere people make a toast,
and somewhere someone drinks alone,
and somewhere there is a man writing
poetry about a place he just returned
from.

and somewhere there is a day,
and somewhere there is a night,
and somewhere the sun is just setting,
and somewhere the sun is just about
to rise.
 Mar 2013 Makiya
brooke
they have stayed friends
with all the people who
have ever hurt me,
******* stick
together I
guess.
(c) Brooke Otto


to everyone I know.
 Mar 2013 Makiya
brooke
I don't mind the cold
mornings or the piano
music that plays in the
shower, it's okay here
with the sweaters on
the floor and the
candles that do
not burn
anymore
because at
night my feet
are warm as I learn how
to be on my own and the
piano music plays, drops
the piano music plays
when I cover my face
with wet hair and
ask questions
in front of
the tile
like

hello
hello
are you
there?
(c) Brooke Otto
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