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Suddenly my thoughts run deeper
and become folded
inside the scent of the air
until they pull on my heart-strings
and watch
my tears cry tears of their  own.  
And I laugh and smile,
pretend to be happy
as if I don't remember
you're gone.

However, sorrow brings truth
as it closes in
to unravel the seconds
of each sleepless night
I have held for years unknown.  
And I realize,
it's time to move forward,
stop letting my tears
cry tears
of their own.
Copyright *Neva Flores @2013
 Mar 2013 Lumiere
CRH
Fickle.
 Mar 2013 Lumiere
CRH
I'm in Love
with a man
whose love
for me
it seems
is wired
to a switch.
And
without warning
something
last night
caused it
once again
to flip.

It used to
lead me
to question,
if he gives
a **** at all-
But now
I just
passively wonder
how I go
about getting
one installed.

For solitude
is  less
intimidating,
than insecurity
and fear.
And laying
awake alone
is better
than company
that's
adjacent
but ultimately
insincere.

Even though
I should leave
I will place
my troubled
questions
in boxes
to forget
about tonight.
Endure the
deep breaths
and eye rolls
and stay
if only out
of sheer
stubbornness,
exhaustion,
or maybe
out of
spite.
Old poem. Familiar feelings.
 Mar 2013 Lumiere
robin
just addicted to lovelessness,
i guess,
addicted to the feeling of something that could be
a distant cousin of loss,
but can’t be loss when it wasn’t there to begin with.
a cousin of loss and brother of bereavement,
a lexiconical gap
in the english maw,
a space where the definition slipped out
but the word never grew in.
a gap where a word should be,
a word meaning missing something you never had,
losing something that was never yours,
grieving for something that never looked your way
or graced you with its pain.

insomnia of the soul,
unable or unwilling to droop into the catatonic stupor
of love,
until my eyes ache with open,
and my heart aches with empty
and just beautiful aches and pains,
like stiff joints filled with sterling silver
or arthritic necklace clasps.
my tongue is tin because the argentine
is in my hands,
silver in the space between the carpals,
oozing precious metals
onto the page.
writing in second-best so that it’ll stay.
writing second-rate love letters
and pretending they’re real,
like the words i moan mean something other than
hello
i’m lonely
who are you?

like i’m not the girl who cried love
because the village had already learned
that wolves are lies,
and vice versa.
because faking it has always been my favorite pastime.
i’ll write love poems forever,
keep feeding my addiction for as long as it stays,
let my loveless track marks bloom cantankerous sores
on my ribs.
while i’m young
i’ll write poems of arthritis and weakness
and death,
because oh now i am immortal
invulnerable and omnipotent,
but when my bones are brittle and my flesh is loose
and my spine makes me bow to the earth,
my poems will be of life and strength
and god
because darkness is only beautiful when it isn’t
an imminent looming
future.
when i know i may die tomorrow,
i will write of bluejays
and of a love that never found me,
though it knocked on all the doors and called all the numbers,
waited on my porch while i hid in the closet,
nursing my ache
trying to fill a lexiconical gap
with bukowski
and insomnia.
supersaturated with emptiness
because all the words in the dictionary
can’t make up for the one that’s missing.
it changed the locks when it came,
shutting me out of my skull,
taking residence in my chest
and growing larger with each slow breath.
every huff of oxygen fed my
resident,
every injection of
late nights spent just writing,
every pill popped -
the lies that went down better
if i said them with a gulp of gin.
so my lovelessness cracked my ribs as it grew,
replaced my marrow with sterling silver
and i watched it happen like
a glacier devouring a desert
because i knew i would never survive loving something.
deserts were never made to run bounteous
with water.
just addicted to lovelessness,
i guess.
addicted to silver joints
and words that don’t exist.
 Mar 2013 Lumiere
Ugo
burn the light of fire
and wax the ears of injustice.

chide the moon
and bid ado to the reckless sun.

count the blessings of misfortunes
and wave verbs in the air--
breathing the hopeful breaths of married sandals

Label the pains of a billion rain drops and fawn the feathers
of a nightingale over the glory of failed
triumphs known as yesterday.

break the hands of a wristwatch and make a ******* of time--
for through the God in Satan was how Earth was won.
 Mar 2013 Lumiere
jad
Jerome
 Mar 2013 Lumiere
jad
I talked to an 77-year-old man who was washing the windows at Pizza Hut today.
He was young and so happy.
He was kind.
And wise.
He was rich.
He had no money.
He had nice eyes.
He was going blind.
He had a beautiful smile.
His teeth were rotten.
His name was Jerome.
And all he wanted to do was help people.
He taught me so much in 6 minutes.
So, there's this boy that I like.

He's everything I could want in a guy.

And there's this boy that I love.

He's everything I could want in a guy.

They're best friends.

They're both falling harder for me every day.

This
is
Stressful.
 Feb 2013 Lumiere
Tasha
The floor was cold under my bare feet as I crept down the stairs, listening to the noises that the house was making. The kind of noises it made when it thought everyone was asleep – the hum of the refrigerator, occasional clunks, the creaks as the walls warmed up and cooled down. By all rights, I should have been asleep.
Outside, the night was the impenetrable black that you only ever see in the dead of night, in the middle of winter. My face looked ghostly and pale in the glass of the window as I turned the tap, water sluggishly filling my glass. It was a peculiar feeling – like being disconnected from everything around you. Freefalling.

“Bit late, even for you.” I jumped, when I shouldn’t have. I don’t think you ever slept. “Couldn’t sleep?”

“Couldn’t stop thinking.”

“Ah.” Your shadow moved towards me across the room, and I watched your reflection in the frosty window.  “It’s cold.”

“I know.” This was how we worked, this shorthand. For a guy who never shut up, and a girl who never said anything, I suppose it wasn’t unusual.

“Aren’t you cold?”

“I’m not the one who’s half-naked.”

You chuckled, and I turned to look at you. Sweatpants hugging your hips and nothing else.

“Are you allergic to shirts?” I felt compelled to ask.

“I sleep naked. This is dressed up.” You smirked.

My cheeks flushed, and I was so grateful that the dark hid it. Suddenly, I was conscious of my pyjamas. Which was ridiculous – there was nothing wrong with sleepy sheepy.

You were watching me, that slow smile messing with my head.

“What?” I snapped irritably, uncomfortable with the weight of your gaze. “What?”

“Nothing.” You said, shaking your head. “You just look nice” you reached out, caught a wave of my hair, “with your hair down.”

I tugged away, making an impatient noise, and you dropped your hand to my arm. I looked up at you, wild eyed, and you stared back. I didn’t pull away.

For the first time in your life, your eyes weren’t dancing around, constantly distracted. They were still. We were still. We were trapped in that second.

“Are you cold?” I asked, and a part of me congratulated myself. That sounded almost normal, nice one.

You smiled slowly, your pupils huge and diluted. I wanted to tell them to stop, they were swallowing the green and it wasn’t fair.

“Not anymore.”

You reached your spare arm up and cupped the side of my neck, I watched your eyes, and they watched your hand. You tangled your long, pianist’s fingers in my hair, and looked up, into my eyes.

“Can I kiss you?”

Before, when we were dancing and I was so scared that the music was my drug, that I’d come around and know it had been a mistake, I had said no.

But there is nothing hypnotic about standing in a dark kitchen, skin crawling with the memory of shivers and when the soundtrack is the humming of the fridge.

“Yes.”

Your head dipped slowly towards mine, and I counted every second.

One.

I was falling.

Two.

Your breath touched my face, my eyes were closed.

Three.

Maybe you were falling too.

Four.

Your lips brushed mine, a whisper of a kiss, and then deepened. And suddenly we weren’t two, beautiful, broken teenagers with no way out and who were so, so tired. Suddenly, we were a girl in sheep pyjamas and a boy with smiling eyes. Suddenly, we were inconsequential to the grand scheme of things. Suddenly, we were all that mattered.

And when you pulled away, and my eyes opened reluctantly, I saw that you weren’t going to disappear. There was no pounding bass to hide behind and my hair was brushing my the bottom of my shoulder blades.

“Okay?” You said, and I watched the way your eyes sparked, my mind was humming.

“Okay.” I said, and I knew that, for the first time in a while, there would be no nightmares tonight.
 Feb 2013 Lumiere
J Patrick H
What is that reality that appears to me in dreams,
chock-full of misgivings and doubt. I counteract my fear of life
with my fears of slumber,
dust in my eyes and stiff as lumber.

In truth - I'm not stiffened
by fear,
by nausea,
post-pubescent sacrilege,
or all of the above.
I'm not up-kept,
grizzly with ennui;
I'm dizzy, confiding my loss.

I feel the lips that kiss
but can't be drawn: from mind,
stencil
paper
pen,
on sheets of thick
pale and
cellulose,
for the heart to mend.

My unsteady hand
is my fearful friend

A soft embrace
from a warm mind

Somber
and so full of Life
clung to by the scent of Death

Endowed
with an eternal promise and regret
from veins of plants
or the glow of stars.
Cold, mechanical debt.

(my heart, so full of...)

(my mind, so hot with...)

(my body, trembling in...)

I am gulf-like
a stream full of trees and glass
echoing a promise of shattering wind.

Will I be published
after my death,
asleep predating, a life conceived.
Will I live to see myself alone,
and to discover
that which I'm not?
Or will I stutter
and wallow a curse,
Up towards the sky,
Until the final verse.
On a boast
or chasing the Rail,
pale as dirt, and shallow still.

Will my true love abandon,  break, strain,
Burn away the wax,
or hurry to blame?

Omit my evils from the star-charts,
then just to vacate the void.
From the half-broken corridors of rocks,
nooks, crannies.
Carry laughter through the night
burn the effigy bowed-down,
before dawn's courageous,
ever-splaying light

Angels,
of Carlo and Marx,
plenty by noon
festoon,
again by day
thus replay,
Endeavor to infinity, fair child.
Remold the light by Day
and remold the Day
by Night.
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