who knows if the moon’s
a baloon,coming out of a keen city
in the sky—filled with pretty people?
(and if you and i should

get into it,if they
should take me and take you into their baloon,
why then
we’d go up higher with all the pretty people

than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody’s ever visited,where

always
            it’s
                   Spring)and everyone’s
in love and flowers pick themselves

I think that I shall never see
A leaf as lovely without a tree
When it falls upon the ground
So gently placed to be found.
A child gathers it in her hands
Carefully places it on the sands
Hoping to grow a brand new tree
For all the world new life to see.

I really do judge
what I write as I write it.
Childish, boastful, self-
absorbed, morbid, pathetic,
simple-minded. You
know, the works. We all have to
be critical in
life or nothing is sacred.
N o t h i n g
m a t t e r s .
Everything will exist and
it won't mean a ****
thing.

An Informal Bit of Nothing

For we have thought the larger thoughts
    And gone the shorter way.
And we have danced to devil's tunes,
    Shivering home to pray;
To serve one master in the night,
    Another in the day.

Forty-seven birds,
On a line at the station.
A momentary surge,
Severed all relations.

Like food poisoning,
At a picnic.

Wilson and Pilcer and Snack stood before the zoo elephant.

     Wilson said, "What is its name? Is it from Asia or Africa? Who feeds
it? Is it a he or a she? How old is it? Do they have twins? How much does
it cost to feed? How much does it weigh? If it dies, how much will another
one cost? If it dies, what will they use the bones, the fat, and the hide
for? What use is it besides to look at?"

     Pilcer didn't have any questions; he was murmering to himself, "It's
a house by itself, walls and windows, the ears came from tall cornfields,
by God; the architect of those legs was a workman, by God; he stands like
a bridge out across the deep water; the face is sad and the eyes are kind;
I know elephants are good to babies."

     Snack looked up and down and at last said to himself, "He's a tough
son-of-a-gun outside and I'll bet he's got a strong heart, I'll bet he's
strong as a copper-riveted boiler inside."

     They didn't put up any arguments.
     They didn't throw anything in each other's faces.
     Three men saw the elephant three ways
     And let it go at that.
     They didn't spoil a sunny Sunday afternoon;

"Sunday comes only once a week," they told each other.

LONG ago I learned how to sleep,
In an old apple orchard where the wind swept by counting its money and throwing it away,
In a wind-gaunt orchard where the limbs forked out and listened or never listened at all,
In a passel of trees where the branches trapped the wind into whistling, "Who, who are you?"
I slept with my head in an elbow on a summer afternoon and there I took a sleep lesson.
There I went away saying: I know why they sleep, I know how they trap the tricky winds.
Long ago I learned how to listen to the singing wind and how to forget and how to hear the deep whine,
Slapping and lapsing under the day blue and the night stars:
  Who, who are you?
  
Who can ever forget
listening to the wind go by
counting its money
and throwing it away?

Rouge, threaded dragons intertwined with oriental cherries
stain a mockery of silk spread across an unsteady table.
The lady, dwarfed by the redwood counter,
has skin stretched taught across the bones of her temples
only to softly be drooped and draped around her jowls.
She caught both my eyes in the little dips of her palms
but wrinkles worked onto her face are focused on receipts
and she is obviously oblivious that her hands, veined with sickly blue,
had struck me so hard that my head is thudding numbly.
Her nails are narrow and naturally long,
set into the spotted skin of her delicate fingers,
pulling at a memory bathed in red by the Chinese lanterns
hanging over me, the couple near the kitchen and tiny Mrs Huang.
Her hands gesture to me after calling my order twice  
and I walk towards them to take the sterile, plastic packet
so that I can finally exit to the alley and spit into the gutter
a touch of an image much too familiar
to only belong to Mrs Huang.