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You dug through the trash
Searching for something in
The refuse
Now all you want is me
And you will never
Get it

I never lived in the dump you frequent
 Mar 2014 Lexi Cairns
antivenoms
A forest fire is reckless and wild
Scorching anything and everything in its path without a thought
Wreaking havoc on the helpless trees
Melting the foliage to ashes
Choking them with the smoke of their own self destruction
As they watch themselves burn
Then vanishing into nothingness
Leaving the woods charred and broken
Branded with the blackness of the flame's presence-
A signature left behind to claim the wreckage
And proudly display it as the flame's handiwork.

I am the woodland, and you are the inferno.
(first draft.)
 Mar 2014 Lexi Cairns
Lana
Morning
 Mar 2014 Lexi Cairns
Lana
Morning slips in
like a wide-eyed child
at my bedside,
I roll over
and smile,
ready to play.
I sit on a swing
Unstable and free
I slide through the air
No one notices me

I sit on a swing
With a noose on my neck
The seat falls out
My life was a wreck

They put up a swing
To remember me by
The swing never swings
Their act was a lie

The tree crushed the swing
They cut that ***** down
My memory is gone
But my ghost is around
 Mar 2014 Lexi Cairns
Katryna
"what are you holding on to?"

the question wasn't rhetorical but the earth stood still. the clocks stopped ticking and the distant hum of car engines was silenced. even the street lights with their comforting buzz, stopped abruptly to take a pause. the stars nearly fell out of the sky, and nothing twinkled and danced in your dilated pupils. the air was dead and the strands of hair the wind had taken hostage were offered respite as they fell like pins down my back. the world faded - not into black - into nothing, into complete and absolute emptiness. your cigarette smoke hung in the air and the filter never came nearer and nearer. my heart, by some miraculous count, stopped racing long enough to reduce the sound in my ears to complete and utter silence.

i tried to answer, but all that came out was "I think we should paint the apartment soon."

you stared, "we should paint the apartment?"

"yes, I think so, it's so awfully bland. it makes me feel cold."

"why does it make you feel cold?"

"because of the absence of colour."

"what do you make of the absence of warmth?" your eyes were saying less than your mouth, and my words kept getting stuck in my throat.

"I think it's somewhere, maybe beneath the floorboards. we should change the floor, put in carpet. carpet is comforting."

"is that what you think? we can repaint and re-floor and we will be warm."

"I should think so. maybe a new bedspread, what do you think? we could go shopping maybe. tomorrow? or the day after?" my voice trailed off when your gaze shifted from my face to the ground.

"you're not holding on to renovation prospects and you're not answering my question."

in this state of universal paralysis, i became the focal point of the entire universe, to everything but you. i took a breath, and held it in, i thought and thought and though carbon copied hallmark responses danced around my brain, i had no words. i had only this moment, of complete and utter stasis, of company among solitude, of enlightenment as my senses betrayed me and my emotions were given room to embrace this artificial reality.

"the colour of light"

i know this surprised you, and i know you don't know why, even to this day. so i continued.

"i'm holding on to the sound of silence, and the taste of reassurance despite. the cathartic feeling of abandoning the conscious mind and licking mercury from your eyelids. the putrefaction of tactile and the vicious assimilation of awareness. the relentless burning of the merriem-webster definition of what it means to feel, to be. i'm holding on to everything you've cultivated within my mind, every stream of consciousness you diverted and corrupted, every single thought you've planted and watered and allowed to spiral out of control. i'm holding on to the challenge. i'm holding on to knowing - and what i know, is nothing."

you blinked, one hundred and twenty three times exactly - before you spoke, "you're holding on to what you know."

it was less of a question than a statement but I answered nonetheless, my voice was meek, "yes"

"well then," you flicked your cigarette and exhaled a breath, "we should pick out paint colours tomorrow. what were you thinking? red?"

"red is alive."

"grey it is then."

"but grey is oh so dull," I said, devoid of emotion.

you looked up for the first time in a while, "yes, I know, i'm holding on to what I know."

i heard a car horn or two. the colours returned and the sky had in fact remained full of stardust. we walked, quite a distance, until our senses once again became the paragon of normalcy. we both knew the ambiguity of my answer, we both knew that it ran deeper than we wanted to face, and we both knew that despite the inundation of motion in the perceivable world, the earth had not yet, begun to spin again.
don't feel sorry for me.
I am a competent,
satisfied human being.

be sorry for the others
who
fidget
complain

who
constantly
rearrange their
lives
like
furniture.

juggling mates
and
attitudes

their
confusion is
constant

and it will
touch
whoever they
deal with.

beware of them:
one of their
key words is
"love."

and beware those who
only take
instructions from their
God

for they have
failed completely to live their own
lives.

don't feel sorry for me
because I am alone

for even
at the most terrible
moments
humor
is my
companion.

I am a dog walking
backwards

I am a broken
banjo

I am a telephone wire
strung up in
Toledo, Ohio

I am a man
eating a meal
this night
in the month of
September.

put your sympathy
aside.
they say
water held up
Christ:
to come
through
you better be
nearly as
lucky.
She slides over
the hot upholstery
of her mother's car,
this schoolgirl of fifteen
who loves humming & swaying
with the radio.
Her entry into womanhood
will be like all the other girls'—
a cigarette and a joke,
as she strides up with the rest
to a brick factory
where she'll sew rag rugs
from textile strips of kelly green,
bright red, aqua.

When she enters,
and the millgate closes,
final as a slap,
there'll be silence.
She'll see fifteen high windows
cemented over to cut out light.
Inside, a constant, deafening noise
and warm air smelling of oil,
the shifts continuing on ...
All day she'll guide cloth along a line
of whirring needles, her arms & shoulders
rocking back & forth
with the machines—
200 porch size rugs behind her
before she can stop
to reach up, like her mother,
and pick the lint
out of her hair.
Only in darkness
Is it possible to see
Light at tunnel's end
Leave the lights off for me ;-)
 Jan 2014 Lexi Cairns
Emily
Nothing
 Jan 2014 Lexi Cairns
Emily
You mean nothing to me
All you're good for
Is some ****** poetry
© Peyton 2013
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