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 Apr 2013 Kimberle Killips
John
Subatomic particles
They jitter and bug on
Like the people
Late for work
That I see rushing about
Every day on the street
Just trying
To make something happen

A change
Is a positive thing
Well, you'd hope so
When something
Or someone
Or somewhere
Alters their way
When they or it
Evolves
You always hope for the best
But sometime
People, places, things
Nouns
Degenerate

And it's a shame

But it doesn't have to be that way

So
Here's to evolving
Here's to change
Here's to regenerating
Into something
Better
Bigger
Staggering
On our next
Run 'round
 Apr 2013 Kimberle Killips
John
"I hate flowers," she said, her mouth curling toward the ground.
What kind of a woman hates flowers?
"I love nature. I'm in love with nature. But the thought of a flower as a token of affection makes me sad."
"Oh," slipped out of my mouth, barely audible. "Well what would make you happy then?"
After a moments pause with her eyes on my shoes, she looked up and directly into my pupils she said: "A minute."
After another pause, she opened her mouth again; "Just a minute."
And so I squatted down right there in the hill, the carpet of never ending grass beneath us swaying lazily in rhythm with the invisible wind. I sat. She bent down and followed my lead.
And I gave her a minute. Many minutes that managed to blend into each other without my notice and before I knew it, it was dusk. The Sun peered out over the vast horizon, letting us both know that the time we had spent sitting silently had lapsed and appeared to us as no time time at all. It was just the grass, the sky, the wind, the Sun and us.
When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.

When Nag the basking cobra hears the careless foot of man,
He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.

When the early Jesuit fathers preached to Hurons and Choctaws,
They prayed to be delivered from the vengeance of the squaws.
’Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.

Man’s timid heart is bursting with the things he must not say,
For the Woman that God gave him isn’t his to give away;
But when hunter meets with husband, each confirms the other’s tale—
The female of the species is more deadly than the male.

Man, a bear in most relations-worm and savage otherwise,—
Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact
To its ultimate conclusion in unmitigated act.

Fear, or foolishness, impels him, ere he lay the wicked low,
To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger—Doubt and Pity oft perplex
Him in dealing with an issue— to the scandal of The ***!

But the Woman that God gave him, every fibre of her frame
Proves her launched for one sole issue, armed and engined for the same;
And to serve that single issue, lest the generations fail,
The female of the species must be deadlier than the male.

She who faces Death by torture for each life beneath her breast
May not deal in doubt or pity—must not swerve for fact or jest.
These be purely male diversions—not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.

She can bring no more to living than the powers that make her great
As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unclaimed to claim
Her right as femme (and baron), her equipment is the same.

She is wedded to convictions—in default of grosser ties;
Her contentions are her children, Heaven help him who denies!—
He will meet no suave discussion, but the instant, white-hot, wild,
Wakened female of the species warring as for spouse and child.

Unprovoked and awful charges— even so the she-bear fights,
Speech that drips, corrodes, and poisons—even so the cobra bites,
Scientific vivisection of one nerve till it is raw
And the victim writhes in anguish—like the Jesuit with the squaw!

So it cames that Man, the coward, when he gathers to confer
With his fellow-braves in council, dare not leave a place for her
Where, at war with Life and Conscience, he uplifts his erring hands
To some God of Abstract Justice—which no woman understands.

And Man knows it! Knows, moreover, that the Woman that God gave him
Must command but may not govern—shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail,
That the Female of Her Species is more deadly than the Male.
Love isn’t a feeling
Love isn’t an action
Love isn’t a person
Love is a place.

It’s the cave of wonders
It’s a hospital room filled with new life, balloons, and flowers
It’s an altar in a church in the countryside of a town unknown
while a man pleads for the soul you’re not ready to give.
It’s a tent pitched next to the lake while fish cook over a crackling fire

It’s a home with a swing-set in the backyard with a dog tied to a banana tree, while naked children dance through sprinklers.
It’s the treehouse in the neighbor's backyard
It’s a living room where friends sit and play Nintendo 64
It’s a bathtub with bubbles and a book and a beverage

Love isn’t butterflies in your stomach
It’s a butterfly garden at the city zoo on a hot Saturday morning
with butterflies flittering and fluttering and flattering around.

Love isn’t jumping in front of a train for someone
It’s the parking lot of a hospital you run through to stand by a death bed, reading from a Bible you haven’t opened in twenty years.

Love isn’t your parents or brothers or sisters or cousins or friends
It’s the patio screened in, with the rain tap dancing on its roof,
while a father of three snores peacefully in a rocking chair.

Love is Calvary’s hill
It’s a trustworthy bank
It’s a dog kennel jam-packed with the loyal, the faithful, the brave, and the true
Love is an underground railroad connecting those who belong together.
edited 8/23/14
Karma is a *****
(please excuse my french)
She turns right around to bite you in your derrière
I played him for you
You played me for God knows who...
I thought you were the one
My mistake
Now that I look back on the mornings we'd just stare into each others eyes
It was all a disguise
I'm drawing the line
You're poison to me.
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